I’m still there everywhere I’m the dust in the wind
I’m the star in the northern sky I never stayed anywhere
I’m the wind in the trees Would you wait for me forever?
2.2 The History and Theory of Lyric
Exploring and examining lyrics are not simply comprehending and paraphrasing lyrics as well as studying poems, but also concerning with the
history and theory of lyrics. The research, as in the qualitative literary research, has to be done in a
proper conceptional preparation. The literary research can probably be trapped in an ‘amateur’ activity with unexpected results of function and duty of the research
without a strong conceptional foundation Atar Semi, 1993: 46. Therefore, the writer is about to complete the final project with the history and theory of lyric.
Since examining the lyric is important, the writer puts the focus of the history of Lyric on the first before explaining the theory.
2.2.1 The History of Lyric
Based on http:etymonline.comindex.php?term=lyric, Lyric, in ancient Greece, is a poem accompanied by a musical instrument, usually a lyre. Although
the word is still often used to refer to the songlike quality in poetry, it is more generally used to refer to any short poem that expresses a personal emotion, be it a
sonnet, ode, song, or elegy. In early Greek poetry a distinction was made between the choral song and the monody sung by an individual.
The monody was developed by Sappho and Alcaeus in the 6th cent. B.C., is the choral lyric by Pindar later. Latin lyrics were written by Catullus and Horace
in the 1st cent. B.C. In the middle Ages the lyric form was common in Christian hymns, in folk songs, and in the songs of troubadours. In the Renaissance and
later, lyric poetry achieved its most finished form in the sonnets of Petrarch, Shakespeare, Spencer, and Sidney and in the short poems of Ronsard, Ben Jonson,
John Donne, Herrick, and Milton. The romantic poets emphasized the expression of personal emotion and
wrote innumerable lyrics. Among the best are those of Robert Burns, Blake, Wordsworth, Shelley, Keats, Lamartine, Hugo, Goethe, Heine, and Leopardi.
American lyric poets of the 19th century included Emerson, Whitman, Longfellow, Lanier, and Emily Dickinson. Among lyric poets of the 20th century
are W. B. Yeats, A. E. Housman, Rainer Maria Rilke, Federico GarcÃa Lorca, W. H. Auden, Stephen Spender, Edna St. Vincent Millay, Wallace Stevens, Elinor
Wylie, Dylan Thomas, and Robert Lowell. After examining the history of lyric as written above, this following is the
theory which is believed to complete the examining and understanding of the lyric that is discussed in this final project.
2.2.2 The Theory of Lyric
