Evaluation on the acceptability of swear words translation in Indonesian subtitle found in Crank 2: High Voltage.

ABSTRACT

Kurnianto, Bonifasius Puguh. 2015. Evaluation on the Acceptability of Swear Words Translation in Indonesian Subtitle Found in Crank 2: High Voltage. Yogyakarta: English Language Education Study Program, Sanata Dharma University.

Swearing is a form of speech existing in every human language. Many people tend to use swear words in nowadays interaction and daily conversation to communicate and to build relationship with others. One obvious example that could be seen where people do swearing was in a movie. Although sometimes movies were faking, most of the scripts and dialogues were made to as close as daily life conversation, where people can freely express their anger, frustration, and emotion by swearing.

This research is preliminary research of a pragmatics study which concern with the translation product of swear words in Indonesian subtitle of a certain movie. The main problem discussed in this study was the acceptability of that very product. There were two instruments used in conducting this research. First, a human instrument or the researcher himself. He was collecting the data needed all by himself. Second, the document instruments, which were the transcripts of both English and Indonesian subtitles of the movie Crank 2: High Voltage.

In order to gain the answer of the problem, the first step was to sort and choose some parts of the English subtitles which contain swear words. After that, the English subtitles were compared to the translation product in Indonesian subtitles. It was then assessed right away by classifying it based on Larson’s (1984) ideal translation criteria. According to this theory, a translation is considered acceptable if it has two out of three from the following criteria: Accurate (A), Natural (N), and Clear (C). Yet, it would be categorized as Ideal Acceptable, Acceptable, Unacceptable, and Failed.

From the discussion of this study, the researcher found the result that there were over 76% acceptable translation. The weaknesses of the translation lied on the lack of understanding of word organization and failed to heed to the expression shown by the character. However, it was only a preliminary project and a premature judgment. It was possible for this study to be improved in the following future. Keywords: swear words, ideal translation, acceptability, Crank 2: High Voltage

ABSTRAK

Kurnianto, Bonifasius Puguh. 2015. Evaluation on the Acceptability of Swear Words Translation in Indonesian Subtitle Found in Crank 2: High Voltage. Yogyakarta: English Language Education Study Program, Sanata Dharma University.

Mengumpat adalah bentuk ucapan yang selalu ada dalam setiap bahasa. Saat ini banyak orang cenderung suka mengumpat dalam berinteraksi dan berkomunikasi untuk membangun relasi dengan orang lain. Satu contoh nyata dimana terlihat orang sering mengumpat adalah di film. Meski kebanyakan film adalah rekayasa, namun percakapan di dalamnya dibuat mirip dengan percakapan sehari hari di mana setiap orang dengan leluasa mengekpresikan amarah, frustasi dan emosinya.

Penelitian ini adalah penelitian awal tentang studi prakmatik yang berfokus pada hasil translasi bahasa umpatan ke dalam bahasa Indonesia dari sebuah film. Permasalahan yang diangkat di sini adalah tentang keberterimaan dari hasil translasiitu sendiri. Ada dua instrumen yang digunakan dalam penelitian ini. Pertama, instrumen manusia atau penulis sendiri. Penulis adalah satu-satunya pengumpul data. Kedua, instrumen dokumen, yang mana ialah dua transkrip subtitle berbahasa Inggris dan Indonesia dari film Crank 2: High Voltage.

Untuk mendapatkan jawaban dari persoalan tersebut, langkah pertama yang dilakukan ialah memilih dan memilah subtitle berbahasa Inggris yang terdapat ungkapan-ungkapan umpatan. Setelah itu di bandingkan dengan hasil translasi dalam bahasa Indonesia. Selanjutnya langsung di nilai dengan mengklasifikasikannya berdasarkan teori Ideal translation yang dikemukakan oleh Larson (1984). Menurut teori ini, sebuah translasi dianggap berterima jika mencakup dua dari tiga kriteria berikut: Akurat (A), Natural (N), dan Jelas (C). Selanjutnya masih akan dikategorikan lagi ke dalam empat kategori: Berterima Ideal, Berterima, tidak berterima, dan Gagal.

