S PSR 1005657 Table of content
DAFTAR ISI
LEMBAR PERNYATAAN ................................................................................. i
ABSTRAK .......................................................................................................... ii
KATA PENGANTAR .......................................................................................iii
UCAPAN TERIMA KASIH ............................................................................. iv
DAFTAR ISI ..................................................................................................... vi
DAFTAR TABEL ............................................................................................. ix
DAFTAR GAMBAR ......................................................................................... x
DAFTAR DIAGRAM .....................................................................................xiii
BAB I ................................................................................................................. 1
A. LATAR BELAKANG MASALAH .................................................. 1
B. RUMUSAN MASALAH .................................................................. 3
C. TUJUAN PENELITIAN ................................................................... 4
D. MANFAAT PENELITIAN ............................................................... 4
E. TINJAUAN PUSTAKA .................................................................... 5
F. METODE PENELITIAN ................................................................... 5
G. SISTEMATIKA PENELITIAN ........................................................ 6
BAB II ................................................................................................................ 8
A. SENI RUPA ...................................................................................... 8
B. SENI LUKIS .................................................................................... 29
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
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a. Seni Lukis Abstrak .................................................................... 31
b. Sejarah Seni Lukis ..................................................................... 32
c. Alat dan Bahan Melukis ............................................................ 36
C. ESTETIKA ...................................................................................... 43
D. SEMIOTIKA ................................................................................... 46
a. Penanda dan Petanda ................................................................. 48
b. Bentuk (Form) dan Isi (Content) ............................................... 49
c. Bahasa (Langue) dan Ujaran (Parole) ....................................... 50
d. Sinkronis (Synchronic) dan Diakronis (Diachronic) ................ 52
e. Sintagma (Syntagmatic) dan Paradigma (Paradigmatic) ........... 53
E. STRUKTUR PUISI ......................................................................... 54
BAB III ............................................................................................................ 57
A. METODE PENELITIAN ................................................................ 57
B. LOKASI PENELITIAN .................................................................. 57
C. INSTRUMEN PENELITIAN .......................................................... 59
D. TEKNIK PENGUMPULAN DATA ............................................... 60
E. PENDEKATAN PENELITIAN ...................................................... 62
a. Pendekatan Formalisme ............................................................. 62
b. Pendekatan Ekspresivisme ........................................................ 63
c. Pendekatan Instrumentalisme .................................................... 63
d. Pendekatan Semiotika Strukturalis ........................................... 63
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
F. PROSEDUR DAN TAHAP PENELITIAN .................................... 63
BAB IV ............................................................................................................ 65
A. BIOGRAFI SINGKAT TETET CAHYATI ................................... 65
B. PENELITIAN KARYA LUKIS TETET CAHYATI ...................... 68
a. Cahaya Jiwa ............................................................................... 70
b. Sepanjang masa ......................................................................... 76
c. The Living Energy ..................................................................... 81
d. Nyanyian Anak Pertiwi ............................................................. 86
e. Bandung ..................................................................................... 91
f. The Spirit of Growth .................................................................. 96
BAB V SIMPULAN DAN SARAN .............................................................. 101
A. SIMPULAN ................................................................................... 101
B. SARAN .......................................................................................... 106
DAFTAR PUSTAKA .................................................................................... 107
LAMPIRAN ................................................................................................... 110
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR TABEL
Nama Tabel
Halaman
2.1
Hasil Pencampuran Warna Primer ......................................................... 19
2.2
Pemaknaan Warna Berdasarkan Budaya Indonesia ............................... 22
2.3
Kajian langue dan parole pada obyek desain ........................................ 51
2.4
Model Kajian Semiotik berdasarkan Paradigma dan Sintagma ............ 53
3.1
Unit Analisis Penelitian ......................................................................... 58
3.2
Instrumen Penelitian ............................................................................... 59
3.3
Jadwal Kegiatan Pengamatan Karya Lukis Tetet Cahyati ..................... 61
5.1
Hasil Analisis Estetik dan Makna Karya Lukis Tetet Cahyati ............. 104
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR GAMBAR
Nama Gambar
Halaman
2.1
Macam-macam Garis ........................................................................
10
2.2
Garis Berdasarkan Arahnya .......................................................................
11
2.3
Contoh-contoh Bentuk .....................................................................
2.4
Contoh Stilasi ...........................................................................................
