Institutional Repository | Satya Wacana Christian University: Song For You: komposisi musik serenade dengan format kuartet jazz
“SONG FOR YOU”
KOMPOSISI MUSIK SERENADE DENGAN FORMAT
KUARTET JAZZ
SKRIPSI
Diajukan sebagai salah satu syarat
memperoleh gelar
Sarjana Musik
Disusun oleh :
Daniel Rahadi Kurniawan
NIM: 852010014
PROGRAM STUDI SENI MUSIK
FAKULTAS SENI PERTUNJUKAN
UNIVERSITAS KRISTEN SATYA WACANA
SALATIGA
2016
ii
iii
ABSTRAKSI
Komposisi musik serenade “Song For You” merupakan komposisi musik
absolut yang memiliki bentuk baku. Komposisi musik serenade “Song for You”
terdiri dari tiga movement yang keseluruhan movement di tujukan untuk seseorang
yang dicintai oleh penulis. Movement pertama bertempo moderato, movement
kedua bertempo andante, dan movement ketiga bertempo allegro yang masingmasing mempunyai struktur A, B, A’. Komposisi disusun untuk format kuartet
dengan menggunakan instrumen keyboard, bas elektrik, gitar elektrik, drum.
Kata kunci: Serenade, Kuartet, Absolut
__________________________________________________________________
ABSTRACT
A musical composition serenade “Song For You” is an absolute musical
composition that having the form of raw. A musical composition serenade “Song
For You” consisting of three movement that a whole movement in stretch to
someone who in love by the writer. The tempo of the first movement is moderato,
the tempo of the second movement is andante, and the tempo of the third
movement is allegro which each one had a structure A, B, A’. The composition is
composed for format quartet by using instrument a keyboard, an electric bass, an
electric guitar, a drum.
Keywords: Serenade, Quartet, Absolute
iv
DAFTAR ISI
v
HALAMAN PERSETUJUAN PEMBIMBING ...................................................... i
HALAMAN PENGESAHAN ................................................................................ ii
PERNYATAAN KEASLIAN KARYA TULIS TUGAS AKHIR……………….iii
ABSTRAKSI ......................................................................................................... iv
KATA PENGANTAR .............................................................................................v
DAFTAR ISI .......................................................................................................... vi
DAFTAR GAMBAR ............................................................................................ vii
DAFTAR TABEL………………………………………………………………...ix
BAB I PENDAHULUAN ....................................................................................1
BAB II
A.
Latar Belakang Masalah.................................................................1
B.
Rumusan Masalah ..........................................................................2
C.
Tujuan Penelitian ...........................................................................2
D.
Manfaat Penelitian .........................................................................3
E.
Batasan Masalah ............................................................................3
F.
Metode Penelitian ..........................................................................3
LANDASAN TEORI ..............................................................................5
A.
Komposisi ......................................................................................5
B.
Serenade .........................................................................................5
C.
Jazz .................................................................................................6
D.
Kuartet ..........................................................................................11
E.
Instrumen untuk kuartet jazz ........................................................12
BAB III ANALISIS KOMPOSISI.......................................................................16
A.
Movement pertama “Song For You” ............................................16
B.
Movement kedua “Song For You”................................................26
C.
Movement ketiga “Song For You” ...............................................32
BAB IV PENUTUP .............................................................................................40
A.
Kesimpulan ..................................................................................40
B.