Dari hasil diskusi, penulis menemukan bahwa ada lebih dari 76% hasil translasi yang dianggap berterima. Kelemahan dari hasil translasi ini terdapat pada kurangnya pemahaman tentang susunan kata dan tanpa adanya perhatian mendalam terhadap ekspresi-ekspresi yang ditunjukan pemeran. Namun, ini baru sebuah proyek awal dan penilaiannya pun masih terlalu dini. Penelitian ini masih sangat mungkin untuk disempurnakan di masa yang akan datang.

i

EVALUATION ON THE ACCEPTABILITY OF SWEAR

WORDS TRANSLATION IN INDONESIAN SUBTITLE

FOUND IN

CRANK 2: HIGH VOLTAGE

A SARJANA PENDIDIKAN FINAL PAPER Presented as Partial Fulfillment of the Requirements

to Obtain the Sarjana Pendidikan Degree in English Language Education

By

Bonifasius Puguh Kurnianto Student Number: 081214081

ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION

SANATA DHARMA UNIVERSITY YOGYAKARTA

ii

v ABSTRACT

Kurnianto, Bonifasius Puguh. 2015. Evaluation on the Acceptability of Swear Words Translation in Indonesian Subtitle Found in Crank 2: High Voltage. Yogyakarta: English Language Education Study Program, Sanata Dharma University.

Swearing is a form of speech existing in every human language. Many people tend to use swear words in nowadays interaction and daily conversation to communicate and to build relationship with others. One obvious example that could be seen where people do swearing was in a movie. Although sometimes movies were faking, most of the scripts and dialogues were made to as close as daily life conversation, where people can freely express their anger, frustration, and emotion by swearing.

This research is preliminary research of a pragmatics study which concern with the translation product of swear words in Indonesian subtitle of a certain movie. The main problem discussed in this study was the acceptability of that very product. There were two instruments used in conducting this research. First, a human instrument or the researcher himself. He was collecting the data needed all by himself. Second, the document instruments, which were the transcripts of both English and Indonesian subtitles of the movie Crank 2: High Voltage.

In order to gain the answer of the problem, the first step was to sort and choose some parts of the English subtitles which contain swear words. After that, the English subtitles were compared to the translation product in Indonesian subtitles. It was then assessed right away by classifying it based on Larson’s (1984) ideal translation criteria. According to this theory, a translation is considered acceptable if it has two out of three from the following criteria: Accurate (A), Natural (N), and Clear (C). Yet, it would be categorized as Ideal Acceptable, Acceptable, Unacceptable, and Failed.

From the discussion of this study, the researcher found the result that there were over 76% acceptable translation. The weaknesses of the translation lied on the lack of understanding of word organization and failed to heed to the expression shown by the character. However, it was only a preliminary project and a premature judgment. It was possible for this study to be improved in the following future.

vi ABSTRAK

Kurnianto, Bonifasius Puguh. 2015. Evaluation on the Acceptability of Swear Words Translation in Indonesian Subtitle Found in Crank 2: High Voltage. Yogyakarta: English Language Education Study Program, Sanata Dharma University.

Mengumpat adalah bentuk ucapan yang selalu ada dalam setiap bahasa. Saat ini banyak orang cenderung suka mengumpat dalam berinteraksi dan berkomunikasi untuk membangun relasi dengan orang lain. Satu contoh nyata dimana terlihat orang sering mengumpat adalah di film. Meski kebanyakan film adalah rekayasa, namun percakapan di dalamnya dibuat mirip dengan percakapan sehari hari di mana setiap orang dengan leluasa mengekpresikan amarah, frustasi dan emosinya.

Penelitian ini adalah penelitian awal tentang studi prakmatik yang berfokus pada hasil translasi bahasa umpatan ke dalam bahasa Indonesia dari sebuah film. Permasalahan yang diangkat di sini adalah tentang keberterimaan dari hasil translasiitu sendiri. Ada dua instrumen yang digunakan dalam penelitian ini. Pertama, instrumen manusia atau penulis sendiri. Penulis adalah satu-satunya pengumpul data. Kedua, instrumen dokumen, yang mana ialah dua transkrip subtitle berbahasa Inggris dan Indonesia dari film Crank 2: High Voltage.

Untuk mendapatkan jawaban dari persoalan tersebut, langkah pertama yang dilakukan ialah memilih dan memilah subtitle berbahasa Inggris yang terdapat ungkapan-ungkapan umpatan. Setelah itu di bandingkan dengan hasil translasi dalam bahasa Indonesia. Selanjutnya langsung di nilai dengan mengklasifikasikannya berdasarkan teori Ideal translation yang dikemukakan oleh Larson (1984). Menurut teori ini, sebuah translasi dianggap berterima jika mencakup dua dari tiga kriteria berikut: Akurat (A), Natural (N), dan Jelas (C). Selanjutnya masih akan dikategorikan lagi ke dalam empat kategori: Berterima Ideal, Berterima, tidak berterima, dan Gagal.

