AGAINST THE ORDER OF NAZI IN BRIAN SINGER’S VALKYRIE MOVIE (2008): AGAINST THE ORDER OF NAZI IN BRIAN SINGER’S VALKYRIE MOVIE (2008): AN INDIVIDUAL PSYCHOLOGICAL APPROACH.
AGAINST THE ORDER OF NAZI
IN BRIAN SINGER’S VALKYRIE MOVIE (2008):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
Research Paper
Submitted as a Partial Fulfillment of the Requirement
for Getting the Bachelor Degree of Education
in English Department
by :
Nur Rhohmad Irsanianto
A 320 060 094
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2012
l
APPROVAL
AGAINST THE ORDEROF NAZI
IN BRYAN SINGER'SZ,4If,fXIE MOVIE (2O8):
AN INDTWDUALPSYCEOLOGICALAPPROACE
RESEARCtrPA}ER
Wrirten by
I{I'R RHOEMAD IRSANIANTO
A 320 060094
Approvcd to bc elrmined by Consultant Term:
Consultrnt I
Dewi Crndraning-rum, lll. f,d.
NIK 772
Consultrna
II
Nur Eidayat, S.Pda
NIK 771
ACCEPTAI\ICE
AGAINST TIIE ORDER OT NAZI
TNBRYAN SINGER'S '/,4LTY&E MOvIf, (2008):
AIY INDIVTDUAL PSYCEOLOGICAI, A}PROACH
RESEARCE PAPER
by
NUR RHOHMAD IRSANIANTO
A 320 060 094
Accepted and Approvcd by the Board of Eraminer
SchoolsofTeachcr Traitring and Education
Muhamrnadiyah Univer:ity of Surakrrta
On March.2012
The Board ofErami
l . Dr. Phil. Dewi CandraningrunqM. Ed.
NIK 772
Nur f,idayrt, S.Pd.
NIK 77I
Drs. Abdilah Nugroho,M.Eum.
NIK 5E9
6,ffi
^Qt'*",#
q(_
TESTIMONY
I here with assert that there is no works have been submitted to get
bachelor degree in any University in this research paper and as far as I concern
there are no works or opinions have been written or published by someone else
except the written references which are referred in this paper and mentioned in
the bibliography.
If only there will be any incorrectness proved in the future in my statement
above, I will be fully responsible.
Surakarta, March 2012
The Writer
Nur Rhohmad Irsanianto
iv
MOTTO
The Day every soul will find what it has done of good present (before it) and
what it has done of evil, it will wish that between itself and that (evil) was a
great distance. And Allah warns you of Himself, and Allah is Kind to (His)
servants." (Ali ‘Imran, 3: 30)
Allah will rise up to suitable ranks and degrees of you who
believe and who have been granted mystic knowledge. And
Allah is well-acquainted with all you do.
(Q. S. Al Mujadilah: 11)
The biggest happiness in our lives is when we know if we are loved by
someone (Aditia Fatmawati)
Be your self, give the best effort and never give up
(The Writer)
v
DEDICATION
This research paper is greatly dedicated to:
Allah SWT
My beloved Parents
My beloved Brothers and Sister
My all best friends
My beloved “Tia”
vi
ACKNOWLEDGMENT
Assalamu’alaikum Wr. Wb.
Alhamdulillahirobbil’alamin, praise and gratitude be only to Allah S.W.T,
the Glorious, the Lord, All mighty, the Merciful, and the Compassionate who has
given bless and opportunity for the writer to accomplish this research paper
entitled Against The Order of Nazi in Brian Singer’s Valkyrie Movie (2008): An
Individual Psychological Approach.
There are many people who have given their contribution to him.
Therefore, the writer would like to express his gratitude and appreciation to:
1. Drs. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and
Education, Muhammadiyah University of Surakarta.
2. Titis Setyabudi, S.S., as the head of English Department, who has given
permission to the writer to make this research.
3. Dr. Phil. Dewi Candraningrum, M.Ed., as the first consultant who has
guided and advised patiently during the arrangement of this research paper.
4. Nur Hidayat, S.Pd., as the second consultant who has improved the writing
in order to make this research paper more interesting to read in correct
sentences.
5. The Lecturers of English Department, Muhammadiyah University of
Surakarta.
vii
6. His beloved parents; his father Wahyoto and his mother Partini who have
given unlimited love, support and blessing to his.
