S SRP 0807466 Table of content
v
DAFTAR ISI
LEMBAR PENGESAHAN
LEMBAR PERNYATAAN
ABSTRAK .............................................................................................................. i
KATA PENGANTAR ........................................................................................... ii
UCAPAN TERIMAKASIH................................................................................. iii
DAFTAR ISI ......................................................................................................... v
DAFTAR BAGAN.............................................................................................. viii
DAFTAR GAMBAR ............................................................................................ ix
BAB I PENDAHULUAN ...................................................................................... 1
A. LATAR BELAKANG PENCIPTAAN ......................................................... 1
B. BATASAN MASALAH PENCIPTAAN ...................................................... 6
C. RUMUSAN MASALAH PENCIPTAAN ..................................................... 6
D. TUJUAN PENCIPTAAN .............................................................................. 6
E. MANFAAT PENCIPTAAN .......................................................................... 7
F. KAJIAN SUMBER PENCIPTAAN.............................................................. 7
G. SISTEMATIKA PENULISAN ..................................................................... 8
BAB II LANDASAN PENCIPTAAN .................................................................. 9
A. KAJIAN PUSATAKA/TEORETIK .............................................................. 9
1. SeniGambar (Drawing) ............................................................................ 9
a. DefinisiDrawing ................................................................................. 9
b. SejarahDrawing ................................................................................ 10
c. DrawingdanPerkembangannya di Indonesia .................................... 17
d. Medium Drawing .............................................................................. 19
2. Cat Air .................................................................................................... 20
a.
SejarahdanPerkembangan ................................................................ 20
b. Media danTeknik ............................................................................. 24
c.
Seniman Cat Air............................................................................... 30
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vi
d. PenggayaanKarya ............................................................................ 32
B. KAJIAN EMPIRIK ..................................................................................... 34
1. NyiEndang Dharma Ayu ....................................................................... 35
2. KonsepPenciptaan.................................................................................. 38
C. TEORI SENI RUPA .................................................................................... 39
1. Unsur-UnsurSeniRupa ........................................................................... 39
a.
Titik .................................................................................................. 39
b.
Garis ................................................................................................. 39
c.
Bidang .............................................................................................. 40
d.
Warna ............................................................................................... 41
e.
Bentuk .............................................................................................. 45
f.
Tekstur ............................................................................................. 45
2. PrinsipDasarSeniRupa ........................................................................... 46
a.
Komposisi ........................................................................................ 46
b.
Keseimbangan .................................................................................. 47
c.
Irama ................................................................................................ 48
d.
Aksentuasi ........................................................................................ 48
e.
Fokus ................................................................................................ 49
f.
Kesatuan........................................................................................... 49
BAB III METODE PENCIPTAAN ................................................................... 50
A. BAGAN PROSES PENCIPTAAN.............................................................. 50
B. IDE ............................................................................................................... 51
C. KONTEMPLASI ......................................................................................... 51
D. STIMULUS ................................................................................................. 52
E. PENGOLAHAN IDE .................................................................................. 52
F. ALAT DAN BAHAN .................................................................................. 52
1.
Alat-alat yang digunakan ...................................................................... 53
2.
Bahan Yang Digunakan ........................................................................ 57
G. PROSEDUR PENCIPTAAN ...................................................................... 62
1. PembuatanSketsa ................................................................................... 62
2. Proses Pemindahan ................................................................................ 63
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
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vii
3. Proses MeregangkanKertas ................................................................... 63
4. Proses Pewarnaan .................................................................................. 65
5. Finishing ................................................................................................ 67
BAB IVVISUALISASI DAN ANALISIS KARYA .......................................... 69
A. ANALISIS KONSEPTUAL ........................................................................ 69
B. ANALISIS PROSES PENCIPTAAN ......................................................... 70
C. ANALISIS VISUAL ................................................................................... 70
1. Karya ke-1 ....................................................................................... 72
2. Karya ke-2 ....................................................................................... 77
3. Karya ke-3 ....................................................................................... 83
4. Karya ke-4 ....................................................................................... 89
5. Karya ke-5 ....................................................................................... 95
BAB V KESIMPULAN DAN SARAN ............................................................ 101
A. KESIMPULAN ......................................................................................... 101
B. SARAN ...................................................................................................... 102
DAFTAR PUSTAKA ........................................................................................ 104
DAFTAR ISTILAH .......................................................................................... 106
LAMPIRAN .............................................................................................................
RIWAYAT HIDUP .................................................................................................
