THE SECRET BEYOND DALTON’S DREAMS TRAVEL IN JAMES WAN’S INSISDIOUS MOVIE (2010) The Secret Beyond Dalton’s Dreams Travel In James Wan’s Insisdious Movie (2010) A Psychoanalytic Approach.
THE SECRET BEYOND DALTON’S DREAMS TRAVEL IN JAMES
WAN’S INSISDIOUS MOVIE (2010)
A PSYCHOANALYTIC APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of Requirements
for Getting Bachelor Degree of Education
in English Department
by
IMAM NUR PRAYOGI
A 320 080 182
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2013
APPROVAL
THE SECRET BEYOND DALTON’S DREAMS TRAVEL IN
JAMES WAN’S INSIDIOUS MOVIE (2010)
A PSYCHOANALYTIC APPROACH
by
IMAM NUR PRAYOGI
A 320 080 182
Approved to be Examined by
the Consultants Team
Consultant I
Consultant II
i
ACCEPTANCE
THE SECRET BEYOND DALTON'S DREAMS TRAYEL IN
JAMES WAN'S INSIDIOUS M-OV[E (2OTO)
A PSYCHOANALYTIC APPROACI{
by
IMAM NUR PRAYOGI
A 320 080 182
Accepted and Approved by the Board of Examiners
School of Teacher Training and Education
Muhammadiyah University of Surakarta
.2013
On.........
Team of Examiners:
1.
Dr. Phil.Ilewi Candraningrum, M'Ed'
(Chair Person)
Drs. Sigit Haryanto M-Hum.
(Member I)
Drs. Abdillah Nugroho, M.Hum'
(Member
II)
{#
Dean,
Setyaningsih, M.Si.
Sd*"+'-fg
TESTIMONY
This present, the researcher states that in this paper, there is no plagiarism
of
of the previous literary work which has been raised tf, obtain Bachelor Degree
University, nor there are opinions or masterpieces which has been written or
published by others, expect referred written in this research paper and mentioned
in the bibliograPhY.
If it is proved that there are mistakes in the researqher's statements
later in the future, the researcher will be wholly responsible.
Surakarta,
111
above
MOTTO
The sun is gone, but I have a light.
Kurt Cobain
iv
DEDICATION
This research paper is dedicated to:
1. My Lord, Allah SWT.
2. My lovely family ,my beloved
mother and father, and sisters.
3. My beloved friends.
4. My beloved teacher in my life.
5. People who are willing to read
this research paper.
v
SUMMARY
IMAM NUR PRAYOGI. A 320 O8O 182. THE SECRET BEYOND
DALTON'S DREAMS TRAVE_L.IN JAMES WAN'S INSIDIOAS
MOVrE (2010) A PSYCHOANALYTTC A?PROACH
of
This study is about the secret in insidious movie z01r}. This objective
emotional and
the study is to apply the psychoanalytic approach to analyze the
character building in insidious movie'
the
The writer use Freud's major point of psychoanalytic to answer
which data are
problem of the study. The study is descriptive qualitative research
data is
taken from script of insidious movie. The technique of analyzing
descriptive
the struetural
The study oomes to the fullowing conclusion. First, based on
plot'
analysis of each elements, it shows that the character an characterization'
sound, and
setting, point of view, theme, casting, mise en scene, cinematograPhY,
on the
editing are related to each other and from the unity. Second, based
psychology is
psychoanalytic analysis, human has different psychology. The
freedom to choose and
based on different id, ego and super ego. Human has a
will appear an anxiety'
then responsible for the psychology. The responsibility
has to believe each
James Wan wants to convey a moral message that human
other and we are not live alone in this world'
element
Keyword: The anxious, Dahon, believing and responsibility, structural
ffi:ry
W
ACKNOWLEDGMENT
Assalamualaikum wr.wb.
Alhamdulillahhirobbil’alamiin, praise is to ALLAH SWT who has given
her divine direction and guidance so that the researcher can accomplish his
research
paper
entitled
“THE
SECRET
BEYOND
DALTON’S DREAMS TRAVEL IN JAMES WAN’S INSIDIOUS
MOVIE (2010) A PSYCHOANALYTIC APPROACH”. This
research paper is presented as a partial fulfilment of the requirements for getting
bachelor degree of education in English Department of University Muhamadiyah
of Surakarta.
