t seni 0808985 table of content
DAFTAR ISI
ABSTRAK................................................................................................... i
KATA PENGANTAR................................................................................. ii
PERNYATAAN........................................................................................... v
DAFTAR ISI................................................................................................ vi
DAFTAR GAMBAR................................................................................... xi
DAFTAR BAGAN...................................................................................... xxi
DAFTAR TABEL....................................................................................... xxii
BAB I PENDAHULUAN
A. LATAR BELAKANG MASALAH....................................................... 1
B. PERUMUSAN MASALAH.................................................................. 7
C. TUJUAN PENELITIAN.......................................................................
7
D. MANFAAT PENELITIAN...................................................................
8
E. TELAAH PUSTAKA...........................................................................
9
F. KERANGKA TEORITIK....................................................................
10
G. METODOLOGI PENELITIAN...........................................................
15
1. Sumber Data........................................................................................
16
2. Sasaran Penelitian...............................................................................
17
3. Teknik Pengumpulan Data..................................................................
17
4. Validitasi Data....................................................................................
19
5. Analisis Data.......................................................................................
20
6. Sistematika Penulisan.........................................................................
23
BAB II HERMENEUTIKA, ESTETIKA PARADOKS,
DAN
ANTROPOLOGI BUDAYA
A. HERMENEUTIKA.................................................................................. 26
1. Definisi Hermeneutika.......................................................................
26
2. Penerapan Hermeneutika...................................................................
27
3. Cara Kerja Hermeneutika...................................................................
27
B. ESTETIKA PARADOKS....................................................................
29
1. Estetika Pola Dua, Pola Tiga , Pola Empat, dan Pola Lima...............
32
2. Seni Ritual...........................................................................................
43
3. Seni Batik............................................................................................
45
C. ANTROPOLOGI BUDAYA...............................................................
52
1. Wujud Kebudayaan.............................................................................
55
2. Adat Istiadat........................................................................................
56
3. Unsur-unsur Kebudayaan...................................................................
57
4. Konsep Suku Bangsa .........................................................................
58
5. Seni Tradisi.........................................................................................
60
BAB III TINJAUAN UMUM TENTANG BATIK
DAN BATIK BANYUWANGI
A. BATIK.................................................................................................
62
1. Definisi Batik......................................................................................
62
2. Sejarah Batik Indonesia......................................................................
64
3. Motif Batik.........................................................................................
65
4. Pengelompokan Batik........................................................................
68
B. BATIK BANYUWANGI....................................................................
89
1. Sejarah Banyuwangi...........................................................................
89
2. Suku Using Banyuwangi....................................................................
91
3. Sejarah Batik Banyuwangi.................................................................
100
4. Mitologi Asal Usul Batik Banyuwangi..............................................
102
5. Variasi Motif Batik Banyuwangi.......................................................
107
6. Batik Gajah Oling...............................................................................
124
BAB IV MAKNA FILOSOFI MOTIF BATIK GAJAH
BANYUWANGI
OLING
A. KEDUDUKAN MOTIF BATIK GAJAH OLING DI DALAM MASYARAKAT
BANYUWANGI
1. Batik Gajah Oling Sebagai Fungsi Sakral..........................................
141
2. Batik Gajah Oling Sebagai Fungsi Profan.........................................
163
B. VISUAL MOTIF BATIK GAJAH OLING........................................
170
1. Bentuk pada Visual Motif Batik Gajah Oling.....................................
170
2. Warna pada Visual Motif Batik Gajah Oling......................................
177
3. Ukuran pada Visual Motif Batik Gajah Oling....................................
185
4. Posisi pada Visual Motif Batik Gajah Oling.......................................
186
C. MAKNA FILOSOFI PADA MOTIF BATIK GAJAH OLING BANYUWANGI
1. Makna Filosofi dari Bentuk Motif Batik Gajah Oling........................
187
2. Makna Filosofi dari Warna Motif Batik Gajah Oling........................
202
3. Makna Filosofi dari Ukuran Motif Batik Gajah Oling........................
207
4. Makna Filosofi dari Posisi Motif Batik Gajah Oling..........................
209
BAB V SIMPULAN DAN SARAN
A. SIMPULAN.........................................................................................
223
B. SARAN................................................................................................
227
DAFTAR PUSTAKA..............................................................................
229
LAMPIRAN-LAMPIRAN
A. GLOSARIUM.....................................................................................
233
B. FOTO PENELITIAN...........................................................................
241
C. DAFTAR INFORMAN.......................................................................
245
D. PERSURATAN...................................................................................
247
E. PEDOMAN WAWANCARA..........................................................
252
RIWAYAT HIDUP.................................................................................
