Perancangan Alat Ukur Relative Pitch (Relative Pitch Memory Test)
DAFTAR PUSTAKA
Azwar, S. (2005). Tes Prestasi: Fungsi dan Pengembangan Pengukuran Prestasi
Belajar. Yogyakarta: Pustaka Pelajar.
Azwar, S. (2010). Metode Penelitian. Yogyakarta: Pustaka Pelajar.
Azwar, S. (2010). Penyusunan Skala Psikologi. Yogyakarta: Pustaka Pelajar.
Badan Pengembangan dan Pembinaan Bahasa. 2015. KBBI Daring Ed. III.
Disadur dari: http://kbbi.web.id/memori)
Blake, R., & Sekuler, R., (2006). Perception 5th ed. McGraw-Hill.
Bornstein, M. H. (Eds.) (1984). Psychology and its Allied Disciplines. Hillsdale:
Erlbaum.
Bremner, J. G., & Fogel, A., (Eds.) (2001). Blackwell handbook of infant
development. USA: Blackwell Publishing.
Cabauzon,
M.
(2015).
Disadur
dari:
http://www.piano-keyboardguide.com/images/piano-keyboard_diagram_2.JPG)
Cowan, N. (Eds.) (2008). What are the differences between long-term, short-term,
and working memory?. Progress in Brain Research, 169, 323-338.
Deutsch, D. (2002). The puzzle of absolute pitch. Current Directions in
Psychological Science, 2002, 11, 200-204
Deutsch, D. (2006). The enigma of absolute pitch. Acoustics Today, 2(44), 11-19.
Dowling, W. J. (2010). Music perception. Dalam Moore, D. R., Fuchs, P. P. A.,
Plack, C., Rees, A. & Palmer, A. R. Oxford Handbook of Auditory
Science: Hearing (hal 231-248). Oxford University Press.
Encyclopedia of Life Support Systems (EOLSS). –. Psychology Vol. II :
Attention, Perception and Memory. USA: Pollatsek, A. & Rotello, C. M.
Field, A. (2009). Discovering Statistics Using SPSS 3rdEdition. London: Sage
Publications Ltd.
42
Universitas Sumatera Utara
43
Wijanto, S. H. (2008). Structural Equation Modeling dengan LISREL 8.8: Konsep
dan Tutorial. Yogyakarta: Graha Ilmu.
Hall, R. H. (1998). Explicit and Implicit Memory. http://web.mst.edu/
Halpern, A. R. (1989). Memory for the absolute pitch of familiar songs. Memory
& Cognition, 17 (5), 572-581.
Hove, M. J., Sutherland, M. E. & Krumhansl, C. L. (2010). Ethnicity effects in
relative pitch. Psychonomic Bulletin & Review.
Jakubowski, K. & Müllensiefen, D. (2013). The influence of music-elicited
emotions and relative pitch on absolute pitch memory for familiar
melodies. The Quarterly Journal of Experimental Psychology, —, 1-9.
Justus, T. C. & Bharucha, J. J. (2002). Music perception and cognition. Dalam S.
Yantis (Volume Ed.) dan H. Pashler (Series Ed.), Stevens’ Handbook of
Experimental Psychology, Volume 1: Sensation and Perception (Third
Edition, hal 453-492). New York: Wiley.
Lahey, B. B. (2007). Psychology: An Introduction 9th ed. USA: McGraw-Hill.
Lee, C. C. (1995). In Preparation for the Theory Exams: Basic Musical
Knowledge (Focusing on Questions 4 & 5 of the New ABRSM Syllabus for
Grades 6-8). Malaysia: Rhythm MP SDN. BHD.
Levitin, D. J. (1994). Absolute memory for musical pitch: Evidence from the
production of learned melodies. Perception & Psychophysics, 56 (4), 414423.
Levitin, D. J. & Rogers, S. E. (2005). Absolute pitch: Perception, coding, and
controversies. Trends in Cognitice Sciences, 9 (1), 26-33.
Kassin, S. M. (2003). Psychology. USA: Prentice-Hall, Inc.
King, L. A. (2010). The Science of Psychology: An Appreciative View (2nd ed.).
USA: McGraw-Hill Humanities Social.
Matlin, M. W. (2005). Cognition 6th ed. USA: Wiley.
Matthews, G., Davies, D.R., Westerman, S.J. & Stammers, R.B. (2000). Human
Performance: Cognition, Stress, and Individual Differences. USA: Taylor
& Francis Group.