Dari hasil diskusi, penulis menemukan bahwa ada lebih dari 76% hasil translasi yang dianggap berterima. Kelemahan dari hasil translasi ini terdapat pada kurangnya pemahaman tentang susunan kata dan tanpa adanya perhatian mendalam terhadap ekspresi-ekspresi yang ditunjukan pemeran. Namun, ini baru sebuah proyek awal dan penilaiannya pun masih terlalu dini. Penelitian ini masih sangat mungkin untuk disempurnakan di masa yang akan datang.

Kata kunci: bahasa umpatan, translasi ideal, keberterimaan, Crank 2: High Voltage

vii

ACKNOWLEDGMENTS

This piece of work is my swansong as a student of Sanata Dharma University, and hereby, I humbly present my gratitude to all people who have backed me up during my effort in finalizing this paper. My first and greatest gratitude goes to Jesus Christ, for His never-ending blessing upon me and to keep me in a good shape like all the time which enables me to carry on my tasks. I would like to address my special thanks to my advisor, Markus Budiraharjo, S. Pd, M. Ed., Ed .D. for his time, willingness, kindness and guidance during my effort in finishing this paper,

I would like to give my genuine gratitude to my beloved mother and father, Anastasia Hardiyanti and Paulus Hadi Sutomo for their marvelous love, patience, compassion, sacrifice and their support both financial and moral support. Since I was a kid they have been nurturing me and teaching me how to be a man that can live his life to the fullest and be meaningful. I would like to address my thanks to my sister, Maria Ratna Paranti for the support and encouragement and all those good moments we shared since we were kids. My appreciation goes to the great family of Trah Mbah Mardi Sudarmo and Trah Mbah Parto Taruno for encouraging me.

To all my comrades, my rivals, and my brothers and sisters in arms who have fought the same war as I did in the battlefield named the English Language Education Study Program, I present to them my deepest gratefulness for being my inspiration, motivation and strength. My deepest appreciation especially goes to

viii

The Last Leaf-ers, Rayline-ers (Berlin ‘Bhe’, Rio ’Pakdhe’, Enda ‘Wakul’, Mia, Liza) Movie Appreciation Club, and the brotherhood of Micro Teaching Lab Operators; Yustian, Seto, and Adam. Also, those who have been with me in the same unit for years, Adam, Tyas, Rio ’Pakdhe’, Liza, Via, Windru, Nana, Ela, Deti, Angela ‘enjel’, Paul, Nita, Rika, Lia, Widi, Enda ‘Wakul’, Andreo, and Beni. We stood side by side, we walked tall, and most importantly we got

each other’s back. I present a bunch of thanks to Seto, Leo and Sherly for sharing some ideas, so that I could pull my own trigger.

I also want to give my thanks to my friends in OMK Cornelius, especially Deny Sebastian, Ade Susanto, Christina Natalia, and Tarti Marlina for their never ending support and motivation. I thank them for the glory days we spent together, for the laughter and joys, tears and sadness we have shared all through these years.

Finally, my special thanks go to Yulia Wulandaru for her time and willingness to stand by me during my effort of finishing this paper with great patience and always be there for me despite all the ups and downs that I have gone through. I am deeply grateful that she understands that a man has got to do what a man has got to do and because of her, I can stand on my feet and never lose my grip when I was about to quit.

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TABLE OF CONTENTS

Page

TITLE PAGE ... i

APPROVAL PAGES ... ii

STATEMENT OF WORK’S ORIGINALITY ... iv

ABSTRACT ... v

ABSTRAK ... vi

ACKNOWLEDGEMENTS ... vii

PERNYATAAN PERSETUJUAN PUBLIKASI ... ix

TABLE OF CONTENTS ... x

CHAPTER I INTRODUCTION ... 1

A. Background... 1

B. Research Problem ... 6

C. Research Method ... 6

CHAPTER II DISCUSSION ... 9

A. Review of Related Literature ... 9

1. The Essence of Swear Words ... 9

a. Theory of Pragmatics ... 10

b. An overview of Swear Words ... 11

2. Translation of Swear Words ... 14

3. Audio Visual Translation (AVT)... 16

a. Subtitling ... 16

b. Dubbing ... 18

B. Interpretation of the Finding ... 18

CHAPTER III CONCLUSION ... 24

REFERENCES ... 25

1 CHAPTER I INTRODUCTION

In this chapter the writer discusses the research background and the research method. In the background, the writer establishes the reason for choosing this topic, the investigated problem and a brief introduction of Swear Words, purposes of swearing, translation and the movie entitled Crank 2: High Voltage. As for the research method, it contains the description of samples and the procedures.