However, this success would not be achieved without the help, guidance,
and support from others. Therefore, the researcher would like to express his
gratitude to the following persons:
1.
Dra. Nining Setyaningsih, M.Si. Dean school of teacher training and
Education, Muhamadiyah University of Surakarta,
2.
Titis Setyabudi, S.S. M.Hum. The Head of English Departemen,
Muhammadiyah University of Surakarta,
3.
Dr. Phil. Dewi Candraningrum, M.Ed. The first consultant who has
given encouragement, guidance in doing and finishing the paper,
4.
Drs. Sigit Haryanto M.Hum. The second consultant who had given
correction, suggestion and advice patienly and wisely,
vii
5.
His betoved motter and father for the tove and affection, their prap 1ove,
and motivation,
6.
His beloved sisters Dyah setyarini for the trust, support afFection and pray,
7.
His beloved big family for big support, love, laugh,
Pt&Y, motifation,
gathering, all of good quality time to share,
8.
His pretfy love Pradipta Mahadevi
Putri for togetherness,
loves, believes,
honest, patience, times, sacrifice, support, all moments, and everything had
been givento him.
9.
All His closest friends Arfin, Devi, f,'.ndah, Arin, Yuli, Yuny, Artanti,
Andre, Salmann Vino, Momo, Radius for giving his the best moment and
supports to finish this study, and other friends.
10.
His organization family, Rapma Fm family
11.
ilffimmmadiyah unirrersify of surzkarta for the sweet momett and his
second home during four Years, and
12.
Everyone that he forgets to mention one by one'
Finally, he realizes that this research paper is still far from being perfect'
Ttrerefore tre rreeds supportive criticisms and suggestisns to mat€ this research
paper better. He also hopes this research
will be useful for thosa who want to
study James Wan's Insidious and enrich the reader's knowledge dealing with the
study.
tlas s al amual aikum wr.w b.
vlll
TABLE OF CONTENT
Page
TITLE
APPROVAL ................................................................................................
i
ACCEPTANCE...........................................................................................
ii
TESTIMONI ...............................................................................................
iii
MOTTO ......................................................................................................
iv
DEDICATION ............................................................................................
v
SUMMARY .................................................................................................
vi
ACKNOWLEDGMENT.............................................................................
vii
TABLE OF CONTENT ..............................................................................
ix
LIST OF FIGURE ......................................................................................
xiii
CHAPTER I: INTRODUCTION ...............................................................
1
A. Background of the Study ...................................................
1
B. Literature Review ..............................................................
5
C. Problem Statements ...........................................................
5
D. Limitation of the Study .....................................................
5
E. Objective of the Study .......................................................
5
F. Benefit of the Study ..........................................................
5
CHAPTER II: UNDERLYING THEORY ................................................
7
A. Notion of Psychoanalysis ..................................................
7
B. The Principle of Psychoanalysis ........................................
8
1. Id .................................................................................
8
ix
2. Ego ..............................................................................
8
3. Super Ego ....................................................................
9
C. Dream theory ...................................................................
20
1. Freud theory ..................................................................
10
a. Freudian Dream Tools ...............................................
12
b. Jung theory................................................................
14
D.Structural Elements of Movie .............................................
18
1. Narrative Elements........................................................
18
a. Character and Characterization ................................
18
b. Casting ...................................................................
19
c. Plot .........................................................................
19
d. Setting .....................................................................
20
e. Point of View ..........................................................
21
f. Theme .....................................................................
22
2. Technical Elements of the Movie
a. Mise- en- Scene .......................................................
22
b. Sound ......................................................................
23
c.
Cinematography .....................................................
24
d.
Editing....................................................................
25
E. Theoretical Application ....................................................
27
F. Research Method ...........................................................
27
1. Type of the Study ......................................................
27
2. Object of the Study ....................................................
27
x
3. Type of the Data and the Data Source ........................
28
4. Technique of the Data Collection ..............................
28
5. Technique of the Data Analysis .................................
28
6. Research Paper Organization .....................................
29
G. Bibliography ...................................................................
30
CHAPTER III: STRUCTURAL ANALYSIS OF MOVIE ......................
30
A. Narrative Element of the movie .........................................
30
1. Character and Characterization ...................................
30
2. casting........................................................................
