Role Play Teaching Techniques

used by learners in classroom, the language can correspondingly very along several parameters: according to the profession, status, personality, attitudes or mood of the character being role played, according to the physical setting imagined, according to the communicative functions or purpose required. Also, this is virtually the only way we can give our learners the opportunity to practice improvising a range of real-life spoken language in the classroom, and is an extremely effective technique if the students are confident and cooperative; but more inhibited or anxious people find role play difficult and sometimes even embarrassing. Factors that can contribute to a role play’s success are: making sure that the language demanded is well within the learner’s capacity; your own enthusiasm; careful and clear presentation and instructions. A preliminary demonstration or rehearsal by you together with a student volunteer can be very helpful. 27 According to Ladousse 1987, role play uses different communicative techniques and develops fluency in the language, promotes interaction in the classroom and increases motivation. Here peer learning is encouraged and sharing of responsibility between teacher and the learner in the learning process takes place. 28 Here is some procedures in Role Play activities according to Roberta A. Welch, called “Interactive Dialogue Practice”. She gives opinion that almost all conversation textbooks include dialogues, which most teachers have their students practice. To avoid what is often a dead reading of the text, with little interaction between the partners, this activity has student helpers feed the lines to performers who repeat them. Performers, thus freed from either concentrating on reading or memory overload, are encouraged to look at their partners and to use appropriate intonation, facial expressions, and gestures. This activity is an intermediate step toward more natural conversation. The procedures are: a. Divide the class into groups four students each is preferable. 27 Penny Ur, A Course In Language Teaching Practice And Theory, Cambridge University Press, 1996, p.30- p. 133 28 http:iteslj.orgArticleKrish-RolePlay.html b. Have the class listen to a recording of the dialogue or demonstrate it yourself. c. Have students mark the text for phrasing, stress, and intonation, as you demonstrate the body language and show how helpers can be effective prompters by feeding the performers phrases of a suitable length for repetition. d. Have two students take role of the helpers, sit behind the performers, and whisper the lines of the dialogue to them have the performers close their books and face their partners in the dialogue. e. Have the performers repeat the lines of the dialogue to their partner, trying to communicate the meaning, using appropriate body language. If the performers do not understand the lines, they can ask the helpers to repeat them. f. Have the helpers and performers switch roles and do the dialogue again. g. As students become familiar with the dialogue, have performers try to say the lines without being prompted, turning to the helpers only when necessary. This procedure aims to practice dialogues without reading from or memorizing the text, use appropriate body language and facial expressions, this level is suitable for beginning up to intermediate, also it has caveats and options there are: a As a follow up activity, one or two groups can perform in front of the whole class. b Students with enough ability and confidence can try to vary the dialogue by substituting different words and expressions. 29 In the same book, Kathleen McNally says Role Play is a highly effective method of improving conversational skills. She also gives technique called “Café Bianco” this lesson utilizes a restaurant scenario to promote interaction between 29 Kathlen M. Bailey and Lance Savage eds., New Ways In Teaching Speaking, Virginia USA: Teachers of English to Speakers of Other Languages, inc TESOL, 1994, p .85- p.86 students in a familiar situation and introduce some practical aspects of restaurant dining. The procedures are: a. Using the props, set the scene and explains and model the characters of hostesshost, server, customers, and manager. b. Pass out Vocabulary Worksheet e.g. Drinks: soda, iced tea, lemonade. Courses: appetizers, main course, and dessert, etc. to students and discuss concepts and new expressions e.g.tipping. Vocabulary can be added or subtracted according to the level of the students. c. Divide the class into small groups based on the numbers of characters in the role play and have them choose one of the scenarios suggested by the teacher e.g., breakfast; lunch; dinner; Sunday brunch; customers forgets wallet; wedding rehearsal dinner; anniversary; unsatisfied customers; blind date; double date; marriage proposal. d. Have students discuss and create a dialogue for presentation before the class. These procedures have aims converse while using new vocabulary, develop restaurant etiquette, these procedures are suitable for any levels, also it has caveats and options there are: a Filming and viewing these presentations can be exciting and revealing for the learners and teacher. b Follow up the activity by going to a restaurant. 30

2. Drills

Drill is an exercise for teaching, and it is method of training in learning activity. According to Peter Salim drill is practice of skill. 31 As a method and exercise, drill also have important role in learning process because the target of learning will be gained if the appropriate method and exercise is used by the teachers in their class. As mentioned in the previous chapter, Drills are essential at all levels of learning, when planned carefully and conducted effectively, they contribute to the 30 Savage, New Ways In Teaching Speaking…, p.79 31 Peter Salim, Practical English Indonesian Dictionary, Jakarta: Modern English Press Jakarta , 1993, p. 126 student’s feeling of security and achievement; they help them internalize the features of language and they lead to habit formation, they consolidate the “rule” or concepts of the language’s internal organization which the students had formulated; and they promote attentive listening, linguistic competence, and more fluent oral performance. 32 According to Harmer, drill work is very useful since it provides opportunities for students to practice a new bit of language in the most controlled way. Drills are usually very controlled and therefore they have limited potential. Because they are fairly repetitive and not very creative they should not be used for

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