Saran ............................................................................................40
DAFTAR PUSTAKA ............................................................................................41
LAMPIRAN-LAMPIRAN
vi
DAFTAR GAMBAR
Gambar 3. 1 birama 1-5 .........................................................................................17
Gambar 3. 2 birama 10-16 .....................................................................................18
Gambar 3. 3 birama 18-21 .....................................................................................19
Gambar 3. 4 tema utama pada gitar elektrik .........................................................19
Gambar 3. 5 birama 28-31 .....................................................................................20
Gambar 3. 6 birama 34-35 deceptive cadence .......................................................20
Gambar 3. 7 birama 36-43 .....................................................................................21
Gambar 3. 8 birama 44 ...........................................................................................22
Gambar 3. 9 birama 45-48 .....................................................................................22
Gambar 3. 10 birama 69 .........................................................................................23
Gambar 3. 11 birama 70-76 ...................................................................................23
Gambar 3. 12 birama 78-81 ...................................................................................24
Gambar 3. 13 birama 88-91 ...................................................................................24
Gambar 3. 14 birama 91 .........................................................................................25
Gambar 3. 15 birama 96-97 ...................................................................................25
Gambar 3. 16 birama 98-99 ...................................................................................25
Gambar 3. 17 birama 1-5 .......................................................................................26
Gambar 3. 18 birama 6-9 .......................................................................................27
Gambar 3. 19 birama 10-17 ...................................................................................27
Gambar 3. 20 tema utama pada bas elektrik ..........................................................27
Gambar 3. 21 birama 17-19 deceptive cadence .....................................................28
Gambar 3. 22 birama 20-27 ...................................................................................28
Gambar 3. 23 frase pada bas elektrik .....................................................................28
Gambar 3. 24 birama 28-31 ...................................................................................29
Gambar 3. 25 birama 32-39 ...................................................................................29
Gambar 3. 26 frase pada keyboard.........................................................................30
Gambar 3. 27 birama 56-60 ...................................................................................30
Gambar 3. 28 birama 61-64 ..................................................................................31
Gambar 3. 29 birama 68 unisono ...........................................................................31
vii
Gambar 3. 30 birama 77-82 ...................................................................................32
Gambar 3. 31 birama 1-4 .......................................................................................33
Gambar 3. 32 birama 5-8 .......................................................................................33
Gambar 3. 33 imitasi ..............................................................................................34
Gambar 3. 34 birama 20-23 ...................................................................................34
Gambar 3. 35 birama 24-27 ...................................................................................35
Gambar 3. 36 birama 27-34 ...................................................................................35
Gambar 3. 37 birama 31-34 ...................................................................................35
Gambar 3. 38 variasi instrumen keyboard .............................................................36
Gambar 3. 39 authentic cadence ............................................................................36
Gambar 3. 40 birama 35-42 ..................................................................................36
Gambar 3. 41 birama 43-50 ...................................................................................37
Gambar 3.42 birama 50-53 ....................................................................................37
Gambar 3. 43 birama 84-87 ...................................................................................38
Gambar 3. 44 birama 88-91 ...................................................................................38
Gambar 3. 45 patern pukulan drum .......................................................................38
Gambar 3. 46 birama 107-110 ..............................................................................39
viii
DAFTAR TABEL
Tabel 3.1 Movement pertama.…………………………………………………... 26
Tabel 3.2 Movement kedua …………………………………………………….. 32
Tabel 3.3 Movement ketiga………………………………………………………39
ix
KOMPOSISI MUSIK SERENADE DENGAN FORMAT
KUARTET JAZZ
SKRIPSI
Diajukan sebagai salah satu syarat
memperoleh gelar
Sarjana Musik
Disusun oleh :
Daniel Rahadi Kurniawan
NIM: 852010014
PROGRAM STUDI SENI MUSIK
FAKULTAS SENI PERTUNJUKAN
UNIVERSITAS KRISTEN SATYA WACANA
SALATIGA
2016
ii
iii
ABSTRAKSI
Komposisi musik serenade “Song For You” merupakan komposisi musik
absolut yang memiliki bentuk baku. Komposisi musik serenade “Song for You”
terdiri dari tiga movement yang keseluruhan movement di tujukan untuk seseorang
yang dicintai oleh penulis. Movement pertama bertempo moderato, movement
kedua bertempo andante, dan movement ketiga bertempo allegro yang masingmasing mempunyai struktur A, B, A’. Komposisi disusun untuk format kuartet
dengan menggunakan instrumen keyboard, bas elektrik, gitar elektrik, drum.
Kata kunci: Serenade, Kuartet, Absolut
__________________________________________________________________
ABSTRACT
A musical composition serenade “Song For You” is an absolute musical
composition that having the form of raw. A musical composition serenade “Song
For You” consisting of three movement that a whole movement in stretch to
someone who in love by the writer. The tempo of the first movement is moderato,
the tempo of the second movement is andante, and the tempo of the third
movement is allegro which each one had a structure A, B, A’. The composition is
composed for format quartet by using instrument a keyboard, an electric bass, an
electric guitar, a drum.
Keywords: Serenade, Quartet, Absolute
iv
DAFTAR ISI
v
HALAMAN PERSETUJUAN PEMBIMBING ...................................................... i
HALAMAN PENGESAHAN ................................................................................ ii
PERNYATAAN KEASLIAN KARYA TULIS TUGAS AKHIR……………….iii
ABSTRAKSI ......................................................................................................... iv
KATA PENGANTAR .............................................................................................v
DAFTAR ISI .......................................................................................................... vi
DAFTAR GAMBAR ............................................................................................ vii
DAFTAR TABEL………………………………………………………………...ix
BAB I PENDAHULUAN ....................................................................................1
BAB II
A.
