Perbedaan Emosi Musikal pada Saat Diperdengarkan Musik dengan Jenis Musik dan Tempo yang Berbeda
DAFTAR PUSTAKA
Azwar, S. (2012). Penyusunan Skala Psikologi (Edisi 2). Yogyakarta:
PustakaPelajar
Bacchiocci, S. Ph.D.(2000). A Closer Look at Rock Music. Endtime. No.36
Blatter, A. (2007). Revisiting Music Theory : A Guide to the Practice. From
https://books.google.co.id/books?id=e33mAgCOucEC&pg=PA148&lpg
=PA148&dq=revisiting+music+theory+a+guide+to+the+practice+resens
i&source=bl&ots=5mcK_idpNG&sig=dCWAdQoIpjUU9o3rlWTWpU6
mIow&hl=id&sa=X&ved=0ahUKEwic0YL_gdHKAhWSkI4KHR6KB
VYQ6AEIJzAB#v=onepage&q=revisiting%20music%20theory
Botella, L. (2009). “Music, Meaning, and Emotion : A Case Study”. Personal
Construct Theory and Practice. No.6. Universitas Ramon Lllull,
Barcelona, Spain
Caldwell, C, Hibbert, S.A. (2002). “The Influence of Music Tempo and Musical
Preference on Patrons Behavior”. Psychology and Marketing. Volume 19,
no. 11, p 895-917
Corsini. (2002). The Dictionary of Psychology. New York : Brunner- Routledge
Dewi. 2009.“Studi Metaanalisis : Musik Untuk Menurunkan Stres”. Jurnal
Psikologi. Volume36, No. 2, 106-115.
Djohan. (2003). Psikologi Musik. Yogyakarta : Buku Baik
Hadi. (2000). Metodologi Research. Yogyakarta : ANDI
Hamzah. ( 2010). “ Hubungan antara preferensi musik dengan Risk Taking
Behaviour pada Remaja ”. Skripsi pada Universitas Islam Negri Syarif
Hidayatullah Jakarta : tidak diterbitkan
Hude. ( 2006). Emosi : Penjelajahan Religio-Psikologis tentang Emosi Manusia
di dalam Al-Qur’an. Jakarta : Erlangga
Juslin, P.N, Sloboda, J.A.(2010). Hand Book of Music and Emotion : Theory,
Research, Application. Oxford : Oxford University Press
Juslin, P.N, Vӓ stjӓ ll, D. (2008). “Emotional Responses to Music: The Need to
Consider Underlying Mechanisms”. Behavioral and Brain Science. No.
31, 559-621
Jones, M.R, Fay, R.R, Popper, A.N. (2010). Music Perception : Springer
Handbook Auditory Research. Chap 5 Music and Emotion.
Fromhttps://books.google.co.id/books?id=ZYXd3CF1_vkC&pg=PA129
&lpg=PA129&dq=music+and+emotion+chapter+5+patrick+g+hunter+a
nd+e.+glenn+schellenberg&source=bl&ots=iJC3Nrd29t&sig=1AhLaTxwmq2Sn7p9QwEzRrspe4&hl=id&sa=X&ved=0ahUKEwiMg6zIgtH
KAhXPG44KHRSJDLwQ6AEIMDAC#v=onepage&q=music%20and%
20emotion%20chapter%205%20patrick%20g%20hunter%20and%20e.%
20glenn%20schellenberg&f=false
%20a%20guide%20to%20the%20practice%20resensi&f=false
Kamien . (2004). Music An Appreciation (Eight Edition). New York : Mc GrawHill
Kerlinger, Fred N.(1995). Asas-asas Penelitian Behavioral . Yogyakarta:
Universitas Gajah Mada
Koelsch. (2012). Brain and Music (first edition) . United Kingdom : WilleyBlackwell
Kurdi.(2011). Bahan Diklat Seni Budaya Seni Musik. SMK N 1 Tanjung
Lahey,Benjamin B.2007. Psychology: An Introduction . 9th. New York : Mc
Graw-Hill
Määttänen (2003).” Action, Criticsm, & Theory for Music Education”.MayDay
Group. Volume 2, no. 1, ISSN 1545-4517.
