Bayan al-alif : Dirasah tahqiqiyyah

‫ﺑﻴﺎﻥ ﺍﻷﻟﻒ‬
‫)ﺩﺭﺍﺳﺔ ﲢﻘﻴﻘﻴ‪‬ﺔ(‬
‫ﲝﺚ‬
‫ﻣﻘﺪﻡ ﺇﱃ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‬
‫ﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ ﺍﻟﺪﺭﺟﺔ ﺍﳉﺎﻣﻌﻴﺔ ﺍﻷﻭﱃ‬

‫ﺇﻋﺪﺍﺩ‪:‬‬
‫ﳏﻤﺪ ﻧﺪﺍﺀ ﻓﻀﻼﻥ‬
‫ﺭﻗﻢ ﺍﻟﺘﺴﺠﻴﻞ‪105021000809 :‬‬
‫ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺁﺩﺍ‪‬ﺎ‬
‫ﻛﻠﻴﺔ ﺍﻵﺩﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ‬

‫ﺍﳉﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‬
‫‪ 2011‬ﻡ ‪ 1432 /‬ﻫـ‬

‫ﺍﻹﻫﺪﺍﺀ‬

‫ﻭﺍﻟﺪﻱ‪ ‬ﺍﻟﻌﺰﻳﺰﻳﻦ ﺍﶈﺒﻮﺑﲔ‬

‫ﺍﻟﻠﻬﻢ‪ ‬ﺍﻏﻔﺮﱄ ﺫﻧﻮﰊ ﻭﻟﻮﺍﻟﺪﻱ‪ ‬ﻭﺍﺭﲪﻬﻤﺎ ﻛﻤﺎ ﺭﺑ‪‬ﻴﺎﱐ ﺻﻐﲑﺍ‬


‫ﺑﻴﺎﻥ ﺍﻷﻟﻒ‬

‫)ﺩﺭﺍﺳﺔ ﲢﻘﻴﻘﻴ‪‬ﺔ(‬
‫ﲝﺚ‬
‫ﻣﻘﺪﻡ ﺇﱃ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ‬
‫ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ ﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ ﺍﻟﺪﺭﺟﺔ ﺍﳉﺎﻣﻌﻴﺔ ﺍﻷﻭﱃ‬
‫ﺇﻋﺪﺍﺩ‪:‬‬
‫ﳏﻤﺪ ﻧﺪﺍﺀ ﻓﻀﻼﻥ‬
‫ﺭﻗﻢ ﺍﻟﺘﺴﺠﻴﻞ‪105021000809 :‬‬
‫ﲢﺖ ﺇﺷﺮﺍﻑ‪:‬‬

‫ﳏﻤﺪ ﺃﺩﻳﺐ ﻣﺼﺒﺎﺡ ﺍﻹﺳﻼﻡ ﺍﳌﺎﺟﺴﺘﲑ‬
‫ﺭﻗﻢ ﺍﻟﺘﻮﻇﻴﻒ‪1973002242008011009 :‬‬
‫ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺁﺩﺍ‪‬ﺎ‬

‫ﻛﻠﻴﺔ ﺍﻵﺩﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ‬

‫ﺍﳉﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‬
‫‪ 2011‬ﻡ ‪ 1432 /‬ﻫـ‬


‫ﺗﺼﺮﻳﺢ ﺍﻟﺒﺤﺚ‬
‫ﰲ ﻫﺬﻩ ﺍﳌﻨﺎﺳﺒﺔ ﺻﺮ‪‬ﺣﺖ ﺑﺄﻥﹼ‪:‬‬
‫‪ .1‬ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻛﺘﺒﺘﻪ ﺑﻨﻔﺴﻲ ﻟﺘﻜﻤﻠﺔ ﺍﻟﺸﺮﻭﻁ ﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ ﺍﻟﺪﺭﺟﺔ‬
‫ﺍﳉﺎﻣﻌﺔ ﺍﻷﻭﱃ ﲝﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‪.‬‬
‫‪ .2‬ﻛﻞ ﺍﳌﺮﺍﺟﻊ ﺍﻟﱴ ﺍﺳﺘﻌﻤﻠﺘﻬﺎ ﰲ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻗﺪ ﻭﺿﻌﺘﻬﺎ ﺣﺴﺐ‬
‫ﺍﻟﻘﺮﺍﺭﺍﺕ ﺍﳌﻮﺟﻮﺩﺓ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ‬
‫ﲜﺎﻛﺮﺗﺎ‪.‬‬
‫‪ .3‬ﺇﺫﺍ ﻛﺎﻥ ﺍﻟﺒﺤﺚ ﻣﻦ ﻏﲑ ﺇﻋﺪﺍﺩﻱ ﻭﻳﻮﺟﺪ ﻓﻴﻪ ﺍﻧﺘﺤﺎﻝ ﻷﺭﺍﺀ ﺍﻟﻐﲑ ﺩﻭﻥ‬
‫ﺫﻛﺮﻩ ﻓﺎﺳﺘﻌﺪ‪ ‬ﺃﻥ ﺃﺳﻠﻢ ﻛﻞ ﺍﻟﻌﻘﻮﺑﺎﺕ ﺍﻟﱴ ﻗﺮ‪‬ﺭ‪‬ﺎ ﺟﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ‬
‫ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‪.‬‬
‫ﺟﺎﻛﺮﺗﺎ‪ 21،‬ﻓﱪﻭﺍﺭﻱ ‪2011‬‬

‫ﳏﻤﺪ ﻧﺪﺍﺀ ﻓﻀﻼﻥ‬

‫ﻗﺮﺍﺭ ﳉﻨﺔ ﺍﳌﻨﺎﻗﺸﺔ ﻭﺍﳊﻜﻢ ﻋﻠﻰ ﺍﻟﺒﺤﺚ‬
‫ﲤﺖ ﻣﻨﺎﻗﺸﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻭﻋﻨﻮﺍﻧﻪ " ﺑﻴﺎﻥ ﺍﻷﻟﻒ‪ :‬ﺩﺭﺍﺳﺔ ﲢﻘﻴﻘﻴ‪‬ﺔ " ﺃﻣﺎﻡ ﳉﻨﺔ‬
‫ﺍﳌﻨﺎﻗﺸﺔ ﻭﺍﳊﻜﻢ ﺑﻜﻠﻴﺔ ﺍﻵﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ‬
‫ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ ﰲ ‪ 18‬ﺭﺑﻴﻊ ﺍﻷﻭﻝ ‪ 1432‬ﻫـ ﺍﳌﻮﺍﻓﻖ ‪21‬‬
‫ﻓﱪﻭﺍﺭﻱ ‪ 2011‬ﻡ‪ .‬ﻭﻗﺪ ﰎ ﻗﺒﻮﻟﻪ ﺷﺮﻃﺎ ﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ ﺍﻟﺪﺭﺟﺔ ﺍﳉﺎﻣﻌﻴﺔ ﺍﻷﻭﱃ‬
‫ﰲ ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺁﺩﺍ‪‬ﺎ‪.‬‬


‫ﺭﺋﻴﺲ ﺍﻟﻠﺠﻨﺔ‬

‫ﺟﺎﻛﺮﺗﺎ‪ 18 ،‬ﺭﺑﻴﻊ ﺍﻷﻭﻝ ‪ 1432‬ﻫـ‬
‫‪ 2011‬ﻡ‬
‫‪ 21‬ﻓﱪﻭﺍﺭﻱ‬
‫ﳉﻨﺔ ﺍﻹﻣﺘﺤﺎﻥ‬
‫ﺳﻜﺮﻳﺘﲑ ﺍﻟﻠﺠﻨﺔ‬

‫ﺍﻟﺪﻛﺘﻮﺭﺍﻧﺪﻭﺱ ﺃﺩﻧﺞ ﺃﺳﺪﺍﺭﻱ ﺍﳌﺎﺟﺴﺘﲑ‬
‫ﺭﻗﻢ ﺍﻟﺘﻮﻇﻴﻒ‪195905101991031001:‬‬

‫ﺍﳌﻨﺎﻗﺶ ﺍﻷﻭﻝ‬

‫ﺍﻟﺪﻛﺘﻮﺭﺓ ﺟﺎﻫﻴﺎ ﺑﻮﺍﻧﺎ ﺍﳌﺎﺟﺴﺘﲑ‬

‫ﺭﻗﻢ ﺍﻟﺘﻮﻇﻴﻒ‪197506302003122001:‬‬

‫ﺍﻷﻋﻀﺎﺀ‬


‫ﺍﻟﺪﻛﺘﻮﺭ ﻋﻤﺎﻥ ﻓﺘﺢ ﺍﻟﺮﲪﻦ ﺍﳌﺎﺟﺴﺘﲑ‬
‫ﺭﻗﻢ ﺍﻟﺘﻮﻇﻴﻒ‪196908081996031003:‬‬

‫ﺍﳌﻨﺎﻗﺸﺔ ﺍﻟﺜﺎﻧﻴﺔ‬
‫ﺍﻟﺪﻛﺘﻮﺭﺓ ﺟﺎﻫﻴﺎ ﺑﻮﺍﻧﺎ ﺍﳌﺎﺟﺴﺘﲑ‬

‫ﺭﻗﻢ ﺍﻟﺘﻮﻇﻴﻒ‪197506302003122001:‬‬

‫ﲡﺮﻳﺪ‬
‫ﳏﻤ‪‬ﺪ ﻧﺪﺍﺀ ﻓﻀﻼﻥ‪ :‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ‪ :‬ﺩﺭﺍﺳﺔ ﲢﻘﻴﻘﻴ‪‬ﺔ‪.‬‬
‫ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﺍﻟﺘ‪‬ﺮﺍﺙ ﺍﻟﺜﹼﻘﺎﰲﹼ ﺍﳌﻜﺘﻮﺏ ﺍﻟﺬﻱ ﻻ ﳝﻠﻜﻪ ﻛﻞ ﺩﻭﻟﺔ ﰲ‬
‫ﺍﻟﻌﺎﱂ‪ .‬ﺍﳌﺨﻄﻮﻃﺔ ﻫﻨﺎ ﲟﻌﲎ ﻛﻞ ﻧﺴﺨﺔ ﻣﻜﺘﻮﺑﺔ ﺑﺎﻟﻴﺪ ﻗﺒﻞ ﺑﺪﺍﻳﺔ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ‬
‫ﺍﳌﻴﻼﺩﻱ‪ ‬ﻭﺗﺸﻤﻞ ﻛﻞ ﻧﺺ‪ ‬ﻛﺘﺐ ﺑﺎﻟﻴﺪ ﻛﺘﺎﺑﺎ ﻛﺎﻥ ﺃﻭ ﻏﲑﻩ‪.‬‬
‫ﺃﻥﹼ ﻗﻠﹼﺔ ﺍﻝﲝﻮﺙ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ﻋﻦ ﺍﻟﻨ‪‬ﺼﻮﺹ ﺍﻟﺪ‪‬ﻳﻨﻴ‪‬ﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺗﺜﲑ ﻓﺠﻮﺓ ﺑﲔ‬
‫ﻣﺼﺎﱀ ﺭﺑﻂ ﺍﳌﺎﺿﻲ ﺑﺎﳊﺎﺿﺮ‪ .‬ﺍﳌﺨﻄﻮﻃﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺑﻨﻮﺳﻨﺘﺎﺭﺍ ﻫﻲ ﻣﻦ ﺃﻫﻢ‪‬‬
‫ﺍﻟﺘ‪‬ﺮﺍﺙ ﺍﻹﺳﻼﻣﻲ‪ ‬ﺑﻨﻮﺳﻨﺘﺎﺭﺍ‪ .‬ﻭﺻﺎﺭﺕ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﳌﻜﺘﻮﺑﺔ ﺑﺎﻟﻠﹼﻐﺎﺕ ﺍﳌﺘﻨﻮ‪‬ﻋﺔ‬
‫ﻣﺼﺪﺭﺍ ﻫﺎﻣ‪‬ﺎ ﻟﻠﺪ‪‬ﺭﺍﺳﺎﺕ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ‪ ،‬ﻭﻣﻦ ﺑﻴﻨﻬﺎ ﺗﺸﻤﻞ ﺍﻟﺪ‪‬ﺭﺍﺳﺎﺕ ﺍﻟﺼ‪‬ﻮﻓﻴ‪‬ﺔ‪.‬‬
‫ﻭﻣﻦ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﱵ ﺗﺘﻀﻤ‪‬ﻦ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ ﻫﻲ ﺍﳌﺨﻄﻮﻃﺔ ﺑﻌﻨﻮﺍﻥ "ﺑﻴﺎﻥ‬
‫ﺍﻷﻟﻒ"‪ .‬ﻭﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﺁﺧﺮ ﳎﻤﻮﻋﺔ ﻭﺍﺭﺩﺓ ﰲ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ﺑﺞﺍﻛﺮﺗﺎ‬
‫ﺑﺮﻗﻢ )‪ .(NB. 228 I‬ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻣﻜﺘﻮﺑﺔ ﻋﻠﻰ ﻭﺭﻗﺔ ﺩﺍﻟﻮﻭﺍﻧﺞ )‪.(Dluwang‬‬

‫ﻭﻛﺎﻧﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻭﺣﻴﺪﺓ‪ .‬ﻗﺪ ﺍﺳﺘ‪‬ﻌﺮﹺﺿﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﰲ ﻭﺟﻮﻩ‬
‫ﺍﳌﺎﺩﻳﺔ ﻋﺎﻡ ‪ 2009‬ﻡ ﻭﳍﺎ ﺭﻗﻢ ﺍﻹﺳﺘﻌﺮﺍﺿﻴ‪‬ﺔ )‪.(Tas/03/PNRI/2009‬‬
‫ﻛﺘﺒﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﺑﺎﻟﻠﹼﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺗﻚﺷﻒ ﺍﳌﻌﲎ ﺍﻟﻔﻠﺴﻔﻲ‪ ‬ﳊﺮﻑ‬
‫ﺍﻷﻟﻒ ﻋﻨﺪ ﺍﻟﺼ‪‬ﻮﻓﻴ‪‬ﺔ ﻣﻨﻪ ﻣﻔﻬﻮﻡ ﺍﻟﺘ‪‬ﺠﻠﹼﻲ ﻭﺭﺍﺀ ﺣﺮﻑ ﺍﻷﻟﻒ ﻭﺍﳌﻌﲎ ﺍﻟﻠﻔﻈﻲ‪‬‬
‫ﻟﻠﻔﻆ ﺍﳉﻼﻟﺔ‪.‬‬
‫ﻭﻻ ﺷﻚ‪ ‬ﺃﻥ ﺍﳌﻮﺿﻮﻉ ﺟﺰﺀ ﻫﺎﻡ‪ ‬ﻣﻦ ﺗﺎﺭﻳﺦ ﻧﻮﺳﻨﺘﺎﺭﺍ ﺍﻟﺮﻭﺣﻲ ﳌﺎ ﻓﻴﻪ ﻣﻦ‬
‫ﺃﺛﺮﻛﺒﲑ ﰲ ﺗﻨﻤﻴﺔ ﺍﻟﻔﻜﺮﺓ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺧﺎﺻ‪‬ﺔ ﰲ ﻭﻗﺖ ﺗﺄﻟﻴﻔﻪ ﻭﰲ ﻛﻞ ﻭﻗﺖ ﺑﻌﺪﻩ‪.‬‬
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ABSTRAKS


Naskah kuno (manuskrip) adalah peninggalan kebudayaan tertulis yang
tidak dimiliki oleh setiap negara di dunia. Naskah yang dimaksud adalah setiap
dokumen yang ditulis sebelum awal abad ke-20 Masehi dan meliputi setiap
naskah tertulis baik yang berbentuk buku ataupun yang lainnya.
Minimnya

kajian-kajian

ilmiah

tentang

naskah-naskah

keislaman

mengakibatkan terjadinya kesenjangan antara hubungan permasalahan masa
lampau dengan saat ini. Naskah Islam Nusantara merupakan salah satu
peninggalan budaya Islam terpenting di Nusantara, naskah-naskah yang ditulis

dengan berbagai macam bahasa tersebut merupakan referensi terpenting dalam
konteks kajian keislaman termasuk di dalamnya adalah kajian sufistik.
Salah satu naskah yang membahas tentang kajian sufistik adalah naskah
yang berjudul Bayan al-Alif. Naskah ini merupakan koleksi terbaru Perpustakaan
Nasional RI. Jakarta dengan nomor koleksi NB 228 I. Naskah ini ditulis di atas
kertas Dluwang. Naskah ini merupakan naskah tunggal dan telah dikaji ulang
pada tahun 2009 dengan nomor Tas/03/PNRI/2009.
Naskah berbahasa Arab ini menjelaskan makna filosofis huruf Alif dalam
kajian sufistik diantaranya adalah Konsep Tajalli di balik huruf Alif dan makna
harfiyah yang terdapat pada lafadz Allah.
Tidak diragukan lagi bahwa naskah tersebut merupakan bagian terpenting
dalam sejarah spritualitas di Nusantara yang memiliki pengaruh yang sangat besar
dalam perkembangan pemikiran Islam khususnya pada saat ditulisnya naskah
tersebut maupun pada masa sesudahnya.

‫ﺷﻜﺮ ﻭﺗﻘﺪﻳﺮ‬

‫ﺑﺴﻢ ﺍﷲ ﺍﻟﺮﲪﻦ ﺍﻟﺮﺣﻴﻢ‪ .‬ﺍﳊﻤﺪ ﷲ ﺍﻟﺬﻱ ﺃﻭﺭﺙ ﻛﺘﺎﺑﻪ ﻣ‪‬ﻦ ﺍﺻﻄﻔﺎﻩ‬
‫ﻭﺻﻼﺗﻪ ﻭﺳﻼﻣﻪ ﺍﻟﺘﺎﻣ‪‬ﺎﻥ ﺍﻷﻛﻤﻼﻥ ﻋﻠﻰ ﻧﺒﻴﻪ ﺳﻴﺪﻧﺎ ﳏﻤﺪ ﺍﻟﻔﺎﺗﺢ ﳌﺎ ﺃﻏﻠ‪‬ﻖ‬
‫ﻭﺍﳋﺎﰎ ﳌﺎ ﺳﺒﻖ ﻧﺎﺻﺮ ﺍﳊﻖ ﺑﺎﳊﻖ ﻭﺍﳍﺎﺩﻱ ﺇﱃ ﺻﺮﺍﻃﻚ ﺍﳌﺴﺘﻘﻴﻢ ﻭﻋﻠﻰ ﺁﻟﻪ‬

‫ﻭﺃﺻﺤﺎﺑﻪ ﺣﻖ ﻗﺪﺭﻩ ﻭﻣﻘﺪﺍﺭﻩ ﺍﻟﻌﻈﻴﻢ‪.‬‬
‫ﻭﺑﻌﺪ‪ ،‬ﻓﺄﺷﻜﺮ ﺍﷲ ﺗﻌﺎﱃ ﻋﻠﻰ ﻣﺎ ﺃﻧﻌﻤﻪ ﻋﻠﻲ‪ ‬ﻣﻦ ﺍﻧﺘﻬﺎﺀ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ‬
‫ﺍﻟﺬﻱ ﻳﻜﻮﻥ ﺷﺮﻃﺎ ﻻﺯﻣﺎ ﻹﲤﺎﻡ ﺍﻟﺪﺭﺍﺳﺔ ﰲ ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺁﺩﺍ‪‬ﺎ ﺑﻜﻠﻴﺔ‬
‫ﺍﻵﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‬
‫ﻭﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ ﺍﳌﺮﺣﻠﺔ ﺍﳉﺎﻣﻌﺔ ﺍﻷﻭﱃ ﻓﻴﻬﺎ‪.‬‬
‫ﻭﻳﺴﺮ‪‬ﱐ ﺃﻥ ﺃﻗﺪﻡ ﺧﺎﻟﺺ ﺷﻜﺮﻱ ﻭﻋﻈﻴﻢ ﺗﻘﺪﻳﺮﻱ ﺇﱃ ﻛﻞ ﻣﻦ ﺃﻣﺪ‪ ‬ﱄ‬
‫ﺑﺎﳌﺴﺎﻋﺪﺍﺕ ﰲ ﺃﺛﻨﺎﺀ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻭﺃﺧﺺ‪ ‬ﺑﺎﻟﺬﻛﺮ‪:‬‬
‫‪ .1‬ﻓﻀﻴﻠﺔ ﻋﻤﻴﺪ ﻛﻠﻴﺔ ﺍﻵﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ‬
‫ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ ﻋﺒﺪ ﺍﻟﻮﺍﺣﺪ ﻫﺎﺷﻢ‬

‫ﺍﳌﺎﺟﺴﺘﲑ‪ ،‬ﻭﺭﺋﻴﺲ ﻗﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﺁﺩﺍ‪‬ﺎ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭﺍﻧﺪﻭﺱ‬
‫ﺍﳊﺎﺝ ﺃﺩﺍﻧﺞ ﺃﺳﺪﺍﺭﻱ ﺍﳌﺎﺟﺴﺘﲑ‪ ،‬ﻭﺳﻜﺮﺗﲑﻩ ﺍﻷﺳﺘﺎﺫﺓ ﺍﻟﺪﻛﺘﻮﺭﺓ ﺟﺎﻫﻴﺎ‬
‫ﺑﻮﺍﻧﺎ ﺍﳌﺎﺟﺴﺘﲑ‪ ،‬ﻭﲨﻴﻊ ﺍﳌﺪﺭﺳﲔ ﺍﻟﺬﻳﻦ ﺑﺬﻟﻮﺍ ﺟﻬﻮﺩﻫﻢ ﰲ ﺳﺒﻴﻞ ﺗﻌﻠﻴﻢ‬
‫ﺍﻟﻄﻼﺏ ﻭﺗﺜﻘﻴﻔﻬﻢ ﻭﺗﺰﻭﻳﺪﻫﻢ ﲟﺎ ﻳﻨﻔﻌﻬﻢ ﻣﻦ ﻋﻠﻮﻡ ﻭﻣﻌﺎﺭﻑ‪.‬‬
‫‪ .2‬ﻣﺸﺮﻑ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻫﻮ ﺍﻷﺳﺘﺎﺫ ﳏﻤﺪ ﺃﺩﻳﺐ ﻣﺼﺒﺎﺡ ﺍﻹﺳﻼﻡ‬
‫ﺍﳌﺎﺟﺴﺘﲑ ﻋﻠﻰ ﺗﻔﻀ‪‬ﻠﻪ ﺑﺎﻹﺷﺮﺍﻑ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﺃﺣﺴﻦ ﺇﺷﺮﺍﻑ ﻭﻋﻠﻰ‬
‫ﺗﻮﺟﻴﻬﺎﺗﻪ ﺍﻟﺜﻤﻴﻨﺔ ﺣﱴ ﲤﻜﻨﺖ ﻣﻦ ﺇﲤﺎﻡ ﻫﺬﺍ ﺍﻟﺒﺤﺚ‪ .‬ﺟﺰﺍﻩ ﺍﷲ ﺃﺣﺴﻦ‬
‫ﺍﳉﺰﺍﺀ‪.‬‬
‫‪ .3‬ﺃﻣﲔ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴﺔ ﲜﺎﻛﺮﺗﺎ‬


‫)‪(Perpustakaan Nasional RI., Jakarta‬‬

‫ﻭﻣﻮﻇﻔﻴﻬﺎ ﺍﻟﺬﻳﻦ ﻳﺴ‪‬ﺮﻭﱐ ﰲ ﺍﻟﻮﺻﻮﻝ ﻭﺍﻟﺘﺤﻘﻴﻖ ﻋﻠﻰ ﺍﳌﺨﻄﻮﻃﺔ ﺑﻌﻨﻮﺍﻥ‬
‫"ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻣﺼﺪﺭﺍ ﺭﺋﻴﺴﻴ‪‬ﺎ ﰲ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ‪.‬‬
‫‪ .4‬ﻭﺍﻟﺪﻱ‪ ‬ﺍﻟﻌﺰﻳﺰ‪‬ﻳﻦ ﺍﶈﺒﻮﺑ‪‬ﲔ‪ ،‬ﺃﰊ ﺍﳊﺎﺝ ﺟﻮﺟﻮ ﻏﺰﺍﱄ‬
‫ﻭﺃﻣﻲ ﺍﳊﺎﺟﺔ ﻟﻴﻠﻲ ﺣﻠﻴﻤﺔ‬

