proceedingthe 1st international conference arts and arts education indonesia2014

EDING

Iffi
]'.r\.

PROCEEDING
The 1"t International Conference ofArts and Arts Education
in Indonesia (lCMEI 2014
March 5-6,2014

THEME:

RETHINKING THE HUMAN DIGNITY
AND NATION IDENTITY:
A REVIEW PERSPECTIVE OF ARTS
ANDARTS EDUCATION

Reviewers & Editors:
Dr. Kasiyan, M,Hum.
Dr. Widyastuti Purbani, M.A.
Ayu Niza Machfauzia, M.Pd.

Siti Sudartini, M.A.

PRESS

PROCEEDING
The 1st International Conference ofAns
and Arts Education in Indonesia 0CAAEJ 201a
March 5-6,2014

RETHINKING THE HUMAN DIGNITY AND NATION IDENTITY:
A REVIEW PERSPECTIVE OF ARTS AND ARTS EDUCATION

xvi + 940 hlm; 21 x 29,7 cm

ISBN 978-602-79AL-26-3

I.

Artikel


ll.ludul

IIl. Dr. Kasiyan, M.Hum., dkk

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fudul Buku

:

RETHINKING THE HUMAN DIGNITY AND NATION IDHNTITY:
A REVIEW PERSPECTIVE OF ARTS AND ARTS EDUCATION
Penyunting

:

Dr. Kasiyan, M,Hum.

Dr. Widyastuti Purbani, M.A.
Ayu Niza Machfauzia, M.Pd.

SitiSudartini, M.A.
Desain Sampull
Ika Dyah Afriani

Tata Letak I
Pud.liTriwibowo

Penerbiti
UNY Press
Kompleks Fak, Teknik UNY, Kampus Karangmalang
Yogyakarta 552A1, Phone | (027 4) 589346

E-mail : unypress.l'ogyakarta@gmail,com

'an.

1,,


Internatio

na I

Conferen ce ftn'Ai ts ailtil;fts Educa!ion
on indo esia I]CAAE] 2014

PREFAEE

FROM THE RECTOR OF
VOGYAKARTA STATE U NIVER,SITY

-.

:e ir1 \\:idr llev/ paradigm as a wofld class utiversity, Yogyakarta State
: t. arsliy has annually conducted va ous academic evenls! not to mention
::.:iarional .orf€rences held by each of its taculties as $ell as its u11it
-::r-r rit:. ln relation to that, Faculty ol Languages a1ld Ads. in palticuiar the
:-::, lenannents (Visu.!i Afis, Daoce, and Music), is going lo have aII

':::---rnonai coni'erence. chaired by Dr. Kasiyan, M Hurn. one of lhe acadenic
. ..-, r,i \-isual Afls Departtnent. Thele have been tu'o main sirategic nessages

.'::. irg il] thjs conferer]ce.
Firstly. the intemational conferelce, entitled "The

Internaticrllal

a-.iir.ence for Arts and Arts Education on Indonesia (ICAAE), is the first event
-. .r b], lhe subdiciplines of Arts Education oi Faculfy of Languages alld A1ts
-- ir-: confeieflce is signilicant for the sake of enhancing Ails afid Arts Educatiol
:ri.rplines in the Frtufe. Nowadays, the idea of intemalization, not to mention ln
-\ns disciplines, has no lolger becone a choice but rather a necessity and fleed,
Lr\\ing to the lact that the existence of self ertity and the knowledge discouse,
rnciuding Ar1s, as one of important cultural aspects of a country, is closely reiated
$rrh irs ability to buiid a shategic-dialectic discourse, particularly, when ii meets
|anous cultural aspects belong to other counh'ies.
Secondiy. the conference theme of The 1" ICAAE 2014, fiat is,
"Rerhlnking the Hunan Digtlity and Nation ldenfity: A Review Perspective of
Aris and Ads Education" remi1lds us the siglificance of each scientific and

cultural siep not to mention in Arls discipline and at the same tin1e suggests us to
always put the hunan dignity alld nation identity as the main concem. This thene
has its significance in the cort€mporary Indonesian ccntext as it me€ts the various
big problems faced by the country. A11 of these problems apPear around tlle ideal
definitior ofhumanity ard rration identity ofthe coui]try. Arls and Alts Edu.at1ol!,
q'ith all of their potentials, together with othcr disciplines. ars cxpected to bc ihe
besi parts ofthe orcheska, that need to be actively participated in enlighteriitg the
identity politics of humanity and nation identity of the country at the presefll
;nonent and parlicularly jn the future. This is actually in line lvith the spirit oithe
oldesr philosophy of Arts that remains believed al the present momerlt. saying that

tlre dictum of "Beauty" cannot be separated $.ith the i\^o other dicturns, namely
"Tr-ttl'r" and "Goodness".