7. His beloved brothers and sister; Tegar, Zulni and Ridhlo for giving spirit to
the daily life of the writer.
8. His beloved girlfriend Tia for giving loves, patients help, supports, spirits,
togetherness and he hopes someday being his wifes (AMIIEN).
9. His best friends; Dita and Nisa for being friends who love his and always
giving the help, supports and jokes.
10. His best friends at home; Hengky, Gasebo, Kempling, Gathul and Mas
Dany for all the jokes and supports, and Sapto and Randy for being his best
friends and giving the help, support and motivation.
11. His best friend when High School until now; Putro, Fu, Nwen, Selly,
Brekele, Comil, Genthong and Hendro for the togetherness and jokes.
12. His best Friends in Campus; Widi, Syam, Ucil, Irwan, Ogy, Devi and
Monyot for giving the jokes, help and supports.
13. His best friends in PPL SMP N 2 Sawit 2009.
14. All friends in B and C classes English Dept of UMS 2006.
15. His motorcycle JUPI (AD 2763 CH) for always accompany in sadness and
happiness.
16. All the parties those are unable to be mentioned one by one for all their
support.
viii
The writer realizes that this research paper is far from being perfect.
Therefore, suggestion and criticism are welcomed and accepted. He wishes that
this research paper would be valuable for the readers.
Wassalamu’alaikum Wr. Wb.
Surakarta, March 2012
The Writer
Nur Rhohmad Irsanianto
ix
TABLE OF CONTENT
Page
PAGE OF TITLE ...........................................................................................
i
APPROVAL....................................................................................................
ii
ACCEPTANCE ..............................................................................................
iii
TESTIMONY .................................................................................................
iv
MOTTO ..........................................................................................................
v
DEDICATION ................................................................................................
vi
ACKNOWLEDGMENT................................................................................
vii
TABLE OF CONTENT .................................................................................
x
TABLE OF FIGURES ...................................................................................
xiii
SUMMARY ....................................................................................................
xvi
CHAPTER I INTRODUCTION ...................................................................
1
A. Background of Study ....................................................
1
B. Literature Review .........................................................
9
C. Problem Statement ........................................................
10
D. Limitation of Study .......................................................
10
E. Objective of Study ........................................................
10
F. Benefit of Study ............................................................
10
G. Research Method ..........................................................
11
H. Research Organization..................................................
12
CHAPTER II: UNDERLYING THEORY ...................................................
13
A. Notion of Individual Psychology ...................................
13
B. Basic Principles of Individual Psychology ....................
15
1. Inferiority Feeling .....................................................
15
2. Fictional Finalism .....................................................
16
3. Striving for Superiority .............................................
17
4. Social Interest ............................................................
18
5. Style of Life ..............................................................
19
6. Creative Power ..........................................................
21
C. Structural Elements of the Movie ..................................
22
x
1. Narrative Elements of the Movie ..............................
22
2. Technical Elements of the Movie .............................
26
D. Theoretical Application..................................................
33
CHAPTER III: STRUCTURAL ANALYSIS ..............................................
34
A. Structural Analysis of the Movie ..................................
34
1. Narrative Elements ........................................................
34
a. Character and Characterization .................................
34
1) Major Character...................................................
34
2) Minor Character ..................................................
39
b. Casting ....................................................................
47
c. Plot ..........................................................................
49
d. Setting .....................................................................
51
e. Point of View ..........................................................
56
f. Theme .....................................................................
58
2. Technical Elements .......................................................
58
a. Miss-en-Scene ...........................................................
58
1) Set Dressing and Props .........................................
59
2) Costumes and Make-Up .......................................
61
3) Lighting ...............................................................
64
b. Cinematography ........................................................
67
1) Photographical Qualities of Shot..........................
67
2) Framing of Shot ....................................................
67
3) Duration of Shot ...................................................
70
c. Sound ........................................................................
70
d. Editing.......................................................................
72
B. Discussion ......................................................................
74
CHAPTER IV: INDIVIDUAL PSYCHOLOGICAL ANALYSIS .............
78
A. Individual Psychological Analysis of Valkyrie..............
78
1.
Inferiority Feeling ...................................................
78
2.
Fictional Finalism ...................................................
81
3.
Striving for Superiority...........................................
83
xi
4.
Social Interest .........................................................
85
5.