‫)‪Lily Halimah‬‬

‫)‪(H. Jojo Ghozali‬‬

‫‪ ،(Hj.‬ﺍﻟﻠﺬﻳﻦ ﻗﺪ ﺑﺬﻻ‬

‫ﺟﻬﻮﺩﳘﺎ ﰲ ﺗﺮﺑﻴﱵ ﻭﺇﻋﻄﺎﺀ ﺍﻟﻨﻔﻘﺎﺕ ﺍﳌﺎﻟﻴﺔ ﻟﺪﺭﺍﺳﱵ ﻭﻏﲑﻫﺎ ﻣﻦ‬

‫ﺧﲑﺍﺕ ﻻ ﲢﺼﻰ ﻣﻨﺬ ﺻﻐﺮﻱ ﺇﱃ ﻳﻮﻣﻨﺎ ﻫﺬﺍ‪ .‬ﻋﺴﻰ ﺍﷲ ﺃﻥ ﻳﻐﻔﺮ‬
‫ﺫﻧﻮ‪‬ﻤﺎ ﻭﻳﺮﲪﻬﻤﺎ ﻭﻳﺮﻓﻊ ﺩﺭﺟﺘﻬﻤﺎ ﰲ ﺍﻟﺪﻧﻴﺎ ﻭﺍﻷﺧﺮﺓ‪.‬‬
‫‪ .5‬ﺍﻷﺧﻮﺍﻥ ﺍﻟﺸﻘﻴﻖ ﺃ‪ .‬ﳐﺘﺎﺭ ﻧﺎﺻﺮ ﺍﻟﻄﺒﻴﺐ )‪،(dr. A. Muchtar Nasir‬ﻭﻣﻔﺘﺎﺡ‬
‫ﺍﳋﲑ‬


‫)‪Khaer, S.Th.I‬‬

‫‪ ،(Miftahul‬ﻭﺃﻣﲑ ﺍﻟﺪﻳﻦ ﻣﻮﻻﱐ‬

‫‪(Amiruddin‬‬

‫)‪ Maulani‬ﺍﻟﺬﻳﻦ ﺃﻋﻄﻮﱐ ﺍﻟﻐﲑﺓ ﰲ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ‪ .‬ﻋﺴﻰ ﺍﷲ ﺃﻥ‬
‫ﻳﻌﻄﻴﻨﺎ ﺍﻟﻨﺠﺎﺡ ﰲ ﺍﻟﺪﻧﻴﺎ ﻭﺍﻷﺧﺮﺓ ﻭﺍﻟﻘﻮﺓ ﻟﻠﱪ‪ ‬ﻭﺍﻟﺪﻳﻨﺎ ﺍﶈﺒﻮﺑﲔ‪.‬‬
‫‪ .6‬ﻣﺪﻳﺮ ﻣﺮﻛﺰ ﺍﻟﺪﺭﺍﺳﻴﺔ ﺍﻹﺳﻼﻣﻴﺔ ﻭﺍﻹﺟﺘﻤﺎﻋﻴﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ‬
‫ﺍﻹﺳﻼﻣﻴﺔ ﺍﳊﻜﻮﻣﻴﺔ ﲜﺎﻛﺮﺗﺎ‬
‫))‪UIN Jakarta‬‬

‫‪(Pusat Pengkajian Islam dan Masyarakat‬‬

‫‪ (PPIM‬ﻭﲨﻴﻊ ﺍﻟﺒﺎﺣﺜﲔ ﻓﻴﻬﺎ ﺧﺼﻮﺻﺎ ﻣﺪﻳﺮ‬

‫‪Unit (ILMU) PPIM UIN Jakarta‬‬

‫ﺍﻟﺮﲪﻦ ﺍﳌﺎﺟﺴﺘﲑ‬


‫‪Islamic‬‬

‫‪ Manuscripts‬ﺍﻟﺪﻛﺘﻮﺭ ﻋﻤﺎﻥ ﻓﺘﺢ‬

‫)‪Oman Fathurahman, M.Hum‬‬

‫‪ (Dr.‬ﺍﻟﺬﻱ ﻋﺮ‪‬ﻓﲏ‬

‫ﺩﺭﺍﺳﺔ ﻓﻴﻠﻮﻟﻮﺟﻴﺔ‪ .‬ﺟﺰﺍﻩ ﺍﷲ ﺃﺣﺴﻦ ﺍﳉﺰﺍﺀ‪.‬‬
‫‪ .7‬ﲨﻴﻊ ﺍﻷﺳﺎﺗﻴﺬ ﲟﻌﻬﺪ ﺍﻷﻧﻮﺍﺭ ﺑﻮﻧﺘﺖ ﻓﺴﻨﺘﺮﻳﻦ ﺗﺸﺮﺑﻮﻥ‬
‫)‪ .Pesantren Cirebon‬ﻧﻔﻌﲏ ﺍﷲ ‪‬ﻢ ﻭﺑﻌﻠﻮﻣﻬﻢ‪.‬‬

‫‪(Buntet‬‬

‫‪ .8‬ﺍﶈﺒﻮﺑﺔ ﺍﻟﻌﺸﻴﻘﺔ ﺃﻧ‪‬ﺎ ﺧﲑ ﺍﻟﻨﺴﺎﺀ )‪ ،(Anna Khoirunnisa‬ﺍﻟﱵ ﺃﻋﻄﺘﲏ ﺍﻟﻐﲑﺓ‬
‫ﰲ ﻛﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﺑﺎﳊﺐ ﻭﺍﻟﺮﺣﻢ‪ .‬ﻋﺴﻰ ﺍﷲ ﺃﻥ ﻳﺮﺿﺎﻧﺎ ﺣﺒ‪‬ﻨﺎ‪.‬‬
‫‪ .9‬ﲨﻴﻊ ﺃﺻﺪﻗﺎﺋﻲ ﰲ‬

‫‪Komisariat Fakultas Adab dan Humaniora Himpunan‬‬

‫‪ ،Mahasiswa Islam (HMI) Cabang Ciputat‬ﺧﺼﻮﺻﺎ ﺇﱃ ﺇﺧﻮﺍﱐ ﻫﺮﻳﺎﺩﻱ‬
‫)‪ ،(Haryadi‬ﻭﺭﻳﻜﻲ ﻣﲑﺳﺎ ﻓﻮﺗﺮﺍ )‪ ،(Riki Mirsa Putra‬ﻭﻋﻴﺪ ﺍﻷﻛﱪ ﻣﲎ‪،‬‬
‫ﻭﺧﲑﺍﻟﺮﺟﺎﻝ‪ ،‬ﻭﺃﺭﺳﺘﻴﺎ ﻳﻮﺳﺘﺎﻧﺎ‬

‫)‪Yustana‬‬

‫‪ ،(Aristya‬ﻭﻣﺸﻔﻊ‬

‫)‪ ،(Musyafak‬ﻭﻏﲑﻫﻢ‪.‬‬

‫!!!‪Yakin Usaha Sampai..‬‬

‫‪.10‬ﲨﻴﻊ ﺃﺻﺪﻗﺎﺋﻲ ﰲ ﻛﻠﻴﺔ ﺍﻷﺩﺍﺏ ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴﺔ ﺑﻘﺴﻢ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‬
‫ﻭﺃﺩﺍ‪‬ﺎ ﺍﳌﺮﺣﻠﺔ ‪ 2005‬ﺧﺼﻮﺻﺎ ﺇﱃ ﺃﺧﻲ ﺃﺏ ﺑﻨﻴﺎﻣﻦ‬

‫‪(Abun‬‬

‫)‪ Bunyamin, S.S.‬ﻭﺣﻜﻤﺔ ﺍﻟﻠﻄﻔﻲ‪ .‬ﳒﺤﻨﺎ ﺍﷲ‪.‬‬
‫‪.11‬ﻛﻞ ﺍﻟﻨﺎﺣﻴﺔ ﺍﻟﺬﻳﻦ ﱂ ﺃﺫﻛﺮﻫﻢ‪ .‬ﺷﻜﺮﺍ ﻛﺜﲑﺍ ﻋﻠﻰ ﺣﺴﻦ ﺍﻫﺘﻤﺎﻣﻜﻢ‪.‬‬
‫ﻭﺃﺧﲑﺍ ﺁﻣﻞ ﺃﻥ ﻳﻨﻔﻌﻨﺎ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻋﻠﻰ ﺗﻄﻮﻳﺮ ﺩﺭﺍﺳﺔ ﺍﻹﺳﻼﻣﻴﺔ ﰲ‬
‫ﺍﻟﻌﺎﱂ‪.‬‬
‫ﺍﻟﺒﺎﺣﺚ‬
‫ﳏﻤﺪ ﻧﺪﺍﺀ ﻓﻀﻼﻥ‬

‫ﳏﺘﻮﻳﺎﺕ ﺍﻟﺒﺤﺚ‬

‫ﻣﻮﺍﻓﻘﺔ ﺍﳌﺸﺮﻑ ‪................................................‬‬

‫ﺃ‬

‫ﺗﺼﺮﻳﺢ ﺍﻟﺒﺤﺚ ‪ ................................................‬ﺏ‬
‫ﻗﺮﺍﺭ ﳉﻨﺔ ﺍﳌﻨﺎﻗﺸﺔ ﻭﺍﳊﻜﻢ ﻋﻠﻰ ﺍﻟﺒﺤﺚ ‪ ...........................‬ﺝ‬
‫ﲡﺮﻳﺪ ‪.........................................................‬‬

‫ﺩ‬

‫ﺷﻜﺮ ﻭﺗﻘﺪﻳﺮ ‪..................................................‬‬

‫ﻭ‬

‫ﳏﺘﻮﻳﺎﺕ ﺍﻟﺒﺤﺚ ‪ ...............................................‬ﻱ‬
‫ﺍﻟﺒﺎﺏ ﺍﻷﻭ‪‬ﻝ‪ :‬ﻣﻘﺪ‪‬ﻣﺔ‬
‫ﺃ‌ ‪ .‬ﺧﻠﻔﻴ‪‬ﺔ ﺍﳌﺸﻜﻠﺔ ‪1 ............................................‬‬
‫‌ﺏ‪ .‬ﲢﺪﻳﺪ ﺍﻟﺒﺤﺚ ‪7 .............................................‬‬
‫‌ﺝ‪ .‬ﺍﻟﻐﺮﺽ ﻣﻦ ﺍﻟﺒﺤﺚ ‪7 .........................................‬‬
‫‌ﺩ‪ .‬ﻣﻨﻬﺞ ﺍﻟﺒﺤﺚ ‪8 ..............................................‬‬
‫‌ﻩ‪ .‬ﺧﻄﹼﺔ ﺍﻟﺒﺤﺚ ‪9 ..............................................‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﱐ‪ :‬ﳐﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ"‬
‫‌ﺃ‪ .‬ﻭﺻﻒ ﺍﳌﺨﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ‪11 .............................‬‬
‫ﺏ‪ .‬ﳏﺘﻮﻳﺎﺕ ﺍﳌﺨﻄﻮﻃﺔ ‪14 .........................................‬‬
‫‌‬
‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﻟﺚ‪ :‬ﲢﻘﻴﻖ ﺍﻟﻨ‪‬ﺺ‪ ‬ﻭﺗﻘﺪﳝﻪ‬
‫ﺃ‌ ‪ .‬ﺇﺷﺎﺭﺍﺕ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ ﺍﻟﻨ‪‬ﻘﺪﻱ‪15 .................................... ‬‬
‫‌ﺏ‪ .‬ﻧﺺ‪ ‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ ‪16 ...........................................‬‬
‫‌ﺝ‪ .‬ﺍﻟﺘ‪‬ﺮﲨﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ ﺍﳌﻌﻠﹼﻘﺔ ﰲ ﺍﻟﻨ‪‬ﺺ‪28 .............................. ‬‬
‫‌ﺩ‪ .‬ﺍﻟﺘ‪‬ﺮﲨﺔ ﺍﻹﻧﺪﻭﻧﻴﺴﻴ‪‬ﺔ ﻟﻠﻨ‪‬ﺺ‪32 ................................... ‬‬
‫ﺍﻟﺒﺎﺏ ﺍﻟﺮ‪‬ﺍﺑﻊ‪ :‬ﺍﻷﻓﻜﺎﺭ ﺍﻟﺮ‪‬ﺋﻴﺴﻴ‪‬ﺔ ﺍﻟﻮﺍﺭﺩﺓ ﰲ ﺍﻟﻨ‪‬ﺺ‪‬‬
‫ﺃ‌ ‪ .‬ﻣﻔﻬﻮﻡ ﺍﻟﺘ‪‬ﺠﻠﹼﻲ ﻭﺭﺍﺀ ﺣﺮﻑ ﺍﻷﻟﻒ ‪37 ............................‬‬
‫‌ﺏ‪ .‬ﺍﳌﻌﲎ ﺍﻟﻠﻔﻈﻲ‪ ‬ﻟﻠﻔﻆ ﺍﳉﻼﻟﺔ ‪38 ..................................‬‬
‫‌ﺝ‪ .‬ﲨﺎﻝ ﺍﻟﻘﺮﺁﻥ ‪38 ...............................................‬‬
‫‌ﺩ‪ .‬ﺍﳌﺨﻠﻮﻗﺎﺕ ﺍﻷﻭ‪‬ﻟﻴ‪‬ﺔ ‪39 ..........................................‬‬
‫‌ﻩ‪ .‬ﻗﻀﻴ‪‬ﺔ ﺧﻠﻖ ﺍﻟﺒﺸﺮ ‪39 ...........................................‬‬