257
\
ABSTRAK................................................................................................... i
KATA PENGANTAR................................................................................. ii
PERNYATAAN........................................................................................... v
DAFTAR ISI................................................................................................ vi
DAFTAR GAMBAR................................................................................... xi
DAFTAR BAGAN...................................................................................... xxi
DAFTAR TABEL....................................................................................... xxii
BAB I PENDAHULUAN
A. LATAR BELAKANG MASALAH....................................................... 1
B. PERUMUSAN MASALAH.................................................................. 7
C. TUJUAN PENELITIAN.......................................................................
7
D. MANFAAT PENELITIAN...................................................................
8
E. TELAAH PUSTAKA...........................................................................
9
F. KERANGKA TEORITIK....................................................................
10
G. METODOLOGI PENELITIAN...........................................................
15
1. Sumber Data........................................................................................
16
2. Sasaran Penelitian...............................................................................
17
3. Teknik Pengumpulan Data..................................................................
17
4. Validitasi Data....................................................................................
19
5. Analisis Data.......................................................................................
20
6. Sistematika Penulisan.........................................................................
23
BAB II HERMENEUTIKA, ESTETIKA PARADOKS,
DAN
ANTROPOLOGI BUDAYA
A. HERMENEUTIKA.................................................................................. 26
1. Definisi Hermeneutika.......................................................................
26
2. Penerapan Hermeneutika...................................................................
27
3. Cara Kerja Hermeneutika...................................................................
27
B. ESTETIKA PARADOKS....................................................................
29
1. Estetika Pola Dua, Pola Tiga , Pola Empat, dan Pola Lima...............
32
2. Seni Ritual...........................................................................................
43
3. Seni Batik............................................................................................
45
C. ANTROPOLOGI BUDAYA...............................................................
52
1. Wujud Kebudayaan.............................................................................
55
2. Adat Istiadat........................................................................................
56
3. Unsur-unsur Kebudayaan...................................................................
57
4. Konsep Suku Bangsa .........................................................................
58
5. Seni Tradisi.........................................................................................
60
BAB III TINJAUAN UMUM TENTANG BATIK
DAN BATIK BANYUWANGI
A. BATIK.................................................................................................
62
1. Definisi Batik......................................................................................
62
2. Sejarah Batik Indonesia......................................................................
64
3. Motif Batik.........................................................................................
65
4. Pengelompokan Batik........................................................................
68
B. BATIK BANYUWANGI....................................................................
89
1. Sejarah Banyuwangi...........................................................................
89
2. Suku Using Banyuwangi....................................................................
91
3. Sejarah Batik Banyuwangi.................................................................
100
4. Mitologi Asal Usul Batik Banyuwangi..............................................
102
5. Variasi Motif Batik Banyuwangi.......................................................
107
6. Batik Gajah Oling...............................................................................
124
BAB IV MAKNA FILOSOFI MOTIF BATIK GAJAH
BANYUWANGI
OLING
A. KEDUDUKAN MOTIF BATIK GAJAH OLING DI DALAM MASYARAKAT
BANYUWANGI
1. Batik Gajah Oling Sebagai Fungsi Sakral..........................................
141
2. Batik Gajah Oling Sebagai Fungsi Profan.........................................
163
B. VISUAL MOTIF BATIK GAJAH OLING........................................
170
1. Bentuk pada Visual Motif Batik Gajah Oling.....................................
170
2. Warna pada Visual Motif Batik Gajah Oling......................................
177
3. Ukuran pada Visual Motif Batik Gajah Oling....................................
185
4. Posisi pada Visual Motif Batik Gajah Oling.......................................
186
C. MAKNA FILOSOFI PADA MOTIF BATIK GAJAH OLING BANYUWANGI
1. Makna Filosofi dari Bentuk Motif Batik Gajah Oling........................
187
2. Makna Filosofi dari Warna Motif Batik Gajah Oling........................
202
3. Makna Filosofi dari Ukuran Motif Batik Gajah Oling........................
207
4. Makna Filosofi dari Posisi Motif Batik Gajah Oling..........................
209
BAB V SIMPULAN DAN SARAN
A. SIMPULAN.........................................................................................
223
B. SARAN................................................................................................
227
DAFTAR PUSTAKA..............................................................................
229
LAMPIRAN-LAMPIRAN
A. GLOSARIUM.....................................................................................
233
B. FOTO PENELITIAN...........................................................................
241
C. DAFTAR INFORMAN.......................................................................
245
D. PERSURATAN...................................................................................
247
E. PEDOMAN WAWANCARA..........................................................
252
RIWAYAT HIDUP.................................................................................
257
\