CHAPTER II A BRIEF DESCRIPTION OF CHARACTERIZATION
2.1 Characterization
Fiction is strong because it is so real and personal. Most characters have both first and last names; the countries and cities in which they live are modeled
and real places; and their actions and interactions are like those which reader themselves have experienced, could experience, or could easily imagine
themselves experiencing. Along this attention to character, fiction is also concerned with the place of
individuals in their environments. Fiction is usually about the interaction among people, but it also involves these large interactions either directly or indirectly.
Indeed, in a typical work of fiction there are always many forces, both small and large, that influence the ways in which characters meet and deal with their
problems. The judgment of characters may be done from the word they express.
Because from their word reflect experience which is related to setting an action expressed in the story. The themselves represent full significance that can be
appreciated by literary reader, while reading it in relation to this Taylor, Richard stated 1981 : 62
“A character is mere construction of words meant to express an idea or view express an idea or view
of experience and must be considered in relation of other features of the composition, such as setting
and action, before its significant can be appreciated.”
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In fiction, a Character may be defined as a verbal representation of a human being. Through action, speech, description, and commentary, authors
portray characters who are worth caring about, rooting for, and even loving, although there are also characters you may laugh at, dislike, or even hate.
John Peck and Martin Coyle in their book Literary Terms and Critism 1986 : 105 explained the definition of character as follows :
According the statements above that character is presumably an imagined
person who inhabits a story – although that simple definition mat admit to a view exceptions, but usually, we recognize, in the main characters of the story, human
personalities that become function to us. If the story seems true to life, we generally find that its characters act in a reasonably consistent manner and that the
author has provided them with motivation, sufficient reason to behave as they do. This not to claim that all authors insist that their characters behave with absolute
consistent for certain contemporary stories feature characters that sometimes act without any apparent reason. Nor can we say taha in good fiction, character never
change, or develop. Character also refers to moral qualities and ethical standards and principles.
In literature, character has several other specific meanings, notably that a person
“Character in literary work are not like real life people for they have been specially created by authors. When
authors create character, they select some aspect of ordinary people. develop some of those aspect whilst
playing down other and put them together as they please, the result is not an ordinary person but a fictional
character who only exist in the words of literary works.”
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represented in a story, novel, play, etc. in seventeenth and eighteenth-century England, a character was a formal sketch or descriptive analysis of a particular
virtue or vice as represented in a person, what is a more often called a character sketch.
Finally. Character is the interest for the very personal that we want to see how others people live, how they pursue their goals. We measure our selves by them.
Now, let us see what the characterization means. The author may depict his characters in some ways. He may do it directly, or he may make the other
characters do it for him or he trusts it to the readers to infer from the passage. Martin Gray 1984 : 42 says that characterization is the way in which a
writer creates his characters in a narrative, so as to attract or repel our sympathy. The varieties of characterization presented in literature are as numerous as those
of the real people who surround us in the world ; but different kinds of literature have certain conversation of characterization. Often in dealing with a literary
character we learn more of his or her motives than we would ever expect to be certain of in real life; consistency of motivation seems a necessary fact in literary
characterization.
2.2 Division of Character