You don’t know what’s there for you to see. An act. Lies. Device. Not the pure heart, the pumping black heart. Baraka, p. 9
Clay’s  statement  above  regards  Lula’s  statement  about  Uncle  Tom,  which  the writer already stated in the second problem formulation.  Based on his statement,
he aggressively asserts his identity by telling Lula that who he is, is not any of her business.  And  he  claims  that  White  people  are  foolish  to  realize  that  there  is  a
mask  blacks  present  to  the  world,  so  as  much  as  White  people  claim  to  know blacks, in fact, they actually do not.
CLAY. The belly rub? You wanted to do the belly rub? Shit, you don ’t
even know ho w. That ol’ dipty-dip shit you do, rolling your ass like
elephant. That’s not my kind of belly rub. Belly rub is not Queens. Belly rub is dark places, with big hats and over-coats held up with one
arm. Belly rub hates you. Baraka, p. 9 With this remark, Clay not only criticizes the Whites
’ propensity to appropriation but also ridicules Lula. She who in the beginning seems to be an attractive woman
is  now  a  common  fool.  Clay  manages  to  reverse  the  white  usage  of  black  as  a signifier  of  evil,  death,  and  darkness  to  make  white  carry  the  suggestions  of
sickness, death, and absence. Yet, from his responses, Clay shows his real identity as  an  African  American  to  fight  against  racist  issues  happened  towards  him  and
his people.
2. Clay’s Responses toward Lula’s Statement about Blues
Lula  delivers  cynical  comments  about  blues  music,  which  can  be  heard usually in the plantations, more because it is the African American
’s music. And plantations are closely related to African Americans in the sl
avery era. In Clay’s final long speech, he replies with a defensive opinion regarding blues music.
CLAY. If Bessie Smith had killed some white people she wouldn’t have
needed that music. She could have talked very straight and plain about the world. No metaphors. No grunts. No wiggles in the dark of her soul.
Just straight two and two are four. Money. Power. Luxury. Like that. All of them Baraka, p. 9.
Again, Clay is trying to fight for himself and his people, instead of he has a self- awareness  about  the  condition  happened  in  that  event.  Through  the  explanation
about Bessie Smith, this is evidence that Clay is trying to break down the wall that Lula builds to cover her justification to society as a White American woman who
has higher level than the African Americans. As  for  Bessie  Smith,  she  was  an  African  American  blues and  jazz  singer
and  she  was  very  popular  in  the  1920s.  She  was  famous  for  her  powerful  voice and  the  emotion  she  was  able  to  carry  out  her  singing.  Clay  continues  his
statement as follows CLAY.
They say, “I love Bessie Smith”. And don’t even understand that Bessie Smith is saying, “Kiss my ass, kiss my black unruly ass”. Before
love, suffering, desire, anything you can explain, she’s saying and very plainly, “Kiss my black ass”. And if you don’t know that, it’s you that’s
doing the kissing. Baraka, p. 9 Clay is trying to satirically insult Lula and her people inside the train.  For those,
the White Americans who love Bessie Smith, are just swallowing their own words as they discriminate against and hate the blacks and love their music instead. Yet
for Lula, his statement seems to be a hard knock for her after she mocks and yells in  blues-y  tune  at  Clay.  Again,  from  this  response,  it  can  also  be  seen  that  Clay
struggles for his people’s music.
3. Clay’s Struggle for Discrimination towards his Belief
Belief  is  a  part  of identity  that  lies  within  self,  it  is  owned  by  the  people who believes in it. Further, Clay also adds more statements about Christian charity
and  rationalism,  which  are  also  part  of  the  discrimination  towards  African Americans,  which  racial  stereotype  is  a  part  of  discrimination.  They  sacrifice
themselves in so many aspects, including their beliefs. As the heat of Civil Rights Act was spreading over the U. S. In the 1960s,
White Americans were taking political action inside religious places to control the African Americans. Lula states to Clay,
“You would-be Christian” Baraka, p. 8. Clay’s responses toward Christianity in the utterance below
CLAY. Don’t make the mistake, through some irresponsible surge of Christian charity, of taking too much about the advantages of Western
nationalism, or the great intellectual legacy of the white man, or maybe t
hey’ll begin to listen. Baraka, p. 9 The African Americans could not get equal status with the White Americans even
in a religious place such as church. Even if they have the same beliefs as White Americans, they  still struggle with facing some discrimination. As  Golden states
“the  colored  man’s  church,  mainly  Baptist,  Methodist,  and  Presbyterian,  was controlled  and  dictated  to  by  white  men  who  deprived  Negroes  of  religious
autonomy” Golden, 1964: 41, makes it clear that race issues are also a problem in the field of religion.