PROS Rachel Mediana Untung Folk Performance abstract
PROCEEDING
TRANSDISCIPLINARY
FROM ASIA PACIFIC PERSPECTIVES
lopas
, 2015
The 3rd International Conference for Asia Pacific Arts Studies (iCAi \S)
Graduate School of Indonesia Institute of the Arts Yogyakarta
October 20th-21St, 2015
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pAsl
ORAL PRESENTATION
I
Bramasti
DaDang
2
SazkiaNoorAnggrsini
3
Mita P|r$asari
4
AndrianDektisa
5
Kurnlta Sadana
Putra"
S.Ds.,M.A
l-naPhu''udEnon
in theExislenceofThe Tdnpl
TheRoleofPatronage
ofcanjuran
NArrativeAnalysisofNationalismonUsmarIsmail
Film DarahdanDoa(1950)
TheShifthgOfvislal ADdMemingkr OndelOndelPwpetAs the Dllrallic Refl€ctionolr
BefawiCultur€
of
ParodyIdiomsin theVisualCharactqistics
KNIL AndjingNICA Re€nactors
convivial Societyhoducb
lndonesiah's
Stahsoforphsnsfrom
VideoAft: Psychological
ThaiProvinc€s
theUffest in theTbrceSouthem
Cross-Cultural
StudyIn Local-wisdomFor
In€dpriwan
7
Sine€oart
h S€condary
CreativeFoodPacktgeDevelopmer$
School
VisualArt ofThailsndin
Art ofEngagemer$:
Dr.
ThanomChapakdeq
8
GlobalCont€xts
To Inalonesisr
CodeMixilg In PolishLanguage
9
DonieFadjarKumiawan
languageOfPolandStude sAs ForeignSpeaker
R€quiemofDajangRindoeis a slnbol ofr€jeclion
10 Kiki Rahnatita
ofl-amptmgpeopiesagainstpowerPalembang
Sultanate
TechdquesAppli$rion To TheViolin R€pertoirc
11 PipinGdibaldi
Ad TheWayTo Studyh Fortdonestun's
S[rderfs
AnakCublak-Cublak
Suwengin The
12 OriannTio Per6hitaNdnggolm DolaDan
Persp€ctivo
ofMusic Education
Music
New
Composition
ConceptForKeroncong
13 singgihS.njslt
And
Ii TheOboeConcartoWith Keroncong
Orchestr&
AltornativeConceptions
ofModemityin fie
14 connieLim KehNie
Historyoflban PopulsMusic
RelativeNatureoflhei Tr"ditic'n6lMusicthrcugh
15 Nattqol Win$ipat
iS Tming Systen
Ceihry ofthe AngklungJourneyandIts
16 Prot Dr. PoonpitAnattakul
gstablishment
in Thailand
The
Folk Musicofl-owerNorthem
Merykala:
l7 NachayaN&lchanawatul
RegionofThailand
TraditionalSiamcs€
VocalExprEssiv€,
Se-Pha:
Assist.
l8 JarupomSeemaung
Nanative,Sto4,tellingandSingingpattems
Prof, Ph.D
veryfift handclapp€rb€atsand
accompanied
Pipatens€mble
Musical
cejog L€sung,th€Pr€servatiotr
o Ja\€nese
l9 lEgit Sito*ati
Traditionby hculturationat TheChu'cbofthe
HeartofJesusat Gsduran
Sacred
Reja&l5t
FromtheHistoryto anInfluential
Jarun
20 AssistantProf€ssor
6
l-10
lltl
22-35
36-53
5443
64-76
17-w
9l-99
100-122
123-137
| 38-l57
158-166
167-179
180-188
189-199
200-207
208t17
2lA-223
224-238
239-252
co'\kE@fu ArdAo.ff.ArB5rudl6lrcaPAS)
rfu ld kEtDotlonot
Kanchsnapradit
2l
Zappatore
DaDiele
22
Giailucachelini
ChalutiTasganawongwam
litersture for Mon-rcc€dt€dThsi aaditional
RQ€rton€s
Tara ism: the italian pizzica tom music thdspy to
new formsof p€rfomanc€
Som€Analytical Consid€rationon Indor€sian
Melal Music
Mala'sian siam music in Northem Mal&rsia and
its R€presentation
24
25
Lucr Pi€trosatrti
ontheus€of gamelanin the
Cafholicliturs/ in Yogakarta
SPEAKERS
Kolrote Spealcr
Professor
SamuelLeong
or Ttansglessiott?