35
3. Plot ............................................................................
36
4. Setting ........................................................................
42
5. Point of View .............................................................
44
6. Theme ........................................................................
45
B. Technical Elements ...........................................................
45
1. Mise- en- Scene .............................................................
45
2. Sound ...........................................................................
47
3. Cinematography ............................................................
47
4. Editing ..........................................................................
49
C. Discussion .........................................................................
50
CHAPTER IV: PSYCHOANALYTIC ANALYSIS ................................
54
A. The Structure of Josh’s Personality ..............................
54
1. Id ...............................................................................
54
xi
2. Ego .............................................................................
59
3. Super Ego ....................................................................
62
B. Anxieties of Josh’s Mental Condition ............................
65
1. Realistic Anxiety .......................................................
65
2. Neurotic Anxiety .......................................................
66
3. Moral Anxiety ...........................................................
69
4. Discussion .................................................................
70
CHAPTER V: CONCLUSION AND SUGGESTION ...............................
75
A. Conclusion ........................................................................
75
B. Educational Implication ....................................................
76
C. Suggestion.........................................................................
77
BIBLIOGRAPHY .......................................................................................
78
xii
LIST OF FIGURE
Page
Figure 1. Renai ............................................................................................
31
Figure 2. Renai and Dalton ...........................................................................
31
Figure 3. Josh ...............................................................................................
33
Figure 4. Dalton ...........................................................................................
33
Figure 5. foster .............................................................................................
34
Figure 6. Lorraine ........................................................................................
35
Figure 7. Elise ..............................................................................................
35
Figure 8. Renai and Foster ............................................................................
37
Figure 9. The shadow man ............................................................................
39
Figure 10. Renai and Josh ............................................................................
40
Figure 11. The olds women hand ..................................................................
42
Figure 12. Front house ..................................................................................
43
Figure 13. inside of the house .......................................................................
43
Figure 14. love and care ................................................................................
55
Figure 15. Worries ........................................................................................
56
Figure 16. Love.............................................................................................
57
Figure 17. Renai II .......................................................................................
59
Figure 18. Josh II .........................................................................................
61
Figure 19. Josh and Renai ............................................................................
63
Figure 20. Josh and Renai II .........................................................................
64
xiii
Figure 21. Josh III ........................................................................................
65
Figure 22. observasing .................................................................................
67
Figure 23. Elise and Josh ..............................................................................
69
xiv
WAN’S INSISDIOUS MOVIE (2010)
A PSYCHOANALYTIC APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of Requirements
for Getting Bachelor Degree of Education
in English Department
by
IMAM NUR PRAYOGI
A 320 080 182
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2013
APPROVAL
THE SECRET BEYOND DALTON’S DREAMS TRAVEL IN
JAMES WAN’S INSIDIOUS MOVIE (2010)
A PSYCHOANALYTIC APPROACH
by
IMAM NUR PRAYOGI
A 320 080 182
Approved to be Examined by
the Consultants Team
Consultant I
Consultant II
i
ACCEPTANCE
THE SECRET BEYOND DALTON'S DREAMS TRAYEL IN
JAMES WAN'S INSIDIOUS M-OV[E (2OTO)
A PSYCHOANALYTIC APPROACI{
by
IMAM NUR PRAYOGI
A 320 080 182
Accepted and Approved by the Board of Examiners
School of Teacher Training and Education
Muhammadiyah University of Surakarta
.2013
On.........
Team of Examiners:
1.
Dr. Phil.Ilewi Candraningrum, M'Ed'
(Chair Person)
Drs. Sigit Haryanto M-Hum.
(Member I)
Drs. Abdillah Nugroho, M.Hum'
(Member
II)
{#
Dean,
Setyaningsih, M.Si.
Sd*"+'-fg
TESTIMONY
This present, the researcher states that in this paper, there is no plagiarism
of
of the previous literary work which has been raised tf, obtain Bachelor Degree
University, nor there are opinions or masterpieces which has been written or
published by others, expect referred written in this research paper and mentioned
in the bibliograPhY.
If it is proved that there are mistakes in the researqher's statements
later in the future, the researcher will be wholly responsible.
Surakarta,
111
above
MOTTO
The sun is gone, but I have a light.
Kurt Cobain
iv
DEDICATION
This research paper is dedicated to:
1. My Lord, Allah SWT.
2. My lovely family ,my beloved
mother and father, and sisters.