The ldlnternational Conference for Arts and Arts Education
on Indonesia rICAAD 2014

The various discussions that perform this strong concept in tems of
philosophy in this conference, hopefi.rlly, could lead to the appearance of the best
inspiation of enlightenment, not only in the small conte)(t of Arts and Arts

Education disciplines, but also in a wider spectrum, that is Indonesiar context.

On behalf of the university aod as the Rector of Yogyakarta State
I would like to €xpress my deepest appreciation to all of the
committee and the Dean ofFaculty ofLanguages and Afts together with all ofthe

University,

vica deans and all the academic staffs ofthe faculty, who have been working hard
to Fepare many tiings to hold this intsmational conference. I personally express
my deepest appreciation. For all of the participants, do appreciate your
participation in the conference and your coming in our beloved campus.
Hopefully, this conference will be a very valuable aqd meaningful acadernic
enlighening forum for al1ofus. Gob Bless us. Arfiien. Wassalam.

I

Prof. Dr, Rochmet Wahab. M.Pd.. M,A.
Rector of Yogyakarta State Univemity


***

The 1'tlnternational Conference for Arts and Arls Education
on indonesia flCAAEl 2014

PREFACE FROM THE DEAN OF

FACULW OF LANGUAGES AND ARTS
YOGYAKARTA STATE U NIVERSITY

widely believed that one of the good traditioN in maintaining the
{ajemic atmosphere in universities not to mention Yogyakarta State
,:r', i6iry is by colducting seminars and conferences related to its various
: i:---:-- [o line with this, Faculty of Languages and Arts, Yogyakarta State
i.as conducted an intemational conf€rence entitled The l" Intefiational
- :t- .
=q:..
-:*i*-tce tor lrts and Arts Education on I donesia (ICA'AE) 2014, on topic:
-i-.::$g the Human Dignity and Nation Identity: A Review Perspective of


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-tns Education", at the faculty buildings on March 5-6, 2014.
ii '.lre Dea[ of the faculty, I would like to express my gratitude to the
i.e.'-:le Rector. who has facilitated all of the committee membe$ to make thls

::a---=c: Dossible.
l:ele are few points that I need to say at the moment Fi$tly, in relation to
:!-c:'-!!.e, the term "The 1"", conotatively indicates that this intemational
=
::r:'-=xe *hich focussed on Arts and Alts Education is firstly held in Indonesia,
-T E .;:s1 il is firstly held in this faculty. As the first event, this colference is
:.:c,:-,;'.:,j *rth the hope that it will be followed by "The 2'" ", "The 3"", and

:Er .ii.r Il has been becoming our biggest hoped that this conference will be
::c-l:) conducted in the future.


i=ondly, in.elation to the theme, that is, "Rethinking the Human Dignity
: \a!o! Identity: A Review Perspective of Arts and Arts Education" Th€
-:,ie--i\rne reason of choosing this theme is the fact that the two main domains of
':-=.:: digniry" and "nation identitl'are the hardest problems that remain
srr=riEg arld may become latent problems faced by every country not to mention
::+-r::-la. Human Dignity, for iNtance, which has been fighted for a long time
ic iuough various cultural strategies, remai$ becoming a big problem. At the
:!::=:1i moment, humadsm, in many occasions, is considered against humanity as
:e =sult of its sublimation universality that it tums out to be Metaphisic
::-=:.diry*, that goes beyond 9ver,'thilg.
Tlere were six invited speakers, and three of them coming from outside
Prof. Dr. Kanchana Witchayapakom (Faculty of
=i .ounE-y, namely:
--::3nlnes. ^Narcsuan University, Thailand); Dr. Goh Beng Lan (Department of
s- --jeasr Asian Studies, National University of Singapore), ard Rudi Corerc (a
--:rim anisl and a culator, cunently becomes the curatol of Child museum

lll


The lstlnternational Conference for Arts and Arts Education
on Indonesia [tCAAE] ZC 14

