An analysis of code-switching made by the juries of Indonesian Idol 2012.
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f o e n o s i h s il g n
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s - iswtching i saphenomenon t o swtich one l anguagei nto anothe r .s e g a u g n a l o w t t s a e l t a w o n k o h w e l p o e p y b d e s u y l n o m m o c s i ti d n a e g a u g n a l e d o c f o s n o s a e r e l b i s s o p e h t y fi t n e d i o t d e t c u d n o c s a w y d u t s s i h T -n a o t d n a s e ir u j 2 1 0 2 l o d I n a i s e n o d n I y b e d a m g n i h c ti w
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a -swtiching and inapprop irate code-swtiching made by them. s t n e m m o c ’ s e ir u j e h t g n i s y l a n a y b h c r a e s e r s i h t d e t c u d n o c r e ti r w e h t ,r e v o e r o M . s e c n a m r o f r e p ’ s t n a t s e t n o c e h t n o y b d e s u s a w t a h t d o h t e m h c r a e s e r e h t e c n i
S the wrtie r wa s conten t
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d mances ,
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o -swtiching and 33
e d o c e t a ir p o r p p
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(2)
ii i v
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o .Yogyakatra :SanataDharmaUniverstiy.
f o e n o s i h s il g n
E the widely used language sin the wo lrd today .Since e r a e l p o e p y n a m , d lr o w e h t n i s e g a u g n a l t n a tr o p m i e h t f o e n o s e m o c e b h s il g n E r a l u p o p a e m o c e b s a h h s il g n E , d l e if n o it a c i n u m m o c n I . ti g n i n r a e l n i d e t s e r e t n i n a i s e n o d n I d n a h s il g n E x i m o t d n e t e l p o e P . a i s e n o d n I n i y lr a l u c it r a p , e g a u g n a l e d o c d e ll a c s i n o n e m o n e h p f o d n i k s i h T . n o it a s r e v n o c e v a h y e h t n e h w e g a u g n a l -e d o C . g n i h c ti w
s - iswtching i saphenomenon t o swtich one l anguagei nto anothe r .s e g a u g n a l o w t t s a e l t a w o n k o h w e l p o e p y b d e s u y l n o m m o c s i ti d n a e g a u g n a l e d o c f o s n o s a e r e l b i s s o p e h t y fi t n e d i o t d e t c u d n o c s a w y d u t s s i h T -n a o t d n a s e ir u j 2 1 0 2 l o d I n a i s e n o d n I y b e d a m g n i h c ti w
s alyset hecompairson o f
e d o c e t a ir p o r p p
a -swtiching and inapprop irate code-swtiching made by them. s t n e m m o c ’ s e ir u j e h t g n i s y l a n a y b h c r a e s e r s i h t d e t c u d n o c r e ti r w e h t ,r e v o e r o M . s e c n a m r o f r e p ’ s t n a t s e t n o c e h t n o y b d e s u s a w t a h t d o h t e m h c r a e s e r e h t e c n i
S the wrtie r wa s conten t
y r a m ir p e h t e m a c e b e h s , s i s y l a n
a insrtument .Moreover ,the wrtie ralso used e h t d e z i n a g r o e h s , ll a f o t s ri F . a t a d e h t g n i s y l a n a n i r e h e s a e o t d o h t e m t s il k c e h c r o fr e p ’ s t n a t s e t n o c 2 1 0 2 l o d I n a i s e n o d n I f o s o e d i v m o r f t o g e h s t a h t a t a
d mances ,
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o -swtiching and 33
e d o c e t a ir p o r p p
a -swtiching .
The ifndings showedtwo mostf requenltyreason so fcode-swtichingmade e d o c e h t . e .i , s e ir u j e h t y
b -swtichingwasi mpiledt oqualfiyt hemessagesf romt he e h t s s e r p m i o t s u t a t s l a i c o s ’ s r e k a e p s e h t e s i a r o t d n a s e e s s e r d d a e h t o t s r e k a e p s n e t n o c d e s u r e ti r w e h t , n o it a l u m r o f m e l b o r p d n o c e s e h t e v l o s o T . s e e s s e r d d
a t
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t -swtiching sincet herewa sno c o t y ti s s e c e
n o -deswtich t heril anguages .Moreove ,r t hel anguagecompetency i n e d o c n i d e ri u q e r s i s e g a u g n a l h t o
b -swtiching .A person who ha sgood l anguage n o s r e p a o t d e r a p m o c s e g a u g n a l g n i h c ti w s n i r e tt e b m r o fr e p d l u o w y c n e t e p m o c . y c n e t e p m o c e g a u g n a l f o k c a l o h w w y e
(11)
ii i v
K
A
R
T
S
B
A
3 1 0 2 . it i V a h t a g A , i n i a r g g nA .AnAnalysi so fCode-swtiching Madebyt heJurie s .
2 1 0 2 l o d I n a i s e n o d n I f
o Yogyakatra:UniverstiasSanataDharma. a
s a h a
B Inggris merupakan bahasa yang banyak digunakan diseluruh .
a i n u
d Banyak orang belajar Bahasa Inggris karena bahasa tersebut menjadi h
a l a
s us at bahasayangs angatpenitnguntukdikuasa.iDalambidangkomunika is , a
s a h a
B Inggris menjadi bahasa yang popular ,khususnya d iIndonesi a. Banyak g
n u r e d n e c g n a y a i s e n o d n I k u d u d n e
p untuk mengkombinasikan Bahasa Inggris n
a
d Bahasa I ndonesia keitkasedang berkomunikas.i Fenomena ii n se irngdisebut n
a g n e
d i tsliah ha il kode. hA il kodemerupakansuatufenomenadimanapembicara n
a k p is i y n e
m suatu istliah dalam bahasa nl ai kedalam bahasanya nd a umumnya n
a k u k a li
d ho le merekayangmenguasaisekurang-kurangnya ad u bahasa. n
a it il e n e
P ii n dliakukan untuk mengidenitifkasi alasan – alasan yang n
a k n i k g n u m e
m d haria il kodeyangdliakukan ho le para ij ur IndonesianI do l2012 n
a
d untukmenganalsiisperbandingan ha il kodeyang sesuai nd ha a il kodeyang k
a d
it sesua iyang dibuat o leh mereka .Selain tiu ,untukmendapatkan data yang s
il u n e p , n a k u l r e p i
d menganailsis komentar-komentar para j u ir tentang n
a li p m a n e
p parapesertaIndonesianI do l2012. e
d o t e
M peneilitan yang digunakan penuils adalah conten t analysis , a
g g n i h e
s penuilspada kesempatan ii n menjadia lat peneilitan utama. Disamping s
il u n e p , u
ti juga menggunakan metode checkils t untuk memudahkan dalam .