13
2.5
Contoh Distorsi ..........................................................................................
13
2.6
Contoh Transformasi .................................................................................
14
2.7
Contoh Disformasi .....................................................................................
15
2.8
Contoh-contoh Tekstur ................................................................................
16
2.9
Roda Warna ...............................................................................................
18
12
2.10 Hasil Pencampuran Warna Primer, Sekunder, dan Tersier .......................
19
2.11 Contoh Warna Analog ...............................................................................
20
2.12 Contoh Warna Komplementer ...................................................................
20
2.13 Contoh Warna Hampir Kontras .................................................................
21
2.14 Contoh Warna Triad ..................................................................................
21
2.15 Contoh Unsur Rupa Beda Dekat atau Harmoni ........................................
24
2.16 Contoh Kontras Berdasarkan Perbedaan Ukuran dan Bentuk ...................
24
2.17 Contoh Repetisi .........................................................................................
25
2.18 Contoh Gradasi Berdasarkan Ukuran ........................................................
26
2.19 Contoh Kesatuan Bentuk berdasarkan Kesamaan Bentuk dan Warna.......
27
2.20 Contoh Keseimbangan ...............................................................................
27
2.21 Contoh Emphasis dengan Membedakan Bentuk, Ukuran,
dan Tata Letak ........................................................................................28
2.22 Contoh Proporsi dengan Mengulang Bentuk Persegi ................................
29
2.23 S. Sudjojono: ‘Pertemuan di Tjikampek yang Bersedjarah’,1964.
Cat Minya di atas Kanvas 104 x 154 cm ..................................................
33
2.24 S. Sudjojono: ‘Kawan-kawan Revolusi’, 1947. Cat Minyak di atas
Kanvas 95 x 149 cm. Koleksi Lukisan Presiden Sukarno .........................
33
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
2.25 Fadjar Sidik: ‘Dinamika Keruangan’, 1969. Cat minyak di atas
Kanvas 94 x 64 cm ....................................................................................
35
2.26 Affandi: ‘Barong Bali’ ..............................................................................
35
2.27 Popo Iskandar: ‘Kucing Hitam’, 1976. Kanvas.
Koleksi Ditjen Kebudayaan ......................................................................
36
2.28 Contoh Kanvas yang Sudah Diregangkan .................................................
37
2.29 Contoh Cat Minyak ...................................................................................
38
2.30 Contoh Perbedaan Kuas berdasarkan Ukuran ...........................................
39
2.31 Perbedaan Kuas Bulu Babi dengan Bulu Sintetis dan Bulu Musang.........
40
2.32 Contoh-contoh Pisau Palet ........................................................................
41
2.33 Contoh Ezel ............................................................... ...............................
42
2.34 Contoh Palet untuk Cat Minyak ................................................................
43
3.1
Peta Lokasi Sanggar Seni “Tirtasari” ........................................................
58
4.1
Foto Tetet Cahyati ............................................................... .....................
65
4.2
Tetet Cahyati bersama Model pada Pembukaan Pameran Lukisanya
di Hotel “Jayakarta” Bandung ...................................................................
66
4.3
Foto Penghargaan Tetet Cahyati sebagai Seniwati Multi-Media
terhadap Satu Tema ...................................................................................
68
4.4
Puisi dan Lukisan “Cahaya Jiwa” ..............................................................
70
4.5
Lukisan “Cahaya Jiwa” .............................................................................
71
4.6
Keterangan Prinsip Kesatuan pada Lukisan “Cahaya Jiwa” .....................
72
4.7
Keterangan Bentuk pada Lukisan “Cahaya Jiwa” .....................................
73
4.8
Arah Gerak Bentuk pada Lukisan “Cahaya Jiwa” ....................................
73
4.9
Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Cahaya Jiwa” .............................................................................
75
4.10 Puisi dan Lukisan “Sepanjang Masa” ........................................................
76
4.11 Lukisan “Sepanjang Masa” .......................................................................
77
4.12 Kesatuan dan Irama Warna pada Lukisan “Sepanjang Masa” ..................
77
4.13 Arah Gerak Bentuk Lukisan “Sepanjang Masa” .......................................
78
4.14 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Sepanjang Masa” .......................................................................
