3. To find out the accurate reason of the dominant type of deixis that is used
in Raja Campur Sari of Didi Kempot’s song.
D. The Scope of the Study
There are so many songs in Raja Campur Sari of Didi Kempot’s song in 1999. The writer will focused only 10 titles in album as the scope of this study. This
study will describe five types of deixis based on Cruse 2000:319 adds that they are person deixis, spatial deixis, temporal deixis, discourse deixis and social
deixis.
E. The Significance of the Study
This study is expected to give a meaningful contribution to linguistics study especially in the field of pragmatics. It is expected that the findings of the study
will be useful for: 1.
The lecturerteacher: to investigate on deixis will add the variation of teaching deixis, especially deixis used in song.
2. Students: especially for the English Department Students who are
studying linguistics, to enlarge their knowledge about deixis especially to identify the types of deixis used.
3. Readers: to get knowledge about deixis theory. It would be more easy to
readers to identify the types of deixis in song. 4.
Other researchers: are expected as a comparison for their further research on the same topic. At least as a resource, especially for their reasearch that
uses deixis as analysis.
CHAPTER V CONCLUSIONS AND SUGGESTIONS
A. Conclusions
After analyzed the use of deixis in Raja Campur Sari, can be conclude that:
1. Based on the analysis of the data on song lyrics of Raja Campur Sari, it
can be conclude that there are five types of deixis found in the Raja Campur Sari, they are person deixis, spatial deixis, temporal deixis,
social deixis and discourse deixis. It consists of 136 person deixis, 67 spatial deixis, 66 temporal deixis, 82 discourse deixis, and 52 social
deixis. 2.
The percentages of each type of deixis used in that song lyrics are 33.7 for person deixis, 16.6 for spatial deixis, 16.4 for temporal
deixis, 20.3 for discourse deixis, and 13 for social deixis. The type of deixis is dominantly used in the song lyrics is person deixis with
total 136 or 33.7. The deictic word ‘aku’ is dominantly used in the song lyrics than others, because hethe singer mostly wrote his own
experiences, feelings and emotions inside human being into the song lyrics. The result implies that person deixis especially ‘aku’ plays a
great role in the song.
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Didi Kempot used the all deixis of ‘aku’, ‘kowe’, ‘mas’, ‘bojo’, ‘nengning’, ‘mung’, ‘iki’, ‘dekdik’, ‘pelayane’, and etc, into the song
lyrics he used language that is more simple and more explicit language, because ‘aku’, ‘kowe’, ‘mas’, ‘bojo’, ‘nengning’, ‘mung’,
‘iki’, ‘dekdik’, ‘pelayane’, and etc, it is the language medium which used by Didi Kempot into the song lyrics were enjoyed by the listener
of the medium class.
B. Suggestions
Based on the result of the study, the following suggestions are: 1.
Lecturerteacher: it is better for the English lecturerteacher to investigate deixis that will add the variation of teaching deixis to the
students. 2.
Students: it is better for the students to enlarge their knowledge about deixis especially to identify the types of deixis. It is hoped that they
can move easily to understand the meaning of the song lyrics. 3.
Readers: it will be easier for the readers to understand the story and make them more interested in understanding the meaning of the song.
4. Other researchers: these findings can be applied by other researchers to
conduct the research about deixis in other field of studies.
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