Poetic dialogues in shakespeare's macbeth

Poetic Dia.i,ogues in Shakespeare's Macbeth

A Script
Submitted ill partial fulfillment ofthe requirements
for the degree of Smjana Sastra

Written by:
Prastyo
29926000197

Syarif Hidayatullah
State Islamic University of JalUll'lll
Faculty of Adab aud Humanities
Department of English Letters

2005

Poetic Dialogues in ShaI,espearets Macbeth

A Script
Submitted in partial fulfillment ofthe requirements

1'01' the degree of Sarjana Sastra

Written by:
PI'usiY..Q

29926000197

Approved by:
, Advisor

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,

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132233516

M

Syarif Hid aya tullah
State Islamic l:Jniversity of Jakarta
Famlty of Allah and Hwnanities
Department of English Letters

2005

LEGALIZATION OF EXAMINING COMMn"l'EI1;

A script entitled "Poetic Dialogues in Shakespeare's Macbeth" has
examined before the Exami:ling Conunittee held by Department of English Letters
Faculty of Ad"b and Humanities Syarif Hidayatullah State 1sl"mic University of
J"kat1a on November 17, 2005.
Tlus script has accepted as a partial fulfillment of the requirements required
felr the degree of Smjana Sas!ra.

J"karta, November 17, 2005

EXAlVIlN1NG COl\1MITTEE

CHmF

EXAMINlm

Elve Oktaviyani, S.S
150317725

ABSTRACT

PRASTYO
POETIC DIALOGUES IN
SHAKESPEARE'S MACBETH

Prastyo. Poetic Dia'ogues in Shakespeare's Macbeth (below advisory of Danti
Pudjiati, S. I'd, M. M).
This script is about portrait of one of poetic aspects that can be cligged in
Ma';beth, a play written by V,Tilliam Shakespeare around 1606. The research focus;d
in devices of sound, in this case rhyme, alliteration, aud assonance those found in the
texts of the play uttered by SJme leading characters. The main characters analyzed in
this research arc Macbeth, Lady Macbeth, King Duncan, Malcolm, Banquo, ｍ｡｣､ｵｦｴｾ

"nd Three Witches. By scanning the texts depicted by some main characters, three
kinds of sound patteming m"ntioned above described by using the ,ools provided by
linguistics. The tool that uoell in this research is phonetics, a branch of linguistics that
coneems with speech sounds, their production and their transcription in mitten text.
The texts those have land of sound patterning analyzed and described one by one at
what act, what scene, ,md whitt line thcy occur.
Benefits of the reseal eh beside to describe kinds of sound patteming used by
Shakespeare in his leading characters' dialogues also to lmow the functions of them
in drama. Among the functions of sound patterning in tlus research are to adding the
enjoyment of poetry in the play.
From the research, it can be concluded that Macbeth as a tragedy has a great
passage of verses uttered by iJs leading characters. These verses present a number of
sound patterning. Even tl10ugh another leacling characters have a presentation of
devices of sound in their speaks, it seems that Shakespeare gave much more sound
pattenung to tile central figure in this phly, Macbeth.

,\CKNOWLEDGMENT

I would like to expr,:,:;s my gratitude to Allah SWT by saying alhamdulillahi
rab al amino Finally, I can finish my script with its plus and minus aner a long time.

Shalawat and 3alam only for I lis last prophet: rv!uhammad SAW.
For my selt; the fmis'l of this script, remembering to many people who help
me material and immaterial s;ncerely without hoping anything. For that .. ", I my self,
limn the deepest side of my heart, really would like to say thank

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mueh to them.

Number of people those mentioned below have great part in my heart:
1. Prof. Dr. H. Badri '{atim, dean of Faculty of Adab and Humanities, Dr.

Muhammad Farkhan, M. Pd, head of Department of English Letters,
Nurhasan, M. Ag, secretary of Department of English Letters, and alllectures
and staff:s of Department of English Letters Faculty of Adab and Humanities.
2. JV!y advisor, Danti Pudjiati, S. Pd, 111. M. 1 knew that I have bothered you so
long.

Your al;undant kindness and patience and helpful advises a:ld

suggestions dudng the process of writing, no doubtful about that.
3. Examining Committee, Dr. Muhmnmad Farkhan, M. Pd and Elve Oktaviyani,

S. S, thank a lot for the time to re thrice,

thrice, and thrice. The It'A symbol is [0].
c.

I\ct FOUL Sccoe Onc, Line 10-]]
Doubk, doubk. toil and trouble;
Fire bum. and cauldron bubble.
Words trouble and bubble have Ihe similar ending sound can classified
as rhyme.

b. Ac·t Four, Scene One, Line 20-21
Double, double, toil and Irouble;
Firc burn, and cauldron bubble.
Imperfect rh:; me happens at the Enal sound of words trouble and

bubble.

c. Act Four, Sce:lc Onc, Line 35-36
Double, double, toil and trouble;
Fire burn, and r-auJdron bubble.
Words
rather

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and bubble are imperfect rhyme because they have
0nding sound.

d. Act Four, Sccne Oner Line 11 0-111
Show his eyes, and grieve his heart;
Come like sh,;dows, so depart.
Heart and depart are end rhyme beeause they have the same fmal

sound.

ble of Kinds of Sound Patterning

Texts of the play taken from M acmillanlvfodem Shakespeare Macbeth published by Macmillan Education Ltd in London at 1986.
All the pronunciation keys and symbol of sowlds derived from 17,e Random Hov.se College Dictionary Rev Ed published in New York by
Random House, Inc at 1975.
,eading
:haracter

I I Line ' Sound
I Patterning
Ie

COi*PUS

A S
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1acbeth

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facbeth

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Rhyme

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31
82

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I Rhyme
' Rhyme,
Alliteration,
and
Assonance

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1Sound and Phonetic Notation

Into the air; and what seemed Ilvlelted and stayed depicted as ､ｮｾ
rhyme, they have two similar initial
Idl ending sound. Its IPA s)""bol is [d].
corporall1lelted
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breath into the wind. \Vould
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Come what come may,
Time and the hour runs through the
roughest day.
The Prince of Cu.mberland! That is
a step
or else
On which I must fall ､ｯｷｦＧ