PURSUING FOR JUSTICE OF DAVE MILLER IN GREEN STREET 2 FILM DIRECTED BY JESSE V.JOHNSON (2009): Pursuing For Justice Of Dave Miller In Green Street 2 Film Directed By Jesse V.Johnson (2009): An Individual Psychological Approach.
PURSUING FOR JUSTICE OF DAVE MILLER IN GREEN STREET 2 FILM
DIRECTED BY JESSE V.JOHNSON (2009):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirements
for Getting Bachelor Degree of Education
in English Department
by:
Em Ade Isnanda
A 320 800 244
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2014
i
I
APPROVAL
PURSUING FOR JUSTICE OF DAVE MILLER IN GNEEN STREET 2 FILM
DTRECTED By JESSE V.JOHNSON (2009):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
by:
EM ADE ISNANDA
4320080244
Approved to be Examined
by the Consultant Team
Drs.Abdillah Nugroho,M.Hum.
Titis Setyabudi
ACCEPTANCE
PT]RSI]ING FOR.IUSTICE OF DAVE MTLLER IN GREEI{ STREET 2 FILM
DIREC i-ED
tir
iEssi,, V.JOHNSON
120u91:
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by
EM ADE TSNANDA
A320 080 244
Accepted and Approved by the Board of E,xaminers
School of Teacher Training and Education
Muhammadivah IJniversitv of
Sr"r
on......
Team of Examiners:
1. Drs.Abdillah Nugroho,M.Hum.
(Chair Person)
W@t,.
2. Titis Setyabudi S.S., M.Hum.
(Secretary)
3.
Dr. Phil Dewi Candraningrum, S.Pd, M.Ed.
(Member)
/- SrA"i,r.t-t-t*
\n.
ri
,,1: ,^:
a
,9
Dean.
(
ruL%
MOTTO
^ Life is simple, you make choices and you don’t look back.
^ You try, you fail, you try and fail, but the real failure is when you stop
trying!
^ Allah be with people who are patient
^ When you’re good no-one remembers, when you’re bad no-one forgets
^ Sometimes, you have to stand up when standing isn’t aesy.
v
DEDICATION
This research is dedicated to:
W My beloved mother and father
W My beloved brother and sisters “ Sandi, Nia and Iffa”
W My beloved friends
W My beloved the War-wer & Cromo family
W My friends in Muhammadiyah University of Surakarta 2008. Thanks
for everything.
vi
ACKNOWLEDGMENT
Alhamdulillah, the researcher finished this research paper as one of
requirements for achieving Bachelor Degree in English Department at
Muhammadiyah University of Surakarta. Thank to Allah SWT for His
blessing, helping, protection and everything. The researcher would like to
express his sincere gratitude to everyone who has given contribution to make
this research paper more completely. Therefore, the researcher would like to
express his sincere gratitude to:
1. Dra. Nining Setyaningsih, M.Si, Dean of the School of Teacher Training
and Education, Universitas Muhammadiyah Surakarta,
2. Titis Setiabudi, S.S., M. Hum as the Head of the English Department.
3. Drs.Abdillah Nugroho,M.Hum.. as the first consultant, who has given
guidance, advice, information, and time to share the story during the
arrangement of the research paper.
4. Titis Setyabudi S.S., M.Hum..as the second consultant who has corrected
the mistakes of the words and the grammar so that this research paper
becomes correct and interesting to read.
5. Dra. Rini Fatmawati, M.Pd. as the Academic Consultant for having
guidance and help indirectly during the research’s study in this university.
vii
6. All lecturers of English Department for their patience in teaching the
writer.
7. His beloved greatest PARENTS, thank for the love, prayer, support,
sacrifices, and strength for his life. He always does the best to make his
parents proud.
8. His beloved brother and sisters “Sandi, Nia and Ifa” who are very
patiently guided, supported, motivated and dedicated the researcher to the
better way of life.
9. His beloved friends in his house especially Hendi, Alfian, Puguh, Aya’
and Tatang.
10. His unforgettable friends in “War_Wer”: my lovely Beni, Rea, Yono,
Telek, Fiska, Drajat, Faruq, Samsul, Ntup, Ayu, Mingle, Ibnu, Ipan, Wika,
Cungkrik, Aming, Aprill, Novita and others for the beautiful moment, and
jokes.