: Truhsitions
The Tra&dttctlintr! Chdllenge
Sp€aLer
hofesso!BarbaraBolt
Methodologt
FromIntuitionto Research
Prof GiovamiGiuriati
Asia
Patterns
ofchangein MusicalTraditionsof South"East
Fm[k HerschelFinoh
Professor
ThePwadign Shifiin MotionPicturesfrom anInda esianPerswti'.e
MadeMandeHood
Prof€ssor
AnimalEfrgiesin theAnt trotrxNene
Perfornmrce
Eabitatsfot Balinese
Sustabting
253-25E
259465
266-275
nG28l
282-303
lrE :ra tiEnortoNt co"lqwJo
Aer Pr.t%,a,t J&drs {|CAPA9)
FOLK PERFORMANCE : FACING THE CREATIVE
INDUSTRY
CASE STUDY TAYT'B PERFORMANCE
IN KABUPATEN GROBOGAN CENTRAL JAWA
Rrchel Mediin. Unton& S,Sod.,M,A.
SatyaWacanaChristianUnivedsty
mediana.untuns@staff
uksw.edu
The aim of this sndy is to figwe out whether therc is a signiJicarrtrelationship
betweehpelfonnikg arts a d credive ind .ttry. The study was done Eblitativeb. It hds
beendoneaho by an analysiscorrcerningon signiJicantintellectualrelationship,business,
and governmenLOne of local folk art, Tq b, pws an impoftant role in economicsector
increasinglacal's capits. Not all economicsectorsare deter ined by economicfactors.
Culnral capital has becomehaih factor rehted to the existencesoffolk performing Nt.
All folk perfornarce hare tn be vell-presened sitEe it isfrom the locals, and also haveto
besytchronbed with cultural productio\ distribution, and societ/'s interest.
Keyrord: Folt perfomance, Tatwb,managemen\cultural cq)ital, ecorcmic cqital.
INTRODUCTION
When the d€adlineof the paper's submissionapp.oachin&I still got a chanceto
attetrdoae ofthe seminarheld by GraduateSchoolGadjahMada University, Yogiakarta"
B€fore its cotrclusionI askedthe co$mittee relatedto ci€alive industry. The cofimittee
told me that all topics had b€endeliveredare alreadychosenfrom what's .eally happening
now. The answerdidn't satis& me at all, ard he askeda questiorc to me, "What's lvrong
wilh lhat topic?". "Why isn't cr€ative industry applie.dtogether with alts? Or 'treotive
industrycoDldr't relatedto arh? Thosequestionsled me to finirh my temporary-postponed
paper.I startedto continuewritiog.
Takenfrom a book entitled "RencanaPengenbangadEkotromiKreatif Indonesia"
ondonesiadCreoliveEconomicPlanning),it is mentionedthot there gle 14 sectorsbelong
to creative industry. One of them is performing aft. PerforhiDg art her€ mears creadve
activi8 which relabd to oontentdevelopmentart productionOallet show, dalrces,drama,
traditional music, theahioal music, ope.a, ard ethric music tour), c-osftde design, stage
setting and lighting (Wiko Sapuh4 2010). Seeing Indonesiar trading minister data,
performingarts is on 14 oDt of 14 which helps oolmhy's income.In short, pedorming art
lessoontdbutesto lhe natiooal's income.The shdy that hasbee4usedby Tiading Minister
is doneto examinemacroeconomy,Anothe. aim ofthis study is to figure out performing
Othersareto Eveal hbw signfic€nt the performingfolk with
art linking to micro ec-onomy.
creativeiadustryarea.
Folk performanceis art which existsand pr€sefied by the locals.Folk performance
is local-frnded; not relying on the govemsent's budg€tiig plan (Soedarsono,2002).