Latar Belakang Masalah.................................................................1
B.
Rumusan Masalah ..........................................................................2
C.
Tujuan Penelitian ...........................................................................2
D.
Manfaat Penelitian .........................................................................3
E.
Batasan Masalah ............................................................................3
F.
Metode Penelitian ..........................................................................3
LANDASAN TEORI ..............................................................................5
A.
Komposisi ......................................................................................5
B.
Serenade .........................................................................................5
C.
Jazz .................................................................................................6
D.
Kuartet ..........................................................................................11
E.
Instrumen untuk kuartet jazz ........................................................12
BAB III ANALISIS KOMPOSISI.......................................................................16
A.
Movement pertama “Song For You” ............................................16
B.
Movement kedua “Song For You”................................................26
C.
Movement ketiga “Song For You” ...............................................32
BAB IV PENUTUP .............................................................................................40
A.
Kesimpulan ..................................................................................40
B.
Saran ............................................................................................40
DAFTAR PUSTAKA ............................................................................................41
LAMPIRAN-LAMPIRAN
vi
DAFTAR GAMBAR
Gambar 3. 1 birama 1-5 .........................................................................................17
Gambar 3. 2 birama 10-16 .....................................................................................18
Gambar 3. 3 birama 18-21 .....................................................................................19
Gambar 3. 4 tema utama pada gitar elektrik .........................................................19
Gambar 3. 5 birama 28-31 .....................................................................................20
Gambar 3. 6 birama 34-35 deceptive cadence .......................................................20
Gambar 3. 7 birama 36-43 .....................................................................................21
Gambar 3. 8 birama 44 ...........................................................................................22
Gambar 3. 9 birama 45-48 .....................................................................................22
Gambar 3. 10 birama 69 .........................................................................................23
Gambar 3. 11 birama 70-76 ...................................................................................23
Gambar 3. 12 birama 78-81 ...................................................................................24
Gambar 3. 13 birama 88-91 ...................................................................................24
Gambar 3. 14 birama 91 .........................................................................................25
Gambar 3. 15 birama 96-97 ...................................................................................25
Gambar 3. 16 birama 98-99 ...................................................................................25
Gambar 3. 17 birama 1-5 .......................................................................................26
Gambar 3. 18 birama 6-9 .......................................................................................27
Gambar 3. 19 birama 10-17 ...................................................................................27
Gambar 3. 20 tema utama pada bas elektrik ..........................................................27
Gambar 3. 21 birama 17-19 deceptive cadence .....................................................28
Gambar 3. 22 birama 20-27 ...................................................................................28
Gambar 3. 23 frase pada bas elektrik .....................................................................28
Gambar 3. 24 birama 28-31 ...................................................................................29
Gambar 3. 25 birama 32-39 ...................................................................................29
Gambar 3. 26 frase pada keyboard.........................................................................30
Gambar 3. 27 birama 56-60 ...................................................................................30
Gambar 3. 28 birama 61-64 ..................................................................................31
Gambar 3. 29 birama 68 unisono ...........................................................................31
vii
Gambar 3. 30 birama 77-82 ...................................................................................32
Gambar 3. 31 birama 1-4 .......................................................................................33
Gambar 3. 32 birama 5-8 .......................................................................................33
Gambar 3. 33 imitasi ..............................................................................................34
Gambar 3. 34 birama 20-23 ...................................................................................34
Gambar 3. 35 birama 24-27 ...................................................................................35
Gambar 3. 36 birama 27-34 ...................................................................................35
Gambar 3. 37 birama 31-34 ...................................................................................35
Gambar 3. 38 variasi instrumen keyboard .............................................................36
Gambar 3. 39 authentic cadence ............................................................................36
Gambar 3. 40 birama 35-42 ..................................................................................36
Gambar 3. 41 birama 43-50 ...................................................................................37
Gambar 3.42 birama 50-53 ....................................................................................37
Gambar 3. 43 birama 84-87 ...................................................................................38
Gambar 3. 44 birama 88-91 ...................................................................................38
Gambar 3. 45 patern pukulan drum .......................................................................38
Gambar 3. 46 birama 107-110 ..............................................................................39
viii
DAFTAR TABEL
Tabel 3.1 Movement pertama.…………………………………………………... 26
Tabel 3.2 Movement kedua …………………………………………………….. 32
Tabel 3.3 Movement ketiga………………………………………………………39
ix