81
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
4.15 Puisi dan Lukisan “The Living Energy” ....................................................
81
4.16 Lukisan “The Living Energy” ....................................................................
82
4.17 Bentuk-bentuk pada Lukisan “The Living Energy” ...................................
83
4.18 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “The Living Energy” ....................................................................
86
4.19 Puisi dan Lukisan “Nyanyian Anak Pertiwi” ............................................
86
4.20 Lukisan “Nyanyian Anak Pertiwi” ............................................................
88
4.21 Prinsip Kesatuan pada Lukisan “Nyanyian Anak Pertiwi” .......................
88
4.22 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Nyanyian Anak pertiwi” ............................................................
90
4.23 Puisi dan Lukisan “Bandung” ...................................................................
91
4.24 Lukisan “Bandung” ...................................................................................
92
4.25 Prinsip Kesatuan dan Irama Warna pada Lukisan “Bandung” ..................
92
4.26 Garis Nyata pada Lukisan “Bandung” ......................................................
93
4.27 Bentuk-bentuk pada Lukisan “Bandung” ..................................................
92
4.28 Hubungan antara Mana Tanda Verbal dengan Tanda Visual
Lukisan “Bandung” ...................................................................................
95
4.29 Puisi dan Lukisan “The Spirit og Growth” ................................................
96
4.30 Lukisan “The Spirit of Growth” ................................................................
97
4.31 Bentuk-bentuk pada Lukisan “The Spirit of Growth” ...............................
97
4.32 Unsur Tekstur pada Lukisan “The Spirit of Growth” ................................
98
4.33 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “The Spirit of Growth” ................................................................
100
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR DIAGRAM
Nama Gambar
Halaman
1.1
Kerangka Pemikiran ....................................................... .............................
6
2.1
Tingkat Tanggapan atau Pengamatan Estetika ............................................
45
2.2
Hubungan antara Seniman, Subject Matter , Karya dan Makna ...................
46
2.3
Model Kajian Estetik pada Karya Seni Rupa ..............................................
46
2.4
Penanda dan Petanda dalam Pikiran Seseorang Menjadi
Simbolisasi yang Utuh ...............................................................................
49
3.1
Arus Kegiatan Penelitian .............................................................................
60
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
LEMBAR PERNYATAAN ................................................................................. i
ABSTRAK .......................................................................................................... ii
KATA PENGANTAR .......................................................................................iii
UCAPAN TERIMA KASIH ............................................................................. iv
DAFTAR ISI ..................................................................................................... vi
DAFTAR TABEL ............................................................................................. ix
DAFTAR GAMBAR ......................................................................................... x
DAFTAR DIAGRAM .....................................................................................xiii
BAB I ................................................................................................................. 1
A. LATAR BELAKANG MASALAH .................................................. 1
B. RUMUSAN MASALAH .................................................................. 3
C. TUJUAN PENELITIAN ................................................................... 4
D. MANFAAT PENELITIAN ............................................................... 4
E. TINJAUAN PUSTAKA .................................................................... 5
F. METODE PENELITIAN ................................................................... 5
G. SISTEMATIKA PENELITIAN ........................................................ 6
BAB II ................................................................................................................ 8
A. SENI RUPA ...................................................................................... 8
B. SENI LUKIS .................................................................................... 29
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
a. Seni Lukis Abstrak .................................................................... 31
b. Sejarah Seni Lukis ..................................................................... 32
c. Alat dan Bahan Melukis ............................................................ 36
C. ESTETIKA ...................................................................................... 43
D. SEMIOTIKA ................................................................................... 46
a. Penanda dan Petanda ................................................................. 48
b. Bentuk (Form) dan Isi (Content) ............................................... 49
c. Bahasa (Langue) dan Ujaran (Parole) ....................................... 50
d. Sinkronis (Synchronic) dan Diakronis (Diachronic) ................ 52
e. Sintagma (Syntagmatic) dan Paradigma (Paradigmatic) ........... 53
E. STRUKTUR PUISI ......................................................................... 54
BAB III ............................................................................................................ 57
A. METODE PENELITIAN ................................................................ 57