Style of Life ............................................................
86
6.
Creative Self ...........................................................
88
B. Discussion ......................................................................
90
CHAPTER V: CONCLUSION AND SUGGESTION ...............................
93
A.
Conclusion .....................................................................
93
B.
Suggestion .....................................................................
94
BIBLIOGRAPHY
APPENDIX
xii
LIST OF FIGURE
Figure 1 : Colonel Claus von Stauffenberg .......................................................
34
Figure 2 : General Henning von Tresckow .......................................................
36
Figure 3 : General Friedrich Olbricht................................................................
37
Figure 4 : Nina Schenk von Stauffenberg .........................................................
39
Figure 5 : Colonel General Ludwig Beck .........................................................
40
Figure 6 : Dr. Carl Friedrich Goerdeler ............................................................
41
Figure 7 : Colonel Albrecht Ritter von Quirnheim ...........................................
43
Figure 8 : Colonel General Friedrich Fromm ...................................................
44
Figure 9 : Adolf Hitler.......................................................................................
45
Figure 10 : Lieutenant Werner von Haeften .....................................................
47
Figure 11 : Tunisia, South Africa ......................................................................
51
Figure 12 : Airfield of German Army ...............................................................
52
Figure 13 : German Army Group Center .........................................................
52
Figure 14 : Hospital...........................................................................................
53
Figure 15 : Army Headquarters.........................................................................
53
Figure 16 : Hallway...........................................................................................
53
Figure 17 : Stauffenberg Home .........................................................................
53
Figure 18 : Living room ....................................................................................
53
Figure 19 : Hitler’s Headquarter .......................................................................
54
Figure 20 : Conference Room ...........................................................................
54
Figure 21 : Church ............................................................................................
54
Figure 22 : Central Communication..................................................................
55
Figure 23 : Wolf Liar Bunker............................................................................
55
Figure 24 : Deutschland Guard Battalion field .................................................
56
Figure 25 : Shot 1 ..............................................................................................
57
Figure 26 : Shot 2 ..............................................................................................
57
Figure 27 : Von Stauffenberg in thought ..........................................................
57
Figure 28 : Brandt and Tresckow in dialogue ...................................................
58
Figure 29 : German Officers in coat uniform....................................................
61
xiii
Figure 30 : German Officers’ Uniform .............................................................
62
Figure 31 : Hitler in Coat ..................................................................................
62
Figure 32 : Soldiers’ Uniform ...........................................................................
62
Figure 33 : Soldiers’ Daily Shirt .......................................................................
62
Figure 34 : Citizens’ Costumes .........................................................................
62
Figure 35 : Jail Uniform ....................................................................................
62
Figure 36 : The Judge Uniform .........................................................................
62
Figure 37 : Major Character Make up ...............................................................
63
Figure 38 : Minor Character Make up...............................................................
63
Figure 39 : Von Stauffenberg in War field .......................................................
63
Figure 40 : Hard Lighting .................................................................................
64
Figure 41 : Soft Lighting ...................................................................................
64
Figure 42 : A Fire Source ..................................................................................
65
Figure 43 : A Sun Source ..................................................................................
65
Figure 44 : A Lamp Source ...............................................................................
65
Figure 45 : Yellow Colour ................................................................................
66
Figure 46 : Natural Colour ................................................................................
66
Figure 47 : Frontal Lighting .............................................................................
66
Figure 48 : Side Lighting ..................................................................................
66
Figure 49 : Back Lighting .................................................................................
66
Figure 50 : Top Lighting ..................................................................................
66
Figure 51 : Outdoor ...........................................................................................
67
Figure 52 : Indoor..............................................................................................
67
Figure 53 : Straight Angle .................................................................................
68
Figure 54 : High Angle .....................................................................................
68
Figure 55 : Low Angle ......................................................................................
68
Figure 56 : Extreme Long Shot .........................................................................
69
Figure 57 : Long Shot .......................................................................................
69
Figure 58 : Medium Long Shot .........................................................................
69
Figure 59 : Medium Shot ..................................................................................
69
Figure 60 : Medium Close Up...........................................................................
69
xiv
Figure 61 : Close Up .........................................................................................
69
Figure 62 : Extreme Close Up...........................................................................
70
Figure 63 : Axis of Action ................................................................................
72
Figure 64 : Establishing Shot 1 .........................................................................