11. Those who cannot be mentioned one by one.
The researcher realizes that this research paper is still far from being
perfect. Therefore, the researcher invites the readers to give comments and
suggestion in order to make this research paper better.
Surakarta, October 2013
Em Ade isnanda
viii
TABLE OF CONTENT
COVER ................................................................................................................
i
APPROVAL ........................................................................................................
ii
ACCEPTANCE ..................................................................................................
iii
TESTIMONY ......................................................................................................
iv
MOTTO ..............................................................................................................
v
DEDICATION .....................................................................................................
vi
ACKNOWLEDGMENT ....................................................................................
vii
TABLE OF CONTENT .....................................................................................
ix
LIST OF FIGURE ..............................................................................................
xiii
ABSTRACT ......................................................................................................... xviii
CHAPTER I: INTRODUCTION ......................................................................
1
A. Background of the Study ...................................................
1
B. Literature Review ..............................................................
8
C. Problem Statement .............................................................
8
D. Limitation of the Study ......................................................
8
E. Objective of the Study .......................................................
8
ix
F. Benefit of the Study ...........................................................
9
G. Research Method ...............................................................
9
H. Research Paper Organization ...........................................
11
CHAPTER II: UNDERLYING THEORY .......................................................
13
A. Notion of Individual Psychology ......................................
13
B. Basic Assumption of Individual Psychology .....................
14
1. Inferiority Feeling .........................................................
14
2. Striving for Superiority .................................................
15
3. Style of Life ..................................................................
15
4. Social Interest ................................................................
18
5. Creative Power ..............................................................
19
6. Fictional Finalism .........................................................
19
C. Structural Elements of the Movie ......................................
20
1.Narrative Element ...........................................................
20
a. Character and Characterization ................................
20
b. Plot ...........................................................................
20
c. Setting .......................................................................
21
d. Point of View ...........................................................
22
e. Theme .......................................................................
22
2. Technical Elements .......................................................
22
a. Mise-en-Scene ..........................................................
23
b. Casting .....................................................................
25
x
c. Cinematography ........................................................
26
d. Sound .......................................................................
28
e. Editing ........................................................................
28
D. Theoretical Application ....................................................
30
CHAPTER III STRUCTURAL ANALYSIS .........................................
A. Structural Elements .............................................................
31
31
1. Narrative Elements ..........................................................
31
a. Character and Characterization ..................................
31
b. Setting .........................................................................
38
c. Plot ..............................................................................
39
d. Point of View .............................................................
46
e. Theme .........................................................................
46
2. Technical Elements .........................................................
47
a. Mise-en-Scene .............................................................
47
b. Cinematography .........................................................
54
c. Sound ..........................................................................
59
d. Editing ........................................................................
60
B. Discussion .............................................................................. 65
CHAPTER IV INDIVIDUAL PSYCHOLOGICAL ANALYSIS .....
69
A. Individual Psychology ........................................................
69
1. Inferiority Feeling ..........................................................
69
2. Striving for Superiority ...................................................
73
3. Fictional Finalism............................................................
77
4. Creative Power ................................................................
80
5. Social Interest .................................................................
82
xi
6. Style of Life.....................................................................
84
B. Discussion ...........................................................................
87
CHAPTER V CONCLUSION AND SUGGESTION ..............................
91
A. Conclusion ...............................................................................
91
B. Suggestion ...............................................................................
92
C. Educational Implication ...........................................................
93
BIBLIOGRAPHY
VIRTUAL REFERENCE
xii
LIST OF FIGURE
Figure 1: The Chaplain (Dave) ........................................................................
31
Figure 2: Marc ..................................................................................................
32
Figure 3: Jess Abbot .........................................................................................
33
Figure 4: Abbot Torturing Ned .......................................................................
34
Figure 5: Michelle 'Red' Miller .......................................................................
34
Figure 6: Fosterville Guard (as Nicola Bertrtam) ............................................
36
Figure 7: Max ...................................................................................................
37
Figure 8: Fosterville Prison .............................................................................
38
Figure 9: Fosterville Church ...........................................................................
39
Figure 10: The GSEs are put in Fosterville Prison. ...................................... ...
39
Figure 11: The GSE’s Brutality in Prison ........................................................
40
Figure 12: The GSEs meets Big Marc. ............................................................