‫‌ﻭ‪ .‬ﻗﻀﻴ‪‬ﺔ ﺍﳋﲑ ﻭﺍﻟﺸ‪‬ﺮ‪40 .......................................... ‬‬
‫ﺍﻟﺒﺎﺏ ﺍﳋﺎﻣﺲ‪ :‬ﺧﺎﲤﺔ‬
‫‌ﺃ‪ .‬ﺍﻟﻨ‪‬ﺘﺎﺋﺞ ‪41 ....................................................‬‬
‫ﺏ‪ .‬ﺍﻹﻗﺘﺮﺍﺣﺎﺕ ‪42 ................................................‬‬
‫‌‬
‫ﻣﺮﺍﺟﻊ ﺍﻟﺒﺤﺚ ‪45 .................................................‬‬
‫ﺍﻟﻠﹼﻮﺍﺣﻖ ‪46 .......................................................‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻷﻭ‪‬ﻝ‬
‫ﻣﻘﺪ‪‬ﻣﺔ‬

‫‌ﺃ‪ .‬ﺧﻠﻔﻴ‪‬ﺔ ﺍﳌﺸﻜﻠﺔ‬
‫ﻣﻦ ﺃﻫﻢ‪ ‬ﺗﺮﺍﺙ ﺍﻟﺜﹼﻘﺎﰲﹼ ﻋﻨﺪ ﺍﻟﺒﺎﺣﺜﲔ ﻋﻦ ﺍﻟﺜﹼﻘﺎﻓﺔ ﺍﻟﻘﺪﳝﺔ ﻫﻲ ﺍﳌﺨﻄﻮﻃﺔ‪.‬‬

‫‪฀‬‬
‫‪F0‬‬

‫ﺍﳌﺨﻄﻮﻃﺔ ﲟﻔﻬﻮﻣﻬﺎ ﺍﻟﻌﺎﻡ‪ ‬ﺗﺸﻤﻞ ﻛﻞ ﻣﻜﺘﻮﺏ ﻋﻠﻴﻪ ﲞﻂﹼ ﺍﻟﻴﺪ‪ ،‬ﺳﻮﺍﺀ ﺃﻛﺎﻥ ﻣﻦ‬
‫ﺍﻷﺣﺠﺎﺭ ﺃﻡ ﻛﺎﻥ ﻣﻦ ﺍﻷﺧﺸﺎﺏ‪ ،‬ﻭﺍﳉﻠﻮﺩ‪ ،‬ﻭﺳﻌﻒ ﺍﻟﻨﺨﻴﻞ‪ ،‬ﻭﺍﻟﻮﺭﻕ‪،‬‬
‫ﻭﺍﻟﻘﻤ‪‬ﺎﺵ‪ .‬ﻭﺍﳌﺨﻄﻮﻃﺔ ﲟﻔﻬﻮﻣﻬﺎ ﺍﳋﺎﺹ‪ ‬ﻛﺘﺐ ﺃﻭ ﻛﺮ‪‬ﺍﺳﺎﺕ ﺃﻭ ﺃﻭﺭﺍﻕ ﺧﻄﹼﺖ‬
‫‪฀‬‬

‫ﺑﺎﻟﻴﺪ ﰲ ﻋﺼﺮ ﻣﺎ ﻗﺒﻞ ﺍﻟﻄﹼﺒﺎﻋﺔ ﺃﻭ ﻋﺼﺮ ﺍﻟﻄﹼﺒﺎﻋﺔ ﺑﻴﺪ ﺃ‪‬ﺎ ﱂ ﺗﻄﺒﻊ‪.‬‬
‫‪F1‬‬

‫ﻭﻛﻤﺎ ﻗﺎﻝ‬

‫‪Chambert-Loir‬‬

‫‪ Henri‬ﻭ‬

‫‪Fathurahman‬‬

‫‪ Oman‬ﰲ ﻛﺘﺎ‪‬ﻤﺎ‬

‫‪Khazanah Naskah: Panduan Koleksi Naskah-naskah Indonesia Sedunia (World‬‬

‫‪1‬‬

‫‪Haryati Soebadio, Penelitian Naskah Lama Indonesia dalam Buletin‬‬
‫‪Yaperna Vol. II No. 7, (Jakarta: Yaperna, 1975).‬‬

‫‪ ฀‬ﳏﻤﻮﺩ ﺣﺎﻣﺪ ﻋﺜﻤﺎﻥ‪ ،‬ﺍﳌﺮﺷﺪ ﺇﱃ ﲢﻘﻴﻖ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ )ﺍﻟﺮﻳﺎﺽ‪ :‬ﺩﺍﺭ ﺍﻟﺰﺍﺣﻢ‪ ،(1424 ،‬ﺹ‪.‬‬
‫‪15‬‬

‫‪1‬‬

‫‪2‬‬

‫)‪to Indonesian Manuscript Collections‬‬

‫‪ ،Guide‬ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﻛﻞ ﻧﺴﺨﺔ‬

‫ﻣﻜﺘﻮﺑﺔ ﺑﺎﻟﻴﺪ ﻗﺒﻞ ﺑﺪﺍﻳﺔ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ ﺍﳌﻴﻼﺩﻱ‪ ฀ .‬ﻭﻫﺬﺍ ﺍﻟﺘ‪‬ﻌﺮﻳﻒ ﻳﺸﻤﻞ ﻛﻞ‬
‫‪F2‬‬

‫ﻧﺺ‪ ‬ﻛﺘﺐ ﺑﺎﻟﻴﺪ ﻛﺘﺎﺑﺎ ﻛﺎﻥ ﺃﻭ ﻏﲑﻩ‪ ฀ .‬ﻭﺇﻥ ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﻛﺘﺎﺏ ﱂ ﻳﺘﻢ‪ ‬ﻃﺒﻌﻪ‬
‫‪F3‬‬

‫ﺑﻌﺪ‪ ،‬ﺃﻱ ﺃﻧﻪ ﻣﺎﺯﺍﻝ ﲞﻂﹼ ﻣﺆﻟﹼﻒ ﺃﻭ ﲞﻂﹼ ﻧﺎﺳﺦ ﻏﲑﻩ‪ .‬ﺃﺧﺬﺕ ﻋﻨﻪ ﺻﻮﺭ‬
‫‪฀‬‬

‫ﻓﻮﺗﻮﻏﺮﺍﻓﻴ‪‬ﺔ ﺃﻭ ﺃﻥ ﻳﻜﻮﻥ ﻣﺼﻮ‪‬ﺭﺍ ﺑﺎﳌﻴﻜﺮﻭﻓﻴﻠﻢ ﻋﻦ ﳐﻄﻮﻁ ﺃﺻﻠﻲ‪.‬‬
‫‪F4‬‬

‫ﻣﻦ ﺍﻵﺛﺎﺭ ﺍﳌﻬﻠﻴ‪‬ﺔ ﻫﻲ ﺍﳌﺨﻄﻮﻃﺎﺕ‪ .‬ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﻧﺘﻴﺠﺔ ﺛﻘﺎﻓﻴ‪‬ﺔ ﻣﻜﺘﻮﺑﺔ‬
‫ﻋﻠﻰ ﻭﺭﻕ ﻟﻮﻧﺘﺎﺭ )‪ ،(lontar‬ﻭﻭﺭﻕ ﻧﻴﺒﺎﻩ )‪ ،(nipah‬ﻭﺍﻟﺒ‪‬ﺮ‪‬ﺩ‪‬ﻱ‪ ، (papirus) ‬ﻭﺩﺍﻟﻮﻭﺍﻧﺞ‬
‫)‪ ،(dluwang‬ﻭﺍﻟﻘﹸﻤﺎﺵ )‪ ،(kain‬ﻭﺍﻟﻘﺮﻥ‪ ،‬ﻭﺍﻟﺴ‪‬ﺎﻡ‪ ،‬ﻭﺍﳋﻴﺰﺭﺍﻥ‪ ،‬ﻭﻭﺭﻗﺔ ﺃﻭﺭﺑﻴ‪‬ﺔ‬

‫‪(kertas‬‬

‫)‪ .Eropa‬ﺗﺘﻀﻤ‪‬ﻦ ﺍﳌﺨﻄﻮﻃﺎﺕ ﻋﺎﺩﺓ ﻣﺒﺎﺣﺚ ﻣﺘﻨﻮ‪‬ﻋﺔ ﻣﻨﻬﺎ ﺍﻟﺘ‪‬ﺎﺭﻳﺦ‪ ،‬ﻭﻓﻮﻟﻜﻠﻮﺭ‬

‫‪3‬‬

‫‪Henri Chambert-Loir dan Oman Fathurahman, Khazanah Naskah:‬‬
‫‪Panduan Koleksi Naskah-naskah Indonesia Sedunia (World Guide to‬‬
‫‪Indonesian Manuscript Collections), cet. 1 (Jakarta: Ecole francaise d’Extreme‬‬‫‪Orient dan Yayasan Obor Indonesia, 1999), h. 10.‬‬

‫‪ ฀‬ﻋﺒﺪ ﺍﳍﺎﺩﻱ ﺍﻟﻔﻀﻠﻲ‪ ،‬ﲢﻘﻴﻖ ﺍﻟﺘﺮﺍﺙ‪ ،‬ﻁ ‪) 1‬ﺟﺪﺓ‪ :‬ﻣﻜﺘﺒﺔ ﺍﻟﻌﻠﻢ‪ 1982 ،‬ﻡ(‪ ،‬ﺹ ‪34‬‬
‫‪ ฀‬ﻓﻬﻤﻲ ﺳﻌﺪ ﻭﳎﺰﻭﺏ‪ ،‬ﲢﻘﻴﻖ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺑﲔ ﺍﻟﻨﻈﺮﻳﺔ ﻭﺍﻟﺘﻄﺒﻴﻖ‪ ،‬ﻁ ‪) 1‬ﺍﻟﻘﺎﻫﺮﺓ‪ :‬ﻋﺎﱂ ﺍﻟﻜﺘﺎﺏ‪،‬‬
‫‪ 1993‬ﻡ(‪ ،‬ﺹ ‪13‬‬

‫‪3‬‬

‫)‪rakyat‬‬

‫‪ ،(folklore/cerita‬ﻭﺍﻟﻘﺼ‪‬ﺔ‪ ،‬ﻭﺍﻟﻔﻨﻮﻥ‪ ،‬ﻭﺍﻟﺜﹼﻘﺎﻓﺔ‪ ،‬ﻭﺍﻟﻌﻠﻮﻡ ﺍﻟﺪ‪‬ﻳﻨﻴ‪‬ﺔ‪ ،‬ﻭﻋﻠﻢ‬

