AGAINST VIOLENCE IN LUC BESSON’S THE LADY MOVIE (2012) : AN INDIVIDUAL PSYCHOLOGICAL APPROACH Against Violence In Luc Besson’s The Lady Movie (2012) : An Individual Psychological Approach.

AGAINST VIOLENCE IN LUC BESSON’S THE LADY MOVIE (2012) :
AN INDIVIDUAL PSYCHOLOGICAL APPROACH

Submitted as a Partial Fulfillment
of the Requirements for Getting Bachelor Degree
of Education in English Department

by
Dwi Novi Kurniawati
A 320 100 015

ENGLISH DEPARTMENT
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2013

MOTTO


“Dan bahwasanya seorang manusia tiada memperoleh
sesuatu selain apa yang telah diusahakannya”




“Berusahalah selagi kita masih bisa berusaha”



“Jangan pernah menyerah, karena kegagalan adalah
awal dari kesuksean”

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DEDICATION

This research paper is dedicated to:
My Father in the heaven, I love you so much.
My Mother who have sacrificed everything
for me and always support me with love,
praying and trust.

My Brother, thanks for love, attention and
prayer.
The Big Family of GUNUNG WANGSIT.
The Big Family of KARISVINA.
My beloved one, thanks for togetherness


 

ACKNOWLEDGMENT

Assalamu’alaikum wr. wb.
Glory to Allah SWT, the Almighty, the Lord of the universe, the supreme
being. The writer is so grateful to Him for giving her all the kindness, protection, power
and love to complete this research as a partial fulfillment of the requirements for getting
Bachelor Degree of Education in English Department.
The writer is fully aware that this work cannot be separated from other
people’s help and guidance. Therefore, in this opportunity, she would like to express her
gratitude and appreciation to:
1. Drs. Sofyan Anif, M.Si, the Dean of School of Teacher Training and

Education.
2. Titis Setyabudi, S.Si, as the Head of English Department.
3. Dr. Phil Dewi Candraningrum, S.Pd, M.Ed, as the first consultant who has
advised and guided her during the arrangement of this research paper.
4. Siti Fatimah, S.Pd, M.Hum, as the second consultant who has improved
the research’s writing in order to make this research paper more
interesting to read in correct sentences.
5. Drs. Abdillah Nugroho, M. Hum, as the third consultant who has big
attention for my research paper.
6. All of English Department’s lecturers in Muhammadiyah University of
Surakarta.

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TABLE OF CONTENT

COVER ………………………………………………………………………….. ...... i
APPROVAL ................................................................................................................ ii
ACCEPTANCE ........................................................................................................... ii

MOTTO ...................................................................................................................... iv
DEDICATION ............................................................................................................ v
TESTIMONY .............................................................................................................. vi
SUMMARY ................................................................................................................ vii
ACKNOWLEDGMENT ......................................................................................... viii-ix
TABLE OF CONTENT ...........................................................................................x-xi
TABLE OF FIGURE .............................................................................................. xii-xiv
CHAPTER I INTRODUCTION ................................................................................ 1
A.
B.
C.
D.
E.
F.
G.
H.

Background of the Study .................................................................................. 1
Previous Study .................................................................................................. 5
Problem Statement ............................................................................................ 6

Limitation of the Study ..................................................................................... 6
Objective of the Study ...................................................................................... 6
Benefit of the Study .......................................................................................... 6
Research Method .............................................................................................. 7
Research Paper Organization ............................................................................ 8

CHAPTER II UNDERLYING THEORY ............................................................... 11
A.
B.
C.
D.
E.

Notion of Individual Psychology ..................................................................... 11
Basic Assumption of Individual Psychology ................................................... 12
Violence ........................................................................................................... 18
Structural Elements of the Movie .................................................................... 23
Theoretical Application ................................................................................... 36

CHAPTER III STRUCTURAL ANALYSIS .......................................................... 38

A. Structural Elements of The Lady Movie .......................................................... 38
B. Discussion ........................................................................................................ 72
CHAPTER IV INDIVIDUAL PSYCHOLOGICAL ANALYSIS ......................... 76
A. Individual Psychological Analysis of The Lady ............................................... 76

 

B. Violence Analysis ............................................................................................ 90
C. Discussion ........................................................................................................ 95
CHAPTER V CONCLUSION AND SUGGESTION ............................................ 101
A. Conclusion ...................................................................................................... 101
B. Educational Implication .................................................................................. 102
C. Suggestion ....................................................................................................... 102
BIBLIOGRAPHY ..................................................................................................... 103
APPENDIXES

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TABLE OF FIGURE

Fig. 1 Suu Kyi’s Face……………………………………………………………. 39
Fig. 2 Young Suu Kyi’s Face…………………………………………………….