"Kolorlg Tangga" Yogyakarta); and the other three speakers coming from this
country, namelyt Prof Dr. F.X. Mudji Sutrisno, SJ (Driyarkara School of
Philosophy, Jakarta, Indonesia); Prof Dr. Ign. Bambang Sugiharto (Department of
Philosophy, Parahyangan Univenity, Bandung, Indonesia); and prof Dr. Suminto
A. Saluti (Faculty of Languages and Arts, yogyakarta State Universrry.
Indonesia).

My great appreciation goes to all of the invited

sp€akers and all of the
presenters and also participants who have actively participated in the conference.
My deepest gatitude goes to all ofthe lecturcrs and students ofArts Deparhnenls,

for their hard works as the committee in arranging the confe.ence. It is expected
that this conference could be a place for conducting an academic discussion
among those having a big concem on the p.actice of arts and arts education.
Indeed, As the head ofFaculty of Lalguages and Arts, I stongly suggest that the '
2'o ICCAE would be conducted in 2015 in this faculty, which hopetully corild be
b€tter ananged and get better results and maintain the spirit of enlightening.
Amten,
.
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.irtrof. Dr. Zamzani,:lMipd.r.rJ
Dean
ofFaculty
ofLanguages and Arts,,
.
Yogydkana Slate ,Uni\ er-sity

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RETHINKING THE HUMAN DIGNITY AND NATION IDENTITY
(A REVIEW PERSPECTIVE OF ARTS AND ARTS EDUCATION):
AN INTRODUCTION

ofthe big burdens of the curent contemporary civilization is the big
naration of Huma sm, particularly in relation to the questions of
humanity and nation dignity. Firstly, the human dignity which has been
: e long time fought and cared for thlough various cultuml strategles' rcnalns
.-o-ing th" main concem. The Humanism idea lvhich takes the
.:-:iropomorphism as its main basis, as the result ofthe European Enlightenment
defending human dignity, in fact really cannot
----:: nowailays remains respected as
opponent
.r.:larn that condition Humanism, curently has been seen as the main
be the
: i,umanity. This is the result of its universal sublimatiol that it tums to
human identity
\leraphysics Humanity, that is beyond eveqthing The nature of
Classical Hunanisrrr' has
-.j iumanity which is plural-particular in the Universalthis
context, the lature of
:ien beet keated to be singular-universal Through
:naniq dilierences is not merely considered as'the other' (Sang L,an)' bnt
l t is
:'. en as a taboo which needs to be eliminated as it is considered as subhunan
for the
--r!n fiis point of view that finally the practices of humanity colonization
;ie of unifomity, through vadous means, either the one which is hegenonicculture
:-:isLrasjve or that ofcoercive, seems to find their true contexts ln
to that of
Secondly, the question ofnationality which has similal discource
:,;:naniq problem mentioned earlier. This is due to the fact that the main part of
ie nationality dictum is also about the domain of humanity identities'
ranicuiarly, when this domain appears in the contexts of collective imaginative
.onstruction of understanding. In addition' one of the great probiems of the
iationality discourse, particularly, the one had by the Third World countries is
:.latilely the same, that is, related to the question ofthe nature of self dignity that
Hu)nanisn' the
needs to be constuucted and owned. Similar to the imaginative
being colotiTed
aature of modem civilization has been und€t hegemony or even
br Positivism tradition that puts the standard imagination of 'normality' of
in the world' in a
knorvledge not to mention nationality owned by all nations
struggle to
uniformity. The nations which are different in oature or which always
other'
be different from othels, inmediately, considered as the elements of'the
rsattg liyan) that must be defeated This phenomenon merely porkays the
ne

colonization practice in the postcolonial era

The

1"r

Internaiional Conlerence forArts and Arts Education
on Indonesia 0CAAE) 2014

Therefore, the nature of humanity, nationality, and also Arts and Cultue,
which is actually a unity of paxticular elements in the universality, thet tends to
miss its articulation space and rcspoct due to the desire and uniformity politics.

