SEAN’S SELF CONFIDENCE AND SPIRIT IN FINDING HIS GRANDFATHER IN JOURNEY2: THE MYSTERIOUS ISLAND Sean’s Self Confidence And Spirit In Finding His Grandfather In Journey2: The Mysterious Island Movie (2012) Directed By Brad Peyton: An Individual Psychologi
SEAN’S SELF CONFIDENCE AND SPIRIT IN FINDING HIS
GRANDFATHER IN JOURNEY2: THE MYSTERIOUS ISLAND
MOVIE (2012) DIRECTED BY BRAD PEYTON:
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirements
for Getting Bachelor Degree of Education
in English Department
by:
YESI SUSANTI
A 320080150
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2013
TESTIMONY
Herewith, I assert that there is no plagiarism of the previous literary works
which has been raised to obtain bachelor degree of university. As long as the writer
knows, that there is no work or opinion which has been written, composed or
published by the other, except those are mentioned and referred in the literary
review and bibliography.
Hence, if it is proven there are many incorrectness statements in this
testimony, I beg your pardon and I will fully hold responsibility.
Surakarta, January 2013
YesiSusanti
iv
MOTTO
It is better to remain silent and be thought a fool than to open one’s mouth and
remove all doubt.
_Abraham Lincoln
In the end, we will remember not the words of our enemies, but the silence of
our friends.
_Martin Luther King Jr.
Good people do not need laws to tell them to act responsibility, while bad
people will find a way around the laws.
_Plato
Hidup adalah seni meggambar tanpa penghapus.
_John W. Gardner
Jalan terbaik untuk kemajuan adalah jalan kebebasan.
_John F. Kennedy
Selalu memberI tanpa mengingat dan selalu menerima tanpa melupakan.
_Brian Tracy
Semua impian kita dapat menjadi nyata, jika kita memiliki keberanian untuk
mengejarnya.
_Walt Disney
v
DEDICATION
With love, this research paper is specially dedicated to :
My dear parents, mom and father, the most precious inmy life, thanks for your
love, prayer, and support.
My beloved friends named „D‟RIWOET‟ family, thanks for our togetherness, all
of the moment, and for a new family.
My dear friends, Hani‟ and Hita
My beloved ndut, AdityaYudhiSaputra who always support and loves me.
vi
ACKNOWLEDGMENT
Assalamu’alaikumWr.Wb
First of all, the writer would like to say Alhamdulillahirobbil’alaminto
express her praise to Allah SWTthe Lord of Universe, for blessing and guiding to
accomplish the research paper as a partial fulfillment of the requirements for getting
Bachelor Degree in English Department, Muhammadiyah University of Surakarta.
The writer is fully gratitude for all people who give contribution to make this
research paper more completely. Therefore, in this opportunity, she would like to
express her special deepest gratitude and appreciation to:
1. Drs. Sofyan Anif, M. Si., as the Dean of School of Teacher Training
and Education Muhammadiyah University of Surakarta.
2. Titis Setyabudi, S.S., M. Hum., as the chief of English Department
Muhammadiyah University of Surakarta,
3. Drs. Abdillah Nugroho, M. Hum., as the first consultant, who has
given guidance, advise, and information patiently during arrangement of
the research paper,
4. Dr. Phil. Dewi Candraningrum, S.Pd., M.Ed., as the second
consultant, who has given suggestion and help to correct grammatical
structure of the research paper,
5. Her dear parent, Mom “Parjini” and Dad “Sarjono” for the love, prayer,
support, patience, care, and all the sacrifices,
vii
6. Her lovely second family named “D‟RIWOET family” Rini (monyeng),
Anggit (boncu), Ika, Darmo, Trimo, Rosyid (ipin), Wahyu(boyo),
Febry (kopet), Saga, Rani, Tari, Soleh, Dono (pesek), Andre
(Ambon), Lina, Gresna, Surya,for being her best friends, giving spirit,
for all jokes, laugh, trouble, nice moments, and sweet friendship,
7. Her friends in English Department Class 2008 who cannot mentioned
one by one, Asta, Yuni, Aisyah, Ida, Rani, for happiness and support,
especially Class D the first class where meet her to special friend,
8. Her beloved “ndut”AdityaYudhiSaputra,special friend in her life for
togetherness, loves, believes, honest, patience, times, sacrifice, support,
all moments, and everything had been given to her,
9. Last but not least, she realizes that her research paper is far from being
perfect because of her limited capability. Thus, revision, suggestion, and
criticism are welcome. She wishes this research paper would be useful
and helpful to readers.