73
Figure 65 : Establishing Shot 2 .........................................................................
73
Figure 66 : Reverse Shot 1 ................................................................................
73
Figure 67 : Reverse Shot 2 ................................................................................
73
Figure 68 : Eyeline Match 1 ..............................................................................
74
Figure 69 : Eyeline Match 2 ..............................................................................
74
xv
SUMMARY
NUR REOEMAD IRSANIANTO. A 320 060 094. AGAINST THE ORDER
OF NAZI IN BRIAN SINGER'S VALKYRIE MOVIE (2008): AN
INDIVIDUAI, PSYCEOLOGICAL APPROACE. R.ESEARCS PAPER
MUHAMMADIYAH UNTVf,RSITY OF SURAKAR'TA. 2012.
This researchpaperis aimedto show againstthe order of nazi in Brian
Sirger's Valkyrie movie by using through individual psychologicalapproach.The
objectivesofthe researchare to analyzethe structuralelementsofthe novel andto
perspective.
analyzethenovelbasedon individualpsychological
The researchis conductedby using qualitativemethod.The writer usestwo
datasourcesnamelyprimary and secondarydata source.The primary datasources
of the study arc VdllEfie movie direatedby Bryan Singer and the script movre
written by ChristopherMcQuarrie and Nathan Alexander. The secondarydata
sourceis taken fiom other referentialdata.which have relation with research.the
underlying theory and other materials concem to the analysis.It can be from
books and internet.The methodof the data collection is library research.The
techniqueof data analysisis descriptive
analysis.
The result ofthe resea.chis asfollows: first, basedo1lthe structuralanalysis
of each elements,it showsthat the characterand charactedzation,casting,plot,
setting,poilt of view, lhelIrc, mise-en-scene,
cinematography,sound,and editing
are rclatedto eachother ard form the unity into good quality of a movie. Second,
the individual psychologicalanalysisshowsthat thestrivingof superiorityagainstthe
orderof nazi of ColonelStauffenberg
canbe an effort to makebetterfuturelife for hrs
familyandGerman'speople.
Key words: Againstthe orderofnazi, An Individual PsychologicalApproach.
Consultant
I
Dr. Phil. Dewi Candraninerum.M. Ed.
NIK. 772
{sl\Y.'n
'\-/,e':\
S'-u-;
ConsultantII
Nur Eidavat. S. Pd.
NII' 771
IN BRIAN SINGER’S VALKYRIE MOVIE (2008):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
Research Paper
Submitted as a Partial Fulfillment of the Requirement
for Getting the Bachelor Degree of Education
in English Department
by :
Nur Rhohmad Irsanianto
A 320 060 094
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2012
l
APPROVAL
AGAINST THE ORDEROF NAZI
IN BRYAN SINGER'SZ,4If,fXIE MOVIE (2O8):
AN INDTWDUALPSYCEOLOGICALAPPROACE
RESEARCtrPA}ER
Wrirten by
I{I'R RHOEMAD IRSANIANTO
A 320 060094
Approvcd to bc elrmined by Consultant Term:
Consultrnt I
Dewi Crndraning-rum, lll. f,d.
NIK 772
Consultrna
II
Nur Eidayat, S.Pda
NIK 771
ACCEPTAI\ICE
AGAINST TIIE ORDER OT NAZI
TNBRYAN SINGER'S '/,4LTY&E MOvIf, (2008):
AIY INDIVTDUAL PSYCEOLOGICAI, A}PROACH
RESEARCE PAPER
by
NUR RHOHMAD IRSANIANTO
A 320 060 094
Accepted and Approvcd by the Board of Eraminer
SchoolsofTeachcr Traitring and Education
Muhamrnadiyah Univer:ity of Surakrrta
On March.2012
The Board ofErami
l . Dr. Phil. Dewi CandraningrunqM. Ed.
NIK 772
Nur f,idayrt, S.Pd.
NIK 77I
Drs. Abdilah Nugroho,M.Eum.
NIK 5E9
6,ffi
^Qt'*",#
q(_
TESTIMONY
I here with assert that there is no works have been submitted to get
bachelor degree in any University in this research paper and as far as I concern
there are no works or opinions have been written or published by someone else
except the written references which are referred in this paper and mentioned in
the bibliography.
If only there will be any incorrectness proved in the future in my statement
above, I will be fully responsible.