a t a d s i s il a n a g n e
m Pertama-tama ,penuils menyusun data yang ia peroleh dar i o
e d i
v -video penamplian para pese tra Indonesian Ido l2012 ,dan mengkaijulang h
a l e t e S . t u b e s r e t a t a
d tiu ,penulsimengidekitifka iskategor i– kategoriumumdar i .
h e l o r e p i d g n a y a t a
d Sebagai haslinya, t erdapa t84 ailh kode yang itdak sesuai h
il a 3 3 n a
d kodeyangs esua.i n
a k r a s a d r e
B analsiistersebu,tt erdapat ad u kemungkinanalasanpara irj u 2
1 0 2 l o d I l a i s e n o d n
I melakukan a ilh kode , yatiu a ilh kode dliakukan untuk n
a k n a k e n e
m suatu pesan yang disampaikan kepada pendengar d an untuk s
u t a t s n a k k i a n e
m socia lmereka dem imengesankanparapendengar .Selanjutnya , k
u t n
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O I T C U D O R T N I .I R E T P A H C
.
A ResearchBackground……… .
B ProblemFormulaiton……… .
C ProblemLimtiaiton……… .
D ResearchObjecitve……… .
E ResearchBeneftis………. .
F DeifniitonofTerms……….. E
R U T A R E T I L D E T A L E R F O W E I V E R . I I R E T P A H C
.
A Theoreitca lDesc irpiton………. .
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2 Type so fCode-Swtiching……… .
3 T heReasons o fCode-swtiching………. .
4 TheFunciton so fCode-swtiching………... .
5 IndonesianI dol……… .
6 TheBiographyofI ndonesiani do l2012J u ires……….. .
7 QualtiaitveResearch……….………. .
8 Conten tAnalysis………. .
B Theoreitca lFramework……….
.I I I R E T P A H
C RESEARCHMETHODOLOGY .
A ResearchMethod………... .
B ResearchSetitng……… .
C ResearchSubject………... .
D Insrtument sandDataGatheirngTechnique………. .
E DataAnalysi sTechnique………... .
F ResearchProcedure……….. I
R E T P A H
C V .RESEARCHRESULTSANDDISCUSSION .
A T heReasons o fCode-swtiching………..……….. .
B TheJ u ire sApprop irateandInapprop irateCode-swtiching n
o s ir a p m o
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C TheGenera lCompa irsono fApprop irateandInapprop irate e
d o
C -swtiching………... S N O I T A D N E M M O C E R D N A S N O I S U L C N O C . V R E T P A H C
.
A Conclusions………... .
B Recommendaitons………. S
E C N E R E F E
R ……… S
E C I D N E P P
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2 5
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(18)
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1 I R E T P A H C N O I T C U D O R T N I h c r a e s e r g n ir e v o c , n e s o h c c i p o t e h t o t n o it c u d o rt n i e h t s t n e s e r p I r e t p a h C h c r a e s e r , e v it c e j b o h c r a e s e r , n o it a ti m il h c r a e s e r , m e l b o r p h c r a e s e r , d n u o r g k c a b .s m r e t f o n o it i n if e d d n a , s ti f e n e b .
A ResearchBackground f o e n o s i h s il g n
E widelyusedl anguagesi n t hewo lrd t oday .SinceEngilsh d e t s e r e t n i e r a e l p o e p y n a m , d lr o w e h t n i s e g a u g n a l t n a tr o p m i e h t f o e n o s e m o c e b o t d e c r o f e r a h s il g n E g n i n r a e l n i d e t s e r e t n i t o n e r a o h w e s o h t n e v E . ti g n i n r a e l n i l g n E g n i y d u t s e r a s r e n r a e L . ti n r a e
l ish fo rd fiferen treasons :because i ti sa l a o g r e h t o e m o s h s il p m o c c a o t ti d e e n y e h t e s u a c e b r o t n e m e ri u q e
r s,s uchast oge t
b o j f o e p y t r a l u c it r a p a t e g o t r o e g e ll o c o t n
i (Bardovi-Harilq & Harftord ,1997) . a m n i , e l p m a x e r o
F ny job vacancie sin Indonesia ,i ti swirtten tha tone o fthe . h s il g n E e v i s s a p t s a e l t a h s il g n E r e t s a m o t e v a h s t n a c il p p a e h t s i s t n e m e ri u q e r f o e r o c s n i a tr e c e v a h o t s t n a c il p p a e h t e ri u q e r s e i n a p m o c y n a m , r e v o e r o M s il g n E n r a e l e m o s d n a h r e h t o e h t n O . L F E O
T h because they are interested in m o c e b o t n o it n e t n i h ti w r o e r u tl u c t e g r a t g n i n r a e
l e close rto the targe tcutlure . People who learn Engilsh fo r integraitve reason s tend to be bette r in
s e it i v it c a e v it a c i n u m m o
c (Bardovi-Harilq&Harftord ,1997) .
sA stated bythef ac tabove ,manypeopler eailzet hatl earning Engilsh i sa y r e t s a m e h T . s n o s a e r e v it a r g e t n i r o s n o s a e r l a t n e m u rt s n i r e h ti e r o f s y a d a w o n t s u m n i s a h c u s s t c e p s a y n a m n i e l p o e p t s i s s a l li w h s il g n E f
(20)
s n o it a c i n u m m o c n I . s n o it a c i n u m m o
c ,Engilsh ha sbecome a popula rlanguage , e g a u g n a l n a i s e n o d n I d n a h s il g n E x i m o t d n e t e l p o e P . a i s e n o d n I n i y lr a l u c it r a p
e d o c d e ll a c s i n o n e m o n e h p f o d n i k s i h T . n o it a s r e v n o c e v a h y e h t n e h
w -swtiching .
e d o
C -swtiching i sa phenomenon to swtich one language into anothe rlanguage d
n
a i t i s commonly used by people who know a t leas t two languages . In e
d o c f o e s u e h t , e v it c e p s r e p c it s i u g n il o i c o
s -swtiching aim s fo r so ildartiy . c
e l p o e p , e s a c r e h t o n a n i , r e v e w o
H o -deswtich when they do no t know the e
g a u g n a l t e g r a t n i n o it a l s n a rt e t a ir p o r p p
a (Wardhaugh ,1992),f o rexamplewhena e li h w a r o f t n e li s s p e e k e h s , t a e s t o h d e ll a c h c e e p s t r o h s g n ir e v il e d s i t n e d u t s I B P
f o d r o w h s il g n E e h t t u o b a g n i k n i h
t “gubraykkan” .A tfe ra whlie ,she use sthe d
r o
w gubrayk nka becauseshecanno t ifndt ha tword i nEngilsh. In t hi scase ,she .