Surakarta, January 2013
YesiSusanti
viii
TABLE OF CONTENT
PAGE OF TITLE ..........................................................................................
i
APPROVAL ..................................................................................................
ii
ACCEPTENCE .............................................................................................
iii
TESTIMONY ................................................................................................
iv
MOTTO .........................................................................................................
v
DEDICATION ...............................................................................................
vi
ACKNOWLEDGMENT ..............................................................................
vii
TABLE OF CONTENT .................................................................................
ix
SUMMARY ...................................................................................................
x
CHAPTER I : INTRODUCTION ...............................................................
1
A. Background of the Study .................................................
1
B. Literature Review ............................................................
6
C. Problem Statement ..........................................................
6
D. Limitation of the Study ....................................................
6
E. Objective of Study ...........................................................
7
F. Benefit of the Study .........................................................
7
G. Research Method .............................................................
7
1. Type of the Study ..................................................
7
2. Object of the Study ................................................
8
3. Type of the Data and the Data Source....................
8
4. Technique of the Data Collection ..........................
8
5. Technique of the Data Analysis ............................
9
ix
H. Research Paper Organization ............................................
9
CHAPTER II: UNDERLYING THEORY .................................................
10
A. Notion of Individual Psychology .....................................
10
B. The Basic Assumption of Individual Psychology ............
11
1. Fiction Finalism ...................................................
11
2. Inferiority Feeling ................................................
12
3. Striving for Superiority .......................................
13
4. Style of Life .........................................................
13
5. Social Interest ......................................................
16
6. Creative Power ....................................................
16
C. Notion on Self Confidence and Spirit ............................
17
D. Structural Element ..........................................................
20
E. Theoretical Application ....................................................
33
CHAPTER III: STRUCTURAL ANALYSIS ............................................
34
A. Stuctural Analysis ..........................................................
34
1. Narrative Element .............................................
34
a. Character and Characterization ..............
34
b. Casting ...................................................
45
c. Plot .........................................................
46
d. Setting ....................................................
48
e. Point of View .........................................
51
f. Theme ....................................................
53
2. Technical Element .............................................
54
a. Mise- en- scene .......................................
54
ix
b. Cinematography ......................................
61
c. Sound .....................................................
67
d. Editing ....................................................
68
B. Discussion .........................................................................
71
CHAPTER IV: INDIVIDUAL PSYCHOLOGICAL ANALYSIS ..........
76
A. Individual Psychological Analysis of Sean........................
76
1. Fiction Finalism ....................................................
76
2. Inferiority Feeling .................................................
78
3. Striving for Superiority .........................................
80
4. Style of Life ..........................................................
83
5. Social Interest ........................................................
85
6. Creative Power ......................................................
89
B. Analysis of Self Confidence and Spirit Sean .....................
91
C. Discussion .........................................................................
100
CHAPTER V : CONCLUSION AND SUGGESTION ..............................
105
A. Conclusion ......................................................................
105
B. Educational Implication .................................................
106
C. Discussion .......................................................................
106
BIBLIOGRAPHY ..........................................................................................
108
VIRTUAL REFERENCES ..........................................................................
110
APPENDIX .....................................................................................................
111
xi
LIST OF FIGURES
Figure 1.
Sean Andersons Face ...................................................................
35
Figure 2.
Sean Anderson’s Body ................................................................
35
Figure 3.
Hank Parson’s Face .....................................................................
37
Figure 4
Hank Parson’s Body ....................................................................
37
Figure 5.
Alexander’s Face ..........................................................................
39
Figure 6.
Alexander’s Body ........................................................................
