APPROVAL Anxiety in C.S Lewwi's The Chronicles of Narnia : Prince Caspian Movie (2006); A Psychoanalytic Approach.

APPROVAL
ANXIENTY IN C.S. LEWWIS’S THE CHRONICLES OF NARNIA:
PRINCE CASPIAN MOVIE (2008):
A PSYCHOANALYTIC APPROACH

Written by:
ENDRO WIDYATMOKO
A 320 070 191

Approved to be Examined
by the Consultant Team

Consultant I

Consultant II

(Drs. Abdillah Nugroho, M.Hum.)

(Titis Setyabudi.S.S.,M.Hum)

ii

ACCEPTANCE

ANXIENTY IN C.S. LEWWIS’S THE CHRONICLES OF
NARNIA: PRINCE CASPIAN MOVIE (2008) :
A PSYCHOANALYTIC APPROACH
Accepted by the Board of Examiners
School of Teacher Training and Education
Muhammadiyah University of Surakarta

The Board of Examiners:
1. Drs. Abdillah Nugroho, M.Hum. (…… ……………….)
(Chair Person)
2. Titis Setyabudi, S.S., M.Hum.
(……………………..)
(Member I)
3. Drs. M. Thoyibi, M.S.
(……………………..)
(Member II)

Approved
School of Teacher Training and Education
Muhammadiyah University of Surakarta
Dean,
Drs. Sofyan Anif, M.Si.
NIK. 547

iii

TESTIMONY

In this occasion, the writer asserts that there is no plagiarism in this
research paper. There is no other work before in this research to get Bachelor
Degree in a certain University and as far as the writer concerned there is no
opinion that has been written or published before, except the written references
which are referred in this paper and mentioned in the bibliography.
If it is proven that there are some mistakes in this testimony, the
writer will be fully responsible.

Surakarta, 19 Maret 2012

ENDRO WIDYATMOKO
A 320 070 191

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MOTTO
“Barang siapa yang menempuh suatu jalan untuk mencari ilmu, pasti
akan dimudahkan Allah untuk menempuh jalan ke surga”.
-HR. Muslim.

“Sesungguhnya bagi orang-orang yang bertaqwa (disediakan surgasurga
Yang penuh kenikmatan di Sisi Tuhan-NYA”.
-Qs. AL-Qalam: 7
“Jangan pernah berkata tidak bisa sebelum kamu mencobanya, dan
jangan takut gagal dalam melangkah, percayalah bahwa Allah telah
membuat rencana yang indah untuk kita”.
-The Researcher.

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DEDICATION
This research paper is dedicated to:
1. My beloved Bapak and Ibu

“Thank you for your love, advises, patience, prayer,
support, motivation, and all you have done for me, I love
you so much”.
2. MY Honey Anggie

“Thank you for your love, support, and prayer”.

3. All my friend

Thank you for your spirits and funny days, We are best friends
forever”.

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ACKNOWLEDGMENT

Assalamu’alaikum Wr. Wb.
Alhamdulillahirabbil alamin, In the name Allah.SWT, the Merciful, the
Lord of the universe. It is because of His blessing and guidance, so that the writer
is finally able to finish her research paper. It is entitled “ANXIENTY IN C.S.
LEWWIS’S THE CHRONICLES OF NARNIA: PRINCE CASPIAN MOVIE
(2008): A PSYCHOANALYTIC APPROACH” can be finished. The writer
realizes that this research paper cannot be finished without God’s help.
Nevertheless, this study can be completed and finished because of others
who used to give me supports, prayers, helps, guidance, suggestions and
reinforced criticism. My deepest and huge gratitude always go to the following
persons:
1. Drs. Abdillah Nugroho, M. Hum., as the first consultant and academic
consultant, for his guidance, advice, and suggestion.
2. Titis Setyabudi, S.S as the second consultant, for his guidance, advice, and
suggestion.
3. Drs. H. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and
Education, Muhammadiyah University of Surakarta.
4. All of the English Department lecturers for their knowledge.
5. All the librarians of UMS whose place has been visited by researcher to

get the data.