41

Fig. 3 Aung San Suu Kyi………………………………………………………… 41
Fig. 4 Michael Aris……………………………………………………………..... 41
Fig. 5 Michael Aris with His Son………………………………………………... 41
Fig. 6 Alex’s Face………………………………………………………………... 42
Fig. 7 Alex in the Nobel Moment………………………………………………..

42

Fig. 8 Young Face of Kim……………………………………………………….. 43
Fig. 9 Adult Face of Kim……………………………………………………….... 43
Fig. 10 Kim got telephone from his mother……………………………………..

44

Fig. 11 Lucinda’s Face…………………………………………………………...


45

Fig. 12 Lucinda cooked for Kim and Alex………………………………………

45

Fig. 13 Karma’s Face…………………………………………………………...... 45
Fig. 14 Karma give the Medicine………………………………………………... 46
Fig. 15 Karma in the Hospital…………………………………………………...

46

Fig. 16 In the Front Yard………………………………………………………… 47
Fig. 17 Suu Kyi Sleep……………………………………………………………. 47
Fig. 18 Suu Kyi’s Mother in a Bed……………………………………………....

48

Fig. 19 Meeting Time……………………………………………………………. 49

Fig. 20 Accept the Guest ………………………………………………………...

49

Fig. 21 Suu and Her Mother……………………………………………………... 49
Fig. 22 Violence of Army………………………………………………………... 49
Fig. 23 Suu Kyi comes to British Embassy……………………………………… 50
Fig. 24 Suu Kyi makes a phone with Michael Aris…………………………….... 50
Fig. 25 Make a Leaflet…………………………………………………………… 50
Fig. 26 Outside of the House…………………………………………………...... 51
Fig. 27 Inside of the House ……………………………………………………… 51
Fig. 28 Michael Aris teaches the Student ……………………………………….

51

Fig. 29 Michael Aris in the Hospital…………………………………………......

52

Fig. 30 Shot 1…………………………………………………………………...... 55

Fig. 31Shot 2……………………………………………………………………... 55
Fig. 32 Monologue………………………………………………………………

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55

Fig. 33 Michael makes the dialogue……………………………………………

56

Fig. 34 Formal Costume ………………………………………………………...

58

Fig. 35 Traditional Costume …………………………………………………....

59


Fig. 36 Informal Costume ………………………………………………………

59

Fig. 37 Example of Make Up …………………………………………………...

60

Fig. 38 Panic Face……………………………………………………………….

60

Fig. 39 Happy Face ……………………………………………………………..

60

Fig. 40 Example of Set Dressing ……………………………………………….

60

Fig. 41 Wearing Flower…………………………………………………………

61

Fig. 42 Wearing Eye Glasses …………………………………………………..

61

Fig. 43 Hard Lighting …………………………………………………………..

61

Fig. 44 Soft Lighting…………………………………………………………….

62

Fig. 45 Frontal Lighting…………………………………………………………

62

Fig. 46 Side Lighting…………………………………………………………….

63

Fig. 47 Under Lighting…………………………………………………………..

63

Fig. 48 Top Lighting……………………………………………………………..

63

Fig. 49 Lighting from the Sun……………………………………………………

63

Fig. 50 Lighting from Lamp……………………………………………………… 64
Fig. 51 Lighting from Emergency……………………………………………….. 64
Fig. 52 Yellow Lighting………………………………………………………….. 65
Fig. 53 White Lighting…………………………………………………………… 65
Fig. 54 Good Image and Lighting………………………………………………..

65

Fig. 55 Straight on Angle………………………………………………………..

66

Fig. 56 High Angle………………………………………………………………

66

Fig. 57 Low Angle……………………………………………………………….

67

Fig. 58 Extreme Long Shot………………………………………………………. 67
Fig. 59 Long Shot………………………………………………………………... 67
Fig. 60 Medium Long Shot………………………………………………………. 68
Fig. 61 Axis of Action…………………………………………………………… 69
Fig. 62 Establishing Shot………………………………………………………… 69
Fig. 63 A Reverse Shot…………………………………………………………… 70
Fig. 64 Reestablishing Shot……………………………………………………… 70
Fig. 65 Match on Action…………………………………………………………. 71

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Fig. 66 Cross Cutting…………………………………………………………….. 71

 

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