39
Figure 7.
Gabato’s Face ...............................................................................
41
Figure 8.
Gabato’s Body..............................................................................
41
Figure 9.
Kailani’s Face ..............................................................................
43
Figure 10. Kailani’s Body .............................................................................
43
Figure 11. Elizabeth’s Face ...........................................................................
44
Figure 12. Elizabeth’s Body ..........................................................................
44
Figure 13. Sean’s Modernization Live ..........................................................
49
Figure 14. Sean’s House ................................................................................
49
Figure 15. Alexander’s House .......................................................................
50
Figure 16. Atlantis .......................................................................................
50
Figure 17. Nautilus ........................................................................................
51
Figure 18. Point of View 1 ...........................................................................
52
Figure 19. Point of View 2 ............................................................................
53
Figure 20. Set Dressing Alexander’s Home .................................................
55
Figure 21. Set Dressing in the Nautilus .........................................................
56
Figure 22. Sean’s Room ...............................................................................
56
xii
Figure 23. Sean’s Living Room ..................................................................
56
Figure 24. Elizabeth’s Kitchen ......................................................................
57
Figure 25. Sean’s Casual Uniform ..............................................................
57
Figure 26. Sean’s Formal Uniform ................................................................
57
Figure 27. Older Make-Up .........................................................................
58
Figure 28. Natural Make-Up .........................................................................
58
Figure 29. Hard Light ...................................................................................
59
Figure 30. Soft Light .....................................................................................
59
Figure 31. Top Lighting ................................................................................
59
Figure 32. Under Lighting ............................................................................
59
Figure 33. Side Lighting ...............................................................................
59
Figure 34. Back Lighting ...............................................................................
59
Figure 35. Frontal Lighting ...........................................................................
60
Figure 36. Key Light .....................................................................................
60
Figure 37. Fill Light ......................................................................................
60
Figure 38. Combination Key and Fill Light .................................................
60
Figure 39. Yellow Light ...............................................................................
61
Figure 40. Natural Light ...............................................................................
61
Figure 41. The Bird Eye View .....................................................................
63
Figure 42. High Angel ..................................................................................
63
Figure 43. Eye Level Angel ..........................................................................
64
Figure 44. Low Angel ...................................................................................
64
Figure 45.
Extreme Long Shot ....................................................................
65
Figure 46.
Long Shot ...................................................................................
65
xiii
Figure 47. Medium Shot ...............................................................................
66
Figure 48. Medium Close-Up .......................................................................
66
Figure 49. Close-Up .....................................................................................
66
Figure 50. Extreme Close-Up .......................................................................
67
Figure 51. Axis of Action .............................................................................
69
Figure 52. Establishing Shot .........................................................................
69
Figure 53. A Reverse Shot ............................................................................
69
Figure 54. Reestablishing Shot .....................................................................
70
Figure 55. Match on Action ..........................................................................
70
Figure 56. Cross Cutting ...............................................................................
70
Figure 57. Sean’s Fiction Finalism 1 .............................................................
77
Figure 58. Sean’s Fiction Finalism 2 ............................................................
77
Figure 59. Sean’s Inferiority Feeling 1 .........................................................
78
Figure 60. Sean’s Inferiority Feeling 2 .........................................................
79
Figure 61. Sean’s Inferiority Feeling 3 ..........................................................
80
Figure 62. Sean’s Striving for Superiority 1 .................................................
81
Figure 63. Sean’s Striving for Superiority 2 .................................................
82
Figure 64. Sean’s Striving for Superiority 3 .................................................
82
Figure 65. Sean’s Style of Life 1 ...................................................................
84
Figure 66. Sean’s Style of Life 2 ..................................................................
85
Figure 67. Sean’s Social Interest 1 ...............................................................
86
Figure 68. Sean’s Social Interest 2 ................................................................
87
Figure 69. Sean’s Social Interest 3 ................................................................
87
Figure 70. Sean’s Social Interest 4 ................................................................
88
xiv
Figure 71. Sean’s Creative Power 1 ..............................................................
89
Figure 72. Sean’s Creative Power 2 .............................................................
