Notion of Anxiety The Superego

7 4 RESEARCH FINDING The film that Final destination 4 is the film that reflects anxieties of the major character name is Nick O‟Banon. After analyzing the major character‟s personality elements such as id, ego, and superego, the writer considers that each element is important and interacts so closely with one another to build the mental condition of major character. In David R. Ellis‟s Final Destination 4, there are many conflicts faced by Nick O‟Banon as the major character in this film such as internal and external conflict. The film director, David R. Ellis describes Nick O‟Banon as the major character that faced the anxiety in his life. The attack of anxiety is caused by the contradiction of his Id, Ego and Superego which cause the disharmony of hopes and fact in his life. 5 CONCLUSIONS David Richard Ellis‟s Final Destination 4 is an interesting movie to be studied. It contains thriller story and interest on psychology, which is manifested in his psychological analysis of its character. Final Destination tells about the destiny of death. Firstly, based on the structural analysis, it is evident that in this movie, David Richard Ellis conveys a message that we do not fight against God‟s destiny. He wants to show that the death will come to us, wherever and whenever. So we cannot avoid God‟s destiny. In his movie, David R. Ellis does by showing the death trip. The setting of place in Florida, USA, combining with the time period 21st century support the character to prove how hard their struggle. 8 BIBLIOGRAPHY Bordwell, David and Kristin Thompson. 1979. Film Art An Introduction. New York: Mc. Graw-Hill, Inc. ________. 1990. Film Art An Introduction. Third edition. New York: Mc. Graw-Hill, Inc. ________. 1997. Film Art An Introduction. New York: Mc. Graw-Hill, Inc. Burger, Jerry. M. 1986. Personality Theory Research. California: Wordsworth publishing Co. Douglass, John S and Glenn P. Harnden. 1996. The Art of Technique An Aesthetic Approach to Film and Video Production. Boston: Alynn and Bacon. Feist, Jess. 1985. Theory of Personalities. Japan: CBS College Publising Freud, Sigmund, 19331964. New Introductory Lectures on Psychoanalysis. In standar Edition Vol.21. London : Hogart. Gora S Widagdo. 2004. The Art of Fiction: A Handbook of Art fiction. 2nd . Ed. New York: Holt, Hall, Calvin S. 1980. Suatu Pengantar kedalam Ilmu Jiwa Sigmund Freud Translated by S.Tasrif Jakarta: PT. Pembangunan. Hall, Calvin S and Lindzey Gardner, 1970. Theories of Personality. Second edition. New York: John Willey and sons. Inc _______.1985. Theories of Personality. New York: John Willey and Sons. Inc. Healy, William, M.D, Agustus F. Bronner, PhD, Anna Mae Bowers, A.B. 1930. The Structure and Meaning of Psychoanalysis. New York : Al Fred A. Knopf, Inc. Hjelle, Larry and Ziegler, Daniel J. 1992. Personalities Theories : Basic Assumption, Research and Application. Singapore. Mc. Brow Hill. Nye, Robert D. 1981. Three Psychologies from Freud, Skinner and Rogers. Montere, California: Books Cole Publishing Co. Pervin, Lawrence A, Oliver P, John, 1984. Personality Theory and Reasearch. New York: John Willey and Sons, Inc. Philips. 1990. Film Art An Introduction. Third edition. New York: Mc. Graw-Hill, Inc. Sumarno, Marselli. 1996. Dasar-Dasar Apresiasi Film. Jakarta: PT. Grasindo