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
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viii
DAFTAR BAGAN
Tabel 3. 1 Karakter Garis ...................................................................................... 51
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
Universitas Pendidikan Indonesia | \.upi.edu perpustakaan.upi.edu
DAFTAR ISI
LEMBAR PENGESAHAN
LEMBAR PERNYATAAN
ABSTRAK .............................................................................................................. i
KATA PENGANTAR ........................................................................................... ii
UCAPAN TERIMAKASIH................................................................................. iii
DAFTAR ISI ......................................................................................................... v
DAFTAR BAGAN.............................................................................................. viii
DAFTAR GAMBAR ............................................................................................ ix
BAB I PENDAHULUAN ...................................................................................... 1
A. LATAR BELAKANG PENCIPTAAN ......................................................... 1
B. BATASAN MASALAH PENCIPTAAN ...................................................... 6
C. RUMUSAN MASALAH PENCIPTAAN ..................................................... 6
D. TUJUAN PENCIPTAAN .............................................................................. 6
E. MANFAAT PENCIPTAAN .......................................................................... 7
F. KAJIAN SUMBER PENCIPTAAN.............................................................. 7
G. SISTEMATIKA PENULISAN ..................................................................... 8
BAB II LANDASAN PENCIPTAAN .................................................................. 9
A. KAJIAN PUSATAKA/TEORETIK .............................................................. 9
1. SeniGambar (Drawing) ............................................................................ 9
a. DefinisiDrawing ................................................................................. 9
b. SejarahDrawing ................................................................................ 10
c. DrawingdanPerkembangannya di Indonesia .................................... 17
d. Medium Drawing .............................................................................. 19
2. Cat Air .................................................................................................... 20
a.
SejarahdanPerkembangan ................................................................ 20
b. Media danTeknik ............................................................................. 24
c.
Seniman Cat Air............................................................................... 30
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
Universitas Pendidikan Indonesia | \.upi.edu perpustakaan.upi.edu
vi
d. PenggayaanKarya ............................................................................ 32
B. KAJIAN EMPIRIK ..................................................................................... 34
1. NyiEndang Dharma Ayu ....................................................................... 35
2. KonsepPenciptaan.................................................................................. 38
C. TEORI SENI RUPA .................................................................................... 39
1. Unsur-UnsurSeniRupa ........................................................................... 39
a.
Titik .................................................................................................. 39
b.
Garis ................................................................................................. 39
c.
Bidang .............................................................................................. 40
d.
Warna ............................................................................................... 41
e.
Bentuk .............................................................................................. 45
f.
Tekstur ............................................................................................. 45
2. PrinsipDasarSeniRupa ........................................................................... 46
a.
Komposisi ........................................................................................ 46
b.
Keseimbangan .................................................................................. 47
c.
Irama ................................................................................................ 48
d.
Aksentuasi ........................................................................................ 48
e.
Fokus ................................................................................................ 49
f.
Kesatuan........................................................................................... 49
BAB III METODE PENCIPTAAN ................................................................... 50
A. BAGAN PROSES PENCIPTAAN.............................................................. 50
B. IDE ............................................................................................................... 51
C. KONTEMPLASI ......................................................................................... 51
D. STIMULUS ................................................................................................. 52
E. PENGOLAHAN IDE .................................................................................. 52
F. ALAT DAN BAHAN .................................................................................. 52
1.
Alat-alat yang digunakan ...................................................................... 53
2.
Bahan Yang Digunakan ........................................................................ 57
G. PROSEDUR PENCIPTAAN ...................................................................... 62
1. PembuatanSketsa ................................................................................... 62
2. Proses Pemindahan ................................................................................ 63
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
Universitas Pendidikan Indonesia | \.upi.edu perpustakaan.upi.edu
vii
3. Proses MeregangkanKertas ................................................................... 63
4. Proses Pewarnaan .................................................................................. 65
5. Finishing ................................................................................................ 67
BAB IVVISUALISASI DAN ANALISIS KARYA .......................................... 69
A. ANALISIS KONSEPTUAL ........................................................................ 69
B. ANALISIS PROSES PENCIPTAAN ......................................................... 70
C. ANALISIS VISUAL ................................................................................... 70
1. Karya ke-1 ....................................................................................... 72
2. Karya ke-2 ....................................................................................... 77
3. Karya ke-3 ....................................................................................... 83
4. Karya ke-4 ....................................................................................... 89
5. Karya ke-5 ....................................................................................... 95
BAB V KESIMPULAN DAN SARAN ............................................................ 101
A. KESIMPULAN ......................................................................................... 101
B. SARAN ...................................................................................................... 102
DAFTAR PUSTAKA ........................................................................................ 104
DAFTAR ISTILAH .......................................................................................... 106
LAMPIRAN .............................................................................................................
RIWAYAT HIDUP .................................................................................................
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
Universitas Pendidikan Indonesia | \.upi.edu perpustakaan.upi.edu
viii
DAFTAR BAGAN
Tabel 3. 1 Karakter Garis ...................................................................................... 51
UswatunHasanah, 2015
TOKOH LEGENDA ENDANG DHARMA AYU SEBAGAI GAGASAN BERKARYA DRAWING
Universitas Pendidikan Indonesia | \.upi.edu perpustakaan.upi.edu