Prawitasari & Lerik (2005).” Pengaruh Terapi Musik terhadap Depresi di antara
Mahasiswa”. Sosiosains. Volume 18, No. 2.
Ratner.(1977).Musik : The Listener’s Art. United States of America : Mc GrawHill
Rea, C, MacDonald, P, Carnes, G.(2010). “ Listening to Classical, Pop, and Metal
Music : An Investigation of Mood”. Emporia State Research Studies.
Volume 46, no.1, p 1-3
Siregar, Sarah (2011). Perbedaan kecerdasan emosi remaja yang menyukai musik
jazz dengan remaja yang menyukai musik rock. Skripsi pada Fakultas
Psikologi Universitas Sumatera Utara : tidak diterbitkan.
Schwartz,K & Fouts, G. (2003).“Music Preferences, Personality Style, &
Developmental Issues of Adolescent”.
Journal of Youth &
Adolescence.Volume 32, No.3, pp205-213
Seppanen, J, Holm, H, Holm, J.(2010). Associating Emoticons with Musical
Genres. New Interfaces for musical Expression ( NIME 2010). Sydney,
Australia.
Shaughnessy, J.J, Zechmeister, E.B, Zechmeister, J.S. (2012). Metode Penelitian
dalam Psikologi. Jakarta Selatan : Salemba Humanika
Swaminathan, S, Schellenberg, E.G. (2014). “ Current Emotion Research in
Music Psychology”. University of Toronto at Mississauga, Canada.Vol.7,
No.2, ISSN 1754-0739
Zentner, M, Grandjean, D, Scherer, K.R. (2008). “ Emotion Evoked by The Sound
of Music : Characterization, Classification, and Measurement”. American
Psychological Association. Volume 8, no. 4, 494-521
Zwaag, M.D, Westerink, J.H.D.M, Broek, E.L (2011). “ Emotional and
Psychophysiological Responses to Tempo, Mode, and Pecussiveness.
Musicae Scientiae. Volume 15, no.2, 250-269
http://www.waspada.co.id/index.php?option=com_content&view=article&id=303
739:kemacetan-di-medan-sudah-parah&catid=14:medan&Itemid=27
Azwar, S. (2012). Penyusunan Skala Psikologi (Edisi 2). Yogyakarta:
PustakaPelajar
Bacchiocci, S. Ph.D.(2000). A Closer Look at Rock Music. Endtime. No.36
Blatter, A. (2007). Revisiting Music Theory : A Guide to the Practice. From
https://books.google.co.id/books?id=e33mAgCOucEC&pg=PA148&lpg
=PA148&dq=revisiting+music+theory+a+guide+to+the+practice+resens
i&source=bl&ots=5mcK_idpNG&sig=dCWAdQoIpjUU9o3rlWTWpU6
mIow&hl=id&sa=X&ved=0ahUKEwic0YL_gdHKAhWSkI4KHR6KB
VYQ6AEIJzAB#v=onepage&q=revisiting%20music%20theory
Botella, L. (2009). “Music, Meaning, and Emotion : A Case Study”. Personal
Construct Theory and Practice. No.6. Universitas Ramon Lllull,
Barcelona, Spain
Caldwell, C, Hibbert, S.A. (2002). “The Influence of Music Tempo and Musical
Preference on Patrons Behavior”. Psychology and Marketing. Volume 19,
no. 11, p 895-917
Corsini. (2002). The Dictionary of Psychology. New York : Brunner- Routledge
Dewi. 2009.“Studi Metaanalisis : Musik Untuk Menurunkan Stres”. Jurnal
Psikologi. Volume36, No. 2, 106-115.
Djohan. (2003). Psikologi Musik. Yogyakarta : Buku Baik
Hadi. (2000). Metodologi Research. Yogyakarta : ANDI
Hamzah. ( 2010). “ Hubungan antara preferensi musik dengan Risk Taking
Behaviour pada Remaja ”. Skripsi pada Universitas Islam Negri Syarif
Hidayatullah Jakarta : tidak diterbitkan
Hude. ( 2006). Emosi : Penjelajahan Religio-Psikologis tentang Emosi Manusia
di dalam Al-Qur’an. Jakarta : Erlangga
Juslin, P.N, Sloboda, J.A.(2010). Hand Book of Music and Emotion : Theory,
Research, Application. Oxford : Oxford University Press
Juslin, P.N, Vӓ stjӓ ll, D. (2008). “Emotional Responses to Music: The Need to
Consider Underlying Mechanisms”. Behavioral and Brain Science. No.
