S SDT 0906537 Table of content

DAFTAR ISI

ABSTRAK ......................................................................................................

i

KATA PENGANTAR ...................................................................................

ii

DAFTAR ISI ...................................................................................................

v

DAFTAR TABEL .......................................................................................... vii
DAFTAR GAMBAR ...................................................................................... viii
BAB I PENDAHULUAN ..............................................................................

1

A. Latar Belakang Penelitian ...........................................................................

B. Identifikasi dan Perumusan Masalah ...........................................................
C. Tujuan Penelitian .........................................................................................
D. Manfaat Penelitian ......................................................................................
E. Struktur Organisasi Skripsi .........................................................................

1
4
4
5
6

BAB II KAJIAN PUSTAKA .........................................................................

7

A. Komposisi ................................................................................................... 7
B. Musik Kontemporer .................................................................................... 8
C. Analisis ....................................................................................................... 11
D. Bentuk Musik (Form) ................................................................................. 15
E. Gamelan Pelog dan Salendro ....................................................................... 17

BAB III METODE PENELITIAN ............................................................... 24
A. Metode Penelitian ........................................................................................
B. Objek Penelitian ..........................................................................................
C. Definisi Operasional ....................................................................................
D. Instrumen Penelitian ....................................................................................
E. Teknik Penelitian .........................................................................................

24
25
25
25
26

BAB IV HASIL PENELITIAN DAN PEMBAHASAN.............................. 28
A. “Noname and Nothing” karya Iwan Gunawan ............................................
B. Konsep Sistem Sepuluh Nada .....................................................................
C. Penulisan Notasi dan Posisi Instrumen .......................................................
D. Bentuk (Form) Komposisi “Noname and Nothing” ...................................

Bagja Subakti Abdullah, 2014

Analisis komposisi musik gamelan “noname and nothing” karya Iwan Gunawan
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu
v

28
29
31
43

BAB V KESIMPULAN DAN SARAN ......................................................... 72
A. Kesimpulan ................................................................................................. 72
B. Saran ............................................................................................................ 73
DAFTAR PUSTAKA ..................................................................................... 74
LAMPIRAN-LAMPIRAN ............................................................................ 76
RIWAYAT HIDUP

Bagja Subakti Abdullah, 2014
Analisis komposisi musik gamelan “noname and nothing” karya Iwan Gunawan
Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu