Les Miserables and the reality

23 The changes in the society are reflected through the plot of the story. Hugo creates an extricate plot in Les Miserables to show social process and describe the changes of people way of life as the result of their belief and ideology. This connect ion leaves us a gap to analyze Hugo’s ideology transformation and a social construction depicted in Les Miserables.

2. Les Miserables and the reality

As Eagleton has emphasized that a literary work is not merely a copy of reality, Les Miserables is also an active reflection or a medium to show the readers a real reality. The real reality here means that in some degree, Les Miserables is indeed a copy of the social condition around the revolution but it has been modified with Hugo’s point of view and interpretation to the social condition. The characters and the narrations of each character are both Hugo’s point of view to what actually happened in the society. Hugo’s belief here leads the readers to see Les Miserables as an example of interpretation of what really happened in the society around the revolution era in Paris. It creates a room to analyze Les Miserables as a literary work that reflects more than one aspects of social life. The analysis of the reality depicted in Les Miserables leads to a study where Les Miserables is analyzed as a projection of reality is Mario Vargas Llosa’s book entitled The Temptation of The Impossible. In this book, Vargas Llosa analyzes Les Miserables as a complex projection of social life that creates a space to conduct interdisciplinary research. Other researches are the interdisciplinary studies incorporating social and economic disciplines. One example of interdisciplinary research is a journal by Qurat-ul-ain Ahmad, Sofia Dildar Alvi 24 and Abdul Baseer entitled “Victor Hugo’s Les Miserables: A Marxist Consciousness”. Ahmad, Alvi and Baseer show that there is economic and social relationship between the upper class and the lower class which is constructed in order to perpetuate the tyranny of the upper class 66 . They analyze the social structure which is depicted in Les Miserables based on Marxist reading to see how the society is constructed with social power and economic condition where the rich bourgeois has control not only in economic field but also to perpetuate the social structure 67 . The depiction of social condition in Les Miserables create a clear purpose for the journal as there is written: The research tries to establish the fact that economic parity and social impartiality are the best means to resolve the contradictory issues and to abolish the absurdity of life. The paper demonstrates that it is the behavior of society at large that encourages the criminality among the normal behavior oriented people. 68 Ahmad et al show an analysis in social and economic field with Les Miserables as a model of social construction. This analysis further shows that the novel projects the society as well, especially through Hugo’s narration which explains the characters and their social condition. The vivid depiction of the society in Les Miserables is supported by Vargas Llosa’s argument that states Les Miserables is a real reality 69 . These situations become an underlying reason to write the journal entitled “Victor Hugo’s Les Miserables: A Marxist Consciousness” since Hugo also clearly presents human behaviour due to the economic condition. 66 Q. Ahm ad et al, “Victor Hugo Les Miesrables: Amarxist Consciousness”, 5.5 2013 67 Q. Ahmad et al, 5.5 2013 68 Q. Ahmad et al, 5.5 2013 69 M. Vargas Llosa, The Temptation of the Impossible, 12 25 Les Miserables creates a complete picture of a society, especially when Hugo explains about Jean Veljean. The protagonist of the novel, Jean Veljean, shows how economic condition and power affects his life and status 70 . Jean Veljean is a symbol of human life which is constrained by his social condition. Hugo explains in his narration that Jean Veljean becomes a thief for he was poor and hungry as a child and nobody taught him to work for the food 71 . The society has turned him into a felon who steals a loaf of bread. Then the society, for one more time, turns him into a respected man after he has successfully changed his identity to the Monsieur Madeliene and great economic and social status 72 . Besides Jean Veljean, Fantine is a symbol of an oppressed lower class person. Hugo describes Fantine as an ignorant woman who grows up without any education or clear family background 73 . Unlike Jean Veljean who turns into a respected man, the contact to the upper class even makes Fantine’s life more depressed 74 . While reading the story of Jean Veljean and Fantine’s life, the readers constantly find that Hugo interrupts the story both to narrate and to explain and judge the situation. This writing style is what Vargas Llosa points out as a creative writing process where Hugo created the real reality in Les Miserables 75 . The studies place Les Miserables as a theory of human society which enables the readers to understand how the social and economic condition constrains peop le’ life. Indeed Hugo writes Les Miserables as a model of human 70 V. Hugo, Les Miserables, 92 71 V. Hugo, 92 - 94 72 V. Hugo, 156 - 157 73 V. Hugo, 123 74 V. Hugo, 150 - 154 75 M. Vargas Llosa, The Temptation of the Impossible, 12 - 13 26 life which is in line with Marxist concept to some degree 76 . Les Miserables is not just a portrayal of reality, there is a creative writing process that modifies the reality into a fiction due to Hugo’s intention. Eagleton states that literary works are written as an active reflection of the society in which the author can use his imagination and their language power to create a projection of a society 77 . This social studies prove that creative writing process in Les Miserables creates complex projection of society, so it supports the analysis of Hugo’s creative process which reflects Hugo’s ideology transformation.

3. Les Miserables and its surrogation