52 Sentence 45b cannot have the reading, ‘they two referents ride the swing.’ The
unacceptability of such sentences with dual reference indicates that the use of the plural applies only to groups of three or more. First and second person plural pronouns can be
followed by mavq, the animate plural marker, to emphasize the inclusion of all referents.
33
It is quite common, in the case of plural referents of a finite number, to use a number and the human classifier hhaq to express the number of people.
46 Aqyo
saol hhaq
... 3
three HCL ‘The three of them ...’
Not Just Me 3
3.2 Introduction of participants
In considering the introduction of participants in Hani narrative, it is helpful to distinguish between major and minor participants, defined as follows by Dooley and
Levinsohn: “Notionally, major participants are those which are active for a large part of the narrative and play leading roles; minor participants are activated briefly and lapse into
deactivation” 2001:119. In the corpus used for this study, the first person introduced in a narrative is always a major participant, although there may be other major participants
introduced later.
3.2.1 Introduction of first participant
Regarding the introductions of major participants in narratives, Levinsohn
observes that “most but not all major participants are introduced in a non-topic, non-
33
Mavq is defined as indicating “the plural of people [and] animals” Lewis and Bai 1996:325
53 interactive role,
BEFORE
they become the topic of a topic-comment sentence” 2008:120. I find that this is true in Hani.
Many Hani narratives about people begin with the sentence, ‘Long ago, there waslived a ____’ or ‘Long ago, there werelived two ____.’ These sentences refer to the
referent with an indefinite NP and use the verb jol, the meaning of which encompasses the meanings ‘live’ and ‘exist.’ The function of such sentences is to introduce a character
to a story, and this character is the one who is construed as most important throughout the story. Consider 47:
47a Gallhu.aqbei
col xil-meil niq
meilnaol jol nga
Long ago,
people this-MAN
two brothers live
OBJ yil.
HRSY ‘[It’s said that] long ago there lived two brothers like this.’
47b Aqyo mavq e dama sil
al naolhao,
3 PL LNK parents
die CRS after
niq meilnaol
bulduq yoqhhovq
piav laol
zaq. two
brothers self
family make
warm DUR
‘After their parents died, the two brothers made a home by themselves.’ The Two Brothers 1-2
Sentences 47a and 47b illustrate a common pattern at the beginning of Hani narratives. The major characters are introduced in the first clause, with subsequent clauses providing
background information. Once the characters have been introduced and the necessary background information given, then the events of the narrative can begin.
This is also the case in the text “Not Just Me” Appendix B. However, the pattern is not without exception. There are occasions where a participant is introduced in
54 a sentence that gives some information about him or her, rather than simply an existential
verb. Such is the case in 48: 48
Galhhu, Tavqcil
puvkaq Aqhuq Laoqsel
leil gul long.ago
Tavqcil village
Aqhuq Laoqsel QUO
call e miqgaq qiq
hhaq civzaol-nei
leiv LNK
pretty.girl one
HCL often-ABL
market zuvq
xul, ...
attend.market like ‘Long ago, a pretty girl from Tavqcil village named Aqhuq Laoqsel often
liked to go to the market.’ The Story of Aqpyuq Haossul 2
Likewise, folktales, in which the participants are often animals, gods, or famous people, sometimes do not follow the pattern of introducing the major character with an
existential verb. This is the case in 49: 49
Haqssiiq qiq
ssaq wuqdeiq meivq
alnei, tiger
one CL
stomach hungry PTC
aoqhaoq milhaoq meil zal leiq zaq nga yil.
heaven earth
MAN food
seek eat
OBJ HRSY
‘A tiger, being hungry, sought food to eat all over the world [it is said].’ VI:233
Sentence 49 is the first sentence in the folktale, ‘The Tiger and the Frog.’ The existence of the tiger may have been evoked from the title, therefore allowing the tiger to
be directly introduced into the narrative. In the text corpus under consideration, this way of beginning a narrative is not common.
3.2.2 Introduction of other major participants