‫ﻃﺐ‪ ‬ﺍﻟﺮﻛﹼﺔ‪ ،‬ﻭﺍﻟﻌﻠﻮﻡ ﺍﻟﺰ‪‬ﺭﺍﻋﻴ‪‬ﺔ‪ ،‬ﻭﺍﻟﻘﺎﻧﻮﻥ‪ ،‬ﻭﺍﻟﻌﺮﻑ‪.‬‬

‫‪฀‬‬
‫‪5F‬‬

‫ﻭﺟﺎﺋﺖ ﺃﳘﻴ‪‬ﺔ ﺍﳌﺨﻄﻮﻃﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻣﻦ ﺍﻟﺰ‪‬ﻭﺍﻳﺎ ﺍﳌﺘﻌﺪ‪‬ﺩﺓ‪ ،‬ﻣﻨﻬﺎ ﻋﻠﻤﻴ‪‬ﺔ‪ ،‬ﻭﻣﻨﻬﺎ‬
‫ﻓﻨﻴ‪‬ﺔ‪ ،‬ﻭﻣﻨﻬﺎ ﺗﺎﺭﳜﻴ‪‬ﺔ‪ ،‬ﻭﻟﻠﻤﺨﻄﻮﻃﺔ ﻗﻴﻤﺔ ﻛﺒﲑﺓ ﺑﲔ ﺍﻷﺷﻴﺎﺀ ﺍﻟﻨ‪‬ﻔﺴﻴ‪‬ﺔ ﻭﺍﻟﻔﺮﻳﺪﺓ ﰲ‬
‫ﺍﻟﻌﺎﱂ‪ ،‬ﻭﺗﻜﺎﺩ ﺗﻜﻮﻥ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺃﻫﻢ‪ ‬ﻛﻨﻮﺯ ﺍﻟﻌﺮﺏ‪ ،‬ﻟﻌﻨﺎﻳﺘﻬﻢ ‪‬ﺎ ﻋﻠﻰ ﺣﺴﺎﺏ‬
‫ﺍﻟﻔﻨﻮﻥ ﺍﻷﺧﺮﻯ‪ ،‬ﻣﻊ ﻭﺟﻮﺩ ﺗﻠﻚ ﺍﻟﻔﻨﻮﻥ ﺑﺼﻮﺭﺓ ﺃﺿﻴﻖ ﻣﻦ ﻭﺟﻮﺩ ﺍﳌﺨﻄﻮﻃﺎﺕ‪،‬‬
‫ﻭﻫﺬﺍ ﻣﺎ ﺑﲔ ﺳﺮ‪ ‬ﺇﻫﺘﻤﺎﻡ ﺍﻟﺒﺎﺣﺜﲔ ﺑﺎﳌﺨﻄﻮﻁ ﺍﻟﻌﺮﰊ‪ ‬ﻭﺍﻗﺘﻨﺎﺋﻪ‪ ،‬ﻭﺩﻓﻊ ﺍﳌﺒﺎﻟﻎ‬
‫‪฀‬‬

‫ﺍﻟﻜﺒﲑﺓ ﻓﻴﻪ‪.‬‬

‫‪F6‬‬

‫ﻭﻳﻮﺟﺪ ﻋﺪﺩ ﻛﺒﲑ ﻣﻦ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻹﻧﺪﻭﻧﻴﺴﻴ‪‬ﺔ ﰲ ﺍﻷﻣﻜﻨﺔ ﺍﳌﺨﺘﻠﻔﺔ ﰲ‬
‫ﺍﻟﻌﺎﱂ‪ ،‬ﻣﺜﻞ ﺍﳌﺘﺎﺣﻒ ﻭ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴﺔ ﲜﺎﻛﺮﺗﺎ‬

‫‪(Perpustakaan Nasional RI.,‬‬

‫‪6‬‬

‫‪Sinta Ridwan, Kita Ada di Masa Kini Karena Masa Lalu, artikel‬‬
‫‪diakses pada 23 Juni 2010 dari‬‬
‫_‪http://duniasintaridwan.multiply.com/journal/item/163/makalah_diskusi_naskah‬‬
‫‪kuno_dan_filologi‬‬

‫‪ ฀‬ﺇﲰﺎﻋﻴﻞ ﻣﺮﻭﻩ‪ ،‬ﰲ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﻌﺮﺑﻴﺔ‪ ،‬ﻁ ‪) 1‬ﺩﻣﺸﻖ‪ :‬ﺩﺍﺭ ﺍﻟﻔﻜﺮ‪ ،‬ﺩ‪.‬ﺕ(‪ ،‬ﺹ ‪.25‬‬

‫‪4‬‬

‫)‪ Jakarta‬ﻭ ﻣﻜﺘﺒﺔ ﺟﺎﻣﻌﺔ ﻟﻴﺪﺍﻥ )‪ (Leiden University‬ﻮﻟﻨﺪﺍ ﻭﺍﳌﻜﺘﺒﺎﺕ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ‬
‫‪฀‬‬

‫ﻓﻴﻜﺘﻮﺭﻳﺎ )‪ (Victoria‬ﰲ ﺃﺳﺘﺮﺍﻟﻴﺎ‪.‬‬

‫‪F7‬‬

‫ﻛﺎﻥ ﻋﺪﺩ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﶈﻔﻮﻇﺔ ﰲ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ﲜﺎﻛﺮﺗﺎ ‪10000‬‬
‫ﳐﻄﻮﻃﺔ ﺗﻘﺮﻳﺒﺎ‪ ฀ .‬ﻭﻛﺎﻧﺖ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺍﶈﻔﻮﻇﺔ ﻓﻴﻬﺎ ‪ 1000‬ﳐﻄﻮﻃﺔ‬
‫‪F8‬‬

‫ﺗﻘﺮﻳﺒﺎ ﺗﺘﻀﻤ‪‬ﻦ ﺍﳌﺒﺎﺣﺚ ﺍﳌﺘﻨﻮ‪‬ﻋﺔ‪ ،‬ﻣﻨﻬﺎ ﺍﻟﻘﺮﺁﻥ‪ ،‬ﻭﺍﳊﺪﻳﺚ‪ ،‬ﻭﺍﻟﺘ‪‬ﻔﺴﲑ‪ ،‬ﻭﺍﻟﺘ‪‬ﻮﺣﻴﺪ‪،‬‬
‫ﻭﺍﻟﺘ‪‬ﺼﻮﻑ‪ ،‬ﻭﺍﻟﻔﻘﻪ‪ ،‬ﻭﺍﻟﺴ‪‬ﲑﺓ ‪ ،‬ﻭﺳﲑﺓ ﺍﻷﻧﺒﻴﺎﺀ‪ ،‬ﻭﻋﻠﻢ ﺍﻟﻠﹼﻐﺔ‪ ،‬ﻭﻋﻠﻢ ﺍﻟﻨ‪‬ﺤﻮ‬
‫ﻭﺍﻟﺼ‪‬ﺮﻑ‪ ،‬ﻭﻋﻠﻢ ﺍﻟﺒﻼﻏﺔ‪ .‬ﻭﻣﻦ ﺍﳌﻬﻢ‪ ‬ﺃﻥ ﻧﻼﺣﻆ ﺃﻥ ﻫﺬﺍ ﺍﳌﺒﻠﻎ ﻻ ﻳﺸﻤﻞ‬
‫‪1T‬‬

‫ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﱵ ﳏﻔﻮﻇﺔ ﻟﺪﻯ ﺃﻓﺮﺍﺩ ﺍﻟﻨ‪‬ﺎﺱ ﺃﻭ ﺍ‪‬ﺘﻤﻊ‬

‫ﻷﻧ‪‬ﻬﺎ ﺗﻌﺘﱪ ﻟﺪﻳﻬﻢ‬

‫ﻣﻘﺪ‪‬ﺳﺔ‪.‬‬
‫‪1T‬‬

‫ﻭﺟﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ ﺃﻥﹼ ﻗﻠﹼﺔ ﺍﻝﲝﻮﺙ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ﻋﻦ ﺍﻟﻨﺼﻮﺹ ﺍﻟﺪﻳﻨﻴ‪‬ﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ‬

‫ﺗﺜﲑ ﻓﺠﻮﺓ ﺑﲔ ﻣﺼﺎﱀ ﺭﺑﻂ ﺍﳌﺎﺿﻲ ﺑﺎﳊﺎﺿﺮ ﰲ ﺣﲔ ﺃﻥ ﺩﺭﺍﺳﺔ ﺍﳌﺨﻄﻮﻃﺎﺕ‬
‫‪0T1‬‬

‫‪T1‬‬

‫‪8‬‬

‫‪Sanwani, Koleksi Naskah Kuno Perpustakaan Nasional RI, 11‬‬
‫‪September 2008 (Jakarta: PNRI, 2008), h. 5.‬‬
‫‪9‬‬

‫‪Tuti Munawar dan Nindya Noegraha, Khasanah Naskah Nusantara‬‬
‫‪dalam Tradisi Tulis Nusantara: Kumpulan Makalah Simposium Tradisi Tulis‬‬
‫‪Nusantara 4-6 Juni 1996 (Jakarta: Masyarakat Pernaskahan Nusantara, 1997), h.‬‬
‫‪39.‬‬

‫‪5‬‬

‫ﻛﺎﻧﺖ ﻣﻬﻤ‪‬ﺔ ﺟﺪﺍ ﻟﻠﻘﻴﺎﻡ ﺑﻪ ﻭﺑﺎﻟﻨ‪‬ﺴﺒﺔ ﳌﻦ ﻳﺘﻘﻦ ﺍﻟﻠﹼﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻓﺮﺻﺔ ﻭﺍﺳﻌﺔ ﻟﻠﻘﻴﺎﻡ‬
‫‪฀฀‬‬

‫ﺑﺬﻟﻚ‪.‬‬
‫‪1‬‬

‫‪T9F‬‬

‫ﺗﻌﺪ‪ ‬ﺍﳌﺨﻄﻮﻃﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺑﻨﻮﺳﻨﺘﺎﺭﺍ‬

‫‪(Nusantara) ฀฀‬‬
‫‪10F‬‬

‫ﻫﻲ ﻣﻦ ﺃﻫﻢ‪ ‬ﺍﻟﺘ‪‬ﺮﺍﺙ‬

‫ﺍﻹﺳﻼﻣﻲ‪ ‬ﺑﻨﻮﺳﻨﺘﺎﺭﺍ‪ .‬ﻭﺻﺎﺭﺕ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﳌﻜﺘﻮﺑﺔ ﺑﺎﻟﻠﹼﻐﺎﺕ ﺍﳌﺘﻨﻮ‪‬ﻋﺔ ﻣﺼﺪﺭﺍ‬
‫ﻫﺎﻣ‪‬ﺎ ﻝﻝﺩﺭﺍﺳﺎﺕ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺍﻟﱴ ﺗﺸﻤﻞ ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻟﺘﺎﺭﳜﻴ‪‬ﺔ ﻭﺍﻻﺟﺘﻤﺎﻋﻴ‪‬ﺔ‬
‫‪฀฀‬‬

‫ﻭﺍﻟﻔﻜﺮﻳ‪‬ﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ‪.‬‬

‫‪F1‬‬

‫‪1T‬‬

‫ﺇﻥﹼ ﻣﻦ ﺍﳌﺨﻄﻮﻃﺎﺕ ﻣﺎ ﻳﺘﻀﻤ‪‬ﻦ ﻋﻠﻮﻡ ﺍﻟﺘ‪‬ﺼﻮﻑ ﻭﻋﻠﻮﻡ ﺍﻟﻠﹼﻐﺔ ﻭﻣﻦ ﺍﳌﻤﻜﻦ‬

‫ﺃﻥﹼ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﻣﻦ ﺃﻛﺜﺮﻫﺎ ﺗﻀﻤ‪‬ﻨﺎ ﺑﺎﻟﻨ‪‬ﺴﺒﺔ ﻟﺴﺎﺋﺮ ﺍﳌﺨﻄﻮﻃﺎﺕ‬
‫ﺍﳌﻮﺟﻮﺩﺓ‪.‬‬

‫‪10‬‬

‫‪Nabilah Lubis, Naskah, Teks, dan Metode Penelitian Filologi, cet. 4‬‬
‫‪(Jakarta: Puslitbang Lektur Keagamaan, Badan Litbang dan Diklat, Departemen‬‬
‫‪Agama RI., 2007), h. 3-5.‬‬