A. Background

Swearing is a form of speech existing in every human language. Swear words or dirty words, though they are considered as an inappropriate and offensive language has now being used in conversational activity to convey one‟s expression. Jay (2009) implies that swearing is like using the horn on a car, which can be used to signify a number of emotions (e.g., anger, frustration, joy, and surprise). Many people tend to use swear words in nowadays interaction and daily conversation to communicate and to build relationship with others.

However, there is a fine line which people should not recklessly cross; that is social etiquette. According to Keating (2006) the "fact that swearing is a part of everyday life means that we need to navigate a way through a day in the office without offending anyone, while still appreciating that people do swear.” In the work place, people will find it odd if one swears to address others whom one

hardly knows. Farther, Keating (2006) adds that the site stresses that swearing is, in general, more problematic in asymmetric situations, such as in the presence of senior management or clients. Regarding to this matter, people are more comfortable and are more likely to use technical terms for sexual references in mixed crowds, and to reserve the taboo words for same sex crowds or with their sexual partner („damnit will be more preferable than „fuck‟) (Jay, 2009). In short, they feel more apt to use less offensive terms which might result in recrimination situation.

1. Swear Words

It has come to recognition that swearing exists in every mode of speech in human language. As it is commonly used in various ways of conversational activity, swear words have been brought up in linguistic studies. Many writers had conveyed their findings regarding to swearing and cursing used in daily conversation.

Angrier (2005) notes that swearing and cursing perform certain social and psychological function, and utilize particular linguistic and neurological mechanism. She also states:

Swearing is a widespread but perhaps underappreciated anger management technique; that "men generally curse more than women, unless said women are in a sorority and that university provosts swear more than librarians or the staff members of the university day care center" and that linguistic research has shown that the physiological reactions of individuals who are proud of their education are similar between exposure to obscene words and exposure to bad grammar.

Which means people perform and utilize their speech of swearing depending on several factors, like gender, occasion, and education level. According to her

finding, those who swear a lot tend to have lack of emotional control. Still based on her finding, men are literally used offensive words more than women do, and that of who work on the field have more cursing in their speech rather than those who work behind desk. People with high education background will be least to swear or curse in the midst of crowd or working place, compared to those whose education background are lower.

Stephens, Atkins, and Kingston (2009) revealed a more positive point of view in sighting swear words. They found that this offensive language is not merely to express emotions or just simply to communicate but instead, to relieve physical pain. Stephens (2009) said "I would advise people, if they hurt themselves, to swear"

Another writer who investigated swear words is Grohol (2009). He mentioned that “Swear words can also be used in a more positive manner, in the form of jokes and humor, sex talk, storytelling, self-deprecation or even social commentary”. Thus, it can be concluded that it is not always negative, not deliberate action, but implicitly establish succinct excitement, for example “this movie is fucking terrific!”It can be simpler just by saying “this movie is terrific”, but according to Grohol (2009) “the addition of the swear word emphasizes the emotional reaction we have toward it — and easily conveys that emotional reaction to others.”

2. Crank 2: High Voltage

Crank2: high voltage is a 2009 American black comedy action and a sequel to the previous movie, Crank, in 2006. Both movies were written and

directed by Neveldine and Taylor. The story of this movie goes immediately after the very last event in the previous movie. As Chev Chelios (Jason Statham) fell from a helicopter and landed on a car, bounced and hit the asphalt in the middle of a crowded intersection in Los Angeles, he was then scooped off from the scene by Triad (Chinese mafia).

Chev woke up in a damp, makeshift hospital held by the Triads. While he was half awake, he saw the doctors performing an operation on him. The doctors cut open his chest and removed his heart out of its place and replaced it with an artificial heart. In that room there was also Johnny Vang (Art Hsu) who watched the operation, and he was the one who had Chelios‟ heart. Sometime later he woke up and tried to get out of that place. As he did so, some Triad underlings spotted him and started a gunfight. After some shooting and killing, he then interrogated a survived thug and learned about his heart‟s whereabouts. He snatched a car and called Doctor Miles (Dwight Yoakam) to tell him about what was going on.