This mainstream ofmodem culture strategy seerns to be a kind ofserious problem
that needs to be significantly taken care ol either in the context of culture h its
wider sense or in the domain of Arts arld Arts Education as its limited domaln.
One of the inherent basic values of Arts and Arls Education that is the spirit of
respecting authenticity and particularity seems to be considered as a significant
levlew,
Starting ftom this ide4 then, the thee Arts Departments ofArts Educatlofl
(Visual Arts, Dance, and Music) worked collaboratively to conduct this
conference at Faculty of Languages and Arts, Yogyakarta State Unversity. Thanks
to Allah that this confercnce has a remarkable response llom other disciplines,
namely, Theater, LetteN and Language that are ulder the same heading of
Humaoity Scieoces. Being ole of the various events in courmemomting the
golden anniversary ofYogyakada State Uniyelsity (Dies Emas U.\u in this year,
2014, hopefully it could bring a golden light of Arts that enlighten the nahon
identity alld later give a valuable light to the coming world civilization.
As the head of the committee, I would like to express my sincere apology,
if we cannot give the best service for all of the participants. In this particular
occasion, it is important to mention that for some reasons finally the committee
comes to the decision to present this proceeding in two languages. English and
Indonesian, with the hope that
will not lessen the significance of this
intenational conference.
In addition, there are some points to be noted. Firstly, there are some
papers that have been presented in the conference but for some reasons cannot be
included in this proceeding owing to the fact that they don't follow the basic
requirements of acadernic writing. Secondly, on the conhary there are some
unpresented papers, which were included in this proceeding under thc sub heading
of "unprese[ted papers". In relation to these, on bchalf of the committee I would
like to express my greatest apology.
In relation to the results of the two-day conference, there is one
corNideration that needs to be presented in this particular occasion, that is, the
result of the wrap up session of all presented papers, both the ones presented in
the plenary sessions and also those presented in pamllel sessions during the
conferenoe. The wrap up session has come to one important decision, that is, the
!€ed to reconsider and reformulate the possibility ofplacing ats as olle ofthe best
spirits of learring and practicing cultue in the future. Then, one of the most
strategic and significant step that had been discussed is by considering arts as one
of the uliversity general subjects (MKU) for all disciplines in all universities ir

it

The 1$ Intemational Conference for Arts and Arts Xducation
on Indonesia tICAAE) 2014

ei6er the ones belong to natural sciences or those belong to humanity
ki4
rirc- By doing so, hopefully, it will brings the spirits of arts values, science,
d & cjyilization that lead to the urgency of the humar and humanity valu$.
lb datyhg reason of doing this can be traced back from the three ideal values
d" -uiity that remain adored until this day, namely,' Beauty', 'Goodness' and

'Trd'.

It is expected that this r€commendation

becomes one of the best ideas

of

fulating
b

b

education of this country in the future.
As the head of the committee, I would like to expr€ss my d€epest gratihrde
D€@ of Faculty of Languages and Arts, Yogyakafia State Udversity, who
Ecilitated all of the conmifiee members to make this conference possible.

l*

y, Ey de€pest gratitude goes to the hotfiur.able Bapak F.eclor of Yogyakarta
Urivssity, for his willingness to deliver his speech atrd open the conference.
this conference could give a rneaningfirl and enlightening acadoruc

SE;trIy,
aht dl of vs. Amien.

Kasiyrn
Head of the Committee
The 1{ Intsrnational Confersnce for Arts aIrd Arts Education on Indonesia

(lcAAE) 2ol4

***

vll

The ldlnternattonal Conference for Arts and Arts Education
on Indonesia rICAAEI 2014

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{RTS. IDE,\-TITY AND HUMANISM

:.- .:--j 3e.ome the Agent of Dehumanization and Denationalizatioo:
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27

l.---:-a.Ism in Contemporary Ads
D;uL Djariprambudi

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: --::rice Cultural Study in the Cu1aiculum Education ofAesthetic
Hajar Pamadhi

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The lnlnternational Conference for Afts and !.rts Education
on Indonesia 0CAAEI 2014