Surakarta, March 2012
The Writer
Nur Rhohmad Irsanianto
iv
MOTTO
The Day every soul will find what it has done of good present (before it) and
what it has done of evil, it will wish that between itself and that (evil) was a
great distance. And Allah warns you of Himself, and Allah is Kind to (His)
servants." (Ali ‘Imran, 3: 30)
Allah will rise up to suitable ranks and degrees of you who
believe and who have been granted mystic knowledge. And
Allah is well-acquainted with all you do.
(Q. S. Al Mujadilah: 11)
The biggest happiness in our lives is when we know if we are loved by
someone (Aditia Fatmawati)
Be your self, give the best effort and never give up
(The Writer)
v
DEDICATION
This research paper is greatly dedicated to:
Allah SWT
My beloved Parents
My beloved Brothers and Sister
My all best friends
My beloved “Tia”
vi
ACKNOWLEDGMENT
Assalamu’alaikum Wr. Wb.
Alhamdulillahirobbil’alamin, praise and gratitude be only to Allah S.W.T,
the Glorious, the Lord, All mighty, the Merciful, and the Compassionate who has
given bless and opportunity for the writer to accomplish this research paper
entitled Against The Order of Nazi in Brian Singer’s Valkyrie Movie (2008): An
Individual Psychological Approach.
There are many people who have given their contribution to him.
Therefore, the writer would like to express his gratitude and appreciation to:
1. Drs. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and
Education, Muhammadiyah University of Surakarta.
2. Titis Setyabudi, S.S., as the head of English Department, who has given
permission to the writer to make this research.
3. Dr. Phil. Dewi Candraningrum, M.Ed., as the first consultant who has
guided and advised patiently during the arrangement of this research paper.
4. Nur Hidayat, S.Pd., as the second consultant who has improved the writing
in order to make this research paper more interesting to read in correct
sentences.
5. The Lecturers of English Department, Muhammadiyah University of
Surakarta.
vii
6. His beloved parents; his father Wahyoto and his mother Partini who have
given unlimited love, support and blessing to his.
7. His beloved brothers and sister; Tegar, Zulni and Ridhlo for giving spirit to
the daily life of the writer.
8. His beloved girlfriend Tia for giving loves, patients help, supports, spirits,
togetherness and he hopes someday being his wifes (AMIIEN).
9. His best friends; Dita and Nisa for being friends who love his and always
giving the help, supports and jokes.
10. His best friends at home; Hengky, Gasebo, Kempling, Gathul and Mas
Dany for all the jokes and supports, and Sapto and Randy for being his best
friends and giving the help, support and motivation.
11. His best friend when High School until now; Putro, Fu, Nwen, Selly,
Brekele, Comil, Genthong and Hendro for the togetherness and jokes.
12. His best Friends in Campus; Widi, Syam, Ucil, Irwan, Ogy, Devi and
Monyot for giving the jokes, help and supports.
13. His best friends in PPL SMP N 2 Sawit 2009.
14. All friends in B and C classes English Dept of UMS 2006.
15. His motorcycle JUPI (AD 2763 CH) for always accompany in sadness and
happiness.
16. All the parties those are unable to be mentioned one by one for all their
support.
viii
The writer realizes that this research paper is far from being perfect.
Therefore, suggestion and criticism are welcomed and accepted. He wishes that
this research paper would be valuable for the readers.
Wassalamu’alaikum Wr. Wb.
Surakarta, March 2012
The Writer
Nur Rhohmad Irsanianto
ix
TABLE OF CONTENT
Page
PAGE OF TITLE ...........................................................................................
i
APPROVAL....................................................................................................
ii
ACCEPTANCE ..............................................................................................
iii
TESTIMONY .................................................................................................
iv
MOTTO ..........................................................................................................
v
DEDICATION ................................................................................................
vi
ACKNOWLEDGMENT................................................................................
vii
TABLE OF CONTENT .................................................................................
x
TABLE OF FIGURES ...................................................................................
xiii
SUMMARY ....................................................................................................
xvi
CHAPTER I INTRODUCTION ...................................................................
1
A. Background of Study ....................................................
1
B. Literature Review .........................................................
9
C. Problem Statement ........................................................
10
D. Limitation of Study .......................................................
10
E. Objective of Study ........................................................
10
F. Benefit of Study ............................................................
10
G. Research Method ..........................................................
11
H. Research Organization..................................................
12
CHAPTER II: UNDERLYING THEORY ...................................................