B. LOKASI PENELITIAN .................................................................. 57
C. INSTRUMEN PENELITIAN .......................................................... 59
D. TEKNIK PENGUMPULAN DATA ............................................... 60
E. PENDEKATAN PENELITIAN ...................................................... 62
a. Pendekatan Formalisme ............................................................. 62
b. Pendekatan Ekspresivisme ........................................................ 63
c. Pendekatan Instrumentalisme .................................................... 63
d. Pendekatan Semiotika Strukturalis ........................................... 63
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
F. PROSEDUR DAN TAHAP PENELITIAN .................................... 63
BAB IV ............................................................................................................ 65
A. BIOGRAFI SINGKAT TETET CAHYATI ................................... 65
B. PENELITIAN KARYA LUKIS TETET CAHYATI ...................... 68
a. Cahaya Jiwa ............................................................................... 70
b. Sepanjang masa ......................................................................... 76
c. The Living Energy ..................................................................... 81
d. Nyanyian Anak Pertiwi ............................................................. 86
e. Bandung ..................................................................................... 91
f. The Spirit of Growth .................................................................. 96
BAB V SIMPULAN DAN SARAN .............................................................. 101
A. SIMPULAN ................................................................................... 101
B. SARAN .......................................................................................... 106
DAFTAR PUSTAKA .................................................................................... 107
LAMPIRAN ................................................................................................... 110
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR TABEL
Nama Tabel
Halaman
2.1
Hasil Pencampuran Warna Primer ......................................................... 19
2.2
Pemaknaan Warna Berdasarkan Budaya Indonesia ............................... 22
2.3
Kajian langue dan parole pada obyek desain ........................................ 51
2.4
Model Kajian Semiotik berdasarkan Paradigma dan Sintagma ............ 53
3.1
Unit Analisis Penelitian ......................................................................... 58
3.2
Instrumen Penelitian ............................................................................... 59
3.3
Jadwal Kegiatan Pengamatan Karya Lukis Tetet Cahyati ..................... 61
5.1
Hasil Analisis Estetik dan Makna Karya Lukis Tetet Cahyati ............. 104
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR GAMBAR
Nama Gambar
Halaman
2.1
Macam-macam Garis ........................................................................
10
2.2
Garis Berdasarkan Arahnya .......................................................................
11
2.3
Contoh-contoh Bentuk .....................................................................
2.4
Contoh Stilasi ...........................................................................................
13
2.5
Contoh Distorsi ..........................................................................................
13
2.6
Contoh Transformasi .................................................................................
14
2.7
Contoh Disformasi .....................................................................................
15
2.8
Contoh-contoh Tekstur ................................................................................
16
2.9
Roda Warna ...............................................................................................
18
12
2.10 Hasil Pencampuran Warna Primer, Sekunder, dan Tersier .......................
19
2.11 Contoh Warna Analog ...............................................................................
20
2.12 Contoh Warna Komplementer ...................................................................
20
2.13 Contoh Warna Hampir Kontras .................................................................
21
2.14 Contoh Warna Triad ..................................................................................
21
2.15 Contoh Unsur Rupa Beda Dekat atau Harmoni ........................................
24
2.16 Contoh Kontras Berdasarkan Perbedaan Ukuran dan Bentuk ...................
24
2.17 Contoh Repetisi .........................................................................................
25
2.18 Contoh Gradasi Berdasarkan Ukuran ........................................................
26
2.19 Contoh Kesatuan Bentuk berdasarkan Kesamaan Bentuk dan Warna.......
27
2.20 Contoh Keseimbangan ...............................................................................
27
2.21 Contoh Emphasis dengan Membedakan Bentuk, Ukuran,
dan Tata Letak ........................................................................................28
2.22 Contoh Proporsi dengan Mengulang Bentuk Persegi ................................
29
2.23 S. Sudjojono: ‘Pertemuan di Tjikampek yang Bersedjarah’,1964.
Cat Minya di atas Kanvas 104 x 154 cm ..................................................
33
2.24 S. Sudjojono: ‘Kawan-kawan Revolusi’, 1947. Cat Minyak di atas
Kanvas 95 x 149 cm. Koleksi Lukisan Presiden Sukarno .........................
33
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
2.25 Fadjar Sidik: ‘Dinamika Keruangan’, 1969. Cat minyak di atas
Kanvas 94 x 64 cm ....................................................................................
35
2.26 Affandi: ‘Barong Bali’ ..............................................................................
35
2.27 Popo Iskandar: ‘Kucing Hitam’, 1976. Kanvas.
Koleksi Ditjen Kebudayaan ......................................................................