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6. Him beloved Mother and Father, who always give their love and spirit to
the writer, they always pray for the writer’s success.
7. All the friends in English Department especially Agus, Ayu, Fendi, and
Titien.
The writer believes that there are many drawbacks revealed by this study.
In the case, she would like to ask for apology. Any suggestion and criticism are
appreciated.
Wassalamu’alaikum Wr. Wb
Surakarta, 19 Maret 2012
Endro Widyatmoko

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SUMMARY
ENDRO WIDYATMOKO : A 320 070 191. ANXIENTY IN C.S. LEWWIS’S
THE CHRONICLES OF NARNIA: PRINCE CASPIAN MOVIE (2008) : A

PSYCHOANALYTIC APPROACH. RESEARCH PAPER. SCHOOL OF
TEACHER TRAINING AND EDUCATION. MUHAMMADIYAH
UNIVERSITY OF SURAKARTA. 2011.
The study is to reveal how anxiety is reflected in The Chronicles of
Narnia: Prince Caspian Movie directed by Andrew Adamson in 2008. The
objectives of the study are to analyze the structural elements of the movie in order
to identify the unity of the movie and to analyze of the major character using
psychoanalytic approach.
The object of the study is a movie The Chronicles of Narnia: Prince
Caspian by Andrew Adamson. In this research, the writer employs the descriptive
analysis as a type of the research. The data sources are divided in two, namely
primary data sources that are taken from the text of the movie such as dialogues,
character action and whole narration which are relevant to the object of analysis.
The secondary data source includes the reference from some books and internet.
The methods of collecting data are observation and library research. The
technique of analyzing data is descriptive.
The result of the analysis shows that firstly, based on the structural
analysis, it is clear that in this movie, and director wants to deliver a moral
message that it requires a sense of danger in order to make an individual realize
the reasonability of his or her own personality in social interaction. Secondly, the

psychoanalytic analysis shows that anxiety develops out of a conflict between id,
ego, and superego resulting in different types of anxieties.

Consultant I

Consultant II

Drs. Abdillah Nugroho, M.Hum.
NIK.

Titis Setyabudi, S.S., M.Hum.
NIK.948
Dean

Drs. H. Sofyan Anif, M.Si.
NIK.547

ix

TABLE OF CONTENT

TITLE ......................................................................................................... i
APPROVAL ............................................................................................... ii
ACCEPTANCE........................................................................................... iii
TESTIMONY .............................................................................................. iv
MOTTO ...................................................................................................... v
DEDICATION ........................................................................................... vi
ACKNOWLEDGMENT .......................................................................... vii
SUMMARY ............................................................................................... ix
TABLE OF CONTENT ............................................................................. x
LIST OF FIGURE ……………………………………………………… xiv
CHAPTER I INTRODUCTION
A. Background of the Study ................................................................ 1
B. Literature Review .................................. .........................................5
C. Problem Statement .................................. ........................................5
D. Limitation of the Study .................................. .................................5
E. Objective of the Study .................................. ..................................6
F. Benefit of the Study .................................. ......................................6
1. Theoretical Benefit .................................. ...........................6
2. Practical Benefit .................................. ...............................6

G. Research Method .................................. ..........................................7
1. Type of the Study .................................. ..............................7

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2. Type of the Data and the Data Source ............................................7
3. Object of the Study .................................. ......................................7
4. Technique of the Data Collection ...................................................7
5. Technique of the Data Analysis .....................................................8
H. Research Paper Organization .................................. ..................................8

CHAPTER II UNDERLYING THEORY
A. Psychoanalytic Approach .................................. .......................................10
B. Anxiety .................................. .................................. ................................11
1. Realistic Anxiety............................ ...............................................13
2. Neurotic Anxiety............................ ...............................................13
3. Moral Anxiety............................ ...................................................13

C. Structural Elements of the Movie .................................. ..........................14
1. Narrative Elements .................................. ....................................14

a. Character and Characterization ........................................14
b. Plot .................................. .................................. ……......15
c. Setting .................................. ............................................15
d. Point of View .................................. ................................16
e. Theme .................................. ............................................16
2. Technical Elements .................................. ....................................17
a. Casting .................................. ...........................................17
b. Mise-en-Scene .................................. ................................17

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1)

Set Dressing And Drops ........................................17

2)

Costume and Make-Up .........................................18

3)

Lighting .................................. ..............................19

c. Cinematography……………………………………….....19
1)

Photographic Qualities of Shot..............................20

2)

Framing of Shot……… ........................................20

3)

Duration of Shot………………………………….20

d. Editing…………………………………………………....21
D. Theoretical Application .................................. ..........................................21
CHAPTER III STRUCTURAL ANALYSIS
1. Narrative Elements .................................. .................................................23
a. Character and Characterization .....................................................23
1) Major Character ................................................................23
2) Minor Character ................................................................30
b. Setting ……………………………………………………….…..31
1) Setting of Place .................................. ..............................31
2) Setting of Time .................................. ..............................32
c. Plot .................................. .................................. ..........................32
1) Exposition .................................. ......................................32
2) Middle .................................. ...........................................33
3) Resolution .................................. ......................................34
d. Point of View .................................. .............................................34
e. Theme .................................. .................................. .....................34