13
A. Notion of Individual Psychology ...................................
13
B. Basic Principles of Individual Psychology ....................
15
1. Inferiority Feeling .....................................................
15
2. Fictional Finalism .....................................................
16
3. Striving for Superiority .............................................
17
4. Social Interest ............................................................
18
5. Style of Life ..............................................................
19
6. Creative Power ..........................................................
21
C. Structural Elements of the Movie ..................................
22
x
1. Narrative Elements of the Movie ..............................
22
2. Technical Elements of the Movie .............................
26
D. Theoretical Application..................................................
33
CHAPTER III: STRUCTURAL ANALYSIS ..............................................
34
A. Structural Analysis of the Movie ..................................
34
1. Narrative Elements ........................................................
34
a. Character and Characterization .................................
34
1) Major Character...................................................
34
2) Minor Character ..................................................
39
b. Casting ....................................................................
47
c. Plot ..........................................................................
49
d. Setting .....................................................................
51
e. Point of View ..........................................................
56
f. Theme .....................................................................
58
2. Technical Elements .......................................................
58
a. Miss-en-Scene ...........................................................
58
1) Set Dressing and Props .........................................
59
2) Costumes and Make-Up .......................................
61
3) Lighting ...............................................................
64
b. Cinematography ........................................................
67
1) Photographical Qualities of Shot..........................
67
2) Framing of Shot ....................................................
67
3) Duration of Shot ...................................................
70
c. Sound ........................................................................
70
d. Editing.......................................................................
72
B. Discussion ......................................................................
74
CHAPTER IV: INDIVIDUAL PSYCHOLOGICAL ANALYSIS .............
78
A. Individual Psychological Analysis of Valkyrie..............
78
1.
Inferiority Feeling ...................................................
78
2.
Fictional Finalism ...................................................
81
3.
Striving for Superiority...........................................
83
xi
4.
Social Interest .........................................................
85
5.
Style of Life ............................................................
86
6.
Creative Self ...........................................................
88
B. Discussion ......................................................................
90
CHAPTER V: CONCLUSION AND SUGGESTION ...............................
93
A.
Conclusion .....................................................................
93
B.
Suggestion .....................................................................
94
BIBLIOGRAPHY
APPENDIX
xii
LIST OF FIGURE
Figure 1 : Colonel Claus von Stauffenberg .......................................................
34
Figure 2 : General Henning von Tresckow .......................................................
36
Figure 3 : General Friedrich Olbricht................................................................
37
Figure 4 : Nina Schenk von Stauffenberg .........................................................
39
Figure 5 : Colonel General Ludwig Beck .........................................................
40
Figure 6 : Dr. Carl Friedrich Goerdeler ............................................................
41
Figure 7 : Colonel Albrecht Ritter von Quirnheim ...........................................
43
Figure 8 : Colonel General Friedrich Fromm ...................................................
44
Figure 9 : Adolf Hitler.......................................................................................
45
Figure 10 : Lieutenant Werner von Haeften .....................................................
47
Figure 11 : Tunisia, South Africa ......................................................................
51
Figure 12 : Airfield of German Army ...............................................................
52
Figure 13 : German Army Group Center .........................................................
52
Figure 14 : Hospital...........................................................................................
53
Figure 15 : Army Headquarters.........................................................................
53
Figure 16 : Hallway...........................................................................................
53
Figure 17 : Stauffenberg Home .........................................................................
53
Figure 18 : Living room ....................................................................................
53
Figure 19 : Hitler’s Headquarter .......................................................................
54
Figure 20 : Conference Room ...........................................................................
54
Figure 21 : Church ............................................................................................
54
Figure 22 : Central Communication..................................................................
55
Figure 23 : Wolf Liar Bunker............................................................................
55
Figure 24 : Deutschland Guard Battalion field .................................................
56
Figure 25 : Shot 1 ..............................................................................................
57
Figure 26 : Shot 2 ..............................................................................................
57
Figure 27 : Von Stauffenberg in thought ..........................................................
57
Figure 28 : Brandt and Tresckow in dialogue ...................................................
58
Figure 29 : German Officers in coat uniform....................................................
61
xiii
Figure 30 : German Officers’ Uniform .............................................................
62
Figure 31 : Hitler in Coat ..................................................................................