‫˺˺ ﺍﻵﻥ ﺍﳌﺬﻛﻮﺭ ﺑﺂﺳﻴﺎ ﺍﳉﻨﻮﺑﻴﺔ ﺍﻟﺸﺮﻗﻴﺔ )‪.(Asia Tenggara‬‬
‫‪12‬‬

‫‪Azyumardi Azra, Naskah Islam Nusantara, artikel diakses pada 17 Juli‬‬
‫‪2010 dari http://www.uinjkt.ac.id/index.php/section-blog/28-artikel/1553-naskah‬‬‫‪islam-indonesia.html‬‬

‫‪6‬‬

‫‪1T‬‬

‫ﺗﺄﺳ‪‬ﺴﺖ ﺩﺭﺍﺳﺔ ﺍﻟﺘ‪‬ﺼﻮﻑ ﻋﻠﻰ ﺗﺮﻛﻴﺰ ﺍﳊﻴﺎﺓ ﺍﻟﺮﻭﺣﻴ‪‬ﺔ ﻭﻳﺘﻘﺮﺏ ﺍﻟﻨ‪‬ﺎﺱ ﺇﱃ‬

‫ﺍﷲ ﺑﻮﺳﺎﺋﻞ ﳐﺘﻠﻔﺔ ﻛﺘﺰﻛﻴ‪‬ﺔ ﺍﻟﻨ‪‬ﻔﻮﺱ ﻭﺍﻟﻌﺒﺎﺩﺓ ﻭﺫﻛﺮ ﺍﷲ ﻭﻏﲑﻫﺎ ﻣﻦ ﺍﻷﻋﻤﺎﻝ‬
‫ﺍﻟﺮﻭﺣﻴ‪‬ﺔ‪ ฀฀.‬ﻭﻣﻦ ﺍﳌﻌﺮﻭﻑ ﺃﻥ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ ﺟﻠﻴﻞ ﺍﻟﻘﺪﺭ‪ ،‬ﻋﻈﻴﻢ ﺍﻟﻨ‪‬ﻔﻊ‪ ،‬ﻭﻛﺎﻧﺖ‬
‫‪T12F1‬‬

‫‪1T‬‬

‫ﺃﻧﻮﺍﺭﻩ ﻻﻣﻌﺔ‪ ،‬ﻭﲦﺎﺭﻩ ﻳﺎﻧﻌﺔ‪ ،‬ﻓﻬﻮ ﻳﺰﻛﻲ ﺍﻟﻨ‪‬ﻔﺲ ﻣﻦ ﺍﻟﺪ‪‬ﻧﺲ‪ ،‬ﻭﻳﻄﻬﺮ ﺍﻷﻧﻔﺎﺱ ﻣﻦ‬
‫ﺍﻷﺭﺟﺎﺱ‪ ،‬ﻭﻳﻮﺻﻞ ﺍﻹﻧﺴﺎﻥ ﺇﱃ ﻣﺮﺿﺎﺓ ﺍﻟﺮ‪‬ﲪﻦ‪ ،‬ﻭﺧﻼﺻﺘﻪ ﺍﺗﺒﺎﻉ ﺷﺮﻉ ﺍﷲ‪،‬‬
‫ﻭﺗﺴﻠﻴﻢ ﺍﻷﻣﻮﺭ ﻛﻠﹼﻬﺎ ﷲ‪ ،‬ﻭﺍﻻﻟﺘﺠﺎﺀ ﰲ ﻛﻞﹼ ﺍﻟﺸ‪‬ﺆﻭﻥ ﺇﻟﻴﻪ ﻣﻊ ﺍﻟﺮ‪‬ﺿﻰ ﺑﺎﳌﻘﺪﺭ‪،‬‬
‫‪฀฀‬‬

‫ﻣﻦ ﻏﲑ ﺇﳘﺎﻝ ﰲ ﻭﺍﺟﺐ ﻭﻻ ﻣﻘﺎﺭﺑﺔ ﶈﻈﻮﺭ‪.‬‬
‫‪T13F1‬‬

‫‪1T‬‬

‫ﻭﻣﻦ ﺍﳌﺨﻄﻮﻃﺎﺕ ﺍﻟﱵ ﺗﺘﻀﻤ‪‬ﻦ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ ﻫﻲ ﺍﳌﺨﻄﻮﻃﺔ ﺑﻌﻨﻮﺍﻥ "ﺑﻴﺎﻥ‬

‫ﺍﻷﻟﻒ"‪ .‬ﻭﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻫﻲ ﺁﺧﺮ ﳎﻤﻮﻋﺔ ﻭﺍﺭﺩﺓ ﰲ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ﺑﺞﺍﻛﺮﺗﺎ‬
‫‪1T‬‬

‫ﺑﺮﻗﻢ‬

‫)‪228 I‬‬

‫‪ .(NB.‬ﻛﺘﺒﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﺑﺎﻟﻠﹼﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‪.‬‬
‫‪1T‬‬

‫‪1T‬‬

‫ﻭﻫﺬﻩ ﺍﳌﺨﻄﻮﻁﺓ‬

‫ﺗﻚﺷﻒ ﻋﻦ ﺍﳌﻌﲎ ﺍﻟﻔﻠﺴﻔﻲ‪ ‬ﳊﺮﻑ ﺍﻷﻟﻒ ﻋﻨﺪ ﺍﻟﺼﻮﻓﻴ‪‬ﺔ‪.‬‬

‫‪dan‬‬

‫‪Pemikiran,‬‬

‫‪13‬‬

‫‪M. Jamil, Cakrawala Tasawuf, Sejarah,‬‬
‫‪Kontekstualitas (Jakarta: Gaung Persada, 2004), h. 10.‬‬

‫‪ ฀฀‬ﺯﻛﻲ ﻣﺒﺎﺭﻙ‪ ،‬ﺍﻟﺘﺼﻮﻑ ﺍﻹﺳﻼﻣﻲ ﰲ ﺍﻷﺩﺏ ﻭﺍﻷﺧﻼﻕ )ﺍﻟﻘﺎﻫﺮﺓ‪ :‬ﻣﻜﺘﺒﺔ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﺪﻳﻨﻴﺔ‪2004 ،‬‬
‫ﻡ(‪ ،‬ﺹ‪.33-19 .‬‬

‫‪7‬‬

‫‌ﺏ‪ .‬ﲢﺪﻳﺪ ﺍﻟﺒﺤﺚ‬
‫ﺇﻥ ﺍﳌﻮﺿﻮﻉ ﺍﻟﺬﻱ ﺳﻮﻑ ﺃﲝﺚ ﻫﻮ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ‪ :‬ﺩﺭﺍﺳﺔ ﲢﻘﻴﻘﻴ‪‬ﺔ" ﻭﻫﺬﺍ‬
‫ﺍﻟﺒﺤﺚ ﻭﺍﺳﻊ ﺍﻟﻨ‪‬ﻄﺎﻕ ﺣﱴ ﻻ ﻳﺴﻬﻞ ﱄ ﺃﻥ ﺃﲝﺚ ﻓﻴﻪ ﺩﻓﻌﺔ ﻭﺍﺣﺪﺓ ﰲ ﻣﺪ‪‬ﺓ‬
‫ﻗﺼﲑﺓ ﻣﻊ ﺍﻟﻄﹼﺎﻗﺔ ﺍﶈﺪﻭﺩﺓ‪.‬‬
‫ﺇﻥ ﺍﳌﺨﻄﻮﻃﺔ ﺑﻌﻨﻮﺍﻥ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺣﻴﺪﺓ‪ ،‬ﻭﻟﺬﻟﻚ ﲢﺘﺎﺝ ﺇﱃ ﺩﻗﹼﺔ‬
‫ﻭﺍﺣﺘﻴﺎﻁ‪ .‬ﻭﳍﺬﺍ‪ ،‬ﻓﺎﳌﺸﻜﻠﺔ ﺍﻟﺮ‪‬ﺋﻴﺴﻴ‪‬ﺔ ﺍﻷﻭﱃ ﰲ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻫﻲ ﲢﻘﻴﻖ ﻧﺺ‪‬‬
‫"ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺗﻘﺪﳝﻪ‪ .‬ﻭﺃﻣﺎ ﺍﳌﺸﻜﻠﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻓﻬﻲ ﺍﻟﻜﺸﻒ ﻋﻦ ﺍﻷﻓﻜﺎﺭ ﺍﳍﺎﻣ‪‬ﺔ‬
‫ﺍﻟﻮﺍﺭﺩﺓ ﰲ ﻧﺺ‪" ‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ"‪.‬‬
‫‌ﺝ‪ .‬ﺍﻟﻐﺮﺽ ﻣﻦ ﺍﻟﺒﺤﺚ‬
‫ﺑﻨﺎﺀ ﻋﻠﻰ ﺍﳌﺸﻜﻼﺕ ﺍﻟﺴﺎﺑﻘﺔ‪ ،‬ﻛﺎﻥ ﺍﻟﻐﺮﺽ ﻣﻦ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻓﻴﻤﺎ ﻳﻠﻲ‪:‬‬
‫‪ .1‬ﲢﻘﻴﻖ ﻧﺺ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺗﻘﺪﳝﻪ ﻣﻊ ﺍﻟﺘ‪‬ﺮﲨﺔ ﺇﱃ ﺍﻟﻠﹼﻐﺔ ﺍﻹﻧﺪﻭﻧﻴﺴﻴ‪‬ﺔ ﻛﻲ‬
‫ﺗﻌﻢ‪ ‬ﺍﻟﻔﺎﺋﺪﺓ‪.‬‬
‫‪ .2‬ﻣﻌﺮﻓﺔ ﺃﻫﻢ‪ ‬ﺍﻷﻓﻜﺎﺭ ﺍﻟﻮﺭﺍﺩﺓ ﰲ ﺍﻟﻨ‪‬ﺺ‪.‬‬

‫‪8‬‬

‫‌ﺩ‪ .‬ﻣﻨﻬﺞ ﺍﻟﺒﺤﺚ‬
‫ﻛﺎﻧﺖ ﺍﳌﺨﻄﻮﻃﺔ ﺑﻌﻨﻮﺍﻥ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺣﻴﺪﺓ‪ ،‬ﻭﻟﺬﻟﻚ ﺃﺳﺘﺨﺪﻡ ﻣﻨﻬﺞ‬
‫ﺍﻟﺘ‪‬ﺤﻘﻴﻖ ﺍﻟﻨ‪‬ﻘﺪﻱ‪ .‬ﻭﺫﻟﻚ ﺑﺈﺧﺮﺍﺝ ﺍﻟﻨ‪‬ﺺ‪ ‬ﻣﻊ ﺇﺟﺎﺩﺓ ﺍﻟﻘﺮﺍﺀﺓ ﻋﻦ ﺗﺪﺑ‪‬ﺮ ﻭﺣﺴﻦ‬
‫ﻓﻬﻢ‪ ،‬ﻭﺗﺼﺤﻴﺢ ﻣﺎ ﻓﻴﻬﺎ ﻣﻦ ﺍﻷﺧﻄﺎﺀ ﻭﺃﻭﺭﺩﺕ ﺫﻟﻚ ﰲ ﻫﻮﺍﻣﺶ‪ .‬ﻭﺇﱃ ﺟﺎﻧﺐ‬
‫ﺺ ﻣﻦ ﺍﻵﻳﺎﺕ ﺍﻟﻘﺮﺁﻧﻴ‪‬ﺔ ﻭﺍﻷﺣﺎﺩﻳﺚ‬
‫ﺫﻟﻚ‪ ،‬ﺃﺣﺎﻭﻝ ﺃﻥ ﺃﺧﺮﺝ ﻛﻞ ﻣﺎ ﻭﺭﺩ ﰲ ﺍﻟﻨ‪ ‬‬
‫‪฀฀‬‬