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2. Technical Elements .................................. ................................................35
a. Casting .................................. .................................. ....................35
b. Mise_en_Scene .................................. ...........................................35
1) Set Dressing and Props .....................................................35
2) Costumes and Make-Up ....................................................37
3) Lighting .................................. ..........................................37
c. Sound .................................. ............................................ .............42
d. Editting .................................. .......................................................42
e. Cinematography ............................................ ...............................44
3. Discussion ……………………………………………………………….45
CHAPTER IV PSYCHOANALYTIC ANALYSIS
A. Analysis of Peter Pevensie’s Personality ..................................................48
1. Id .................................. ................................................................48
2. Ego.................................. .................................. .......................... 49
3. Superego .................................. .....................................................50
B. The Anxiety of Peter Pevensie’s .................................. .. .........................51
1. Realistic Anxiety .................................. ........................................52
2. Neurotic Anxiety .................................. ........................................53
3. Moral Anxiety .................................. ............................................54
C. Discussion .................................. ..............................................................55
CHAPTER V CONCLUSION AND SUGGESTION
A. Conclusion .................................. .................................. ...........................57
B. Suggestion .................................. ..............................................................58

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BIBLIOGRAPHY
APPENDIX

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LIST OF FIGURE
1. Figure 1. Peter’s First Battle .................................. ........................23
2. Figure 2. Caspian meets Reepicheep .................................. ...........24
3. Figure 3. Lucy sees Alsan ........... ........... ......................................25
4. Figure 4. Edmund carries the challenge to Miraz ........... ..............26
5. Figure 5. Susan saves lucy ........... ........... .......... ........... ........... ...27
6. Figure 6. Miraz accepted the challenge ........... ........... ........... ......28
7. Figure 7. Aslan saves Lucy ........... ........... .......... ........... ..............29
8. Figure 8. Reepicheep after the Battle ........... ........... ........... ..........30
9. Figure 9. White Witch rises up ........... ........... .......... ........... .........31
10. Figure 10. Station (Real World) ........... ........... ........... .......... ........31
11. Figure 11. Narnian (Wonder World) ........... ........... .......... .............32
12. Figure 12. Caspian Escape ........... ........... ........... ........... ..............33
13. Figure 13. Battle ........... ........... ........... ........... ........... ........... .......33
14. Figure 14. Aslan Roaring ........... ........... ........... ........... ..................34
15. Figure 15. Set Dressing of Peter ........... ........... ........... ........... ........35
16. Figure 16. Set Dressing od Susan ........... ........... ........... ........... ......36
17. Figure 17. Royal Room ........... ........... ........... ........... ........... ..........36
18. Figure 18. Secret Place ........... ........... ........... ........... ........... ..........36
19. Figure 19. Costumes Used in Action ........... ................ ........... ..........37
20. Figure 20. Hard Lighting in First Battle…………………………….38
21. Figure 21. Soft Lighting Battle in Night……………………………39
22. Figure 22. Frontal Lighting ........... ........... ........... .......... ........... ......39

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23. Figure 23. Backlighting ........... ........... ........... ........... ........... ..........39
24. Figure 24. Under Lighting ........... ........... ........... ........... ........... .......39
25. Figure 25. Top Lighting ........... ........... ........... ........... ........... ...........40
26. Figure 26. High Key Lighting and Low key Lighting in Actions……40
27. Figure 27. High key Lighting Design……………………………..…….41
28. Figure 28. Low Key Lighting Design…………………………………...41
29. Figure 29. Establishing Shot 1…………………………………………..42
30. Figure 30. Establishing Shot 2…..………………………………………43
31. Figure 31. Reestablishing Shot 1………………………………………..43
32. Figure 32. Reestablishing Shot 2…..……………………………………43
33. Figure 33. The Ego Peter Pevensie ........... ........... ........... ........... .....49
34. Figure 34. Find the Shuddering Woods........... ........... ........... .......... 50
35. Figure 35. First Atack ........... ........... ........... ........... ........... .............51
36. Figure 36. Anxiety First Battle ........... ........... ........... ........... ...........52
37. Figure 37. Anxiety after First Battle …………...................................53
38. Figure 38. Anxiety after First Battle………………………………...54
39. Figure 39. Snow Witch………………………………………………54
40. Figure 40. Anxiety left his Friend ........... .......... ........... ....................55

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