Tlere
276
TRANSDISCIPLINARY
FROM ASIA PACIFIC PERSPECTIVES
lopas
, 2015
The 3rd International Conference for Asia Pacific Arts Studies (iCAi \S)
Graduate School of Indonesia Institute of the Arts Yogyakarta
October 20th-21St, 2015
F
F
P
F
F
F
F
F
F
F
F
F
P
F
F
P
F
F
P
F
P
F
F
F
F
P
F
F
F
F
P
tr
F
EI
fh. ?t ktqtfri@ol cott{@e Jq Artr pclJh at6 st!.t6ltc
pAsl
ORAL PRESENTATION
I
Bramasti
DaDang
2
SazkiaNoorAnggrsini
3
Mita P|r$asari
4
AndrianDektisa
5
Kurnlta Sadana
Putra"
S.Ds.,M.A
l-naPhu''udEnon
in theExislenceofThe Tdnpl
TheRoleofPatronage
ofcanjuran
NArrativeAnalysisofNationalismonUsmarIsmail
Film DarahdanDoa(1950)
TheShifthgOfvislal ADdMemingkr OndelOndelPwpetAs the Dllrallic Refl€ctionolr
BefawiCultur€
of
ParodyIdiomsin theVisualCharactqistics
KNIL AndjingNICA Re€nactors
convivial Societyhoducb
lndonesiah's
Stahsoforphsnsfrom
VideoAft: Psychological
ThaiProvinc€s
theUffest in theTbrceSouthem
Cross-Cultural
StudyIn Local-wisdomFor
In€dpriwan
7
Sine€oart
h S€condary
CreativeFoodPacktgeDevelopmer$
School
VisualArt ofThailsndin
Art ofEngagemer$:
Dr.
ThanomChapakdeq
8
GlobalCont€xts
To Inalonesisr
CodeMixilg In PolishLanguage
9
DonieFadjarKumiawan
languageOfPolandStude sAs ForeignSpeaker
R€quiemofDajangRindoeis a slnbol ofr€jeclion
10 Kiki Rahnatita
ofl-amptmgpeopiesagainstpowerPalembang
Sultanate
TechdquesAppli$rion To TheViolin R€pertoirc
11 PipinGdibaldi
Ad TheWayTo Studyh Fortdonestun's
S[rderfs
AnakCublak-Cublak
Suwengin The
12 OriannTio Per6hitaNdnggolm DolaDan
Persp€ctivo
ofMusic Education
Music
New
Composition
ConceptForKeroncong
13 singgihS.njslt
And
Ii TheOboeConcartoWith Keroncong
Orchestr&
AltornativeConceptions
ofModemityin fie
14 connieLim KehNie
Historyoflban PopulsMusic
RelativeNatureoflhei Tr"ditic'n6lMusicthrcugh
15 Nattqol Win$ipat
iS Tming Systen
Ceihry ofthe AngklungJourneyandIts
16 Prot Dr. PoonpitAnattakul
gstablishment
in Thailand
The
Folk Musicofl-owerNorthem
Merykala:
l7 NachayaN&lchanawatul
RegionofThailand
TraditionalSiamcs€
VocalExprEssiv€,
Se-Pha:
Assist.
l8 JarupomSeemaung
Nanative,Sto4,tellingandSingingpattems
Prof, Ph.D
veryfift handclapp€rb€atsand
accompanied
Pipatens€mble
Musical
cejog L€sung,th€Pr€servatiotr
o Ja\€nese
l9 lEgit Sito*ati
Traditionby hculturationat TheChu'cbofthe
HeartofJesusat Gsduran
Sacred
Reja&l5t
FromtheHistoryto anInfluential
Jarun
20 AssistantProf€ssor
6
l-10
lltl
22-35
36-53
5443
64-76
17-w
9l-99
100-122
123-137
| 38-l57
158-166
167-179
180-188
189-199
200-207
208t17
2lA-223
224-238
239-252
co'\kE@fu ArdAo.ff.ArB5rudl6lrcaPAS)
rfu ld kEtDotlonot
Kanchsnapradit
2l
Zappatore
DaDiele
22
Giailucachelini
ChalutiTasganawongwam
litersture for Mon-rcc€dt€dThsi aaditional
RQ€rton€s
Tara ism: the italian pizzica tom music thdspy to
new formsof p€rfomanc€
Som€Analytical Consid€rationon Indor€sian
Melal Music
Mala'sian siam music in Northem Mal&rsia and
its R€presentation
24
25
Lucr Pi€trosatrti
ontheus€of gamelanin the
Cafholicliturs/ in Yogakarta
SPEAKERS
Kolrote Spealcr
Professor
SamuelLeong
or Ttansglessiott?