90
Figure 73
Ability of Individual 1..................................................................
91
Figure 74. Ability of Individual 2..................................................................
92
Figure 75. Ability of Individual 3..................................................................
93
Figure 76. Social Interaction 1 ......................................................................
94
Figure 77. Social Interaction 2 .....................................................................
94
Figure 78. Social Interaction 3 ......................................................................
95
Figure 79. Sean’s Self Concept 1 ..................................................................
96
Figure 80. Sean’s Self Concept 2 ..................................................................
97
Figure 81. Sean’s Self Concept 3 ..................................................................
97
Figure 82. Sean’s Spirit 1 ..............................................................................
98
Figure 83. Sean’s Spirit 2 ..............................................................................
99
Figure 84. Sean’s Spirit 3 ..............................................................................
99
xv
ABSTRACT
YESI SUSANTI. A. 320 080 150.SEAN’S SELF CONFIDENCE AND SPIRIT
IN FINDING HIS GRANDFATHER IN JOURNEY2: THE MYSTERIOUS
ISLAND MOVIE (2012) DIRECTED BY BRAD PEYTON: AN INDIVIDUAL
PSYCHOLOGICAL APPROACH
The study is to reveal how is the major character’s self confidence and spirit is
reflected in Journey to the Mysterious Island directed by Brad Peyton published in
2012. The objective of the study is to analyze the structural elements in the movie
and to analizeself confidence and spirit of the movie based on individual
psychological approach.
The researcher employs the descriptive qualitative research as a type of the
research. The data sources divided into two, namely primary data source and
secondary data source. The primary data source is the events of the movie and script
of Journey to the Mysterious Island and the secondary data source is biography of
character. The method of collecting data is documentation. The technique of
analyzing data is descriptive.
The result of the study is as follows. First, based on the structural analysis,
Sean Anderson delivers a moral message that everybody should has self confidence
and spirit to achieve the goal of life and the structural elements are related to each
other and form a unity. Second, based on the individual psychological analysis, the
writer concludes that to achieve the goal of life everybody needs desire, self
confidence, spirit, and effort. They are the main key to achieve the goal of life and to
get the good result.
Keywords: Self confidence and Spirit, Journey to the Mysterious Island,
Individual Psychological approach.
xvi
GRANDFATHER IN JOURNEY2: THE MYSTERIOUS ISLAND
MOVIE (2012) DIRECTED BY BRAD PEYTON:
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirements
for Getting Bachelor Degree of Education
in English Department
by:
YESI SUSANTI
A 320080150
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2013
TESTIMONY
Herewith, I assert that there is no plagiarism of the previous literary works
which has been raised to obtain bachelor degree of university. As long as the writer
knows, that there is no work or opinion which has been written, composed or
published by the other, except those are mentioned and referred in the literary
review and bibliography.
Hence, if it is proven there are many incorrectness statements in this
testimony, I beg your pardon and I will fully hold responsibility.
Surakarta, January 2013
YesiSusanti
iv
MOTTO
It is better to remain silent and be thought a fool than to open one’s mouth and
remove all doubt.
_Abraham Lincoln
In the end, we will remember not the words of our enemies, but the silence of
our friends.
_Martin Luther King Jr.
Good people do not need laws to tell them to act responsibility, while bad
people will find a way around the laws.
_Plato
Hidup adalah seni meggambar tanpa penghapus.
_John W. Gardner
Jalan terbaik untuk kemajuan adalah jalan kebebasan.
_John F. Kennedy
Selalu memberI tanpa mengingat dan selalu menerima tanpa melupakan.
_Brian Tracy
Semua impian kita dapat menjadi nyata, jika kita memiliki keberanian untuk
mengejarnya.
_Walt Disney
v
DEDICATION
With love, this research paper is specially dedicated to :
My dear parents, mom and father, the most precious inmy life, thanks for your
love, prayer, and support.
My beloved friends named „D‟RIWOET‟ family, thanks for our togetherness, all
of the moment, and for a new family.
