80 Cultural maintenance is an act to preserve the culture of a certain area
which is shared by and transmitted among members of society, so it won‘t vanish or extinct.
In short, this can be done by several ways, as the example is an artist was teached the youngsters about the culture so they were interested and taking a part
to study that culture further. While in the Sayuri ‘s case, she opened a small
teahouse in New York, invited several geishas to work in her teahouse, and joined many discussions about Japanese Culture, especially geisha culture.
4.6.1 Learn and study various geisha arts
Sayuri actively learned about geisha culture and finished all of her activity in the school. She learned many things, from how to play shamisen,
to dance, to sing, and to serve a tea to the guest. We can see from the following quotation:
In all of these classes, music and dance were only part of what we learned. Because a girl who has mastered the various arts will still
come off badly at a party if she hasn ‘t learned proper comportment
and behavior. Golden, 1997: 143
For make-up, that very essential for geisha, Sayuri learned it from Hatsumomo. From watching over Hatsumomo, Sayuri learned how a geisha
for make-up and also some tricks to make geisha charms. We can see from the following quotation:
Now she moistened her pigment sticks and used them to rub a reddish blush onto her cheeks. Already during the my first month in
the okiya, I ‘d seen Hatsumomo in her finished makeup many times; I
stole looks at her whenever I could without seeming rude. I ‘d
noticed she used a variety of tints for her cheeks, depending on the colors of her kimono. There was nothing unusual in this; but what I
81 didn
‘t know until years later was that Hatsumomo always chose a shade much redder than others might have used. I can
‘t say why she did it, unless it was to make people think of blood. But Hatsumomo
was no fool, she knew how to bring out the beauty in her feature. Golden, 1997:63
From Mameha, Sayuri learned how to maintain and to show good attitude of a geisha to everyone. Also, she learned how to maintain a good
image to all people whom they met. We can see from the following quotation: I practiced walking up and down the alley as Mameha had described,
looking straight toward my feet to see if my kimono fluttered as it should. When Mameha was satisfied, we set out again. Golden,
1997: 157
From Mameha and Mother, Sayuri learned the importance of dignity for a geisha. Geisha must not gave in and succumbed easily to a man, instead
they tried to charm the man to give them gifts and invited them when they came to Gion again. We can see from the following dialogue:
―You may not want me looking up your sleeve, but that doesn‘t mean you have to act prissy A man is interested in only one thing.
Believe me, you ‘ll understand all too soon what I‘m talking about. In
the meantime, you can keep him happy by letting him think he ‘s
permitted to see your parts of your body no one else can see. If an apprentice geisha acts they way you did just then
—pouring tea just like a maid would
—the poor man will lose all hope. Try it again, but first show me your arm.
‖ So I drew my sleeve up above my elbow and held my arm out
for her to see. She took it and turned it in her hands to look at the top and the bottom.
―You have a lovely arm, and beautiful skin. You should make sure every man who sits near you sees it at least once.
‖ Golden, 1997:169
82 These way geisha used her charm to get her patrons attention. The
charm did not need to show a lot of her bare skin, it could be worked by showing certain parts of her arms or neck. The men later would got curious
and wanted to know more about the geisha.
4.6.2 Attend Meeting with Patron
