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s t n e m u g r A

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t n a l a u n n a d e h s il b u p s a

h hologyoft hebests ho trs to ire sbyI ndonesianwrtiers.8

e h t r o f e t e p m o c o t s r o h t u a n a i s e n o d n I y b d e s u m u r o f e n o s e m o c e b t p m e tt a s i h T

, r e v e w o H .l a r e n e g n i c il b u p d n a s r o h t u a r e h t o m o r f n o it a i c e r p p a d n a l a v o r p p a

7_A_d_h_e_{1 -}₃₂₁₃₃_.

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s e h s il b u p , y n a p m o

(18)

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t e t a d o m m o c c a o t h g u o n e t o n s i t p m e tt a s i h

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l a m o r

f ltieraturegenres .

, e r o f e b d e n o it n e m n e e b s a h t i s

A thel tieraturewo lrdi nI ndonesiaha s o

n r a k e o S e h t e c n i s s s e n k r a d f o e g a n a d e c n e ir e p x

e 9_r_e_g_i_m_e_._M_a_n_y_b_o_o_k _s_w_e_r_e

s ti o t e u d d e n n a

b contentswhichw ereconsidereddangerousf ort hepoilitca l t

a u ti

s ioni nI ndonesiaandmighti nsprierebelilont owardt hegovernment .The r o d e h s il b u p e h t n o y c il o p n w o s i h s a h o s l a a i s e n o d n I f o t n e d i s e r p d n o c e s

. e r u t a r e ti l d e h s il b u p n

u Ont he ils toft hef orbiddenbooksi n1966 ,therewere59 o

s e lt

it fbooksf rom17authors .Therewere16 itlte so fPramoedyaAnantaToer’ s e

w h c i h w s k r o

w rebannedf o rpub ilcaitoni nI ndonesia.10

r o e c ir p y r a r e ti l d e d i v o r p o s l a t n e m n r e v o g e h t ,s k o o b d e n n a b e h t e ti p s e D

r o f d n a s k r o w e h t r o f d r a w

a individua lachievement . tIs eemedt hatt he

e r e h t t u b , e r u t a r e ti l n a i s e n o d n I f o t n e m p o l e v e d e h t n o n r e c n o c a d a h t n e m n r e v o g

c i n o ri e h T . e r u t a r e ti l n a i s e n o d n I d r a w o t p i h s r o s n e c t c ir t s a s a

w a lsidei s tt ha whlie

d n I e h

t onesianpeoplet hemselvesf alitoappreciatet hei rownl tierarywork ,st he e

v a h s k r o

w been rtanslatedandpubilshedi ndfiferentl anguages andbecomea .

k r o w y r a r e ti l f o n o it a l u c ri c l a b o l g n i tr a p

, 5 4 9 1 e c n i

S thereweremaleauthor swhodominatedt hel tieraturewo lrd . a

m e f e r e w e r e h t h g u o h t n e v

E lename sappearedi nt he1950’ ,st heywere

y r a r e ti l n i d e s s u c s i d e r e w l a r e v e s y l n o d n a e r u t a r e ti l r a l u p o p f o s r o h t u a d e r e d i s n o c

m s i c it ir

c .11_S_i_n_c_e₂₀₀₀_,_t_h_e_r_e_a_r_e_s_i_g_n_i _if_c_a_n_t_n_a_m_e_s_t_h_a_t_a_p_p_e_a_r_o_n_t_h_e_s_u _fr_a_c_e_a_n_d

9_H_e_i_s_t_h_e_f_ri_s_t_p_r_e_s_i_d_e_n_t_o_f_I_n_d_o_n_e_s_i_a_w_h_o_h_a_d_d_e_c_l_a_r_e_d_t_h_e_i_n_d_e_p_e_n_d_e_n_c_e_o_f_I_n_d_o_n_e_s_i_a_i_n₁₉₄₅_.

