Clay’s Struggle for Discrimination towards his Belief
                                                                                showing what is inside him, the real him, he wants to knock Lula and her people off  to  the  lowest  level,  showing  he  and  his  people  have  rights  to  live  equally  in
peace in one nation of the U. S. Clay also has high hopes that Lula and her people sees what they say about
him  is  a  reflection  of  the  White  Americans.  Yet  Clay  tries  to  recover  his  lost African  culture  with  the  growing  sense  of  black  power  and  anger.  Being
provoked,  he  challenges  Lula  expressing  his  authentic  self  Diyaiy,  2009:  19. Clay’s murder proves that the righteous does not always triumph, and that reality
would simply not allow things to be the way they should. The course of events  is doomed,  Clay’s  murder  and  the  new  cycle  beginning  in  the  end  with  Lula  and
another prey prove it, again with another African American man carrying books. After  several  racial  stereotypings  Lula  said  to  Clay,  the  writer  gives  the
outline of Clay’s struggle. As the writer analyzes this play, Clay struggled for the
labelings  he  experiences,  such  as  Uncle  Thomas  and  belly  rub.  He  criticizes Lula’s propensity to appropriation instead of ridicules Lula for being racist against
his  people.  His  struggle  to  back  up  of  blues  music  is  also  evidence  that  he  is already  tired  of  Lula’s  mock  by  singing  in  blues-y  tunes.  He  includes  Bessie
Smith  as  an  example  to  counter  white  people  who  love  black  music.  Another struggle Clay fights for is his belief. He knows that being a Christian for him and
his  people  is  not  easy.  There  are  political  issues  regarding  their  beliefs  as Christianity is controlled by white people. Clay also has to struggle to keep being
sane against the whites.  As the writer stated that  for Clay, sanity equals murder. He knows exactly that killing does not solve problems between him and Lula. The
last evidence of Clay’s struggle is  for being himself, as African American man. He  tells  Lula  to  let  him  be  whatever  he  wants  to  be,  yet  he  does  not  care  about
Lula’s statement regarding “fake white man” label she addresses to him.
                                            
                