Giving children new information about their situation Building children with inherent strengths and capabilities

b. Social aspect

This change is seen from their awareness with the social values existing in their surroundings. As what Saxby 1991: 8 says , children’s literature is able to provide and grow the awareness of social values. In addition, by giving them empowerment through child characters in children’s literature, they are able to face the world bravely. It happens because they know their identity and understand that they are not inferior.

c. Ethical aspect

Child empowerment allows them to see the world better. Children may see that the world is not between good and evil. According to Saxby 1991: 8-9 children may understand that there are the dark side of hero figure, the grey area of human behavior and the possibility of the rats to inherit the earth in the world they live in. Thus, there is no representation of one-hundred-percent good or bad characters in the story. They may have their own goodness and badness.

d. Spiritual aspect

Child empowerment in children’s literature may guide them to take a journey into their human spirit and action. They may face problem as Saxby 1991: 9 states that “the great dilemmas are those of the human spirit”. The empowerment may influence them on the way they face the problem and find the solution by their own or by the help of others.

4. Disempowerment in Children’s Literature

The disempowerment in children’s literature is presented in order to understand more about the empowerment which is the opposite of it. Children’s literature may empower children by placing them as the center of the story. Children’s literature should make children understand about life in order to prepare them for the future. Nodelman 1992: 29 criticizes some disempowerments existing in children’s literature by mentioning some situations. These conditions may help people understand about children because child empowerment is the antithesis of these situations such as inherent inferiority, inherently adult-centred, inherent femaleness, silencing and inherent silence, power and domination.

a. Inherent inferiority

Children’s literature is written by adults for children as the readers. Most adults perceive that children have inability to speak, write, think and study for themselves and believe that the inability make them inferior. Thus, Nodelman 1992: 29 argues th at “the inability of children to speak for themselves is not inferiority at all, but a wonderfully state of innocence”. The researcher feels certain of Nodelman’s statement because the inability does not show the inferiority at all. In addition, most write rs underestimate children’s ability to read the text. They make stories as simpler as possible, portray obvious bad and good characters and conclude conclusion of the stories explicitly. However, adults who write children’s literature with child empowerment may