RAGAM TUTURAN KEIGO DALAM DRAMA VOICE INOCHI NAKI MONO NO KOE KARYA KANEKO SHIGEKI (Kajian Sosiolinguistik).

DAFTAR ISI

Lembar Pengesahan ....................................................................................... ii
Abstrak ........................................................................................................... iii
Abstract ........................................................................................................... iv

Kata Pengantar ............................................................................................. v
Daftar Isi ........................................................................................................ vii
BAB I PENDAHULUAN
1.1.

Latar Belakang ..................................................................................... 1

1.2.

Batasan Masalah ................................................................................... 9

1.3.

Tujuan Penelitian.................................................................................. 10


1.4.

Kegunaan Penelitian ............................................................................. 10

1.5.

Kerangka Pemikiran ............................................................................. 10

1.6.

Metodologi Penelitian .......................................................................... 11

1.7.

Sistematika Penulisan ........................................................................... 12

BAB II KAJIAN TEORI
2.1

Penelitian Terdahulu. ........................................................................... .13


2.2

Sosiolinguistik ...................................................................................... 14
2.2.1 Pengertian Sosiolinguistik ......................................................... 14
2.2.2 Masalah – Masalah Sosiolinguistik............................................. 15
2.2.3 Kegunaan Sosiolinguistik............................................................ 16

2.3

Keigo .................................................................................................... 16
2.3.1 Pengertian Keigo ........................................................................ 16
2.3.2 Ragam Keigo ............................................................................... 20
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2.3.3 Peran Keigo ................................................................................. 30
2.3.4 Konsep Uchi - Soto ..................................................................... 32
BAB III ANALISIS RAGAM TUTURAN KEIGO DALAM DRAMA VOICE
– INOCHI NAKI MONO NO KOE KARYA KANEKO SHIGEKI
3.0


Pengantar ........................................................ ..................................... .33

3.1

Hubungan Sosial yang Muncul di Antara Penutur dan Lawan Tutur yang
Dikaitkan dengan Pengidentifikasian Bentuk Keigo ........................... 34
3.1.1 Usia.............................................................................................. 34
3.1.2 Status Sosial... ............................................................................. 38
3.1.3 Keakraban ......... .......................................................................... .44

3.2

Situasi Penggunaan Keigo ... ................................................................ 50
3.2.1 Formal .... .................................................................................... 50
3.2.2 Informal ... ................................................................................... 55

3.3

Hasil Analisis Sementara .................................................................. .. .63

3.3.1 Tabel Parameter Penggunaan Keigo ........................................... 64
3.3.2 Situasi Ujaran Penggunaan Keigo.. ............................................. 70

BAB IV SIMPULAN DAN SARAN
4.1.

Simpulan............................................................................................... 71

4.2

Saran .................................................................................................... 72

SINOPSIS
DAFTAR PUSTAKA
LAMPIRAN DATA
RIWAYAT HIDUP PENULIS

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