g n i k a e p s r e h n i h s il g n E d n a e g a u g n a l e s e n a v a J s e h c ti w s
The use o fcode-swtiching i salso found in a television show called d
e v l o v n i e r e w o h w e l p o e p f o t s o M . 2 1 0 2 l o d I n a i s e n o d n
I such as t he maste ro f
s e ir u j e h t d n a , s t n a t s e t n o c e h t , y n o m e r e
c in tha t program tended to swtich I
. h s il g n E o t n i e g a u g n a l n a i s e n o d n
I n t hi scase, t heone swhoused t o code-swtich e
g a u g n a l r i e h
t s ew re the ju ires .They tended to mix Indonesian language and e
c n a m r o f r e p ’ s t n a t s e t n o c e h t g n it n e m m o c e r e w y e h t n e h w h s il g n
E s . Thi s
d e t c a rt t a n o n e m o n e h
p the wrtier’ s interes t to identfiy why the ju ire s code -e
g a u g n a l r i e h t d e h c ti w
s s and whether the code-swtiching tha tthey made were y
r a s s e c e
n .
n o it a n a l p x e r e h tr u f e e s o
T so f code-swtiching made by the ju ire s o f e d o c g n i o d r o f s n o s a e r e l b i s s o p e h t s s u c s i d l li w s i s e h t s i h t , 2 1 0 2 l o d I n a i s e n o d n
(21)
-i h c ti w
s ng and the compairson between approp irate and inapprop irate code -.s
e ir u j e h t y b e d a m g n i h c ti w s
.
B ResearchProblems
s n o it s e u q o w t g n i w o ll o f e h t s e s s e r d d a r e ti r w e h t , h c r a e s e r s i h t n
I :
.
1 Wha tare et h reasons oft heuseo fcode-swtichingbyt hej u ires? .
2 Whati sthecompairson between approp iratecode-swtiching and inapprop irate e
d o
c -swtiching?
.
C ProblemLimtia iton
e c n a m r o fr e p ’ s t n a t s e t n o c l o d I n a i s e n o d n I f o s o e d i v e h t n
I s tha thad been
s o h
c en by the wrtier , the ju ire s swtiched thei r language when they were n
i n i a l p x
e g something .Hence ,thi sresearch only focused on the code-swtiching e
n o d n I f o s e ir u j e h t y b e d a
m sian Ido l2012 .The ju ires were Agne sMonica , h
a y s n a m r e H g n a n A d n a , i n a h D d a m h
A ast he j u iresi n Indonesian Ido l2012 .To i
v l a r e v e s e s o h c r e ti r w e h t , a t a d e h t t c e ll o
c deo soft hecontestantswhichcontained e
d o
c -swtiching and downloaded them from Youtube.com .A tferwards ,she made a
d e h t f o s i s y l a n a e h T . s o e d i v e s o h t f o t p ir c s n a rt e h
t tawa sdonef rom how o tfen
e ir u j e h
t suse code-swtiching, and the utterance sthey used when they code -.
e g a u g n a l ri e h t d e h c ti w s
.
D ResearchObjecitve
n a e h t t u o d n if o t d e d n e t n i s i h c r a e s e r s i h t s
A swer sof t he problems, t he lt
s ri F . s e v it c e j b o o w t o t s a h r e ti r
(22)
e d o c e s u s e ir u j e h t y h w n o s a e r e l b i s s o p e h t t u o d n if d l u o w r e ti r w e h
t -swtiching.
o c r a e l c e h t t u o d n if d l u o w r e ti r w e h t , y l d n o c e
S mpairsonbetweent heapprop irate d
n
a inapprop iratecode-swtichingwhichmadebyt hej u ire .s
.
E ResearchBeneftis
t n o it a m r o f n i l a i c if e n e b e v i g o t r e d r o n i d e t c u d n o c s i h c r a e s e r s i h
T o the
d n a s r e h c r a e s e r e r u t u
f readers .
.
1 Thef uturer esearchers
d e t s e r e t n i e r a o h w s r e h c r a e s e r e r u t u f e h t p l e h l li w y ll u f e p o h h c r a e s e r s i h T
t u o b a n o it a m r o f n i h c u m g n i v i g y b c i p o t e m a s e h t h ti w h c r a e s e r g n it c u d n o c n i
y e h T . g n it ir w r i e h t r o f c i p o t e h t d n u o f t o n e v a h o h w m e h t g n ir i p s n i r o c i p o t ri e h t
o t y rt n a
c conduct astudyaboutt hist opici nvairousotherissues .
.
2 Ther eaders
d e t s e r e t n i e r a o h w e s o h t r o f e li h w h tr o w e b l li w h c r a e s e r s i h
T in l earning
e d o
c -swtiching .Moreover ,i twli lgive deep understanding o fapprop irate and e
t a ir p o r p p a n
i code-swtiching .In t his t hesis ,reader swillbe provided wtih much t
n a tr o p m
i informaitonabou tcode-swtiching.
.
3 PBIs tudents
n i d e t s e r e t n i e r a o h w s t n e d u t s I B P e h t d i a l li w y lt n a t c e p x e h c r a e s e r s i h T
o m e v i g o t c it s i u g n il g n i d n e h e r p m o
c re informaiton abou t approp iratecode -d
n a g n i h c ti w
(23)
.
F De ifniiton so fTerms , s i s e h t s i h t n
I therearesomet ermst ha tprobablyunfamiilart ot her eaders . t u o b a n o it p ir c s e d r a e l c a e v i g l li w y lt n a t c e p x e s n o it i n if e d g n i w o ll o f e h t , e c n e H
.s d r o w e s o h t
.
1 C eo -d swtiching e
d o
C -swtiching i san ablitiy to swtich from one language into anothe r e g a u g n a l e h t h c i h w n i t n e m n o ri v n e l a u g n il i b n i s n e p p a h y l n o m m o c t I . e g a u g n a l
. e u g n o t r e h t o m r i e h t s a l l e w s a s e g a u g n a l r e h t o e s u s r e s
u Code swtiching i s
s o m e h t y ll a it n e t o
p tcreaitveaspec to fb liinguals peech( Hoffman ,1991 .)
.
2 AppropriateCode-swtiching
a r e tt u r a l u c it r a p a y h w s e ir o g e t a c l a r e v e s e r a e r e h
T nce i sclassiifed a s
e t a ir p o r p p
a code-swtiching .Thosecatego ire sare: .
a Code-swtichingt ha tareusefuli nexplainingt hespeaker’ smind t
) 2 9 9 1 ( h g u a h d r a W n o d e s a
B hespeaker sswtich language sbecause t hey e
v a
h ilnguisitcde ifciency t o expres swhatt heyare goingt o say in onel anguage . h
c ti w s y e h t , e r o f e r e h
T thel anguagei nordert okeept heconversaitongoingwel.l
.
b Relaitvely easy to understand ,commonly acceptable to ilsteners ,and i ti s e
l b i s s o p e h t t u o d n if o t tl u c if fi
d rtanslaitoni nt argetl anguage
h c ti w s l li w s r e k a e p s e h t t a h t y a s ) 2 9 9 1 ( h g u a h d r a W d n a ) 2 8 9 1 ( n a e j s o r G
e h t t u o d n if t o n n a c y e h t fi s e g a u g n a l ri e h
t possible rtanslaitoni n t argetl anguage . y l n o m m o c e r a y e h t e c n i s s d r o w l a n i g ir o e h t e s u o t r e f e r p y e h t , e r o f e r e h T
. s r e n e t s il e h t o t e l b a t p e c c a
(24)
.
3 InappropriateCode-swtiching c n a r e tt u r a l u c it r a p a , s i s e h t s i h t n
I e i sl abelled i nto no tapprop iratecode -:f
i g n i h c ti w s
.
a Thecode-swtichingviolate sgeneralr uleo fcode-swtiching t
a h t s y a s ) 2 9 9 1 ( s e m l o
H the biilngual sshould concern on equivalen t t
n i a rt s n o
c ,the genera lrule o fcode-swtiching, which mean sthe biilngual scan h c a e s e h c t a m s e g a u g n a l h t o b f o r a m m a r g e h t h c i h w n i e g a u g n a l r i e h t h c ti w s
h t o b n i fi n u o n a d n a e v it c e j d a n a y l n o h c ti w s o t e k il d l u o w r e k a e p s e h T .r e h t o
a d n a e v it c e j d a n a f o r e d r o e m a s e h t e v a h e g a u g n a
l noun.
.
b Thecode-swtichingi sconsideredunnecessary
e d o c e h
T -swtiching i s an equa l o r a repeititon o f commonly used e h t o t r a il i m a f e r a e g a u g n a l t e g r a t n i s n o it a l s n a rt e l b i s s o p e h t d n a d r o w n a i s e n o d n I
. e g a u g n a l t e g r a t n i d e s u y l n o m m o c d n a s r e n e t s
il Thi scode-swtiching violates e
d o c s r e k a e p s e h t t a h t y r o e h t ) 2 9 9 1 ( s ’ h g u a h d r a
W -swticht heril anguage sbecause e
d o c l li w y e h t s n a e m h c i h w c i p o t f o e c i o h c f
o -swtich thei rlanguage si fthey .
e g a u g n a l t e g r a t n i n o it a l s n a rt e l b i s s o p e h t t u o s n if t o n n a c
.
4 IndonesianI dol
y b d l e h t n e v e l a u n n a n a s i l o d I n a i s e n o d n
I one o ftelevision staiton sin r
o f s d n a t s h c i h w I T C R y l e m a n a i s e n o d n
I Rajawal iCtira TelevisiI ndonesia. Thi s n i s e it i c g i b e m o s n i e n o d s a w n o it i d u a e h T . r e g n i s t a e r g a t u o d n if o t s m i a w o h s
a k a J s a h c u s a i s e n o d n
I tra ,Bandung ,Medan ,Yogyaka tra ,andMakassar .Thet ota l s i o h w t n a t s e t n o c e n o e b l li w e r e h t , e d o s i p e y r e v e n I . e v l e w t e r a s t n a t s e t n o c e h t f o
(25)
. d e t a n i m il
e Then, t here wli lbe t wo contestants l etf i n grand ifna lo fIndonesian .l
o d I
.
5 Jury
e g d ir b m a C n o d e s a
B dicitonary ,jury i s“a group o fpeople chosen to e r a l o d I n a i s e n o d n I n i s e ir u j e h t ,r e v e w o H . ” n o it it e p m o c a f o r e n n i w e h t e d i c e d
w o h S r a l u c a t c e p S o t o g l li w o h w s t n a t s e t n o c e v l e w t e d i c e d o t e l b i s n o p s e r y l n
o .
, t a h t r e tf
A the ju ire sare also responsible to give comment son the contestants ’ T
. s e c n a m r o f r e
p he winne ro fIndonesian Ido li sdecided by voitng from the .s
e c n e i d u a
(26)
8 I I R E T P A H C
E R U T A R E T I L D E T A L E R F O W E I V E R
d n a n o it p ir c s e d l a c it e r o e h t y l e m a n s tr a p n i a m o w t f o s t s i s n o c I I r e t p a h C
e d o c s t n e s e r p n o it p ir c s e d l a c it e r o e h t e h T . k r o w e m a r f l a c it e r o e h
t -swtiching, the
e d o c f o s e p y
t -swtiching ,the reason so fcode-swtiching ,the funciton so fcode -,
g n i h c ti w
s Indonesian Idol , biography o f Indonesian Ido l ju ires , qualtiaitve d n a s tr e p x e e h t y b s e ir o e h t f o w e i v e r e h t e r a h c i h w s i s y l a n a t n e t n o c d n a h c r a e s e r
a c it e r o e h t e h
t lw iritng sfrom the wrtie rrelated to thi sstudy .Meanwhlie ,the h
w s e ir o e h t t n a v e l e r r o j a m e h t f o l l a s e s s u c s i d k r o w e m a r f l a c it e r o e h
t ichassistt he
g n ir e w s n a n i r e ti r
w et h researchproblem. .
A Theoreitca lDescrip iton
e v i g o t s d n e t n i n o it p ir c s e d l a c it e r o e h
T clea rdescirpitonoft het heo ire sand e h t s t n e s e r p t I . s i s e h t s i h t f o c i p o t e h t h ti w t n a v e l e r e r a h c i h w n o it a m r o f n i
e d o c f o n o it i n if e
d -swtiching ,type so fcode-swtiching ,the possible reason so f e
d o
c -swtiching , Indonesian idol , biography o f Indonesian Idol 2012 ju ires , .
s i s y l a n a t n e t n o c d n a , h c r a e s e r e v it a ti l a u q
.
1 Code-Sw tiching
c ) 0 1 0 2 ( c e i m e i N n o d e s a
B o -deswtiching i sa phenomenon o fswtiching a , d r o w a e v l o v n i n a c n o n e m o n e h p e h T . e g a u g n a l r e h t o n a o t n i e g a u g n a l e n o m o r f
l a r e v e s r o e c n e t n e s a , e s a r h
p sentences .Gardne r(2009 )state sthat ,“i ti squ tie r o s t c e l a i d , s e g a u g n a l e r o m r o o w t e s u o t s r e k a e p s l a u g n il i b r o f e c a l p n o m m o c
(27)
) 1 9 9 1 ( n n a m f f o H . ” tr o f f e t n e r a p p a y n a t u o h ti w , n o it a s r e v n o c e m a s e h t n i s e it e ir a v t a h t s y a s o s l
a code swtiching i spoten itally t hemos tcreaitve aspec to fbiilngua l e d o c e s u y ll a n o it n e t n i e l p o e p e m o S . h c e e p
s -swtiching in thei rconversaiton fo r e d o c e s u y ll a n o it n e t n i n u y a m e m o s , r e v e w o H . e s o p r u p n i a tr e
c -swtiching i n t hei r
a h t e r a w a e b t o n y a m e l p o e p “ , s d d a ) 0 1 0 2 ( h g u a h d r a W . n o it a s r e v n o
c tt hey have
d e s u e v a h y e h t , e d o c h c i h w , n o it a s r e v n o c g n i w o ll o f ,t r o p e r o t e l b a e b f o d e h c ti w s h g u a h d r a W h ti w a e d i e m a s e h t s a h o s l a ) 2 9 9 1 ( s e m l o H ” . c i p o t r a l u c it r a p a r o f e d o c y e h t t a h t t c a f e h t f o e r a w a n u n e tf o e r a e l p o e p “ t a h t ) 0 1 0 2
( -swtich.” Fo r
c n a t s n
i e ,when aperson t alk sabou tcetrain t opicwtih he rfellow and she canno t e d o c o t s d n e t e h s , e g a u g n a l t e g r a t e h t n i n o it a l s n a rt e l b i s s o p y n a d n
if -swtich he r
e g a u g n a
l s.However ,someoft heuser sdonotr eailzet hatt heyusecode-swtiching . g n i k a e p s n
i Thi si sexample o fthe use o fcode-swtiching when Agne sMonica f o e n o n o d e t n e m m o
c theIndonesianI do lcontestants’ performances.
i d a t t a a s a d a p i y n a y n e m h a l a s a m a j a s p it t i k i d e s a d a n a m u c n i k g n u m i d a t n a m u C i r a d h a d n i p u m a
k chasevoicekefalsettoataudar ichasevoicekeheadvoice tiu it
a
h -hat ikarenakalaunggakhait-hat ikamubisaptichy.( Dera- Ceira) e m o s d e s u a c i n o M s e n g A , e l p m a x e t a h t n
I term sin foreign language . s o p e h t t u o d n if o t t l u c if fi d e r a h c i h w s m r e t c i s u m o t g n o l e b s d r o w e s o h
T sible
e g a u g n a l n a i s e n o d n I n i n o it a l s n a
rt . Hence ,people prefe r to use the o irgina l d n if n a h t r e h t a r e g a u g n a
l i ngoutt hepossible rtanslaitoni nt heril anguage . s e m l o H n o d e s a
B (1992 i)n swtiching t hel anguages ,the biilngual sshould n o n r e c n o
c equivalen tconsrtaint,t hegeneralr uleo fcode-swtiching,whichmean s s e g a u g n a l h t o b f o r a m m a r g e h t h c i h w n i e g a u g n a l ri e h t h c ti w s n a c s l a u g n il i b e h t
(28)
a d n a e v it c e j d a n a y l n o h c ti w s o t e k il d l u o w r e k a e p s e h T . r e h t o h c a e s e h c t a m
o e m a s e h t e v a h e g a u g n a l h t o b n i fi n u o
n rde ro fanadjecitveandanoun . .
2 Type so fcode-swtiching ) 2 9 9 1 ( s e m l o
H say sthat there are fou rtype so fcode-swtiching namely l a c ir o h p a t e m , g n i h c ti w s l a n o it a u ti s , g n i h c ti w s g a t f o g n i h c ti w s c it a m e l b m e
a rt n i d n a , g n i h c ti w
s -senten itals wtiching. .
a EmblemaitcSwtiching
s i g n i h c ti w s g a t r o g n i h c ti w s c it a m e l b m e t a h t s e t a t s ) 2 9 9 1 ( s e m l o H it r e s n
i ng an intejreciton ,a tag , o r a sentenceiflle rin anothe rlanguage .Fo r instance,Anyway ,bagaimanakabarkamu? Theword anywayin t hi sexamplei sa
n i v a h s i r e k a e p s e h t ; g a
t gconversaitoni nI ndonesianl anguage. .
b Stiuaitona lSwtiching
h c ti w s e l p o e p n e h w s i g n i h c ti w s l a n o it a u ti s “ t a h t s d d a ) 2 9 9 1 ( s e m l o H
e d o c l a n o it a u ti s n I . ” d e if it n e d i e b n a c h c i h w s n o s a e r r o f r e h t o n a o t e d o c e n o m o r
f
-e h t e g n a h c t o n s e o d r e k a e p s e h t g n i h c ti w
s topic.Fo rinstance ,in Indonesia ,a g
n i n i a l p x e s i o h w r e h c a e
t an Engilsh lesson in the clas susing Engilsh migh t e h t t a h w d n a t s r e d n u t o n s e o d o h w t n e d u t s a s i e r e h t f i n a i s e n o d n I o t h c ti w s
. d i a s r e h c a e t
.
c Metapho irca lSwtiching e d o c f o e p y t d ri h t e h
T -swtiching i smetapho irca lswtiching .Based on a s e ri u q e r c i p o t f o e g n a h c a n e h w “ s i g n i h c ti w s l a c ir o h p a t e m ) 0 1 0 2 ( h g u a h d r a W
a y b d e p p o t s s a w n o s r e p a , e c n a t s n i r o F . ” d e s u e g a u g n a l e h t n i e g n a h c
(29)
e c il o
p manwhliehewa sd irving becausehe passed t her oad when t he rtafifc ilgh t e
c il o p e h t , y l e t a n u tr o F . d e r s a
w m an wa shi sfather’ sfirend .He greeted the e
c il o
p m an using l ocall anguage,t hei rdaliy l anguage .Then, t hepoilcem antalked . n o it a s r e v n o c l a i c if f o o t n i e l o r e g n a h c y e h t , e s a c s i h t n I . e g a u g n a l l a m r o f n i m i h o t
.
d I antr -sentenita lSwtiching s
e m l o
H (1992 )sayst hati n rta-sentenita lswtichingi sacode-swtichingt ha t e
d o c e h T . e c n e t n e s a n i h ti w s n e p p a
h -swtichingi ni nrta-senten ita lcanbei naf orm h a y s n a m r e H g n a n A , e c n a t s n i r o F . e s u a l c a r o , e s a r h p a , d r o w e l g n i s a f
o used
a rt n
i -senten itals wtichingwhenhecommentedont hecontestan’t sperformance. u
k a u l a l u g g n i m . . n o i
D tsanding applause bua tkamu karena memang susah i n i m a l a m t e g n a b t il p m o k t a g n a s u m a K . ti l p m o k g n a y n a r u b i h n i k i b m e m k u t n u
n o i D
( - ILoveYouBibeh) d
e tr e s n i g n a n
A na Engilsh phrase in hi sspeaking .I twa seasie rto be d
o o t s r e d n
u by using Engilsh phrasesince Indonesian people have been famiila r h
ti
w t hephrase .Hence,t hecode-swtichingaremoreacceptable. e r a e r e h t ) 3 0 0 2 ( l l e w k c o t S n o d e s a b , r e v e w o
H three type s o f code
-g a t . e .i , g n i h c ti w
s -swtiching , inrtasentenita l swtiching , and intersentenita l e
d o c s i , s d d a e h , l a it n e t n e s r e t n I . g n i h c ti w
s -swtiching which occur s between . r e k a e p s a y b e s u a p y b d e h c ti w s y l b i s s o p s i n o it a s r e v n o c f o c i p o t e h T . s e c n e t n e s
. w o l e b n w o h s s i g n i h c ti w s l a it n e t n e s r e t n i f o e l p m a x e e h T
g n a y a b i r a d s a p e l s a i b u m a k a y a p u s i d a
J -bayangpenyany iasilnya ,adalah si’t r
e h ti
e kamubette rnyanyinyadar ipenyany iasilnyaataukamutotallydfiferen t .
u ti
g I’t .s..i ’t setihe rbette ro rdfiferen.t .I(van- CintaPuith )
s ’ n a v I n o s t n e m m o c s ’ a c i n o M s e n g A f o e n o s i e v o b a e l p m a x e e h T
e d o c e h s , t s ri f t A . e c n a m r o f r e
(30)
e g a u g n a l n a i s e n o d n I m o r f e g a u g n a l r e h d e h c ti w s e h S . e c n e t n e s e t e l p m o c d e s u
n E o t n
i gilshi nt hef ormofs entenceatt heendo fhe rcommen.t .
3 T heReason soft heUseo fCode-swtiching h
T e thesi selaborate sthe reason so fthe use code-swtiching .There are e
d o c f o s n o s a e r e h t l a e v e r o h w s tr e p x e e e r h
t -swtiching .
.
a Wardhaugh( 1992) d
r a
W haugh (1992) state sthere aret hree reason so fcode-swtiching .They e
r
a shownbelow. )
1 ExpressingSoildartiywtiht heListeners
A . e r u tl u c r e h t o n a h ti w e r u tl u c e n o t c e n n o c o t d e s u e b n a c e g a u g n a L
t e g a u g n a l s ’ e e s s e r d d a e h t o t n i e g a u g n a l r e h / s i h h c ti w s n a c r e k a e p
s o expresst he
n a c e h / s , y c n e t e p m o c e g a u g n a l e t a u q e d a e v a h t o n s e o d e h / s f i n e v E . y ti r a d il o s
e d o
c -swtichawordo rphraseoft headdressee’sl anguage . )
2 Choiceo fTopic
e g a u g n a l n i a tr e c o t n i e g a u g n a l ri e h t h c ti w s y ll a u s u e l p o e p , n o it a s r e v n o c n I
t f o e s u a c e
b hei rtopic unde rdiscussion .Fo rinstance ,two people talk abou tthe e
g a u g n a l n a i s e n o d n I g n i s u n o l a s n i t n e m t a e
rt ;they stli luse some utterance sin s
a h c u s e g a u g n a l n g i e r o
f hair spa ,creambath ,and facia.lAnothe rexamplet ha t e
r a e r e h
t u tterance sin thi sresearch ,such a sfalse tto ,ptichy ,swag and many e
r o
m , which are dfi ifcul tto ifnd ou tthe approp irate rtanslaiton in Indonesian .
e g a u g n a l
(1)
8 9 e
k i g a l k il a b u ti g h a d
u chase
e c i o
v ,dan tius ayas uka u m a k i l a k p a it t e g n a b
n e m e l e n a k n i a m e
m -elemen
. a y u ti
ir b e F
( -TanjungPerak)
3 6 .
i g e s ir a
D performance-nya t
a g n a s i d a t u m a
k ente training .
u ti g
i b r e F
( -TanjungPerak)
x Perfomance=penamplian
x Ente training=menghibur √ √ x TusheedwboyrI dn“dpoenefrsoiramnapnecoep”lei t socor mepmlaocnelyt he d
r o
w “penamplian”wh liet ha twordi s . e g a u g n a l n a i s e n o d n I n i r a il i m a f
x Thi swordi sinapprop iratebecauset he
4 6 .
i y n a y n e p g n a r o e s ir a d R P
, n i a l g n a r o u g a l n ii y n a y n
R P a y n r e n e b e
s -nyaadalah h a d u u ti , it s a p h a d u a n e r a k
, k a g g n n i k g n u m k a g g n i t s a p
i
d -comparesamapenyany i .
a y n m u l e b e s
n a v I
( -CintaPuith)
n a k g n i d n a b m e m = e r a p m o
C √ “Compare”belongst oinapprop iratebecause b
r e v e v it c a s i ” e r a p m o c “ f o m r o f e h t
s i e r e h s d e e n r e k a e p s e h t t a h w e li h w n a e m
s e s u r e k a e p s e h t ,r e v e w o H . b r e v e v i s s a p e h t
x if e r p n a i s e n o d n
I “ -“di rathert hanusing o t tl u c if fi d t o n s i ti , r e v o e r o M . ” d e r a p m o c “
t a h t f o n o it a l s n a rt e t a ir p o r p p a e h t t u o d n if
r o
w di nI ndonesianl anguage .
5 6 .
s a p e l a s i b u m a k a y a p u s i d a J
g n a y a b i r a
d -bayangpenyany i h
a l a d a , a y n il s
a i’t setiher u
m a
k betternyanyinyadar i u m a k u a t a a y n il s a i y n a y n e p
t n e r e ff i d y ll a t o
t g tiu.
n a v I
( -CintaPuith)
x I’t setihe r=antara
x Bette r=l ebihbaik
x Totallydfiferen t=benar -a
d e b r e b r a n e b
√ √ √
x Thepurposeofs peakingwli lbedeilvered e
d o c g n i s u t u o h ti w l l e
w -swtiching“i’t s e
c a l p e r o t ” r e h ti
e “antara”becauset he e
c n a r e tt
u “antara”isr eallycommon.
x “Better”i sl abeleda sinapprop iratecode -d n if o t tl u c if fi d t o n s i ti e s u a c e b g n i h c ti w s
s i h t r o f n o it a l s n a rt e t a ir p o r p p a e h t t u o
. d r o w
(2)
9 9
x “Totallydfiferent”i susedt or eplacet he e
c n a r e tt
u “benar-bena rberbeda” .The s i h t h c ti w s = e d o c o t d e e n t o n s e o d r e k a e p s
e s u a c e b e c n a r e tt u
6 6 .
s ’t i. .s ’t
I etihe rbette ro r .t
n e r e ff i
d .
n a v I
( -CintaPuith)
e s ’t
I tihe rbette ro rdfiferen t= a
r a t n
a lebihbaikatauberbeda √ cTohdise-s sewnteticnhciengi b sleacbaeullseedt saheis npaepapkreop rdiroaete sno t e
d o c o t d e e
n -swticht hats entences incet he . l a r u t a n s i e c n e t n e s t a h t f o n o it a l s n a rt
7 6 .
, a y n i k g n u m u ti a y n a k a m n a D
t a u b a g u j s p it u t a s h a l a s
u m a k .. m m h
h danj ugapara a d a n n a h il i m e p n i a l n a t s e t n o k
u ti t a p e t g n a y r a s a d
g n it n e p t a g n a s a y n r e n e b e s
i d i g a l t a a s a d a p a n e r a k , u ti g
n a t a il e k u m a k i n i r a s a d a d a n
t e g n a
b sanga tcomfo trable .
u ti g a y n i y n a y n
y d n a S
( -ApaSalahku?
n a m a y n = e l b a tr o f m o
C √ “Comfo trable”i sacommonwordusedby e
c a l p e r o t e l p o e p n a i s e n o d n
I “nyaman” .
d r o w e h
T “nyaman”i salsoacommonword e h t d n if o t tl u c if fi d t o n s i tI . a i s e n o d n I n i
s e k a m d n a l a r u t a n s d n u o s h c i h w n o it a l s n a rt
. e s n e s
8
6 . Kgatiuml uohn.ggak rtyingt oohard y
d n a S
( -ApaSalahku)
n a k a s k a m e m = d r a h o o t g n i y r T
ir i
d √ wtIhi ic snhos todunfidifc sunatltt uoraifn ladnt dhemartkanessls aenitosnei n .
e g a u g n a l n a i s e n o d n I
9 6 .
k a g g n u m a
K rtyingt oohard . . m m h h .. k u t n u .. k u t n
u sound
. d o o g d n u o s ts u j u o y , d o o g
y d n a S
( -ApaSalahku)
x Tryingt oohard= ir i d n a k a s k a m e m
x Soundgood ,youj usts ound , s u g a b r a g n e d r e t = d o o g
r a g n e d r e t g n a m e m u m a k
s u g a b
√ √
x tIi sno tdfi ifcutlt o ifndt he rtanslaiton n i e s n e s s e k a m d n a l a r u t a n s d n u o s h c i h w
. e g a u g n a l n a i s e n o d n I
x Thes peake rdoe sno tneedt ocode-swtich t o n s i n o it a l s n a rt e h t e c n i s e c n e t n e s s i h t
.l a r u t a n s d n u o s o s l a t I .t u o d n if o t tl u c if fi d
(3)
0 0 1 0
7 .
a y n g n u t n u .. a y n g n u t n u , h a N
i
d IndonesianI dolkaili ni , u ti n a t s e t n o k o l a k n i k a y a y a s
a y n a h k a g g n .. k a g g
n depend
n
o laguyangs pektakule.r y
d n a S
( -ApaSalahku)
a d a p g n u t n a g r e b = n o d n e p e
D √ “Dependon”belongst oinapprop iratecode -n i d r o w d e t a l s n a rt e h t e s u a c e b g n i h c ti w s
s i ti e c n i s d e s u n e tf o s i e g a u g n a l n a i s e n o d n I
.l a r u t a n s d n u o s ti , r e v o e r o M . d r o w r a il i m a f
1 7 .
a y a s i d a t g n a y i tr e p e s a Y
g n a y n e m g e s i d g n a li b h a n r e p
t a a s a d a p , h a y a y n m u l e b e s
u ti g n a r o u g a l n i a w a b u m a k
i d n a k a i t s a p u m a
k -compare
. a y n il s a i y n a y n e p a m a s
a r e D
( -Ceira)
n a k g n i d n a b m e m = e r a p m o
C √ “Compare”mean s“membandingkan” in .
e g a u g n a l n a i s e n o d n
I Thes peake rhere y
a s o t s t n a
w “dibandingkan” ,buts heuse s x
if e r
p “ -”di whichi ndicate spassivevoicei n g n i s u n a h t r e h t a r e g a u g n a l n a i s e n o d n I
n i e c i o v e v i s s a p s i h c i h w ” d e r a p m o c “
e d o c f o e s u e h t , e r o f e r e h T . h s il g n
E
s i e r e h g n i h c ti w
s inapprop irate.
2 7 .
a s i b g n a r o a y a p u s i d a J
h a l a d a W O W a s a r e g
n i’t s
r e h ti
e kamul ebihbaikdar i u m a k u a t a a y n il s a i y n a y n e p
. a d e b r e b
a r e D
( -Ceira)
= r e h ti e s ’t
I antara √ Thepurposeofs peakingwli lbedeilvered e
d o c g n i s u t u o h ti w l l e
w -swtiching“i’t s e
c a l p e r o t ” r e h ti
e “antara”becauset he e
c n a r e tt
u “antara”isr eallycommon.