. 6 6 9 1 n i d e d n e s a w p i h s r e d a e l s i H

1 _Y_u_d_i_o_n_o_K_._S_,_P_e_n_g_a_n_t_a_r_S_e_j_a_r_a_h_S_a_s_rt_a_I_n_d_o_n_e_s_i_a₍_J_a_k_a_tr_a_:_G_r_a_s_i_n_d_o_,₂₀₀_{7 2}₎_{3 - 3}₃ _{3 .}₃ 1

(19)

6 h

T . s r e ti r w n e m o w d e h s i u g n it s i d s a d e r e d i s n o

c ei rname sares aidt obebapitzed s

a m e h t d e l e b a l e l p o e p d n a , a i d e m e h t y

b SastraWangi.12_B_e_f_o_r_e_t_h_e_e_c_h_o_o _f

s a m e h t d e l e b a l c il b u p d n a d r a e h e b o t d e tr a t s s r o h t u a n a i s e n o d n I e l a m e

f Sastra

, i g n a

W therei sNh .Din iwhosework shavebeenknownnaitonallyand y

l e t a n u tr o f n U . y ll a n o it a n r e t n

i , herl fiei sf arf rommas smediaandi nfotainment e

g a r e v o

c . Onlyf ewpeopleknowabou ther .Andwhentheyknow,i tmeanst ha t e

r u t a r e ti l n i d e t s e r e t n i y ll a e r e r a y e h

t .Severa lo fNh .Dini’ swork shavebeen b

u p d n a d e t a l s n a

rt ilshedi nFrench ,Dutch ,JapaneseandEngilsh .Sheha s d

e t a c i d e

d hersefltol tierature .Shekeep swiritngi nhe roldday sandj oining g n i v il r e h s y a p e h S . a tr a k a J n i s e u s s i s tr a d n a e r u t a r e ti l h ti w l a e d t a h t s e e tt i m m o c

h t m o r f s n r a e e h s y e n o m e h t h ti w t s o

c er oyatlyoft hebooks ,whichi sno tmuch v

e s e r a e r e h T . y ti v it c u d o r p r e h o t d e r a p m o

c era lbiographie sabou thert hat are r

w y d a e rl

a itten,f romt heb ire fversionuntlithemorecomprehensiveone . I

. h g u o n e t n e i c if f u s t o n s i d e d i v o r p n o it a m r o f n i e h t ,r e v e w o

H tdoe sno tprovidean

. e r u t a r e ti l n i n o i s s a p r e h n o y ll a i c e p s e d n a e fi l r e h f o t h g i s n i

D . h

N in iha saconvenitonals tyleo fw iritng .Shenarrate sh r e storyusinga a

l f o e r u t c u rt s e l p m i

s nguage ,andt her eader scanf eelt heatmosphereoft he n

e v E . s e ir o t

s thoughs hewrtiesi ssue swhichareconsideredcommon ,therei sa o

t m s i c it ir c f o e s n e

s w ardthes ociety ,a swel la sanawarenes so fwomen’ s d n a , s r e ti r w n a m o w l a i s r e v o rt n o c e h t f o e n o e m o c e b o t t o n s e g a n a m e h S . n o it i s o p

n a i s e n o d n I n i e c a l p n w o r e h s a h e h s t e

y ltierature.

r e ti r w e l a m e f a s a i n i D . h

N whoha scontirbutedhe rworkstot he l

n a i s e n o d n I f o s t n e m p o l e v e

d tieratures ince1960 sha sexpressedherr ebelilonon

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e l y t s t s i n i m e f n i d o o h n a m o w r i e h t g n i s s e r p x e n i s s e c c u s d e r e d i s n o

(20)

7 w

h Indonesians ocietymarginailzeswomen . tIi sno tonlyhe rciritcismt oward t

a h t y t e i c o

s si expressedt hroughhe rworks ,bu talsohe rvaluei ns eeings ex , h

c i h

w wa sconsidereduncommoni nI ndonesiaatt ha titme .Teeuwclaims N .h a

i s e n o d n I n r e d o m e h t n i r o h t u a n a m o w s u o m a f a s a i n i

