PROSES KERJA TIM KREATIF PROPERTI & KOSTUM PADA PROGRAM INDONESIAN IDOL 2014 DI RCTI.
ABSTRACT
Riefani Annisa Fadila, 210103110109, Final Assignment Report, 2014.
“Working Process of Property & Wardrobe Creative Team at INDONESIAN
IDOL 2014 Program on RCTI”, Supervised by Drs. Duddy Zein, M.Si., Diploma
III PAKT Program, Major in Broadcasting Subprogram, Communication Faculty,
Padjadjaran University.
The Study aimed to identity the working process of property & comstum creative
team in the preproduction and production process of the INDONESIAN IDOL
2014 Program, the obstacle found by the production team and the solution to the
problems found in the making of INDONESIAN IDOL 2014 Program on RCTI.
The research used descriptive method. Gathered data through participant
observation, library study and retrieve information from the internet.
The observation showed that the INDONESIAN IDOL 2014 program was
produced through preproduction process including idea discovery, planning and
preparation. The production prosecc comprised of final check on contestant’s
costume, arranging and preparing supporting facilities in every segment, loading
supporting facilities to the stage, maintaining communication with floor director
and production assistant while the live show last, proceeding quckly and keeping
an eye on the supporting facilities used. The obstacles found were technical and
non-techinical problems.
It could be concluded that the duty of the property & wardrobe creative team in
the INDONESIAN IDOL 2014 program comprised of two processes which were
preproduction and production process. The creative team and crews involved
should maximize their communication with related in the process of producing the
program.
iv
ABSTRAK
Riefani Annisa Fadila, 201013110109, Laporan Tugas Akhir, 2014. “Proses
Kerja Tim Kreatif Properti & Kostum pada Program INDONESIAN IDOL
2014 di RCTI”, di bawah bimbingan Drs. Duddy Zein, M. Si., pada Program
Diploma III PAKT, Subprogram Studi Penyiaran, Fakultas Ilmu komunikasi,
Universitas Padjadjaran Jatinangor.
Tujuan pengamatan ini untuk mengetahui proses kerja tim kreatif properti
& kostum dalam proses praproduksi dan proses produksi pada program
INDONESIAN IDOL 2014, hambatan yang dihadapi Tim Produksi, serta solusi
dari hambatan yang terjadi dalam program INDONESIAN IDOL 2014 di RCTI.
Metode pendekatan yang digunakan adalah metode deskriptif. Teknik
penumpulan data berupa observasi partisipan, studi kepustakaan dan pencarian
informasi di media internet.
Hasil pengamatan ini menunjukkan bahwa proses produksi program
INDONESIAN IDOL 2014 melalui tahap praproduksi, yaitu penemuan ide,
perencanaan dan persiapan. Tahap produksi, yaitu final cek kostum kontestan,
mengatur dan menyiapkan peralatan pendukung di setiap segmen, loading
peralatan pendukung ke atas panggung, menjaga komunikasi bersama floor
director dan production assistant selama live show berlangsung, bergerak cepat
dan mengawasi peralatan pendukung yang digunakan. Hambatan beserta solusi
yang dihadapi berasal dari masalah teknis dan non teknis.
Simpulan dari hasil pengamatan ini tim kreatif properti & kostum dalam
program INDONESIAN IDOL 2014 bertugas dalam dua tahapan produksi,
meliputi praproduksi dan produski. Tim kreatif dan kru yang terlibat diharapkan
dapat memaksimalkan lagi komunikasi dengn pihak-pihak yang terlibat selama
proses produksi berlangsung
iii
Riefani Annisa Fadila, 210103110109, Final Assignment Report, 2014.
“Working Process of Property & Wardrobe Creative Team at INDONESIAN
IDOL 2014 Program on RCTI”, Supervised by Drs. Duddy Zein, M.Si., Diploma
III PAKT Program, Major in Broadcasting Subprogram, Communication Faculty,
Padjadjaran University.
The Study aimed to identity the working process of property & comstum creative
team in the preproduction and production process of the INDONESIAN IDOL
2014 Program, the obstacle found by the production team and the solution to the
problems found in the making of INDONESIAN IDOL 2014 Program on RCTI.
The research used descriptive method. Gathered data through participant
observation, library study and retrieve information from the internet.
The observation showed that the INDONESIAN IDOL 2014 program was
produced through preproduction process including idea discovery, planning and
preparation. The production prosecc comprised of final check on contestant’s
costume, arranging and preparing supporting facilities in every segment, loading
supporting facilities to the stage, maintaining communication with floor director
and production assistant while the live show last, proceeding quckly and keeping
an eye on the supporting facilities used. The obstacles found were technical and
non-techinical problems.
It could be concluded that the duty of the property & wardrobe creative team in
the INDONESIAN IDOL 2014 program comprised of two processes which were
preproduction and production process. The creative team and crews involved
should maximize their communication with related in the process of producing the
program.
iv
ABSTRAK
Riefani Annisa Fadila, 201013110109, Laporan Tugas Akhir, 2014. “Proses
Kerja Tim Kreatif Properti & Kostum pada Program INDONESIAN IDOL
2014 di RCTI”, di bawah bimbingan Drs. Duddy Zein, M. Si., pada Program
Diploma III PAKT, Subprogram Studi Penyiaran, Fakultas Ilmu komunikasi,
Universitas Padjadjaran Jatinangor.
Tujuan pengamatan ini untuk mengetahui proses kerja tim kreatif properti
& kostum dalam proses praproduksi dan proses produksi pada program
INDONESIAN IDOL 2014, hambatan yang dihadapi Tim Produksi, serta solusi
dari hambatan yang terjadi dalam program INDONESIAN IDOL 2014 di RCTI.
Metode pendekatan yang digunakan adalah metode deskriptif. Teknik
penumpulan data berupa observasi partisipan, studi kepustakaan dan pencarian
informasi di media internet.
Hasil pengamatan ini menunjukkan bahwa proses produksi program
INDONESIAN IDOL 2014 melalui tahap praproduksi, yaitu penemuan ide,
perencanaan dan persiapan. Tahap produksi, yaitu final cek kostum kontestan,
mengatur dan menyiapkan peralatan pendukung di setiap segmen, loading
peralatan pendukung ke atas panggung, menjaga komunikasi bersama floor
director dan production assistant selama live show berlangsung, bergerak cepat
dan mengawasi peralatan pendukung yang digunakan. Hambatan beserta solusi
yang dihadapi berasal dari masalah teknis dan non teknis.
Simpulan dari hasil pengamatan ini tim kreatif properti & kostum dalam
program INDONESIAN IDOL 2014 bertugas dalam dua tahapan produksi,
meliputi praproduksi dan produski. Tim kreatif dan kru yang terlibat diharapkan
dapat memaksimalkan lagi komunikasi dengn pihak-pihak yang terlibat selama
proses produksi berlangsung
iii