Seni Rupa Konternporer dalam Pendidikan S€ni unh,rk Meningkatkan
Identitas dan Martabat Kebangsaan
Zakarias S. Soeteja

62

Humanism: Ideology and Arts Education Implementation in Indonesia
Mohammad Roddhi

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The Arts and Arts Education Strategies to lmFove the Dignity Human and
National ldentity

Imam Rahardjo Analta

Darma

............................... 88

A Local-Global Dichotomy in Art Education: An Ideological Challenge
Eko Sugiarto
..........................,, 94
Patdotic Themes in Modem Ait Painting oflndonesia
Agus

Priyatno

.......................... 104

Eradication of Hybridity of Traditional Afi By Banality of Enteftainment
Industry and Stream of Power of Cybercurlture Media in Indonesia
Moh. Rusnoto Susanto
............... 113

................................

Ke-Bhineka Tunggal Ika-an: Wujud Pendidikan Seni Berbasis Multikutural
di lndonesia

Iriaji........................

..................

Culturally-Based Stategy of Art Assessment
Tri Ilartiti Retnowati

.................. 139

...............................

Entrepreneurial Leaming Model in

Moeljadi

Pranata

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123

Education

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knproving Art Education in Indonesia Priority for Primary School
Bambang
.................... 162

Prihadi

Character Education Through

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Dlawing"

Tri

Karyono

............................. 169

Revitalization of Local Wisdom thorugh T)?ogaphy T€aching
Abd. Aziz
..............,..... 183

Ahmad

Dimensi Nasioralisme dalam Karya Seni Publik
Dadang

Sulaeman

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Puppet Show 'Gara-gara'
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IEjab Style Developmeot in lodcnesie A Cultural Strategy of Hijab
C.:mmrmities Wlo Make Hijab Fashi@ into lndonesian Cultue

Z.tLh P.witrr

Oroamen Tradisional Indoaesia: Potret Kemanusiaan Dan Identitas Bangsa

Eni Puji A$tuti

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282

Yogyakarta Kraton Batik Pattems: Slmbolic Cotrstucts Within the
Javaoese Culture

292

Frrid Abdulah
The Strucrure Form and Meaning

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lavanese Culture Perysketif
SlaBet Subiy.ntoro' Esterica YuDianti

299

GraJfiti as A Means of Interaction and Neighboring Comrnunication
Rudy Ilrrjanto

The Esthetics Transformation of Mysthical to Oltological Culture the
Model ofLoaal Cultue-Based Modern Art Construction
Suharno ...................

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328

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on lndonesia IICAAE] 2014

The Hu1Tranism Perspective in Leaming Inclusive Art: Functioning the Art
as Character and Culture Adaptation Vehicie for Students with Special
Needs

Rudi

Irawanto

.........................33'7

Bentr.rk, Gaya, Furgsi, dan Makna Simbol Seni Hias Istana Raja-Raja Bugis

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Asmat Style Carved Adaptation Design Through Latin Letters widl
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Development of Market Absorption 1b1 Local Fashion Designers Product

Arini Arumsari

398

The Modcl of Training Using Residual Material of Lace i1l Vocational
School

408

Citra Puspitasari
Modelling of Tum Based Figthing Game baed on Fuzzy Logic lJsrng
Inteliigent Agent
Cindy Nordiansyah, Nlochammad Hari.di, Supeno Mardi

Susiki

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Preserving Local Cultue Indonesia through Karambol Game Using
lntelligent Agenl Based on Ftvzy Logic
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Bambang Widjanarko, Mochammad Hariadi .. .. ... .. ..
Rancang Bangun Pemainan "Werkudara" Menggunakan Djikstra pada
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444
Saiful Yahya, Setiabudi Sakaria, Yunus Setyawan .. ... .. . . .. ... ..

Animasi Wajah Humanlike pada Karakter Hewan Menggunakan Molio'
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hrmersive Game Art and Historical Background Framework
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of A Cross-Cultural Approach
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Tari Tamanka:r Kemampuan Berpikir Kritis
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on Indonesia 0CAAE) 2014

Karateristik Nyanyian Tradisioml Nias
Suwarta Zebua

589

Stmtegi Pengembangan Media Pembelajaran Interaktif pada Pembelajaran
Piano
Panca Putri Rusdewanti
600

DANCE, IDENTITY AIID HUMANISM

Nilai-Nilai Humanisme dalam
Sutiyono

Proses Pembelajaran Seni

Tari
610

Traditional Art Performance in the Leaming of Cultural Ar-ts in a School:
Defense Strategy of Local Art and Culture itr A Global Context

Trisakti
The Construction

621

of

Padang Bulan Langen Ta1,ub

in Cultural ldentity

Perspective

Anik Juwariyah

632

Dancing Together Writing Forever

Citra Aryandari

642

Strategy ofthe Local Culture and Art Jaranan in the Context Globalization

Bambrng Sugito

649

Dancers' Figwes: The Intelligerce in the Research Process ald Creative
Ptooess

Ilendio Martono

665

Kentrung and Mhlts of Syeh Jondhang in the Jondhang Purpose Life,s in
Jepara

Bondet

Wrahttnal.

6'78

Shategi Pengelolaan Seni dan Budava Lokal dalam Konteks Global

Kuswarsantyo

687

Early Art Education, as an Effort of Fomation the Foundation of Nation
PeGonality
Endang Sutiyati
693
Keberadaaan dan Fungsi Tari Jaxan Bodhag sebagai Pemertahanan Budaya
Lokal Masyarakat Probolinggo Jawa Timur

Dwi Sulistyorini

'704

x1v

The lnlntemational Conference for Arts and Arts Education
on lndonesia flCAAEl 2014

C.Ecri\€ hoc€ss in Dance Lesson Through School Enviroffnent

fri s-rlfrni

.-..-............"""

f+llpc i..bos

ld. Clhe

Lrnovative Leaming ss
iD A Global Context

-5*i
h.r-]-ten
]}'|'_

Kdtik

A

'712

Model: Strat€gy Retention Art

""""""""""

722

Seni di Tengah Masyarakat dan Seniman

................................ '732

l*td@ge Pedtaian Sikap dalam Pendidikan
-rsih

Seni Tari

.....................

739

I.I.\G[AGE, LETTERS, TEEATE& IDENTITY AND IIIJMANISM

Lal E*isdom io Language
5.-.E d Nasiruddin Sainu ...... ... .
5c
S-i

"""

744

Iosights on T€aching English to SMK Studeots ofArts

$drrtini

Fane and Enlighteru[ent
I'h.stuti Purbeui

........................... 754
in Eric Carle's Five Picture Books
763

S[regi

Pemertahanan Seni dan Budaya Lokal dalarn Konteks Global:
l@eabangan Kecerdasan Budaya Berbasis Kemampuan Metakognitif
Pembelajaran Sasha Indonesia

lgilui

E vsstike

-- -"

774

Euiopean Influence on The Contemporary Indonesian Theater in The
Begiming of 2l't Century: The Study of tha Literaly Reception though th€
\{edias in hdonesia

Tb

.....

182

..... ...,...... ....

789

lfir Snsndayani
llrnan

.. ... ..

...

Rights in Patrick Cauvin's Roman Ze Sang Des Roses

bdr.ringsih

Values Found in American Literatue:A St udy on Buddhist Anti
\|aerialism irr Jack Kerouac's &qD@qBglg

-{sia
f-rr..

... ....... .. .

Cahyawati

I-€@ing of Drama ir PBsl-Department LNY

f|rltili BW

... .. ... ... ..

xv

..........

798

807

The 1*lnternational Conference for Arts and Arts Education
on Indonesia {ICAAE) 2014

Bemuda (Bemula dari yang Ada) Sebuah Model Proses Pembelajaran
Drarna Demensi Seni Perhmjukan Berbasis Kearifan Seni Tradisi Kita
Agus

Priyanto

.,........................ 817

Ngabubur Docwentary Film as Media of Instructional Arts and Culture
Yanti HeriYawati. Enok Wartika

828

Value of Folklore in Madura's Cultue

Wildona Zumam
Space

838

for Cultural Artioulation: Voising the Local in

Transformation
Ilery Prasetyo, Dien Vidia

Rosa

Commodity

......,........................844

Constuction and Cultual Reproduction: Education for The Affirmatioo of
Local-National Cultu.es iI1 Global Context
861
Ariefa Efiatrinsrum