40
Figure 13: Chaplain meets with Supporters. ....................................................
41
Figure 14: Marc’s gang attacks the GSE’s members .......................................
42
Figure 15: The GSEs Attack one of Marc’s Gang members ...........................
42
Figure 16: Chaplain is being attacked by Marc ...............................................
43
Figure 17: Marc kidnapped Chaplain’s girlfriend............................................
43
Figure 18: Chapalain is asking for help ...........................................................
45
xiii
Figure 19: Nicola is Arrested by the Government. ..........................................
46
Figure 20: Costumes for Prisoners 1 ................................................................
47
Figure 21: Costumes for Prisoners 2 ................................................................
47
Figure 22: Daily Costume at Home .................................................................
48
Figure 23: Costume for Officers ......................................................................
48
Figure 24: Costume for Officers and Guards ...................................................
48
Figure 25: Simple and Natural Make-Up .........................................................
49
Figure 26: The Blood on the Face ....................................................................
49
Figure 27: The Bruises on the Left Eye ...........................................................
50
Figure 28: Natural Daylight 1 ..........................................................................
50
Figure 29: Natural Daylight 2 ..........................................................................
51
Figure 30: Soft Lights from the Outside 1 .......................................................
51
Figure 31: Soft Lights from the Outside 2 .......................................................
51
Figure 32: The Light Source from the Light on the back and the Sun on the Roof. 52
Figure 33: Source Light from Sun at Dawn .....................................................
52
Figure 34: Black and Orange ...........................................................................
53
Figure 35: Black and White .............................................................................
53
Figure 36: The Light from Outside 1 ...............................................................
54
Figure 37: The Light from Outside 2 ...............................................................
54
xiv
Figure 38: The Slow Motion before the Duel ..................................................
55
Figure 39: The Slow Motion on the Fight........................................................
55
Figure 40: Straight Camera Shot 1 ...................................................................
56
Figure 41: Straight Camera Shot 2 ...................................................................
56
Figure 42: The High Angle Shot ......................................................................
57
Figure 43: Low Angle Shot ..............................................................................
57
Figure 44: Long Shot .................................................................................. ...
58
Figure 45: Medium Shot...................................................................................
58
Figure 46: Close-Up on the Face......................................................................
59
Figure 47: Walking to the Church....................................................................
61
Figure 48: Inside the Church ...........................................................................
61
Figure 49: Exploring One Room......................................................................
62
Figure 50: Exploring the Other Room..............................................................
62
Figure 51: Chaplain is looking at Michele .........................................................
63
Figure 52: Michele is looking at Chaplain..........................................................
63
Figure 53: Chaplain stands up and waits for the Sign.....................................
63
Figure 55: Chaplain stands up and Receives the Sign ....................................
64
Figure 56: GSEs Beating Marc’s Gang from Straight Angle............................
64
Figure 57: GSEs Beating Marc’s Gang from Long Distance.............................
64
xv
Figure 58: The Guest Room...............................................................................
65
Figure 59: The Cells...........................................................................................
65
Figure 60: Chaplain feels anxious because they got no protection. ................
70
Figure 61: Chaplain feels anxious with the condition of his wife..................
71
Figure 62: Chaplain feels anxious with his wife after he calls her...............
71
Figure 63: Chaplain Asks for help to Max.................................................... .
72
Figure 64: Chaplain strives to survive...............................................................
73
Figure 65: Chaplain strives to keep calm against big Marc.............................
74
Figure 66: Chaplain strives to keep his friendly attitude................................
75
Figure 67: Chaplain strives show his friendly attitude to keep his friend safe.
76
Figure 68: Chaplain strives to saves his wife through Max.............................
77
Figure 69: Chaplain has a dream to keep his friends save..............................
78
Figure 70: Chaplain has a dream get out from Jail...........................................
79
Figure 71: Chaplain has a dream to give the happiness to his wife. ..............
80
Figure 72: Chaplain strives is show his friendly attitude to keep his friend safe.
81
Figure 73: Chaplain has a good relationship with people...............................
82
Figure 74: Chaplain gives a present to Maxy....................................................
83
Figure 75: Chaplain is always doing exercise......................................................
84
Figure 76: Chaplain is a religious person.........................................................
85
xvi
Figure 77: The Bible is one of his guidances. ....................................................