: Truhsitions
The Tra&dttctlintr! Chdllenge
Sp€aLer
hofesso!BarbaraBolt
Methodologt
FromIntuitionto Research
Prof GiovamiGiuriati
Asia
Patterns
ofchangein MusicalTraditionsof South"East
Fm[k HerschelFinoh
Professor
ThePwadign Shifiin MotionPicturesfrom anInda esianPerswti'.e
MadeMandeHood
Prof€ssor
AnimalEfrgiesin theAnt trotrxNene
Perfornmrce
Eabitatsfot Balinese
Sustabting
253-25E
259465
266-275
nG28l
282-303
lrE :ra tiEnortoNt co"lqwJo
Aer Pr.t%,a,t J&drs {|CAPA9)
FOLK PERFORMANCE : FACING THE CREATIVE
INDUSTRY
CASE STUDY TAYT'B PERFORMANCE
IN KABUPATEN GROBOGAN CENTRAL JAWA
Rrchel Mediin. Unton& S,Sod.,M,A.
SatyaWacanaChristianUnivedsty
mediana.untuns@staff
uksw.edu
The aim of this sndy is to figwe out whether therc is a signiJicarrtrelationship
betweehpelfonnikg arts a d credive ind .ttry. The study was done Eblitativeb. It hds
beendoneaho by an analysiscorrcerningon signiJicantintellectualrelationship,business,
and governmenLOne of local folk art, Tq b, pws an impoftant role in economicsector
increasinglacal's capits. Not all economicsectorsare deter ined by economicfactors.
Culnral capital has becomehaih factor rehted to the existencesoffolk performing Nt.
All folk perfornarce hare tn be vell-presened sitEe it isfrom the locals, and also haveto
besytchronbed with cultural productio\ distribution, and societ/'s interest.
Keyrord: Folt perfomance, Tatwb,managemen\cultural cq)ital, ecorcmic cqital.
INTRODUCTION
When the d€adlineof the paper's submissionapp.oachin&I still got a chanceto
attetrdoae ofthe seminarheld by GraduateSchoolGadjahMada University, Yogiakarta"
B€fore its cotrclusionI askedthe co$mittee relatedto ci€alive industry. The cofimittee
told me that all topics had b€endeliveredare alreadychosenfrom what's .eally happening
now. The answerdidn't satis& me at all, ard he askeda questiorc to me, "What's lvrong
wilh lhat topic?". "Why isn't cr€ative industry applie.dtogether with alts? Or 'treotive
industrycoDldr't relatedto arh? Thosequestionsled me to finirh my temporary-postponed
paper.I startedto continuewritiog.
Takenfrom a book entitled "RencanaPengenbangadEkotromiKreatif Indonesia"
ondonesiadCreoliveEconomicPlanning),it is mentionedthot there gle 14 sectorsbelong
to creative industry. One of them is performing aft. PerforhiDg art her€ mears creadve
activi8 which relabd to oontentdevelopmentart productionOallet show, dalrces,drama,
traditional music, theahioal music, ope.a, ard ethric music tour), c-osftde design, stage
setting and lighting (Wiko Sapuh4 2010). Seeing Indonesiar trading minister data,
performingarts is on 14 oDt of 14 which helps oolmhy's income.In short, pedorming art
lessoontdbutesto lhe natiooal's income.The shdy that hasbee4usedby Tiading Minister
is doneto examinemacroeconomy,Anothe. aim ofthis study is to figure out performing
Othersareto Eveal hbw signfic€nt the performingfolk with
art linking to micro ec-onomy.
creativeiadustryarea.
Folk performanceis art which existsand pr€sefied by the locals.Folk performance
is local-frnded; not relying on the govemsent's budg€tiig plan (Soedarsono,2002).
Tlere
276