Dimensi Humanisme dalam Pendidikan Sekolah Alarn sebagai Sebuah
Alternatif
................. 867
Rias Aatho Rahmi Suharjo ...................,..
UNPRESENTED PAPERS
Contov€rsy ofArt Education in Reconstructing Local Culture
Ida Siti Hera$ati

816

Post-Human Togog and Semar: Dehumanization and Anti-Humao
Fmme ofJavanese Muppet Story
lmam Setrobudi

in

the
887

The Expressions of Women of The Nordr Coast Region: An Aesthetic and
Semiotic Study of Dermayor Batik Motifs in Paoman, Iodrarnayu Regency
................ 901
Nanang Ganda Prawira ........ ... ..

.............

Classroom Management with the Use of Ecology as A Stategy of
Humanistic Arts and Cultlfe Education in Elementary School Grade

W.rih Ilandayaningrum

...................,......

.. ...

..

. ..

913

Tipologi Stategi Komunikasi Sebagai Upaya Meningkatkan Kemampuan
Be$ahasa
Teti Sobari

926

600

The 1{international Conference fbr Arts and Arts Educalion
on Indonesia (ICAAE) 2014

STRATEGI PENGEMBA.NG-4.N A{EDIA PEMBELAJARAN
INTERAKTIF FADA Pfl,MBELAJARAN PIANO
Panca Putri Rusdewanti

Music Edt:catiol Depaftment, Facuity ofLanguages and Arts
Yogt;'kada State University

[email protected]

Abstract
his paper aims to describe an ifiteractive instrltctional media in piano
learning. Media i teracti|e learni g is alle of strutegl that used to
increase -ttudent interest and motfuation ta leam, to -focus the attektiotr of
stuclents, .lllowing students to ledrn indepenclently, ta malre students ctctireb) in the
Iearning process and crcate a fLm leaming environment, so that learning can take
place [n an elfecti,-e, ejficient, ard appealing fbr help stucle ts in achie ng the
basic competencies that hare been set. -In tllis paper, piano learking is.fbcused on
Pidno L Piano I is a subject that must be lakefi by stude tr ajorlng in Music
Educatiorl Dcparhefit. Knowledge .tfid understulldi g among students of
diferent makes ilteractire lednling medic as a source of leuming that can assist
s!udentr in par!icip,tting ia Piano I lcdrning.

Key rords: media

ofi

leractire learning, piano learning, nusic.

Pendahuluan
Universitas Negeri Yogyakarla merupakan salah satu perguruan tinggi
yang mempurryai Jurusan Pendidikan Seni Musik yang memberikan pembelajaran
piano sebagai salah satu mata kuliair yang wajib diternpub oleh mahamahasiswa.
Mata kuliah piano dilaksanakan 2 semestex terbagi dalam Piano 1 dan Piano 2.
Pada mata kuliah piano 1 sumber belajar yang dapat dimanfaatkan oleh
mahamahasiswa adalah penyampaiar materi oleh dosen atau praktisi dan buku
teks. Teknik atau metode belajar yang digunakan adalah dedonstasi, /o/e pla),,
dan tutodal. Strategi dan model pembelajaran yang telah dilaksanakan selama ml
sudah dianggap dapat membantu mahamahasiswa dalam belajar. Namun pada
kenyataannya tidilk semua mahasiswa dapat menguasai iiompetensi dengan
mudah. Ada banyak kendala yang dirasakan diantaranya waktu yang tersedia
sangat terbatas, jumlah mahamahasiswd dalan satu kelas reiatif cukup banyak,

Themer "Rethinking the Human Dignityand Natiod Identityl
A Review Perspective

ofArts and Arts Education"

The l"tlnternational Confcre ce foa riits and Arts Education
oir Jndonesia (lCAAE] 2014

dipolukan pendekatan individual, tingkal trdlaharDan yarg berbeda artar
mahamahasiswa, sebagian bcsif mahamahasisw:r tidak memiliki instrumsn piano
menyebabkan malLasiswa sangat bergantung pada saialia ytulg ada di kampus

yang jumlah da:r pemakaianirya sangat terbatas, dan

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