McDermott, J. H., Lehr, A. J., Oxenham, A. J. (2008). Is relative pitch specific to
pitch?. Psychological Science, 19 (12), 1263-1271.
Universitas Sumatera Utara
44
Miyake, A. & Shah, P. (Eds.) (1999). Models of Working Memory: Mechanisms of
Active Maintenance and Executive Control. USA: Cambridge University
Press.
Neath, I. & Surprenant, A, M. (2003). Human Memory 2nd Ed. USA: Thomson
Wadsworth
Nunes-Silva, M & Haase, V. G. (2012). Montreal battery of evaluation of amusia:
Validity evidence and norms for adolescents in belo horizonte, minas,
brazil. Dement Neuropsychol, 6 (4), 244-252.
Reed, S. K. (2007). Cognition: Theory and Applications 7th ed. USA: Thomson
Wadsworth.
Richardson-Klavehn, A. & Bjork, R. A. (1988). Measures of Memory. Ann. Rev.
Psychol. 1988. 39:475-543.
Roediger III, H. L. (1990). Implicit Memory: Retention Without Remembering.
The American Psychological Association, Inc, Vol. 45, No. 9, 1043-1056
Schellenberg, E. G. & Moreno, S. (2009). Music lessons, pitch processing, and g.
Psychology of Music, —, 209-221.
Schmidt-Jones, C. (2008). Introduction to music theory. Connexions Project [online]. http://cnx.org/content/col10208/1.5/
Seluzicki, C. (2013). The Impact of Music on Cognition of Alzheimer’s Disease
Patients. Perry Hall High School Independent Research.
Trainor, L. J., Unrau, A. (2012). Human Auditory Development, Springer
Handbook of Auditory Research 42.
Unrau, A. (2006). Comparing methods of musical pitch processing: How perfect
is perfect pitch?. Tbe McMaster Journal of Communication, 3 (2), 13-21.
Wang, W., Zhou, N & Xu, L. (2011). Musical pitch and lexical tone perception
with cochlear implants. International Journal of Audiology, 50, 270-278.
Yost, W. A. (2009). Pitch perception. Attention, Perception & Psychophysicsm,
71 (8), 1701-1715.
rd
Zimbardo, P. G., Weber, A., L., & Johnson, R. L. (2000). Psychology (3 ed.).
Boston: Allyn & Bacon.
Universitas Sumatera Utara
Azwar, S. (2005). Tes Prestasi: Fungsi dan Pengembangan Pengukuran Prestasi
Belajar. Yogyakarta: Pustaka Pelajar.
Azwar, S. (2010). Metode Penelitian. Yogyakarta: Pustaka Pelajar.
Azwar, S. (2010). Penyusunan Skala Psikologi. Yogyakarta: Pustaka Pelajar.
Badan Pengembangan dan Pembinaan Bahasa. 2015. KBBI Daring Ed. III.
Disadur dari: http://kbbi.web.id/memori)
Blake, R., & Sekuler, R., (2006). Perception 5th ed. McGraw-Hill.
Bornstein, M. H. (Eds.) (1984). Psychology and its Allied Disciplines. Hillsdale:
Erlbaum.
Bremner, J. G., & Fogel, A., (Eds.) (2001). Blackwell handbook of infant
development. USA: Blackwell Publishing.
Cabauzon,
M.
(2015).
Disadur
dari:
http://www.piano-keyboardguide.com/images/piano-keyboard_diagram_2.JPG)
Cowan, N. (Eds.) (2008). What are the differences between long-term, short-term,
and working memory?. Progress in Brain Research, 169, 323-338.
Deutsch, D. (2002). The puzzle of absolute pitch. Current Directions in
Psychological Science, 2002, 11, 200-204
Deutsch, D. (2006). The enigma of absolute pitch. Acoustics Today, 2(44), 11-19.
Dowling, W. J. (2010). Music perception. Dalam Moore, D. R., Fuchs, P. P. A.,
Plack, C., Rees, A. & Palmer, A. R. Oxford Handbook of Auditory
Science: Hearing (hal 231-248). Oxford University Press.
Encyclopedia of Life Support Systems (EOLSS). –. Psychology Vol. II :
Attention, Perception and Memory. USA: Pollatsek, A. & Rotello, C. M.
Field, A. (2009). Discovering Statistics Using SPSS 3rdEdition. London: Sage
Publications Ltd.
42
Universitas Sumatera Utara
43
Wijanto, S. H. (2008). Structural Equation Modeling dengan LISREL 8.8: Konsep
dan Tutorial. Yogyakarta: Graha Ilmu.