31, 559-621
Jones, M.R, Fay, R.R, Popper, A.N. (2010). Music Perception : Springer
Handbook Auditory Research. Chap 5 Music and Emotion.
Fromhttps://books.google.co.id/books?id=ZYXd3CF1_vkC&pg=PA129
&lpg=PA129&dq=music+and+emotion+chapter+5+patrick+g+hunter+a
nd+e.+glenn+schellenberg&source=bl&ots=iJC3Nrd29t&sig=1AhLaTxwmq2Sn7p9QwEzRrspe4&hl=id&sa=X&ved=0ahUKEwiMg6zIgtH
KAhXPG44KHRSJDLwQ6AEIMDAC#v=onepage&q=music%20and%
20emotion%20chapter%205%20patrick%20g%20hunter%20and%20e.%
20glenn%20schellenberg&f=false
%20a%20guide%20to%20the%20practice%20resensi&f=false
Kamien . (2004). Music An Appreciation (Eight Edition). New York : Mc GrawHill
Kerlinger, Fred N.(1995). Asas-asas Penelitian Behavioral . Yogyakarta:
Universitas Gajah Mada
Koelsch. (2012). Brain and Music (first edition) . United Kingdom : WilleyBlackwell
Kurdi.(2011). Bahan Diklat Seni Budaya Seni Musik. SMK N 1 Tanjung
Lahey,Benjamin B.2007. Psychology: An Introduction . 9th. New York : Mc
Graw-Hill
Määttänen (2003).” Action, Criticsm, & Theory for Music Education”.MayDay
Group. Volume 2, no. 1, ISSN 1545-4517.
Prawitasari & Lerik (2005).” Pengaruh Terapi Musik terhadap Depresi di antara
Mahasiswa”. Sosiosains. Volume 18, No. 2.
Ratner.(1977).Musik : The Listener’s Art. United States of America : Mc GrawHill
Rea, C, MacDonald, P, Carnes, G.(2010). “ Listening to Classical, Pop, and Metal
Music : An Investigation of Mood”. Emporia State Research Studies.
Volume 46, no.1, p 1-3
Siregar, Sarah (2011). Perbedaan kecerdasan emosi remaja yang menyukai musik
jazz dengan remaja yang menyukai musik rock. Skripsi pada Fakultas
Psikologi Universitas Sumatera Utara : tidak diterbitkan.
Schwartz,K & Fouts, G. (2003).“Music Preferences, Personality Style, &
Developmental Issues of Adolescent”.
Journal of Youth &
Adolescence.Volume 32, No.3, pp205-213
Seppanen, J, Holm, H, Holm, J.(2010). Associating Emoticons with Musical
Genres. New Interfaces for musical Expression ( NIME 2010). Sydney,
Australia.
Shaughnessy, J.J, Zechmeister, E.B, Zechmeister, J.S. (2012). Metode Penelitian
dalam Psikologi. Jakarta Selatan : Salemba Humanika
Swaminathan, S, Schellenberg, E.G. (2014). “ Current Emotion Research in
Music Psychology”. University of Toronto at Mississauga, Canada.Vol.7,
No.2, ISSN 1754-0739
Zentner, M, Grandjean, D, Scherer, K.R. (2008). “ Emotion Evoked by The Sound
of Music : Characterization, Classification, and Measurement”. American
Psychological Association. Volume 8, no. 4, 494-521
Zwaag, M.D, Westerink, J.H.D.M, Broek, E.L (2011). “ Emotional and
Psychophysiological Responses to Tempo, Mode, and Pecussiveness.
Musicae Scientiae. Volume 15, no.2, 250-269
http://www.waspada.co.id/index.php?option=com_content&view=article&id=303
739:kemacetan-di-medan-sudah-parah&catid=14:medan&Itemid=27