Cinematography Sound Technical Elements

Fig. 18 The light effect to make the yellow soft light focuses on the one spot

2. Cinematography

The filmmaker controls cinematography qualities shot, not only what is filmed but also how is filmed. This consists of several framing shot. The Framing Shot where both of camera angle and camera distance determine the position of image. There are three types of camera angle: straight on angle, high angle, and low angle. Whereas camera distance consists of the extremely long shot, the long shot, the medium shot and the close up and. Camera angle in the Perfume: The Story of Murderer movie can be seen below. In the straight on Angle refers to frame of camera shots which are horizontal and on the same level of the subject as in the picture below. Fig. 19 Straight Angle The high angle refers to frame of camera shots above the subject’s eye level or the subjects is looked down as in the picture below. Fig. 20 High Angle Low angle refers to the frame of camera shots below eye level or the subject is looked up. It is like on the picture below. Fig. 21 Low Angle While the camera distance can be observed based on these screen below. 1 Extremely Long Shot Fig. 22 Extremely Long Shot 2 Long Shot Fig. 23Long Shot 3 Medium Shot Fig. 24 Medium Shot 4 Close-Up Fig. 25 Close Up

3. Sound

There is the sound output on the film which make the power and the quality of the film is responsible. Such as the aoudio output and the music which is also important in Perfume: The Story of Murderer movie, because music can create dramatic, romantic, tense feelings and audio effects. As with all of Tykwers films since 1997s Wintersleepers, the musical score for Perfume was composed by Tykwer and two of his friends Johnny Klimek and Reinhold Heil. Music performed by the Berliner Philharmoniker, conducted by Sir Simon Rattle, with the State Choir Latvia conducted by Kristian Järvi, Chen Reiss soprano, Melanie Mitrano soprano Victor de Mazière boy soprano. CDs track listing of the Perfume: The Story of Murderer soundtrack such as:

1. Prologue - The Highest Point 01:51 2. Streets of Paris 03:11

Dokumen yang terkait

Jean Baptiste Grenouille’s Psychological Disorder As An Impact Of Social Problems In Patrick Süskind’s Perfume: The Story Of A Murderer

10 136 71

THE CLASHES OF JEAN BAPTISTE GRENOUILLE IN PATRICK SUSKIND’S PERFUME.

0 3 59

The Clashes Of Jean Baptiste Grenouille In Patrick Suskind's Perfume.

0 4 25

PSYCHOPATHIC PERSONALITY REFLECTED IN TOM TYKWER’S Psychopathic Personality Reflected In Tom Tykwer’s Perfume: The Story Of A Murderer (2006).

0 2 16

THE DEFENSE OF JEAN-BAPTISTE GRENOULLE ON USING THE DEFENSE OF JEAN-BAPTISTE GRENOULLE ON USING HIS MINORITY OF SENSE IN TOM TYKWER’S PERFUME: THE STORY OF A MURDERER MOVIE: PSYCHOANALYTIC APPROACH.

0 1 99

JEAN-BAPTISTE GRENOUILLE’S AMBITION IN PATRICK SÜSKIND’S PERFUME: THE STORY OF Jean-Baptiste Grenouille’s Ambition In Patrick Süskind’s Perfume: The Story Of A Murderer Novel (1985): A Psychoanalytic Approach.

0 2 13

INTRODUCTION Jean-Baptiste Grenouille’s Ambition In Patrick Süskind’s Perfume: The Story Of A Murderer Novel (1985): A Psychoanalytic Approach.

1 5 12

JEAN-BAPTISTE GRENOUILLE’S AMBITION IN PATRICK SÜSKIND’S PERFUME: THE STORY OF Jean-Baptiste Grenouille’s Ambition In Patrick Süskind’s Perfume: The Story Of A Murderer Novel (1985): A Psychoanalytic Approach.

1 10 12

Jean-Baptiste Grenouille`s Alienation Symptoms in Patrick Suskind`s Perfume: Story of a Murderer.

0 0 73

Jean Baptiste Grenouille`s Alienation Symptoms in Patrick Suskind`s Perfume Story of a Murderer

1 7 71