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CHAPTER II THEORETICAL REVIEW
A. Review of Related Studies
There  are  some  related  studies  that  could  help  this  study  that  are  taken from many perspectives.
Kas  Haye s  in  his  article  ―Similarities  between  Author  and  Creation  in
Mary  Shelleys
Frankenstein
‖  points  out  that  there  is  relation  between  Mary Shelley‘s past life and the character of Victor Frankenstein. Both of them suffer
from the bitter past experience in their life when they are still in average years. It is about the lack of affection of the absence of a mother. Mary Shelley loses her
mother  when  she  is  in  her  growing  phase,  and  at  that  time,  she  still  needs  the presence of a mother. So, she writes
Frankenstein
to show her feeling: In  her  famous  novel  about  a  man  and  his  creation,  much  of  Godwins
soon  to  be  Shelley  unconscious  transformation  through  adolescence  is visible.  Notably  she  infuses  the  creature  with  some  of  her  own
adolescent issues. In some ways, Frankenstein is a glorified journal entry; allowing  Shelley  to  write  about  some  of  her  personal  issues  as  she
navigated  that  difficult  line  between  being  Godwin  the  adolescent  and Shelley  the  adult.  Through  the  creature,  she  discusses  the  loss  of  her
mother, the estrangement of her father and the generally dysfunctional life of  her  biological  family.  Shelleys  parents  were  well-known  writers  of
their  day:  Mary  Wollstonecraft  considered  a  radical  feminist  writer Smith  4  and  William  Godwin,  the  father  of  philosophical  anarchism
Kreis.  Wollstonecraft  died  eleven  days  after  giving  birth  and  although Shelley did not have her mothers presence as a child Hayes, 2008.
From the event happening in the past, the writer unconsciously defines the story  line  of
Frankenstein
as  the  story  of  her  life.  In  Freudian  work,  there  is terminology  called
dream  work.
That  is  the  process  by  which  real  events  or desires are transformed  into dream  images. Thus  the characters, motivation, and
events  are  represented  in  literary  way  and  reconstructing  the  abstract  ideas  or feeling into concrete images. In Barry‘s book, it is stated that:
Dreams  are  just  like  literature;  do  not  usually  make  explicit  statements. Both tend to communicate obliquely or indirectly, avoiding direct or open
statement  and  representing  meanings  through  concrete  embodiments  of time, place, or person Barry, 2002: 98.
From  the  quotation  above  we  can  see  that  the  writer‘s  past  event  may affect the storyline of a  literature she  made,  based  on what she  felt at that time.
So, when writing the literature, the idea of character Frankenstein and his creature may represent the people in real life.
Anthony F. Badalamenti in his journal says that Shelley‘s novel served as a  waking  expression  of  unconscious  feeling  of  past  event  in  relation  of  her
husband, Percy Shelley. Badalamenti relates the past story of Mary Shelley to the novel  Frankenstein and  it results that there are similar  names, stories and places
that are rewritten in the novel. Decoding  is  the  chief  tool  used  in  this  attempt  to  divine  Mary  Shelleys
motives.  It  is  a  means  of  finding  the  unconscious  meanings  hidden  by substitution, a defense used to consciously express an emotionally charged
but  unconscious  issue  that  would  be  unbearable  were  its  real  meaning open  to  conscious  view.  The  idea  of  substitution,  or  encoding,  is  more
current and more exact. Encoding brings some relief of a cathartic nature but rarely resolves under lying issues. It is a familiar of poets, authors and
the gifted  in  general,  most of whom tend to use  it unconsciously,  just as Mary  Shelley  did.  Mary  Shelleys  story  was  a  substitute  expression  of
deeply  troubling  feelings  of  hurt  arising  from  Percy  Shelleys  many violations of their relationship. Unable to deal with them consciously and
being  very  young,  indeed a teenager, at the time  she wrote the story, she unconsciously  encoded  her  pain  and  her  rage  in  her  novel.  Thus,  the
monster  is  here  decoded  as  what  Percy  did  to  the  love  between  himself and Mary Badalamenti, 2006: 420.
Anthony researched the history of Mary Shelley‘s past event to the novel and found out some similarities. For example, in  the novel, the opening scene is
in the North Pole, and Percy, Shelley‘s  husband at that time, wished to see the poles  unfrozen.  The  main  character  in  the  novel  is  Victor  Frankenstein;  Percy
Shelley‘s  favorite  pseudonym  in  early  life  was  Victor.  Victor  Frankenstein‘s favorite  sister  is  named  Elizabeth;  Percy  Shelley‘s  favorite  sister  was  named
Elizabeth, and both were family favorites. So, the point is he sought the history of Mary Shelley to make the research why she created the novel
Frankenstein.
Dadik  Prasetya Aribowo  in  his  undergraduate  thesis  ―The  Personality
Disorders of The Characters as The Result of The Dissatisfaction of Life in Mary Shelley‘s  Frankenstein‖  concludes  that  Frankenstein‘s  curiosity  of  something
makes  him  feel  dissatisfied,  and  in  this  case  are  the  curiosity  of  knowledge  and making a creature that he wants but instead becomes a monstrous thing:
Frankenstein‘s  thirst  of  knowledge  takes  place  in  the  first  part  when  he comes  to  the  feeling  of  dissatisfaction.  He  wants  to  improve  himself
hardly  to  obtain  more  understanding.  Frankenstein  wants  to  grab
everything  in  his  hands.  What  Frankenstein  actually  does  is  a  reflection toward what happen to us. It is the nature of man that the more he gets the
more he wants. Therefore, this kind of waiting is endless and can never be satisfied Dadik, 2003: 61.
From the two related studies, both of them take the same object and that is about the mental disorder of the character, but in this research,  the writer wants to
acknowledge  more  about  the  relation  between  the  dynamic  of  ego,  id  and superego in psychoanalysis that happen to Victor Frankenstein.
The first two studies focuses on the connection of the author and the main character,  Frankenstein,  in  creating  this  literary  work.  The  story  life  of  Mary
Shelley is almost similar to the story of Frankenstein, they both lose their mother. She  had  experienced  the  loss  of  a  child  that  might  be  represented  in  the  novel.
They  are  also  close  to  the  family  mostly  to  the  father  because  the  mother  is dead.  The  similarities  of  the  author  and  Frankenstein  could  be  assumed  as  it  is
the reason why Shelley creates the novel, they share a same agony. There are also names  of  characters,  places,  also  trace  of  events  which  are  almost  connected  to
the storyline of the novel she created. There is no exact truth if the characters or the personalities of the characters in the novel were made up randomly, or as she
like, but there  might be connection  between  her story  life and the  storyline. She put her feelings towards the novel and unconsciously delivered the messages into
it. So, it could be said that the dynamic personality of Victor Frankenstein is the
effect  from  the  dynamic  occurrences  that  happened  in  the  past  which  involve Mary Shelley‘s nearby into the story.
The  second  study  only  focuses  on  the  personality  disorders that  are  seen on  Frankenstein  and  the  creature.  It  explains  the  over  desire  of  Frankenstein  to
build  the  creature,  and  for  the  creature  itself,  the  writer  explains  more  to  his unclear  reason  why  he  is  being  created.  This  is  actually  almost  the  same  as  the
focus of my research, but the difference is he is only stating the sequence of the story but not dividing it to which category should the personality be placed.
B. Review of Related Theories