Having learned his situation from doc miles, Chev rushed on a pursuit to Jonny Vang. The pursuit took place in an entire suburb down in LA. Many incidents occurred upon Chev Chelios during the run. First, he got accident and lost the battery belt for the artificial heart, so he asked a driver to electrify him. The driver also told him that Jonny Vang was in Cypress Social Club. Soon after, he stormed the club but he missed Jonny. He got out the club and hooked up with a Chinese whore, Ria (Bai Ling) who told him Jonny Vang whereabouts‟. She pointed out that Jonny Vang was hanging around in a strip house. In that place he

met Eve (Amy Smart), his girlfriend, who now became a strip dancer. Long story short, Chev unexpectedly started another gun fight in the club with Mexican gangster who hold a grudge against Chev for killing their boss in the previous movie. After the gunfight, he found himself surrounded by the fuzz and he fought the whole squad and stole one police car to continue his pursuit on Jonny. Soon, he learned Jonny‟s whereabouts from a stripper he hooked up. As he was still chase by the police, he was saved and given a ride by Venus (Efren Ramirez), a twin brother of his late acquaintance, Kaylo. Venus suggested that Chev should try to look for Jonny at a horse track.

When they got there, Chev‟s condition was getting worse, so he called

Doc Miles. The doctor told him to keep himself electrify, or else the artificial heart will stop working, and one easiest way was to get a friction to produce a static electricity to the internal battery. So then, a shocking incident happened. Chev and Eve were having sex in the middle of the race track, but suddenly Chev saw Jonny in the audience seat and chased after him, leaving Eve butt naked alone in the track. While chasing after Jonny and being pursuit by the security, Chev crossed path a Triad boss named Don Kim (Keone Young). Through the mafia boss, Chev learned the purpose behind his agony and excruciating experience for losing his heart. It was to be transplanted to the Triad‟s Godfather named Poon Dong (David Carradine). In short, Chev killed Don Kim and his henchmen, because he was about to bring Chev back to Poon Dong. When Chev spotted Jonny, he ran after him and they fought in a power plant site. Chev discovered that

Chev‟s heart had already been transplanted into Poon Dong, and he said he would

locate Poon Dong to retrieve Chev‟s heart. Jonny was shot by Chico as he was

being interrogated, and Chev himself was knocked unconscious and dragged behind a speedboat to an island where El Huron awaited.

El Huron held a grudge against Chev Chelios for him, in fact, is Alex and

Ricky Verona‟s brother, both of whom was murdered by Chelios in the first

movie. However, Ricky Verona‟s head was possibly enough to be kept alive because El Huron wanted Ricky to witness him killing Chev Chelios. Suddenly, Venus, Ria and a gang of gunfighters showed up and started to make a mess. After some strenuous fight, Chev‟s heart was starting to run slow. So, he climbed up a telephone pole and grabbed a pair of high voltage wires and got blasted away and got burnt. While he‟s on fire, he killed El Huron.

In the end part of the movie, Doc Miles was able to retrieve Chev‟s heart and tried to put it back in. However, Chev suffered from a fatal burn all over his body. The operation seemed to be a failure but Chev was able to open his eyes eventually.

B. Research Problem

Research problem for this paper is:

How is Acceptability of Swear Words Translation in Indonesian Subtitle Found in Crank 2: High Voltage?

C. Research Method

The result of this research will not only be shown in the form of tables and direct answers, but also followed by explanations afterward. Thus, the method

used in this research is qualitative research, which according to Hansen (2005) is a method that relies on experiences and phenomena that need to be interpreted and explained. In this research, analysis of the data will not be different. The writer will give brief explanation of every finding in his research. Hence, descriptive-qualitative research is applied to this paper. Merriam (2002) defined that descriptive-qualitative research is used when data collected through interviews, observations, or document analysis were analyze to identify the pattern of the data.

This research was conducted through a document analysis method, for the subject of this research is a script of a movie subtitle. Document analysis, according to Ary, Jacobs, Razavieh, and Sorensen (2010) is a method which is used when one wants to analyze any physical documents, in the form of written or visual materials in order to identify specific data. Since the data gathered in this research is in form of physical document, which in this case is a script of movie subtitle, thus the writer decided to use a document analysis method to gain the expected result. By applying this method, the writer is expecting to grasp the answer on the acceptability of swear words translation in Indonesian subtitle of the movie Crank 2: High Voltage.