85
Figure 78: The Socially Useful Type of Chaplain. ....................................... ....
86
Figure 79: The socially useful type of Chaplain where he pay the cruelty of
Marc Back. ................................................................................................... ...
xvii
87
DIRECTED BY JESSE V.JOHNSON (2009):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirements
for Getting Bachelor Degree of Education
in English Department
by:
Em Ade Isnanda
A 320 800 244
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2014
i
I
APPROVAL
PURSUING FOR JUSTICE OF DAVE MILLER IN GNEEN STREET 2 FILM
DTRECTED By JESSE V.JOHNSON (2009):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
by:
EM ADE ISNANDA
4320080244
Approved to be Examined
by the Consultant Team
Drs.Abdillah Nugroho,M.Hum.
Titis Setyabudi
ACCEPTANCE
PT]RSI]ING FOR.IUSTICE OF DAVE MTLLER IN GREEI{ STREET 2 FILM
DIREC i-ED
tir
iEssi,, V.JOHNSON
120u91:
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by
EM ADE TSNANDA
A320 080 244
Accepted and Approved by the Board of E,xaminers
School of Teacher Training and Education
Muhammadivah IJniversitv of
Sr"r
on......
Team of Examiners:
1. Drs.Abdillah Nugroho,M.Hum.
(Chair Person)
W@t,.
2. Titis Setyabudi S.S., M.Hum.
(Secretary)
3.
Dr. Phil Dewi Candraningrum, S.Pd, M.Ed.
(Member)
/- SrA"i,r.t-t-t*
\n.
ri
,,1: ,^:
a
,9
Dean.
(
ruL%
MOTTO
^ Life is simple, you make choices and you don’t look back.
^ You try, you fail, you try and fail, but the real failure is when you stop
trying!
^ Allah be with people who are patient
^ When you’re good no-one remembers, when you’re bad no-one forgets
^ Sometimes, you have to stand up when standing isn’t aesy.
v
DEDICATION
This research is dedicated to:
W My beloved mother and father
W My beloved brother and sisters “ Sandi, Nia and Iffa”
W My beloved friends
W My beloved the War-wer & Cromo family
W My friends in Muhammadiyah University of Surakarta 2008. Thanks
for everything.
vi
ACKNOWLEDGMENT
Alhamdulillah, the researcher finished this research paper as one of
requirements for achieving Bachelor Degree in English Department at
Muhammadiyah University of Surakarta. Thank to Allah SWT for His
blessing, helping, protection and everything. The researcher would like to
express his sincere gratitude to everyone who has given contribution to make
this research paper more completely. Therefore, the researcher would like to
express his sincere gratitude to:
1. Dra. Nining Setyaningsih, M.Si, Dean of the School of Teacher Training
and Education, Universitas Muhammadiyah Surakarta,
2. Titis Setiabudi, S.S., M. Hum as the Head of the English Department.
3. Drs.Abdillah Nugroho,M.Hum.. as the first consultant, who has given
guidance, advice, information, and time to share the story during the
arrangement of the research paper.
4. Titis Setyabudi S.S., M.Hum..as the second consultant who has corrected
the mistakes of the words and the grammar so that this research paper
becomes correct and interesting to read.
5. Dra. Rini Fatmawati, M.Pd. as the Academic Consultant for having
guidance and help indirectly during the research’s study in this university.
vii
6. All lecturers of English Department for their patience in teaching the
writer.
7. His beloved greatest PARENTS, thank for the love, prayer, support,
sacrifices, and strength for his life. He always does the best to make his
parents proud.
8. His beloved brother and sisters “Sandi, Nia and Ifa” who are very
patiently guided, supported, motivated and dedicated the researcher to the
better way of life.
9. His beloved friends in his house especially Hendi, Alfian, Puguh, Aya’
and Tatang.
10. His unforgettable friends in “War_Wer”: my lovely Beni, Rea, Yono,
Telek, Fiska, Drajat, Faruq, Samsul, Ntup, Ayu, Mingle, Ibnu, Ipan, Wika,
Cungkrik, Aming, Aprill, Novita and others for the beautiful moment, and
jokes.
11. Those who cannot be mentioned one by one.
The researcher realizes that this research paper is still far from being
perfect. Therefore, the researcher invites the readers to give comments and
suggestion in order to make this research paper better.