62
Figure 32 : Soldiers’ Uniform ...........................................................................
62
Figure 33 : Soldiers’ Daily Shirt .......................................................................
62
Figure 34 : Citizens’ Costumes .........................................................................
62
Figure 35 : Jail Uniform ....................................................................................
62
Figure 36 : The Judge Uniform .........................................................................
62
Figure 37 : Major Character Make up ...............................................................
63
Figure 38 : Minor Character Make up...............................................................
63
Figure 39 : Von Stauffenberg in War field .......................................................
63
Figure 40 : Hard Lighting .................................................................................
64
Figure 41 : Soft Lighting ...................................................................................
64
Figure 42 : A Fire Source ..................................................................................
65
Figure 43 : A Sun Source ..................................................................................
65
Figure 44 : A Lamp Source ...............................................................................
65
Figure 45 : Yellow Colour ................................................................................
66
Figure 46 : Natural Colour ................................................................................
66
Figure 47 : Frontal Lighting .............................................................................
66
Figure 48 : Side Lighting ..................................................................................
66
Figure 49 : Back Lighting .................................................................................
66
Figure 50 : Top Lighting ..................................................................................
66
Figure 51 : Outdoor ...........................................................................................
67
Figure 52 : Indoor..............................................................................................
67
Figure 53 : Straight Angle .................................................................................
68
Figure 54 : High Angle .....................................................................................
68
Figure 55 : Low Angle ......................................................................................
68
Figure 56 : Extreme Long Shot .........................................................................
69
Figure 57 : Long Shot .......................................................................................
69
Figure 58 : Medium Long Shot .........................................................................
69
Figure 59 : Medium Shot ..................................................................................
69
Figure 60 : Medium Close Up...........................................................................
69
xiv
Figure 61 : Close Up .........................................................................................
69
Figure 62 : Extreme Close Up...........................................................................
70
Figure 63 : Axis of Action ................................................................................
72
Figure 64 : Establishing Shot 1 .........................................................................
73
Figure 65 : Establishing Shot 2 .........................................................................
73
Figure 66 : Reverse Shot 1 ................................................................................
73
Figure 67 : Reverse Shot 2 ................................................................................
73
Figure 68 : Eyeline Match 1 ..............................................................................
74
Figure 69 : Eyeline Match 2 ..............................................................................
74
xv
SUMMARY
NUR REOEMAD IRSANIANTO. A 320 060 094. AGAINST THE ORDER
OF NAZI IN BRIAN SINGER'S VALKYRIE MOVIE (2008): AN
INDIVIDUAI, PSYCEOLOGICAL APPROACE. R.ESEARCS PAPER
MUHAMMADIYAH UNTVf,RSITY OF SURAKAR'TA. 2012.
This researchpaperis aimedto show againstthe order of nazi in Brian
Sirger's Valkyrie movie by using through individual psychologicalapproach.The
objectivesofthe researchare to analyzethe structuralelementsofthe novel andto
perspective.
analyzethenovelbasedon individualpsychological
The researchis conductedby using qualitativemethod.The writer usestwo
datasourcesnamelyprimary and secondarydata source.The primary datasources
of the study arc VdllEfie movie direatedby Bryan Singer and the script movre
written by ChristopherMcQuarrie and Nathan Alexander. The secondarydata
sourceis taken fiom other referentialdata.which have relation with research.the
underlying theory and other materials concem to the analysis.It can be from
books and internet.The methodof the data collection is library research.The
techniqueof data analysisis descriptive
analysis.
The result ofthe resea.chis asfollows: first, basedo1lthe structuralanalysis
of each elements,it showsthat the characterand charactedzation,casting,plot,
setting,poilt of view, lhelIrc, mise-en-scene,
cinematography,sound,and editing
are rclatedto eachother ard form the unity into good quality of a movie. Second,
the individual psychologicalanalysisshowsthat thestrivingof superiorityagainstthe
orderof nazi of ColonelStauffenberg
canbe an effort to makebetterfuturelife for hrs
familyandGerman'speople.
Key words: Againstthe orderofnazi, An Individual PsychologicalApproach.
Consultant
I
Dr. Phil. Dewi Candraninerum.M. Ed.
NIK. 772
{sl\Y.'n
'\-/,e':\
S'-u-;
ConsultantII
Nur Eidavat. S. Pd.
NII' 771