‫ﺍﻟﻨﺒﻮﻳ‪‬ﺔ ﻭﺃﻋﺮﻑ ﺑﺎﻷﺷﺨﺎﺹ ﺍﳌﺬﻛﻮﺭﻳﻦ ﻓﻴﻪ‪.‬‬
‫‪F14‬‬

‫ﻭﺍﳋﻄﻮﺍﺕ ﺍﳌﻨﻬﺠﻴ‪‬ﺔ ﺍﻟﱴ ﺍﺗﺒﻌﺘﻬﺎ ﰱ ﺍﻟﺘﺤﻘﻴﻖ ﻣﺎ ﻳﻠﻰ‪:‬‬
‫‪ .1‬ﺗﻨﻈﻴﻢ ﺍﻟﻔﻘﺎﺭ ﻟﺘﻴﺴﲑ ﺍﻟﻔﻬﻢ‪.‬‬
‫‪ .2‬ﻭﺍﻟﻌﻨﺎﻳﺔ ﺑﻌﻼﻣﺎﺕ ﺍﻟﺘ‪‬ﺮﻗﻴﻢ ﻭﲣﺮﻳﺞ ﺍﻵﻳﺎﺕ ﺍﻟﻘﺮﺁﻧﻴ‪‬ﺔ ﺍﻟﻜﺮﳝﺔ ﻣﻊ ﺍﻹﺷﺎﺭﺓ‬
‫ﺇﱃ ﺍﺳﻢ ﺍﻟﺴ‪‬ﻮﺭﺓ ﻭﺭﻗﻢ ﺍﻵﻳﺔ ﻓﻴﻬﺎ ﻭﻭﺿﻌﻬﺎ ﺑﲔ ﺍﻟﻘﻮﺳﲔ ﺍﳌﺰﻫﺮﺓ ﴿ ﴾‬
‫ﻭﺍﻟﻘﻮﺳﲔ ﻟﻠﺤﺪﻳﺚ } {‪.‬‬

‫‪15‬‬

‫‪Edward Djamaris, Metode Penelitian Filologi (Jakarta: Pusat‬‬
‫‪Pengembangan, Pembinaan, dan Pengembangan Bahasa, 1991), h. 15.‬‬

‫‪9‬‬

‫ﻭﺃﻣ‪‬ﺎ ﻃﺮﻳﻘﺔ ﺍﻟﻜﺘﺎﺑﺔ ﰲ ﻫﺬﺍ ﺍﻟﺒﺤﺚ ﻓﺎﻋﺘﻤﺪﺕ‪ ‬ﻋﻠﻰ ﺍﻟﻄﹼﺮﻳﻘﺔ ﺍﳌﻘﺮ‪‬ﺭﺓ ﰲ‬
‫ﺩﻟﻴﻞ ﻛﺘﺎﺑﺔ ﺍﻟﺒﺤﻮﺙ ﺍﻟﱵ ﺃﺻﺪﺭﻫﺎ ﻗﺴﻢ ﺍﻟﻠﹼﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺁﺩﺍ‪‬ﺎ ﺑﻜﻠﻴ‪‬ﺔ ﺍﻵﺩﺍﺏ‬
‫ﻭﺍﻟﻌﻠﻮﻡ ﺍﻹﻧﺴﺎﻧﻴ‪‬ﺔ ﲜﺎﻣﻌﺔ ﺷﺮﻳﻒ ﻫﺪﺍﻳﺔ ﺍﷲ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﺍﳊﻜﻮﻣﻴ‪‬ﺔ ﲜﺎﻛﺮﺗﺎ‬
‫‪.2007‬‬
‫‪Pedoman Penulisan Skripsi Bahasa dan Sastra Arab (Jakarta: Fakultas Adab dan‬‬
‫‪Humaniora UIN Syarif Hidayatullah Jakarta, 2007).‬‬

‫‌ﻩ‪ .‬ﺧﻄﹼﺔ ﺍﻟﺒﺤﺚ‬
‫ﺗﺴﻬﻴﻼ ﻟﻜﺘﺎﺑﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺚ‪ ،‬ﻗﺴﻤﺖ ﺇﱃ ﺍﻷﻣﻮﺭ ﺍﻷﺗﻴﺔ‪:‬‬
‫ﺍﻟﺒﺎﺏ ﺍﻷﻭ‪‬ﻝ‬

‫‪:‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﱐ‬

‫‪:‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﻟﺚ‬

‫‪:‬‬

‫ﻣﻘﺪﻣ‪‬ﺔ ﻭﺗﺸﺘﻤﻞ ﻋﻠﻰ ﺧﻠﻔﻴ‪‬ﺔ ﺍﳌﺸﻜﻠﺔ‪ ،‬ﻭﲢﺪﻳﺪ‬
‫ﺍﳌﺸﻜﻠﺔ‪ ،‬ﻭﺍﻟﻐﺮﺽ ﻣﻦ ﺍﻟﺒﺤﺚ‪ ،‬ﻭﻣﻨﻬﺞ ﺍﻟﺒﺤﺚ‪،‬‬
‫ﻭﺧﻄﹼﺔ ﺍﻟﺒﺤﺚ‪.‬‬
‫ﳐﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺗﺸﺘﻤﻞ ﻋﻠﻰ ﻭﺻﻒ‬
‫ﺍﳌﺨﻄﻮﻃﺔ ﻭﳏﺘﻮﻳﺎﺕ ﺍﳌﺨﻄﻮﻃﺔ‪.‬‬
‫ﺍﻟﻨ‪‬ﺺ‪ ‬ﻣﻊ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ ﻭﺗﺸﺘﻤﻞ ﻋﻠﻰ ﺇﺷﺎﺭﺍﺕ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ‬

‫‪10‬‬

‫ﻟﻨﻘﺪﻱ ﻭﻧﺺ‪" ‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﺍﻟﺘ‪‬ﺮﲨﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ ﺍﳌﻌﻠﹼﻘﺔ ﰲ‬
‫ﺍﻟﻨ‪‬ﺺ‪ ‬ﻭﺍﻟﺘ‪‬ﺮﲨﺔ ﺍﻹﻧﺪﻭﻧﺴﻴ‪‬ﺔ ﻟﻠﻨ‪‬ﺺ‪.‬‬
‫ﺍﻟﺒﺎﺏ ﺍﻟﺮﺍﺑﻊ‬

‫‪:‬‬

‫ﺍﻟﺒﺎﺏ ﺍﳋﺎﻣﺲ ‪:‬‬

‫ﺍﻷﻓﻜﺎﺭ ﺍﻟﺮﺋﻴﺴﻴ‪‬ﺔ ﺍﻟﻮﺍﺭﺩﺓ ﰲ ﺍﻟﻨ‪‬ﺺ‪.‬‬
‫ﺧﺎﲤﺔ ﻭﺗﺸﺘﻤﻞ ﻋﻠﻰ ﻧﺘﺎﺋﺞ ﺍﻟﺒﺤﺚ ﻭﺍﻻﻗﺘﺮﺣﺎﺕ ﻭﺗﻠﻴﻬﺎ‬
‫ﻣﺮﺍﺟﻊ ﺍﻟﺒﺤﺚ ﻭﺍﻟﻠﹼﻮﺍﺣﻖ‪.‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﱐ‬
‫ﳐﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ"‬

‫ﺃ‌‪ .‬ﻭﺻﻒ ﺍﳌﺨﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ"‬
‫ﻭﺟﺪﺕ ﺍﳌﺨﻄﻮﻃﺔ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﰲ ﳎﻤﻮﻋﺔ ﺍﳌﺨﻄﻮﻃﺔ ﺍﳊﺪﻳﺜﺔ ﻟﻠﻤﻜﺘﺒﺔ‬
‫ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ﲜﺎﻛﺮﺗﺎ )‪ (Perpustakaan Nasional RI., Jakarta‬ﺑﺮﻗﻢ )‪ .(NB. 228 I‬ﻭﻛﺎﻧﺖ‬
‫ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻭﺣﻴﺪﺓ‪ .‬ﻗﺪ ﺍﺳﺘ‪‬ﻌﺮﹺﺿﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﰲ ﻭﺟﻮﻩ ﺍﳌﺎﺩﻳﺔ ﻋﺎﻡ‬
‫‪ 2009‬ﻡ ﻭﳍﺎ ﺭﻗﻢ ﺍﻹﺳﺘﻌﺮﺍﺿﻴ‪‬ﺔ )‪.(Tas/03/PNRI/2009‬‬
‫ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻣﻜﺘﻮﺑﺔ ﻋﻠﻰ ﻭﺭﻗﺔ ﺩﺍﻟﻮﻭﺍﻧﺞ‬

‫)‪ .(Dluwang‬ﺃﻣﺎ ﻣﻘﺎﺱ‬

‫ﺍﻟﻮﺭﻗﺔ ﻓﻬﻮ ‪ 28‬ﺱ‪.‬ﻡ‪ 21,5 × .‬ﺱ‪.‬ﻡ‪ ،.‬ﻭ ‪ 18‬ﺱ‪.‬ﻡ‪ 12,2 × .‬ﺱ‪.‬ﻡ‪.‬‬
‫ﳌﻘﺎﺱ ﺍﻟﻨ‪‬ﺺ‪ .‬ﻭﺗﻘﻊ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﰲ ﲬﺴﺔ ﻭﺭﻗﺔ ﻭ ﲦﺎﻧﻴﺔ ﺻﻔﺤﺎﺕ ﻭﺗﺴﻊ‬
‫ﺻﻔﻮﻑ ﰲ ﻛﻞﹼ ﺻﻔﺤﺔ‪.‬‬

‫‪11‬‬

‫‪12‬‬

‫ﻛﺘﺒﺖ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﺑﺎﻟﻠﹼﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺑﺎﳊﺮﻭﻑ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺑﺎﳋﻂﹼ ﺍﻟﻨﺴﺨﻲ‪‬‬
‫ﻭﻛﺘﺒﻬﺎ ﺑﺎﻟﻘﻠﻢ ﺍﻟﺜﹼﺨﲔ ﻭﺍﳊﱪ ﺍﻷﺳﻮﺩ ﻛﻠﹼﻬﺎ‪ .‬ﻭﻻ ﻳﻮﺟﺪ ﰲ ﺻﺪﺭ ﺍﳌﺨﻄﻮﻃﺔ‬
‫ﻋﻼﻣﺔ ﺧﺎﺻ‪‬ﺔ‪ ،‬ﻣﺜﻞ ﺍﻟﺮ‪‬ﺳﻮﻡ ﺍﻟﺘ‪‬ﻮﺿﻴﺤﻴ‪‬ﺔ‬

‫)‪ ،(Illustrasi‬ﻭﺍﻟﺘ‪‬ﻌﻘﻴﺒﺎﺕ‬

‫)‪ ،(Alihan/Catchwords‬ﻭﺍﻹﺿﺎﺀﺍﺓ )‪ ،(Illuminasi‬ﻭﺍﻟﺘ‪‬ﻌﻠﻴﻘﺎﺕ )‪ .(Scholia‬ﺭﻗﹼﻤﻬﺎ‬
‫ﻣﻮﻇﻒ ﺍﳌﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ﰲ ﻛﻞﹼ ﺻﻔﺤﺔ ﻣﻦ ﺻﻔﺤﺎﺕ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻣﻜﺘﻮﺑﺔ‬
‫ﺑﺎﻟﻘﻠﻢ ﺍﻟﺮ‪‬ﺻﺎﺹ ﰲ ﺃﻋﻠﻰ ﺍﻟﻴﻤﲔ ﻛﻞ ﺻﻔﺤﺔ ﻓﺮﺩﻳ‪‬ﺔ‪.‬‬
‫ﻭﺗﻮﺟﺪ ﰲ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﺍﻟﺘ‪‬ﺮﲨﺔ ﺍﳌﻌﻠﹼﻘﺔ ﺍﳌﻜﺘﻮﺑﺔ ﺑﺎﻟﻠﹼﻐﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ‬
‫ﻭﺍﳊﺮﻭﻑ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺍﳌﻬﻠﻴ‪‬ﺔ ‪ .(Jawa Pegon)฀‬ﻭﰲ ‪‬ﺎﻳﺔ ﺍﳌﺨﻄﻮﻃﺔ ﻳﻮﺟﺪ ﻛﻮﻟﻮﻓﻮﻥ‬
‫‪P‬‬