My dear friends, Hani‟ and Hita
My beloved ndut, AdityaYudhiSaputra who always support and loves me.
vi
ACKNOWLEDGMENT
Assalamu’alaikumWr.Wb
First of all, the writer would like to say Alhamdulillahirobbil’alaminto
express her praise to Allah SWTthe Lord of Universe, for blessing and guiding to
accomplish the research paper as a partial fulfillment of the requirements for getting
Bachelor Degree in English Department, Muhammadiyah University of Surakarta.
The writer is fully gratitude for all people who give contribution to make this
research paper more completely. Therefore, in this opportunity, she would like to
express her special deepest gratitude and appreciation to:
1. Drs. Sofyan Anif, M. Si., as the Dean of School of Teacher Training
and Education Muhammadiyah University of Surakarta.
2. Titis Setyabudi, S.S., M. Hum., as the chief of English Department
Muhammadiyah University of Surakarta,
3. Drs. Abdillah Nugroho, M. Hum., as the first consultant, who has
given guidance, advise, and information patiently during arrangement of
the research paper,
4. Dr. Phil. Dewi Candraningrum, S.Pd., M.Ed., as the second
consultant, who has given suggestion and help to correct grammatical
structure of the research paper,
5. Her dear parent, Mom “Parjini” and Dad “Sarjono” for the love, prayer,
support, patience, care, and all the sacrifices,
vii
6. Her lovely second family named “D‟RIWOET family” Rini (monyeng),
Anggit (boncu), Ika, Darmo, Trimo, Rosyid (ipin), Wahyu(boyo),
Febry (kopet), Saga, Rani, Tari, Soleh, Dono (pesek), Andre
(Ambon), Lina, Gresna, Surya,for being her best friends, giving spirit,
for all jokes, laugh, trouble, nice moments, and sweet friendship,
7. Her friends in English Department Class 2008 who cannot mentioned
one by one, Asta, Yuni, Aisyah, Ida, Rani, for happiness and support,
especially Class D the first class where meet her to special friend,
8. Her beloved “ndut”AdityaYudhiSaputra,special friend in her life for
togetherness, loves, believes, honest, patience, times, sacrifice, support,
all moments, and everything had been given to her,
9. Last but not least, she realizes that her research paper is far from being
perfect because of her limited capability. Thus, revision, suggestion, and
criticism are welcome. She wishes this research paper would be useful
and helpful to readers.
Surakarta, January 2013
YesiSusanti
viii
TABLE OF CONTENT
PAGE OF TITLE ..........................................................................................
i
APPROVAL ..................................................................................................
ii
ACCEPTENCE .............................................................................................
iii
TESTIMONY ................................................................................................
iv
MOTTO .........................................................................................................
v
DEDICATION ...............................................................................................
vi
ACKNOWLEDGMENT ..............................................................................
vii
TABLE OF CONTENT .................................................................................
ix
SUMMARY ...................................................................................................
x
CHAPTER I : INTRODUCTION ...............................................................
1
A. Background of the Study .................................................
1
B. Literature Review ............................................................
6
C. Problem Statement ..........................................................
6
D. Limitation of the Study ....................................................
6
E. Objective of Study ...........................................................
7
F. Benefit of the Study .........................................................
7
G. Research Method .............................................................
7
1. Type of the Study ..................................................
7
2. Object of the Study ................................................
8
3. Type of the Data and the Data Source....................
8
4. Technique of the Data Collection ..........................
8
5. Technique of the Data Analysis ............................
9
ix
H. Research Paper Organization ............................................
9
CHAPTER II: UNDERLYING THEORY .................................................
10
A. Notion of Individual Psychology .....................................
10
B. The Basic Assumption of Individual Psychology ............
11
1. Fiction Finalism ...................................................
11
2. Inferiority Feeling ................................................
12
3. Striving for Superiority .......................................
13
4. Style of Life .........................................................
13
5. Social Interest ......................................................
16
6. Creative Power ....................................................
16
C. Notion on Self Confidence and Spirit ............................
17
D. Structural Element ..........................................................
20
E. Theoretical Application ....................................................
33
CHAPTER III: STRUCTURAL ANALYSIS ............................................