Surakarta, October 2013
Em Ade isnanda
viii
TABLE OF CONTENT
COVER ................................................................................................................
i
APPROVAL ........................................................................................................
ii
ACCEPTANCE ..................................................................................................
iii
TESTIMONY ......................................................................................................
iv
MOTTO ..............................................................................................................
v
DEDICATION .....................................................................................................
vi
ACKNOWLEDGMENT ....................................................................................
vii
TABLE OF CONTENT .....................................................................................
ix
LIST OF FIGURE ..............................................................................................
xiii
ABSTRACT ......................................................................................................... xviii
CHAPTER I: INTRODUCTION ......................................................................
1
A. Background of the Study ...................................................
1
B. Literature Review ..............................................................
8
C. Problem Statement .............................................................
8
D. Limitation of the Study ......................................................
8
E. Objective of the Study .......................................................
8
ix
F. Benefit of the Study ...........................................................
9
G. Research Method ...............................................................
9
H. Research Paper Organization ...........................................
11
CHAPTER II: UNDERLYING THEORY .......................................................
13
A. Notion of Individual Psychology ......................................
13
B. Basic Assumption of Individual Psychology .....................
14
1. Inferiority Feeling .........................................................
14
2. Striving for Superiority .................................................
15
3. Style of Life ..................................................................
15
4. Social Interest ................................................................
18
5. Creative Power ..............................................................
19
6. Fictional Finalism .........................................................
19
C. Structural Elements of the Movie ......................................
20
1.Narrative Element ...........................................................
20
a. Character and Characterization ................................
20
b. Plot ...........................................................................
20
c. Setting .......................................................................
21
d. Point of View ...........................................................
22
e. Theme .......................................................................
22
2. Technical Elements .......................................................
22
a. Mise-en-Scene ..........................................................
23
b. Casting .....................................................................
25
x
c. Cinematography ........................................................
26
d. Sound .......................................................................
28
e. Editing ........................................................................
28
D. Theoretical Application ....................................................
30
CHAPTER III STRUCTURAL ANALYSIS .........................................
A. Structural Elements .............................................................
31
31
1. Narrative Elements ..........................................................
31
a. Character and Characterization ..................................
31
b. Setting .........................................................................
38
c. Plot ..............................................................................
39
d. Point of View .............................................................
46
e. Theme .........................................................................
46
2. Technical Elements .........................................................
47
a. Mise-en-Scene .............................................................
47
b. Cinematography .........................................................
54
c. Sound ..........................................................................
59
d. Editing ........................................................................
60
B. Discussion .............................................................................. 65
CHAPTER IV INDIVIDUAL PSYCHOLOGICAL ANALYSIS .....
69
A. Individual Psychology ........................................................
69
1. Inferiority Feeling ..........................................................
69
2. Striving for Superiority ...................................................
73
3. Fictional Finalism............................................................
77
4. Creative Power ................................................................
80
5. Social Interest .................................................................
82
xi
6. Style of Life.....................................................................
84
B. Discussion ...........................................................................
87
CHAPTER V CONCLUSION AND SUGGESTION ..............................
91
A. Conclusion ...............................................................................
91
B. Suggestion ...............................................................................
92
C. Educational Implication ...........................................................
93
BIBLIOGRAPHY
VIRTUAL REFERENCE
xii
LIST OF FIGURE
Figure 1: The Chaplain (Dave) ........................................................................
31
Figure 2: Marc ..................................................................................................
32
Figure 3: Jess Abbot .........................................................................................
33
Figure 4: Abbot Torturing Ned .......................................................................
34
Figure 5: Michelle 'Red' Miller .......................................................................
34
Figure 6: Fosterville Guard (as Nicola Bertrtam) ............................................
36
Figure 7: Max ...................................................................................................
37
Figure 8: Fosterville Prison .............................................................................
38
Figure 9: Fosterville Church ...........................................................................
39
Figure 10: The GSEs are put in Fosterville Prison. ...................................... ...
39
Figure 11: The GSE’s Brutality in Prison ........................................................
40
Figure 12: The GSEs meets Big Marc. ............................................................
40
Figure 13: Chaplain meets with Supporters. ....................................................
41
Figure 14: Marc’s gang attacks the GSE’s members .......................................
42
Figure 15: The GSEs Attack one of Marc’s Gang members ...........................