D n ltierature.13_H_e_r_w_o_r_k _s

s f o s k r o w e h t o t d e r a p m o c g n i e b e r

a ocalledSasrtawang iauthor .Theyareno t e

m a s e h

t sa they ilvei nthedfiferen tera.Wha tmigh tbeconsideredasr ebelilou s r

w o t r o h t u a n e m o w r o f t c e j b u s ti f n u d n a a r e y a d o t n

i tieabout ,ha sbeendoneby Nh. Dinis ince1960 .s SastraWangi ,whichi sknownfort hei rnewstyleo fw iritng

e s r u o c r e t n i n a m u h f o n o it p ir c s e d d i v i v a e d u l c n i h c i h

w asr egula rpar tont hei r .

y t e i c o s e h t m o r f n o it a i c e r p p a r e t a e r g a d e v i e c e r s a h , n o it a r r a n

d i a s s

A byKorireLayunRampan14_i_n_h_i _s_a_r_it_c_l_e_e_n_it_lt_e_d_“_K _ir_it_k_S_a_s_rt_a_d_a_n

y r a

K aSasrtaI ndonesia” ,thes lowdevelopmen tofI ndonesianl tieraturei scaused y

b n o it a i c e r p p a f o k c a l e h t y

b thes ocietyi nr ewardoft hei rworks .Hes tatest ha t i

e r e h

t snoI ndonesianautho rwhocandependonhi so rherl fiebybeinga o

N . r o h t u a n a /r e ti r

w tf arf romt her ealtiyt hati smenitonedbyKorireLayun s g n it ir w y b g n i v il a n r a e d l u o c s m e e s o h w s r e ti r w e r a e r e h t , n a p m a

R tori(es.)I t

n r a e y l n o t o n o d y e h t t a h t s m e e

s a ilvingf romi tbu talsobecomef amous .Oneo f t

a h t s p u o r g e h

t representsthecategorywhich Imen itonedbeforei s theSastra .

i g n a

W Theyareal lwomenwhoaref amous ,young ,andbeautfiu lalso .Though s

a d e l e b a l e b o t e s u f e r m e h t f o e m o

s SastraWang i- o neoft hems ay tii sbettert o

1 _A_._T_e_e_u_w_,_S_a_s_rt_a_I_n_d_o_n_e_s_i_a_M_o_d_e_r_n_I_I₍_J_a_k_a_tr_a_:_P_u_s_t_a_k_a_J_a_y_a_,₁₉₈₉₎₁₉₂_,₁₉₄_. 4

1 _K_o_r_ir_e_L_a_y_u_n_R_a_m_p_a_n_,_“_K_ir_it_k_S_a_s_rt_a_d_a_n_K_a_r_y_a_S_a_s_rt_a_I_n_d_o_n_e_s_i_a_,_”_K_e_d_a_u_l_a_t_a_n_R_a_k_y_a_’t_s₂₃_J_u_l_.

. 6 0 0 2

(21)

8 s

a n w o n k n a h t r e h t a r t a h t s a d e l e b a l e

b SastraBau- sitnkyl tierature.15_O_f_c_o_u_r_s_e_,

t o n s i m e l b o r p e h

t int hematte rhowt heyarel abeled ,bu tonhowt hes ocietygive s it

i s o p e b s y a w l a t o n t h g i m e s n o p s e r e h T . e c n e t s i x e r i e h t n o e s n o p s e

r ve,s omewtih

r e tt a m o N . y ti s o m i n

a thes ocietyr eacts ,tis howst hatt here ni sa attenitoni nt he k

e l p o e P . d lr o w e r u t a r e ti

l nowt hatt hereareauthor snamedFriaBasuki ,Ayu r

a n e j D , i m a t

U MaesaAyuandothers .Peoplehea rhowt heyhavedfiferents tyle s m o c e b y e h t s u h t ,s r o h t u a n a m o w n r e d o m s a d e r e d i s n o c e r a y e h t w o h , g n it ir w f

o e

. s k r o w r i e h t d a e r o t s u o ir u c

h ti w e m a s e h t s i n o it a i c e r p p a s s e l g n i v i e c e r t a h t n a e m t o n s e o d t I

ti r w n a m o w e r a e r e h t h g u o h T . s k r o w d e if il a u q s s e l g n i c u d o r

p er sappearf ollowing

h tr i b e h

t fo SastraWangi ,fewmanaget odedicateherl fieentrielyonl tierature . n o y t e i c o s e h t m o r f e g d e l w o n k f o k c a l e h t f o t l u s e r e h t s i ti , e r o f e b d e n o it n e m s A

i s e n o d n I n i , n e m o w y ll a i c e p s e , r e ti r w d e if il a u q f o e c n e t s i x e e h

t a .Thus , Ichoose

f o t n e m e v e i h c a e h t n o h c r a e s e r a t c u d n o c o t m u i d e m e h t e b o t i n i D . h N

n a i s e n o d n

I femaleauthori nIndonesia .Shei sa ifguret or epresentt he e

m p o l e v e

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i s e n o d n

I , whoi sconsideredconsisten tandproducitveandha she rowns tyleo f ir

w itng ,herl fieexpe irencei sconsideredi nteresitngandf ul lofl fieexpe irences . e

c n a r F a h ti w d e ir r a m i n i D . h

N 16_m_a_n_,_a_d_i_p_l_o_m_a_t_,_a_n_d_s_p_e_n _t_m_o_s_t_o _f_h_e_r_l_fi_e

t n e r e f fi d n i e v il o t d e c n e ir e p x e e h s ,s u h T . s a e s r e v o g n i v il d n a g n il l e v a

rt cutlures ,

d n a e p o r u E , a i s A ( d lr o w e h t f o s tr a p t n e r e f fi d n

i Ameirca).

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-. 5 3

(22)

s m i A

e r a s k r o w r e h f o t s o

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e d i u g l li w r e t a l d n a s m e l b o r p o w t o t n i d e t a l u m r o f h c i h w , d n i m y m n i s n o it s e u q

e h t o d o t e

m sre earch .Thef ris tquesitonoccuredsincebiographyabou tawrtier, y

ll a i c e p s

e afemalewrtier /authoress, si rarelypubilshedi nI ndonesia .Even .

h N f o y h p a r g o i b e h t h g u o h

t Din iha sbeenpubilshed , Iwantt opu temphasi son r

h journeyo flfiea sanIndonesianauthore . ss .

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s e r o h t u a n a s i i n i D . h

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u r r e v e n h t g n e rt

s nout .Usingnarratology,t hisr esearchi si ntendedt oknowhow r

o h t u a n a s a i n i D . h N f o e fi l e h

t e ssis . tIs eeksf o ranadventureo fhe rdaliyl fie,t o f

n u r e h f o l i a t e d e h t w o n

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r g o i b o t u a r e h h g u o r h

t phica lnovels . tIi sexpectedt ha tbyknowingherl fiea san r

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a ess,t her eade rwouldbeablet oknowt hes weetnes sandbitternes sofbeing r

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ri p s n i ll i w t i ,s k r o w y r a r e ti

l peoplet owrtie.

n a s a i n i D . h N f o e c n e ir e p x e e fi l e h t n o k e e s y l e r e m t o n s e o d h c r a e s e r s i h T

r o h t u a e l a m e f a i s e n o d n

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t Indonesianl tierature. .

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e h T . a i s e n o d n I n i e r u t a r e ti l f o n o it i s o p e h t f o e r a w a e b o t d n a y l s u o ir e s

(23)

0 1 s

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a s e v i g i n i D . h N f o e fi l e h t g n i w o n K . r e h ti e t o n d l u o w d lr o w e h t n e h t , e r u t a r e ti l

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v l o v e

r d oneverythingt hats urround she,r e.i . he rworks ,he rpersonall fie e

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t a r e ti l n a i s e n o d n

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f The

t r o p e r o t ,s e ir o t s e h t f o n o it c e ll o c e h t h g u o r h t a t a d e h t r e h t a g o t s d e e n r e h c r a e s e r

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(24)

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e i v r e t n i e h T . i n i D . h N , fl e s r e

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