34
A. Stuctural Analysis ..........................................................
34
1. Narrative Element .............................................
34
a. Character and Characterization ..............
34
b. Casting ...................................................
45
c. Plot .........................................................
46
d. Setting ....................................................
48
e. Point of View .........................................
51
f. Theme ....................................................
53
2. Technical Element .............................................
54
a. Mise- en- scene .......................................
54
ix
b. Cinematography ......................................
61
c. Sound .....................................................
67
d. Editing ....................................................
68
B. Discussion .........................................................................
71
CHAPTER IV: INDIVIDUAL PSYCHOLOGICAL ANALYSIS ..........
76
A. Individual Psychological Analysis of Sean........................
76
1. Fiction Finalism ....................................................
76
2. Inferiority Feeling .................................................
78
3. Striving for Superiority .........................................
80
4. Style of Life ..........................................................
83
5. Social Interest ........................................................
85
6. Creative Power ......................................................
89
B. Analysis of Self Confidence and Spirit Sean .....................
91
C. Discussion .........................................................................
100
CHAPTER V : CONCLUSION AND SUGGESTION ..............................
105
A. Conclusion ......................................................................
105
B. Educational Implication .................................................
106
C. Discussion .......................................................................
106
BIBLIOGRAPHY ..........................................................................................
108
VIRTUAL REFERENCES ..........................................................................
110
APPENDIX .....................................................................................................
111
xi
LIST OF FIGURES
Figure 1.
Sean Andersons Face ...................................................................
35
Figure 2.
Sean Anderson’s Body ................................................................
35
Figure 3.
Hank Parson’s Face .....................................................................
37
Figure 4
Hank Parson’s Body ....................................................................
37
Figure 5.
Alexander’s Face ..........................................................................
39
Figure 6.
Alexander’s Body ........................................................................
39
Figure 7.
Gabato’s Face ...............................................................................
41
Figure 8.
Gabato’s Body..............................................................................
41
Figure 9.
Kailani’s Face ..............................................................................
43
Figure 10. Kailani’s Body .............................................................................
43
Figure 11. Elizabeth’s Face ...........................................................................
44
Figure 12. Elizabeth’s Body ..........................................................................
44
Figure 13. Sean’s Modernization Live ..........................................................
49
Figure 14. Sean’s House ................................................................................
49
Figure 15. Alexander’s House .......................................................................
50
Figure 16. Atlantis .......................................................................................
50
Figure 17. Nautilus ........................................................................................
51
Figure 18. Point of View 1 ...........................................................................
52
Figure 19. Point of View 2 ............................................................................
53
Figure 20. Set Dressing Alexander’s Home .................................................
55
Figure 21. Set Dressing in the Nautilus .........................................................
56
Figure 22. Sean’s Room ...............................................................................
56
xii
Figure 23. Sean’s Living Room ..................................................................
56
Figure 24. Elizabeth’s Kitchen ......................................................................
57
Figure 25. Sean’s Casual Uniform ..............................................................
57
Figure 26. Sean’s Formal Uniform ................................................................
57
Figure 27. Older Make-Up .........................................................................
58
Figure 28. Natural Make-Up .........................................................................
58
Figure 29. Hard Light ...................................................................................
59
Figure 30. Soft Light .....................................................................................
59
Figure 31. Top Lighting ................................................................................
59
Figure 32. Under Lighting ............................................................................
59
Figure 33. Side Lighting ...............................................................................
59
Figure 34. Back Lighting ...............................................................................
59
Figure 35. Frontal Lighting ...........................................................................
60
Figure 36. Key Light .....................................................................................
60
Figure 37. Fill Light ......................................................................................
60
Figure 38. Combination Key and Fill Light .................................................
60
Figure 39. Yellow Light ...............................................................................
61
Figure 40. Natural Light ...............................................................................
61
Figure 41. The Bird Eye View .....................................................................
63
Figure 42. High Angel ..................................................................................
63
Figure 43. Eye Level Angel ..........................................................................
64
Figure 44. Low Angel ...................................................................................
64
Figure 45.