‫‪P0F‬‬

‫)‪ ،(Kolofon‬ﻳﺬﻛﺮ ﻓﻴﻬﺎ ﻋﻨﻮﺍﻥ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻓﻘﻂ ﻭﻫﻮ "ﺑﻴﺎﻥ ﺍﻷﻟﻒ"‪ .‬ﻭﻟﻴﺲ‬
‫ﻓﻴﻬﺎ ﺍﺳﻢ ﺍﳌﺆﻟﹼﻒ‪ ،‬ﻭﻻ ﺍﺳﻢ ﺍﻟﻨ‪‬ﺎﺳﺦ‪ ،‬ﻭﻻ ﺗﺎﺭﻳﺦ ﺍﻟﻜﺘﺎﺑﺔ‪ ،‬ﻭﻻ ﻣﻜﺎﻥ ﺍﻟﻜﺘﺎﺑﺔ‪.‬‬
‫ﻭﰲ ﺃﻭ‪‬ﻝ ﺍﻟﻜﺘﺎﺏ ﺑﺪﺃ ﺍﳌﺆﻟﹼﻒ ﺑـ‪:‬‬
‫‪ ฀‬ﺍﳊﺮﻭﻑ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺍﳌﻬﻠﹼﻴ‪‬ﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ )‪ (Jawa Pegon‬ﻫﻲ ﺍﻟﺘﻌﺒﲑ ﺍﻟﺬﻱ ﺃﻭﺭﺩﻩ ﺍﳉﺎﻭﻳ‪‬ﻮﻥ ﻟﻠﺬﹼﻛﺮ ﺍﳊﺮﻭﻑ‬
‫ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺑﺎﻟﻠﹼﻐﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ )‪ .(Bahasa Jawa‬ﻫﺬﻩ ﺍﳊﺮﻭﻑ ﻟﻴﺲ ﻳﺴﺘﺨﺪﻣﻪ ﺑﺎﻟﻠﹼﻐﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ ﻓﻘﻂ ﻟﻜﻦ ﻗﺪ ﺍﺳﺘﺨﺪﻣﻪ ﺃﻳﻀﺎ‬
‫ﺑﺎﻟﻠﹼﻐﺔ ﺍﻟﺴﻮﻧﺪﺍﻭﻳ‪‬ﺔ )‪ (Bahasa Sunda‬ﰲ ﺟﺎﻭﺍ ﺍﻟﻐﺮﺑﻴ‪‬ﺔ )‪ (Jawa Barat‬ﻭﺍﻟﻠﹼﻐﺔ ﺍﻟﺒﻮﺟﻴﺴﻴ‪‬ﺔ )‪ (Bahasa Bugis‬ﰲ‬
‫ﺳﻮﻻﻭﻳﺴﻲ‪ (Sulawesi) ‬ﻭﺑﺎﻟﻠﹼﻐﺔ ﺍﳉﺎﻭﻳ‪‬ﺔ ﺍﳌﻼﻭﻳ‪‬ﺔ )‪ (Bahasa Melayu‬ﰲ ﺳﻮﻣﻄﺮﺍ )‪ .(Sumatera‬ﻭﻟﺬﻟﻚ ﻓﺼﺎﺭﺕ‬
‫ﻫﺬﻩ ﺍﳊﺮﻭﻑ ﻛﺘﺎﺑﺔ ﺍﳌﻜﺘﻮﺑﺔ ﺑﺎﳊﺮﻭﻑ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺑﺎﻟﻠﹼﻐﺔ ﺍﳌﻬﻠﹼﻴ‪‬ﺔ‪ .‬ﺃﻧﻈﺮ‪Tafsiyatun Rohanah, Pembelajaran :‬‬
‫‪Kitab Kuning dengan Arab Pegon, (Skripsi S1 Jurusan Pendidikan Bahasa Arab Fakultas‬‬

‫‪.Tarbiyah Universitas Islam Negeri Yogyakarta, 2005), h. 1.‬‬

‫‪13‬‬

‫"ﺑﺴﻢ ﺍﷲ ﺍﻟﺮ‪‬ﲪﻦ ﺍﻟﺮ‪‬ﺣﻴﻢ‪ .‬ﺇﻋﻠﻢ ﺃﻥﹼ ﺑﻴﺎﻥ ﺍﻷﻟﻒ ﻭﻣﻌﲎ ﺍﻷﻟﻒ‬
‫ﻭﺃﺻﻞ ﺍﻷﻟﻒ ﻭﻫﻲ ﺍﻟﻨ‪‬ﻘﻂ ﻭﻣﻌﲎ ﺍﻟﻨ‪‬ﻘﻂ ﻭﻫﻲ ﺗﺬﺭ‪‬ﺓ ﻭﻣﻌﲎ ﺍﻟﺬﺭ‪‬ﺓ ﻭﻫﻲ‬
‫ﺍﻟﺮ‪‬ﻭﺡ ﺍﳋﻔﻲ‪ ‬ﻭﻣﻌﲎ ﺍﻟﺮ‪‬ﻭﺡ ﺍﳋﻔﻲ‪ ‬ﻭﻫﻲ ﺍﻟﺴﺮ‪ ‬ﺍﳋﻔﻲ‪ ‬ﻟﻘﻮﻟﻪ ﺗﻌﺎﱃ‬
‫}ﺍﻹﻧﺴﺎﻥ ﺳﺮ‪‬ﻱ ﻭﺃﻧﺎ ﺳﺮ‪‬ﻩ{‪"...‬‬
‫ﻭﺟﺎﺀ ﰲ ﺁﺧﺮﻩ‪:‬‬
‫"‪...‬ﻭﺍﻟﻜﻠﻤﺔ ﺍﻟﺜﹼﺎﻟﺜﹼﺔ ﺭﺯﻕ ﻳﻌﲎ ﻳﻜﺘﺐ ﺃﻧ‪‬ﻪ ﻗﻠﻴﻞ ﺭﺯﻕ ﺃﻭ ﻛﺜﲑ‬
‫ﺭﺯﻕ‪ ،‬ﻭﺃﻧ‪‬ﻪ ﳛﺼﻞ ﻳﻮﻡ ﻛﺬﺍ ﻣﻦ ﺍﻟﺮ‪‬ﺯﻕ‪ .‬ﻭﺍﻟﻜﻠﻤﺔ ﺍﻟﺮ‪‬ﺍﺑﻌﺔ ﺷﻘﺎﻭﺗﻪ ﺇﻥ ﻛﺎﻥ‬
‫ﺷﻘﻴ‪‬ﺎ‪ ،‬ﻭﺳﻌﻴﺪﺗﻪ ﺇﻥ ﻛﺎﻥ ﺳﻌﻴﺪﺍ‪ .‬ﰒﹼ ﺑﻌﺪ ﺫﺍﻟﻚ ﻳﻨﻔﺦ ﻓﻴﻪ ﺍﻟﺮﻭﺡ‪ .‬ﲤﹼﺖ‬
‫ﻛﺘﺎﺏ ﺑﻴﺎﻥ ﺍﻷﻝﻑ ﺑﺎﻟﺼ‪‬ﻮﺍﺏ‪".‬‬
‫ﻭﺃﻣﺎ ﺣﺎﻟﺔ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ ﻛﻠﹼﻬﺎ ﻓﺼﺤﻴﺤﺔ ﻭﻛﺘﺎﺑﺘﻬﺎ ﻣﺮﻗﻮﻣﺔ‪ .‬ﻭﺟﻠ‪ّ‬ﺪﺕ‪‬‬
‫ﺍﳌﺨﻄﻮﻃﺔ ﺑﺎﻟﻐﻄﺎﺀ ﺍﻟﺜﹼﺎﺑﺖ )‪ (hard cover‬ﺍﻷﲰﺮ‪ .‬ﻭﺣﻔﻈﻬﺎ ﺍﳌﻮﻇﹼﻒ ﺑﺎﻟﺘ‪‬ﺼﻔﻴﺢ‬
‫)‪ (Laminasi‬ﺣﱴ‪ ‬ﻳﺴﺘﻮﻯ ﻣﻘﺎﺱ ﻭﺭﻗﺔ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ‪ .‬ﻭﺗﻮﺟﺪ ﻫﺬﻩ ﺍﳌﺨﻄﻮﻃﺔ‬
‫ﰲ ﺍ‪‬ﻤﻮﻋﺎﺕ ﺑﺮﻗﻢ )‪ (NB. 228‬ﻭﻳﻘﻊ ﻧﺺ‪" ‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﰲ ﺻﻔﺤﺔ ‪ 277‬ﺇﱃ‬
‫‪.284‬‬

‫‪14‬‬

‫ﺏ‪ .‬ﳏﺘﻮﻳﺎﺕ ﺍﳌﺨﻄﻮﻃﺔ‬
‫‌‬

‫‪0T‬‬

‫"ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻫﻮ ﺃﺣﺪ ﺍﻟﻨ‪‬ﺼﻮﺹ ﺍﻟﱵ ﺗﺘﻀﻤ‪‬ﻦ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ‪ .‬ﻭﺗﺮﺗﻜﺰ ﻣﺒﺎﺣﺜﻪ‬

‫ﻋﻠﻰ ﺳﺘ‪‬ﺔ ﺃﺷﻴﺎﺀ ﻭﻫﻲ‪:‬‬
‫‪ .1‬ﻣﻔﻬﻮﻡ ﺍﻟﺘ‪‬ﺠﻠﹼﻲ ﻭﺭﺍﺀ ﺣﺮﻑ ﺍﻷﻟﻒ‪.‬‬
‫‪ .2‬ﺍﳌﻌﲎ ﺍﻟﻠﻔﻈﻲ‪ ‬ﻟﻠﻔﻆ ﺍﳉﻼﻟﺔ‪.‬‬
‫‪ .3‬ﲨﺎﻝ ﺍﻟﻘﺮﺁﻥ‪.‬‬
‫‪ .4‬ﺍﳌﺨﻠﻮﻗﺎﺕ ﺍﻷﻭ‪‬ﻟﻴ‪‬ﺔ‪.‬‬
‫‪ .5‬ﻗﻀﻴ‪‬ﺔ ﺧﻠﻖ ﺍﻟﺒﺸﺮ‪.‬‬
‫‪ .6‬ﻗﻀﻴ‪‬ﺔ ﺍﳋﲑ ﻭﺍﻟﺸ‪‬ﺮ‪.‬‬

‫ﺍﻟﺒﺎﺏ ﺍﻟﺜﹼﺎﻟﺚ‬
‫ﲢﻘﻴﻖ ﺍﻟﻨ‪‬ﺺ‪ ‬ﻭﺗﻘﺪﳝﻪ‬

‫‌ﺃ‪ .‬ﺇﺷﺎﺭﺍﺕ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ ﺍﻟﻨ‪‬ﻘﺪﻱ‪‬‬
‫ﻗﺒﻞ ﺃﻥ ﺃﺗﻌﺮ‪‬ﺽ ﻟﺘﺤﻘﻴﻖ ﻧﺺ‪" ‬ﺑﻴﺎﻥ ﺍﻷﻟﻒ" ﻭﺗﻘﺪﳝﻪ‪ ،‬ﺃﺭﻳﺪ ﺃﻥ ﺃﺳﺠﻞ‬
‫ﺇﺷﺎﺭﺍﺕ ﺍﻟﺘﺤﻘﻴﻖ ﺍﻟﻨﻘﺪﻱ‪ ‬ﻛﻤﺎ ﻳﻠﻲ‪:‬‬
‫‪.1‬‬

‫>‬

‫< ‪ :‬ﺯﻳﺎﺩﺓ ﻣﻦ ﻋﻨﺪ ﺍﻟﺒﺎﺣﺚ‪،‬‬

‫‪.2‬‬

‫]‬

‫[ ‪ :‬ﻣﻮﺟﻮﺩ ﰲ ﺍﻷﺻﻞ ﻭﺃﻗﺘﺮﺡ ﺣﺬﻓﻪ‪،‬‬

‫‪ / / .3‬ﻭﺑﺪﺍﺧﻠﺔ ﺭﻗﻢ‪ :‬ﺭﻗﻢ ﺍﳌﺨﻄﻮﻃﺔ ﺍﻷﺻﻠﻴ‪‬ﺔ‪،‬‬
‫‪ .4‬ﻥ‪ :‬ﺍﳌﺨﻄﻮﻁ ﺍﻷﺻﻠﻲ‪ ‬ﰲ ﺍﻟﻨ‪‬ﺺ‪،‬‬
‫‪ : + .5‬ﺍﳍﻮﺍﻣﺶ ﺃﻭ ﺍﻟﺘ‪‬ﻌﻠﻴﻘﺎﺕ ﺍﳌﻮﺟﻮﺩﺓ ﰲ ﺍﳌﺨﻄﻮﻁ‪.‬‬

‫‪15‬‬

‫‪16‬‬

‫‌ﺏ‪ .‬