3. My beloved friends.
4. My beloved teacher in my life.
5. People who are willing to read
this research paper.
v
SUMMARY
IMAM NUR PRAYOGI. A 320 O8O 182. THE SECRET BEYOND
DALTON'S DREAMS TRAVE_L.IN JAMES WAN'S INSIDIOAS
MOVrE (2010) A PSYCHOANALYTTC A?PROACH
of
This study is about the secret in insidious movie z01r}. This objective
emotional and
the study is to apply the psychoanalytic approach to analyze the
character building in insidious movie'
the
The writer use Freud's major point of psychoanalytic to answer
which data are
problem of the study. The study is descriptive qualitative research
data is
taken from script of insidious movie. The technique of analyzing
descriptive
the struetural
The study oomes to the fullowing conclusion. First, based on
plot'
analysis of each elements, it shows that the character an characterization'
sound, and
setting, point of view, theme, casting, mise en scene, cinematograPhY,
on the
editing are related to each other and from the unity. Second, based
psychology is
psychoanalytic analysis, human has different psychology. The
freedom to choose and
based on different id, ego and super ego. Human has a
will appear an anxiety'
then responsible for the psychology. The responsibility
has to believe each
James Wan wants to convey a moral message that human
other and we are not live alone in this world'
element
Keyword: The anxious, Dahon, believing and responsibility, structural
ffi:ry
W
ACKNOWLEDGMENT
Assalamualaikum wr.wb.
Alhamdulillahhirobbil’alamiin, praise is to ALLAH SWT who has given
her divine direction and guidance so that the researcher can accomplish his
research
paper
entitled
“THE
SECRET
BEYOND
DALTON’S DREAMS TRAVEL IN JAMES WAN’S INSIDIOUS
MOVIE (2010) A PSYCHOANALYTIC APPROACH”. This
research paper is presented as a partial fulfilment of the requirements for getting
bachelor degree of education in English Department of University Muhamadiyah
of Surakarta.
However, this success would not be achieved without the help, guidance,
and support from others. Therefore, the researcher would like to express his
gratitude to the following persons:
1.
Dra. Nining Setyaningsih, M.Si. Dean school of teacher training and
Education, Muhamadiyah University of Surakarta,
2.
Titis Setyabudi, S.S. M.Hum. The Head of English Departemen,
Muhammadiyah University of Surakarta,
3.
Dr. Phil. Dewi Candraningrum, M.Ed. The first consultant who has
given encouragement, guidance in doing and finishing the paper,
4.
Drs. Sigit Haryanto M.Hum. The second consultant who had given
correction, suggestion and advice patienly and wisely,
vii
5.
His betoved motter and father for the tove and affection, their prap 1ove,
and motivation,
6.
His beloved sisters Dyah setyarini for the trust, support afFection and pray,
7.
His beloved big family for big support, love, laugh,
Pt&Y, motifation,
gathering, all of good quality time to share,
8.
His pretfy love Pradipta Mahadevi
Putri for togetherness,
loves, believes,
honest, patience, times, sacrifice, support, all moments, and everything had
been givento him.
9.
All His closest friends Arfin, Devi, f,'.ndah, Arin, Yuli, Yuny, Artanti,
Andre, Salmann Vino, Momo, Radius for giving his the best moment and
supports to finish this study, and other friends.
10.
His organization family, Rapma Fm family
11.
ilffimmmadiyah unirrersify of surzkarta for the sweet momett and his
second home during four Years, and
12.
Everyone that he forgets to mention one by one'
Finally, he realizes that this research paper is still far from being perfect'
Ttrerefore tre rreeds supportive criticisms and suggestisns to mat€ this research
paper better. He also hopes this research
will be useful for thosa who want to
study James Wan's Insidious and enrich the reader's knowledge dealing with the
study.
tlas s al amual aikum wr.w b.
vlll
TABLE OF CONTENT
Page
TITLE
APPROVAL ................................................................................................
i
ACCEPTANCE...........................................................................................
ii
TESTIMONI ...............................................................................................
iii
MOTTO ......................................................................................................
iv
DEDICATION ............................................................................................
v
SUMMARY .................................................................................................
vi
ACKNOWLEDGMENT.............................................................................
vii
TABLE OF CONTENT ..............................................................................
ix
LIST OF FIGURE ......................................................................................
xiii
CHAPTER I: INTRODUCTION ...............................................................