36
2.28 Contoh Kanvas yang Sudah Diregangkan .................................................
37
2.29 Contoh Cat Minyak ...................................................................................
38
2.30 Contoh Perbedaan Kuas berdasarkan Ukuran ...........................................
39
2.31 Perbedaan Kuas Bulu Babi dengan Bulu Sintetis dan Bulu Musang.........
40
2.32 Contoh-contoh Pisau Palet ........................................................................
41
2.33 Contoh Ezel ............................................................... ...............................
42
2.34 Contoh Palet untuk Cat Minyak ................................................................
43
3.1
Peta Lokasi Sanggar Seni “Tirtasari” ........................................................
58
4.1
Foto Tetet Cahyati ............................................................... .....................
65
4.2
Tetet Cahyati bersama Model pada Pembukaan Pameran Lukisanya
di Hotel “Jayakarta” Bandung ...................................................................
66
4.3
Foto Penghargaan Tetet Cahyati sebagai Seniwati Multi-Media
terhadap Satu Tema ...................................................................................
68
4.4
Puisi dan Lukisan “Cahaya Jiwa” ..............................................................
70
4.5
Lukisan “Cahaya Jiwa” .............................................................................
71
4.6
Keterangan Prinsip Kesatuan pada Lukisan “Cahaya Jiwa” .....................
72
4.7
Keterangan Bentuk pada Lukisan “Cahaya Jiwa” .....................................
73
4.8
Arah Gerak Bentuk pada Lukisan “Cahaya Jiwa” ....................................
73
4.9
Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Cahaya Jiwa” .............................................................................
75
4.10 Puisi dan Lukisan “Sepanjang Masa” ........................................................
76
4.11 Lukisan “Sepanjang Masa” .......................................................................
77
4.12 Kesatuan dan Irama Warna pada Lukisan “Sepanjang Masa” ..................
77
4.13 Arah Gerak Bentuk Lukisan “Sepanjang Masa” .......................................
78
4.14 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Sepanjang Masa” .......................................................................
81
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
4.15 Puisi dan Lukisan “The Living Energy” ....................................................
81
4.16 Lukisan “The Living Energy” ....................................................................
82
4.17 Bentuk-bentuk pada Lukisan “The Living Energy” ...................................
83
4.18 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “The Living Energy” ....................................................................
86
4.19 Puisi dan Lukisan “Nyanyian Anak Pertiwi” ............................................
86
4.20 Lukisan “Nyanyian Anak Pertiwi” ............................................................
88
4.21 Prinsip Kesatuan pada Lukisan “Nyanyian Anak Pertiwi” .......................
88
4.22 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “Nyanyian Anak pertiwi” ............................................................
90
4.23 Puisi dan Lukisan “Bandung” ...................................................................
91
4.24 Lukisan “Bandung” ...................................................................................
92
4.25 Prinsip Kesatuan dan Irama Warna pada Lukisan “Bandung” ..................
92
4.26 Garis Nyata pada Lukisan “Bandung” ......................................................
93
4.27 Bentuk-bentuk pada Lukisan “Bandung” ..................................................
92
4.28 Hubungan antara Mana Tanda Verbal dengan Tanda Visual
Lukisan “Bandung” ...................................................................................
95
4.29 Puisi dan Lukisan “The Spirit og Growth” ................................................
96
4.30 Lukisan “The Spirit of Growth” ................................................................
97
4.31 Bentuk-bentuk pada Lukisan “The Spirit of Growth” ...............................
97
4.32 Unsur Tekstur pada Lukisan “The Spirit of Growth” ................................
98
4.33 Hubungan antara Makna Tanda Verbal dengan Tanda Visual
Lukisan “The Spirit of Growth” ................................................................
100
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
DAFTAR DIAGRAM
Nama Gambar
Halaman
1.1
Kerangka Pemikiran ....................................................... .............................
6
2.1
Tingkat Tanggapan atau Pengamatan Estetika ............................................
45
2.2
Hubungan antara Seniman, Subject Matter , Karya dan Makna ...................
46
2.3
Model Kajian Estetik pada Karya Seni Rupa ..............................................
46
2.4
Penanda dan Petanda dalam Pikiran Seseorang Menjadi
Simbolisasi yang Utuh ...............................................................................
49
3.1
Arus Kegiatan Penelitian .............................................................................
60
Agung Tri Wibowo, 2015
ANALISIS ESTETIK DAN MAKNA KARYA LUKIS TETET CAHYATI
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu