THE ROLES OF THREE ARCHETYPAL SYMBOLS TOWARD SANTIAGO AND MANOLIN IN ERNEST HEMINGWAY'S "THE OLD MAN AND THE SEA".

i!rq!|A!!

IcllEd

ebqtu&hPsdbtf !1tw oJk. R4'idrctu
fu tht

D4r

oJerjnna

ki@

rnr rbc ou Nti.r1!l4sq rtLtri Frilb | ]dni
,/r,h Fi! i. dru Dod ii. du ius p

Henhgla]

Does*u

edujua

n4ju

r@ri rGrp dosa
uiur oeaguDsrcP Dtua

6ed rMei d4sd
dd@ rcre1F

udur

u

rnerr

Nb

lrrd,

rs

yag d*ail

rr,i{orl,!,{h

^,rLrt
gklFrumdlnft&ld,4q'
bii soi &ro, FDEd m*ru' ud

$ gorbiih{&o
n{j.rihr [d 6i!i r{oFir un
a^sbrag qi,!i so! o!n6!r

kir sils

n44

cbih

biirsni &hn

"assd

nhrds,!rcans,drenG

hdbr (reqrl)

ri.

RdsdThe,$b!lrpdsynbd!bru

." i ,!.

I oli

id E sr rli n$sr! ll! !l!

tlordi s. se!

d &!

r! iidor b

.

dn Esrc I i

ad!

obj.uir.

i

106

i tu u!. s.y,'c rdt!\p Ntre5 ,II! !!L

Bogeq

noed.. qLdik'ic Reelr[

u!!!!d. Bs'q: A

ri lii

E

B!@o

h.,

ae

hbl

A

Hdr6k

or

c

rcd

Anl@!!!!