Extreme Long Shot ....................................................................
65
Figure 46.
Long Shot ...................................................................................
65
xiii
Figure 47. Medium Shot ...............................................................................
66
Figure 48. Medium Close-Up .......................................................................
66
Figure 49. Close-Up .....................................................................................
66
Figure 50. Extreme Close-Up .......................................................................
67
Figure 51. Axis of Action .............................................................................
69
Figure 52. Establishing Shot .........................................................................
69
Figure 53. A Reverse Shot ............................................................................
69
Figure 54. Reestablishing Shot .....................................................................
70
Figure 55. Match on Action ..........................................................................
70
Figure 56. Cross Cutting ...............................................................................
70
Figure 57. Sean’s Fiction Finalism 1 .............................................................
77
Figure 58. Sean’s Fiction Finalism 2 ............................................................
77
Figure 59. Sean’s Inferiority Feeling 1 .........................................................
78
Figure 60. Sean’s Inferiority Feeling 2 .........................................................
79
Figure 61. Sean’s Inferiority Feeling 3 ..........................................................
80
Figure 62. Sean’s Striving for Superiority 1 .................................................
81
Figure 63. Sean’s Striving for Superiority 2 .................................................
82
Figure 64. Sean’s Striving for Superiority 3 .................................................
82
Figure 65. Sean’s Style of Life 1 ...................................................................
84
Figure 66. Sean’s Style of Life 2 ..................................................................
85
Figure 67. Sean’s Social Interest 1 ...............................................................
86
Figure 68. Sean’s Social Interest 2 ................................................................
87
Figure 69. Sean’s Social Interest 3 ................................................................
87
Figure 70. Sean’s Social Interest 4 ................................................................
88
xiv
Figure 71. Sean’s Creative Power 1 ..............................................................
89
Figure 72. Sean’s Creative Power 2 .............................................................
90
Figure 73
Ability of Individual 1..................................................................
91
Figure 74. Ability of Individual 2..................................................................
92
Figure 75. Ability of Individual 3..................................................................
93
Figure 76. Social Interaction 1 ......................................................................
94
Figure 77. Social Interaction 2 .....................................................................
94
Figure 78. Social Interaction 3 ......................................................................
95
Figure 79. Sean’s Self Concept 1 ..................................................................
96
Figure 80. Sean’s Self Concept 2 ..................................................................
97
Figure 81. Sean’s Self Concept 3 ..................................................................
97
Figure 82. Sean’s Spirit 1 ..............................................................................
98
Figure 83. Sean’s Spirit 2 ..............................................................................
99
Figure 84. Sean’s Spirit 3 ..............................................................................
99
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ABSTRACT
YESI SUSANTI. A. 320 080 150.SEAN’S SELF CONFIDENCE AND SPIRIT
IN FINDING HIS GRANDFATHER IN JOURNEY2: THE MYSTERIOUS
ISLAND MOVIE (2012) DIRECTED BY BRAD PEYTON: AN INDIVIDUAL
PSYCHOLOGICAL APPROACH
The study is to reveal how is the major character’s self confidence and spirit is
reflected in Journey to the Mysterious Island directed by Brad Peyton published in
2012. The objective of the study is to analyze the structural elements in the movie
and to analizeself confidence and spirit of the movie based on individual
psychological approach.
The researcher employs the descriptive qualitative research as a type of the
research. The data sources divided into two, namely primary data source and
secondary data source. The primary data source is the events of the movie and script
of Journey to the Mysterious Island and the secondary data source is biography of
character. The method of collecting data is documentation. The technique of
analyzing data is descriptive.
The result of the study is as follows. First, based on the structural analysis,
Sean Anderson delivers a moral message that everybody should has self confidence
and spirit to achieve the goal of life and the structural elements are related to each
other and form a unity. Second, based on the individual psychological analysis, the
writer concludes that to achieve the goal of life everybody needs desire, self
confidence, spirit, and effort. They are the main key to achieve the goal of life and to
get the good result.
Keywords: Self confidence and Spirit, Journey to the Mysterious Island,
Individual Psychological approach.
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