42
Figure 16: Chaplain is being attacked by Marc ...............................................
43
Figure 17: Marc kidnapped Chaplain’s girlfriend............................................
43
Figure 18: Chapalain is asking for help ...........................................................
45
xiii
Figure 19: Nicola is Arrested by the Government. ..........................................
46
Figure 20: Costumes for Prisoners 1 ................................................................
47
Figure 21: Costumes for Prisoners 2 ................................................................
47
Figure 22: Daily Costume at Home .................................................................
48
Figure 23: Costume for Officers ......................................................................
48
Figure 24: Costume for Officers and Guards ...................................................
48
Figure 25: Simple and Natural Make-Up .........................................................
49
Figure 26: The Blood on the Face ....................................................................
49
Figure 27: The Bruises on the Left Eye ...........................................................
50
Figure 28: Natural Daylight 1 ..........................................................................
50
Figure 29: Natural Daylight 2 ..........................................................................
51
Figure 30: Soft Lights from the Outside 1 .......................................................
51
Figure 31: Soft Lights from the Outside 2 .......................................................
51
Figure 32: The Light Source from the Light on the back and the Sun on the Roof. 52
Figure 33: Source Light from Sun at Dawn .....................................................
52
Figure 34: Black and Orange ...........................................................................
53
Figure 35: Black and White .............................................................................
53
Figure 36: The Light from Outside 1 ...............................................................
54
Figure 37: The Light from Outside 2 ...............................................................
54
xiv
Figure 38: The Slow Motion before the Duel ..................................................
55
Figure 39: The Slow Motion on the Fight........................................................
55
Figure 40: Straight Camera Shot 1 ...................................................................
56
Figure 41: Straight Camera Shot 2 ...................................................................
56
Figure 42: The High Angle Shot ......................................................................
57
Figure 43: Low Angle Shot ..............................................................................
57
Figure 44: Long Shot .................................................................................. ...
58
Figure 45: Medium Shot...................................................................................
58
Figure 46: Close-Up on the Face......................................................................
59
Figure 47: Walking to the Church....................................................................
61
Figure 48: Inside the Church ...........................................................................
61
Figure 49: Exploring One Room......................................................................
62
Figure 50: Exploring the Other Room..............................................................
62
Figure 51: Chaplain is looking at Michele .........................................................
63
Figure 52: Michele is looking at Chaplain..........................................................
63
Figure 53: Chaplain stands up and waits for the Sign.....................................
63
Figure 55: Chaplain stands up and Receives the Sign ....................................
64
Figure 56: GSEs Beating Marc’s Gang from Straight Angle............................
64
Figure 57: GSEs Beating Marc’s Gang from Long Distance.............................
64
xv
Figure 58: The Guest Room...............................................................................
65
Figure 59: The Cells...........................................................................................
65
Figure 60: Chaplain feels anxious because they got no protection. ................
70
Figure 61: Chaplain feels anxious with the condition of his wife..................
71
Figure 62: Chaplain feels anxious with his wife after he calls her...............
71
Figure 63: Chaplain Asks for help to Max.................................................... .
72
Figure 64: Chaplain strives to survive...............................................................
73
Figure 65: Chaplain strives to keep calm against big Marc.............................
74
Figure 66: Chaplain strives to keep his friendly attitude................................
75
Figure 67: Chaplain strives show his friendly attitude to keep his friend safe.
76
Figure 68: Chaplain strives to saves his wife through Max.............................
77
Figure 69: Chaplain has a dream to keep his friends save..............................
78
Figure 70: Chaplain has a dream get out from Jail...........................................
79
Figure 71: Chaplain has a dream to give the happiness to his wife. ..............
80
Figure 72: Chaplain strives is show his friendly attitude to keep his friend safe.
81
Figure 73: Chaplain has a good relationship with people...............................
82
Figure 74: Chaplain gives a present to Maxy....................................................
83
Figure 75: Chaplain is always doing exercise......................................................
84
Figure 76: Chaplain is a religious person.........................................................
85
xvi
Figure 77: The Bible is one of his guidances. ....................................................
85
Figure 78: The Socially Useful Type of Chaplain. ....................................... ....
86
Figure 79: The socially useful type of Chaplain where he pay the cruelty of
Marc Back. ................................................................................................... ...
xvii
87