3 7 .
i r a d t e g n a b a k u s a y a s n a D
u t u m a k g n a li b a y a s u l u d
t n e c o n n i , e l p m
is ,t ap iada k
c o
r -nya tiu..tiu. .keepi tup . . p
u t i p e e
k .
a r e D
( -Ceira)
x Simple,i nnocen t=s ederhana , h
a l a s r e b a p n a t
x Keepi tup=petrahankan tiu
x Rock √ √ √
x Atlhough“simple”and“innocent”are e l p o e p n a i s e n o d n I y b d e s u y l n o m m o c
o t g n o l e b y e h t , g n i k l a t e r a y e h t n e h w
e t a ir p o r p p a n
i code-swtichingbecauset he t I .r a il i m a f e r a m e h t r o f s d r o w d e t a l s n a rt
u o d n if o t tl u c if fi d t o n s
i tt hem.
x “keepi tup”hast hes amecasea s e h t y ll a u t c A . ” t n e c o n n i “ d n a ” e l p m i s “
(4)
1 0 1 e
d o c o t d e e n t o n s e o d r e k a e p
s -swticht hi s
n a i s e n o d n I n i s d r o w d e t a l s n a rt e h t e c n i s
s d n u o s o s l a t I . d e s u n e tf o e r a e g a u g n a l
.l a r u t a n
x tIi sdfiifcutlt o ifndoutt heapprop irate .t x e t n o c s i h t n i ” k c o r “ f o n o it a l s n a rt
4 7 .
n a m u c n i k g n u m i d a t n a m u C
a d
a sediki titp saja t a a s a d a p i y n a y n e m h a l a s a m
i r a d h a d n i p u m a k i d a
t chase
e c i o
v kefaslettoataudar i e
c i o v e s a h
c keheadvoice tiu it
a
h -hat ikarenakalaunggak it
a
h -hat ikamubisaptichy. a
r e D
( -Ceira)
x Chasevoice
x Falsetto
x Headvoice
x Ptichy
√ √ √ √
x tIi sdfiifcutlt o ifndoutt heapprop irate , ” o tt e s l a f “ , ” e c i o v e s a h c “ f o n o it a l s n a rt
. ” y h c ti p “ d n a , ” e c i o v d a e h “
5
7 . sTeudmikbie tnp.tit.cuhmyb ,eknenakpaam?u agak a
d n il e B
( -Terbang)
x Ptichy √ x tIi sdfiifcutlt o ifndoutt heapprop irate .
” y h c ti p “ f o n o it a l s n a rt
6 7 .
h a d u t a a s a d a p a m u
C r -eff
ff e
r terakhi rtiubarudeh a
d n il e B n a t a il e
k -nya ,gtiu. a
d n il e B
( -Terbang)
x Ref f √ x tIi sdfiifcutlt o ifndoutt heapprop irate f
o n o it a l s n a
rt “reff”.
7 7 .
u o y n a m s s e n is u b a t a h W
. e r a
a d o Y
( -ToBeWtihYou)
g n a y a h a s u g n e p h u g g n u s u m a K
k i a
b √ lTahbees llpedea sakein ruaspepr soapcliraautesecohderee-s .wThtiechcilnagusei s e
s u a l c e h t e s u a c e
b “kamus ungguh k
i a b g n a y a h a s u g n e
p ” isf amiilari n t o n s i ti , r e v o e r o M . e g a u g n a l n a i s e n o d n I
. n o it a l s n a rt e h t t u o d n if o t tl u c if fi d
(5)
2 0 1 8
7 .
g n a y i n i s i d g n a m e m i p a T
a w h a b i r a d a s i d u lr e
p thi s
n o it it e p m o
c tiubukansp irn t n a k u b u ti i r a l a ti k u a l a k , a y
t n ir p
s .
a d o Y
( -ToBeWtihYou)
x Thi scompeititon=kompeits i i
n i
x Sp irn t=l airj arakpendek √
√ x Thes peake rdoe sno tneedt ocode-swtich s
d r o w e h t e c n i s s d r o w e s o h
t “kompeits i
” i n
i i smorecommont ousebyI ndonesian ” n o it it e p m o c s i h t “ n a h t r e h t a r e l p o e p
x tIi sdfiifcutlt o ifndoutt heapprop irate .
” t n ir p s “ f o n o it a l s n a rt 9
7 . (IY’to sdaam-TaoraBtehoWn ,tightiYuol ouh). Im’tar saatomnarathon=in iadalah √ Crtaondsel-aswitontici hninI ngdi o snneosi tanneel danedguhaegreei s i snncaetut rhae l .r
a il i m a f d n a
0 8 .
i d a
J endurancekamudar i s u r a h u ti u g g n i m e k u g g n i m
k a d it g n il a p , n e t s i s n o k a s i b
i g a l s u g a b h i b e l , n e t s i s n o k
a d a u m a k u a l a
k progressg tiu. a
d o Y
( -ToBeWtihYou)
x Endurance=dayaj uang
x Progres s=kemajuan √ √ x Tsihnecewt ohredrt“aennsdlauritaonncei ” sni o si tndafippifcrouptlirt aoteifnd .l
a r u t a n s d n u o s o s l a t I .t u o
x Theutteranceo f“kemajuan” in
. d e s u y l n o m m o c s i e g a u g n a L n a i s e n o d n I
o s l a s s e r g o r p “ e c n a r e tt u e h t h g u o h tl A
d e t a l s n a rt s i ti n e h w t u b , d e s u y l n o m m o c
.l a r u t a n s d n u o s ti , e g a u g n a L n a i s e n o d n I n i
1 8 .
u a l a k
.. lagui n ipelrut eknik g n a r o a d a g n a m e m , l a k o v
a ti p i a i n u r a k i d h a d u s g n a y
h i b e l a i d g n a m e m g n a y a r a u s
u ti s it s a l e a y n d u s k a m , s it s a l e
h a l a d
a rangevokalnyal ebih . n a k a y n a b e k g n a r o i r a d r a b e l
a d o Y
( -ToBeWtihYou)
n a u a k g n a j = e g n a
R √ The rtanslaitonmake ssenseands ound s o t d e e n t o n d l u o h s r e k a e p s e h t ,s u h T . l a r u t a n
e d o
c -swticht hi sutterance.
2
8 . Tngagpa ikadbaoj rungwaotihrantig ,dyiaang .. n a s it s a l e e k h it a l e
m elasitctiy
x Bornwtihi t=te lrahi rdengan u
ti
x Elasitctiy=
√ x Tha tphrasebelongst oinapprop iratecode s i n o it a l s n a rt e h t e s u a c e b g n i h c ti w s
s i ti , r e v o e r o M . l a r u t a
(6)
3 0 1 .l
a k o v h it a lr e b n a g n e d u ti
a d o Y
( -ToBeWtihYou) elasitstias/kelenturan √ x oTuhtei s .t peake ronlywantst oemphasizet he n a i s e n o d n I n i e r o f e b d i a s e h s t a h t d r o w
. e g a u g n a l
3 8 .
i d a
J rangevoka lkamu tiu n i k i a b r e p u m a k i t s e m g n a y
. u ti g
a d o Y
( -ToBeWtihYou)
= e g n a
R jangkauan √ The rtanslaitonmakess enseands ound s e
h t ,s u h T . l a r u t a
n speakers houldno tneedt o e
d o
c -swticht hi sutterance. l
a t o
T 3 3 8 4
: e t o N
e d o C e t a ir p o r p p A = C
A -swtiching
e d o C e t a ir p o r p p a n I = C