ART Agastya Rama Listya A Musical analysis Abstrak
tssN lg79-85,47
Junnnl llunn Senr Mustx
VoLunrEl,No. l -JArqu^A,Rr2OOg
DITEnSITKAN oLEH
Pnoanana SruDr SENI Musrx
EEXUITAS SEXI PERTUNJUKAN
Ur.rryenslns KnrsreN Satye WactNA, Sa.unce
*-".-
JURNAL MUSIK
Jurnal llmiah Seni Musik
Volume 1 - No. l. - Januari2009
krbit dua kali setahun
Penerbit
Fakultas Seni PertunjukanUniversitas Kristen SatyaWacana
PenanggungJawab
Dekan Fakultas Seni PertunjukanUniversitas Kristen SatyaWacana
Pemimpin Redaksi
Paulus Dwi Hananto
Sekretaris Redaksi
Phillip Budi Christiawan
Staf Redaksi
Michelle Sensenig
PoedjiSoesila
Reviewer
Victor Ganap (ISI Yogyakarta)
Djohan Salim (ISI Yogyakarta)
Mauly Purba (USU Medan)
Alamat Redaksi/Sirkulasi
Program Studi Seni Musik Fakultas Seni Pertunjukan
Universitas Kristen SatYaWacana
Jl. Diponegoro52 - 60 Salatiga50711
http://www.uksw.edu
E -mall:j ur nalmusi k@gmai l. com
Vor.l. No. I
JURNAIMUSIK
Jmuan2009
JURNAL MUSIK
Jurnal llmiah SeniMusik
Volume I - No. I -Januari 2009
DAFTARISI
PengantarRedaksi
t
Daftar Isi
ilt
Five-MovementCompositionWith Twelve-ToneRow System
In Kekebyaran Style For Piano,Flute And Kendang:
A Composer'sExplanation
AgastyaRamaListya
Laras PelogSebagaiDasar Komposisi Empat Bagatelles
Untuk AnsambelGitar
SandyYulianto,Paulus Dwi Hananto
Gong Luwang: SebuahGamelan Sakral dari DesaKesiut
FA WoodySatya Darma
ResitalDuet Piano-Vokal : "Think Of Me"
SebuahAnalisisPenyajian
RachelMediana Untung, YuliusIstarto
l-15
t 7- 2 7
29 -46
47-55
In Defenseof Christian Heavy Metal
DannySalim
5 7- 7 4
PedomanPenulisanArtikel
7S
A MUSICAL ANALYSIS OF THE FIVE-MOVEMENT COMPOSITION
WITH TWELVE-TONE ROW SYSTEM IN KEKEBYARAN STYLE FOR
PIANO, FLUTE AND KENDANG
By Agastya Rama Listya
Lecturer at Satya Wacana Music Department
Music composition is understood by many as a result of one's intellectual and emotional process.
Five-Movement Composition with Twelve-Tone Row System in Kekebyaran Style for Piano, Flute
and Kendang in some sense might also be considered as a product of the author's intellect and
emotion. On one hand, the twelve-tone row system is considered 100 percent mathematical,
while the Gong Kebyar style is truly emotional. Combining these two extremely different
traditions into a composition might be regarded by some as an obscene, vulgar, or even offensive
effort.
In order to give a clear explanation to its readers, this writing aims to analyze the musical
structure and the philosophical concept behind this composition.
Keywords : twelve-tone row system, Gong Kebyar, inversion, retrogade, retrogade-inversion,
spiegelbild
1
Carl E. Seashore, Psychology ofMusic, (New York: Dover Publications, Inc. , 1967), p. 7.
1
Junnnl llunn Senr Mustx
VoLunrEl,No. l -JArqu^A,Rr2OOg
DITEnSITKAN oLEH
Pnoanana SruDr SENI Musrx
EEXUITAS SEXI PERTUNJUKAN
Ur.rryenslns KnrsreN Satye WactNA, Sa.unce
*-".-
JURNAL MUSIK
Jurnal llmiah Seni Musik
Volume 1 - No. l. - Januari2009
krbit dua kali setahun
Penerbit
Fakultas Seni PertunjukanUniversitas Kristen SatyaWacana
PenanggungJawab
Dekan Fakultas Seni PertunjukanUniversitas Kristen SatyaWacana
Pemimpin Redaksi
Paulus Dwi Hananto
Sekretaris Redaksi
Phillip Budi Christiawan
Staf Redaksi
Michelle Sensenig
PoedjiSoesila
Reviewer
Victor Ganap (ISI Yogyakarta)
Djohan Salim (ISI Yogyakarta)
Mauly Purba (USU Medan)
Alamat Redaksi/Sirkulasi
Program Studi Seni Musik Fakultas Seni Pertunjukan
Universitas Kristen SatYaWacana
Jl. Diponegoro52 - 60 Salatiga50711
http://www.uksw.edu
E -mall:j ur nalmusi k@gmai l. com
Vor.l. No. I
JURNAIMUSIK
Jmuan2009
JURNAL MUSIK
Jurnal llmiah SeniMusik
Volume I - No. I -Januari 2009
DAFTARISI
PengantarRedaksi
t
Daftar Isi
ilt
Five-MovementCompositionWith Twelve-ToneRow System
In Kekebyaran Style For Piano,Flute And Kendang:
A Composer'sExplanation
AgastyaRamaListya
Laras PelogSebagaiDasar Komposisi Empat Bagatelles
Untuk AnsambelGitar
SandyYulianto,Paulus Dwi Hananto
Gong Luwang: SebuahGamelan Sakral dari DesaKesiut
FA WoodySatya Darma
ResitalDuet Piano-Vokal : "Think Of Me"
SebuahAnalisisPenyajian
RachelMediana Untung, YuliusIstarto
l-15
t 7- 2 7
29 -46
47-55
In Defenseof Christian Heavy Metal
DannySalim
5 7- 7 4
PedomanPenulisanArtikel
7S
A MUSICAL ANALYSIS OF THE FIVE-MOVEMENT COMPOSITION
WITH TWELVE-TONE ROW SYSTEM IN KEKEBYARAN STYLE FOR
PIANO, FLUTE AND KENDANG
By Agastya Rama Listya
Lecturer at Satya Wacana Music Department
Music composition is understood by many as a result of one's intellectual and emotional process.
Five-Movement Composition with Twelve-Tone Row System in Kekebyaran Style for Piano, Flute
and Kendang in some sense might also be considered as a product of the author's intellect and
emotion. On one hand, the twelve-tone row system is considered 100 percent mathematical,
while the Gong Kebyar style is truly emotional. Combining these two extremely different
traditions into a composition might be regarded by some as an obscene, vulgar, or even offensive
effort.
In order to give a clear explanation to its readers, this writing aims to analyze the musical
structure and the philosophical concept behind this composition.
Keywords : twelve-tone row system, Gong Kebyar, inversion, retrogade, retrogade-inversion,
spiegelbild
1
Carl E. Seashore, Psychology ofMusic, (New York: Dover Publications, Inc. , 1967), p. 7.
1