Hall, R. H. (1998). Explicit and Implicit Memory. http://web.mst.edu/
Halpern, A. R. (1989). Memory for the absolute pitch of familiar songs. Memory
& Cognition, 17 (5), 572-581.
Hove, M. J., Sutherland, M. E. & Krumhansl, C. L. (2010). Ethnicity effects in
relative pitch. Psychonomic Bulletin & Review.
Jakubowski, K. & Müllensiefen, D. (2013). The influence of music-elicited
emotions and relative pitch on absolute pitch memory for familiar
melodies. The Quarterly Journal of Experimental Psychology, —, 1-9.
Justus, T. C. & Bharucha, J. J. (2002). Music perception and cognition. Dalam S.
Yantis (Volume Ed.) dan H. Pashler (Series Ed.), Stevens’ Handbook of
Experimental Psychology, Volume 1: Sensation and Perception (Third
Edition, hal 453-492). New York: Wiley.
Lahey, B. B. (2007). Psychology: An Introduction 9th ed. USA: McGraw-Hill.
Lee, C. C. (1995). In Preparation for the Theory Exams: Basic Musical
Knowledge (Focusing on Questions 4 & 5 of the New ABRSM Syllabus for
Grades 6-8). Malaysia: Rhythm MP SDN. BHD.
Levitin, D. J. (1994). Absolute memory for musical pitch: Evidence from the
production of learned melodies. Perception & Psychophysics, 56 (4), 414423.
Levitin, D. J. & Rogers, S. E. (2005). Absolute pitch: Perception, coding, and
controversies. Trends in Cognitice Sciences, 9 (1), 26-33.
Kassin, S. M. (2003). Psychology. USA: Prentice-Hall, Inc.
King, L. A. (2010). The Science of Psychology: An Appreciative View (2nd ed.).
USA: McGraw-Hill Humanities Social.
Matlin, M. W. (2005). Cognition 6th ed. USA: Wiley.
Matthews, G., Davies, D.R., Westerman, S.J. & Stammers, R.B. (2000). Human
Performance: Cognition, Stress, and Individual Differences. USA: Taylor
& Francis Group.
McDermott, J. H., Lehr, A. J., Oxenham, A. J. (2008). Is relative pitch specific to
pitch?. Psychological Science, 19 (12), 1263-1271.
Universitas Sumatera Utara
44
Miyake, A. & Shah, P. (Eds.) (1999). Models of Working Memory: Mechanisms of
Active Maintenance and Executive Control. USA: Cambridge University
Press.
Neath, I. & Surprenant, A, M. (2003). Human Memory 2nd Ed. USA: Thomson
Wadsworth
Nunes-Silva, M & Haase, V. G. (2012). Montreal battery of evaluation of amusia:
Validity evidence and norms for adolescents in belo horizonte, minas,
brazil. Dement Neuropsychol, 6 (4), 244-252.
Reed, S. K. (2007). Cognition: Theory and Applications 7th ed. USA: Thomson
Wadsworth.
Richardson-Klavehn, A. & Bjork, R. A. (1988). Measures of Memory. Ann. Rev.
Psychol. 1988. 39:475-543.
Roediger III, H. L. (1990). Implicit Memory: Retention Without Remembering.
The American Psychological Association, Inc, Vol. 45, No. 9, 1043-1056
Schellenberg, E. G. & Moreno, S. (2009). Music lessons, pitch processing, and g.
Psychology of Music, —, 209-221.
Schmidt-Jones, C. (2008). Introduction to music theory. Connexions Project [online]. http://cnx.org/content/col10208/1.5/
Seluzicki, C. (2013). The Impact of Music on Cognition of Alzheimer’s Disease
Patients. Perry Hall High School Independent Research.
Trainor, L. J., Unrau, A. (2012). Human Auditory Development, Springer
Handbook of Auditory Research 42.
Unrau, A. (2006). Comparing methods of musical pitch processing: How perfect
is perfect pitch?. Tbe McMaster Journal of Communication, 3 (2), 13-21.
Wang, W., Zhou, N & Xu, L. (2011). Musical pitch and lexical tone perception
with cochlear implants. International Journal of Audiology, 50, 270-278.
Yost, W. A. (2009). Pitch perception. Attention, Perception & Psychophysicsm,
71 (8), 1701-1715.
rd
Zimbardo, P. G., Weber, A., L., & Johnson, R. L. (2000). Psychology (3 ed.).
Boston: Allyn & Bacon.
Universitas Sumatera Utara