1
A. Background of the Study ...................................................
1
B. Literature Review ..............................................................
5
C. Problem Statements ...........................................................
5
D. Limitation of the Study .....................................................
5
E. Objective of the Study .......................................................
5
F. Benefit of the Study ..........................................................
5
CHAPTER II: UNDERLYING THEORY ................................................
7
A. Notion of Psychoanalysis ..................................................
7
B. The Principle of Psychoanalysis ........................................
8
1. Id .................................................................................
8
ix
2. Ego ..............................................................................
8
3. Super Ego ....................................................................
9
C. Dream theory ...................................................................
20
1. Freud theory ..................................................................
10
a. Freudian Dream Tools ...............................................
12
b. Jung theory................................................................
14
D.Structural Elements of Movie .............................................
18
1. Narrative Elements........................................................
18
a. Character and Characterization ................................
18
b. Casting ...................................................................
19
c. Plot .........................................................................
19
d. Setting .....................................................................
20
e. Point of View ..........................................................
21
f. Theme .....................................................................
22
2. Technical Elements of the Movie
a. Mise- en- Scene .......................................................
22
b. Sound ......................................................................
23
c.
Cinematography .....................................................
24
d.
Editing....................................................................
25
E. Theoretical Application ....................................................
27
F. Research Method ...........................................................
27
1. Type of the Study ......................................................
27
2. Object of the Study ....................................................
27
x
3. Type of the Data and the Data Source ........................
28
4. Technique of the Data Collection ..............................
28
5. Technique of the Data Analysis .................................
28
6. Research Paper Organization .....................................
29
G. Bibliography ...................................................................
30
CHAPTER III: STRUCTURAL ANALYSIS OF MOVIE ......................
30
A. Narrative Element of the movie .........................................
30
1. Character and Characterization ...................................
30
2. casting........................................................................
35
3. Plot ............................................................................
36
4. Setting ........................................................................
42
5. Point of View .............................................................
44
6. Theme ........................................................................
45
B. Technical Elements ...........................................................
45
1. Mise- en- Scene .............................................................
45
2. Sound ...........................................................................
47
3. Cinematography ............................................................
47
4. Editing ..........................................................................
49
C. Discussion .........................................................................
50
CHAPTER IV: PSYCHOANALYTIC ANALYSIS ................................
54
A. The Structure of Josh’s Personality ..............................
54
1. Id ...............................................................................
54
xi
2. Ego .............................................................................
59
3. Super Ego ....................................................................
62
B. Anxieties of Josh’s Mental Condition ............................
65
1. Realistic Anxiety .......................................................
65
2. Neurotic Anxiety .......................................................
66
3. Moral Anxiety ...........................................................
69
4. Discussion .................................................................
70
CHAPTER V: CONCLUSION AND SUGGESTION ...............................
75
A. Conclusion ........................................................................
75
B. Educational Implication ....................................................
76
C. Suggestion.........................................................................
77
BIBLIOGRAPHY .......................................................................................
78
xii
LIST OF FIGURE
Page
Figure 1. Renai ............................................................................................
31
Figure 2. Renai and Dalton ...........................................................................
31
Figure 3. Josh ...............................................................................................
33
Figure 4. Dalton ...........................................................................................
33
Figure 5. foster .............................................................................................
34
Figure 6. Lorraine ........................................................................................
35
Figure 7. Elise ..............................................................................................
35
Figure 8. Renai and Foster ............................................................................
37
Figure 9. The shadow man ............................................................................
39
Figure 10. Renai and Josh ............................................................................
40
Figure 11. The olds women hand ..................................................................
42
Figure 12. Front house ..................................................................................
43
Figure 13. inside of the house .......................................................................
43
Figure 14. love and care ................................................................................
55
Figure 15. Worries ........................................................................................
56
Figure 16. Love.............................................................................................
57
Figure 17. Renai II .......................................................................................
59
Figure 18. Josh II .........................................................................................
61
Figure 19. Josh and Renai ............................................................................
63
Figure 20. Josh and Renai II .........................................................................
64
xiii
Figure 21. Josh III ........................................................................................
65
Figure 22. observasing .................................................................................
67
Figure 23. Elise and Josh ..............................................................................
69
xiv