There are three major steps of analysis to follow in conducting this research. These steps, as presented by Creswell (2007), are as follows:

1. Preparing and organizing

In this step, the writer printed both script of English and Indonesian subtitle without being edited. Hereafter, he adjusted the timeline of the script (due

to some of the conversations are in Chinese, the movie editors put an English subtitle permanently attach in the scenes, while the Indonesian subtitle has to translate that too. This is what makes the Indonesian subtitle a bit longer)

2. Coding

The scripts were read then chosen. Only those which consist of swear words were chosen to be analyzed. The writer also watched the movie and the expressions of the characters as they were swearing to grasp the idea of the swearing itself. This was done because the expression might affect the translation result in the Target Language.

3. Representing the data

After choosing the transcript, both scripts were presented in tables, so that it would be easier for the writer to analyze and assess. The way to assess the translation is to analyze the translation product based on three criteria suggested by Larson (1984). They are:

- Accurate (A) : reproducing the same meaning and maintaining the message of conversation from SL to TL.

- Natural (N) : using natural expressions with appropriate kind of texts occurs in TL

- Clear (C) : expressing all aspects in acceptable forms and clear meanings, so that it is understandable for TL audiences.

9 CHAPTER II DISCUSSION

In this chapter the writer focuses on the review of related literature and research findings used to gain the answer of the formulated problem. There are two parts discuss in this chapter. First is review of related literature which presents theories to ignite exploration of the issue. Second is the finding on the answer of the acceptability of swear word translation in Indonesian subtitle found in the movie Crank 2: High Voltage.

A. Review of Related Literature

In this section, the writer exposes some related theories which may trigger farther discussion of the problem. Some theories used in this paper such as experts‘ point of view of the essence of swear words, translation of swear words, and audio-visual translation.

1. The Essence of Swear Words

In this part, the writer discusses the theories concerning swear words, which includes theory of pragmatics and definitions and explanations of swear words according to some expert.

a. Theory of Pragmatics

A clear definition of pragmatics is stated by Dynel (2011),‖Pragmatic is a field of linguistic that is addressing communicative process as developed by its users and its relation to language form related to the cognitive and socio cultural study of language use. Since the main focus in this study is conversation of a movie which has two different languages in its subtitle, the general theory of pragmatics becomes the major theory to help the writer in this study.

In order to make a good conversation, there are certain rules to follow. By obeying the rules, one can conduct and deliver the right information in an effective and efficient use of language. Just as Grice (1989) stated,‖ make your conversational contribution such as is required, at the stage at which it occurs, by the accepted purpose or direction of the talk exchange in which you are engaged.‖

Grice (1989) also stated that in cooperative principle, there are four categories known as Maxims of Conversation. These categories are Maxim of Quantity, Maxim of Quality, Maxim of Manner, and Maxim of Relevance

Maxim of quantity is all about the amount of information given by the speaker. Based on that, this maxim has to different possibilities: (1) information given is less than it‘s needed, and (2) the information given should be informative as possible.

Maxim of quality is to ensure that the speaker has given the right information to the audience. Under this maxim there are two conditions to fulfill in order to make

a good conversation: (1) the speaker must not lie, and (2) the speaker must have evidence to back up his talks

In maxim of manner, it is important to be perspicuous or easy to understand. There are various maxim beneath this, as Grice mentioned: (1) avoid obscurity expression, (2) avoid ambiguity, (3) be brief, and (4) be orderly

This paper talks about English swear words and its translation product in Indonesia. So, it is only natural that most of the either swear word contain those maxim, and quite possibly, the violation as well. However, the problem in this paper does not mention anything about the correlation between swear words and those maxims. So, the writer only focuses on the acceptability of the swear words translation.

b. An Overview of Swear Words

Speech act is an important part to construct a conversation. Swear words, however, has shown a great deal of contribution to nowadays language varieties. As a part of speech mode, swear words, though it seems to be an inappropriate, rude and offensive language, serves certain purposes. Jay (2009) draws a concept of swear word by analogy with a horn of a car. Saying that swearing is like using the horn of a car, he indicates that swear word is some kind of warning from one to other people around that one wants to signify his/her emotion like anger, frustration, joy, excitement and surprise.

In 2005, an American journalist Natalie Angrier wrote an article about swearing and cursing language; "Cursing is a normal function of human language, experts say". _{In that article she stated that swearing and cursing perform certain social} and psychological function, and utilize particular linguistic and neurological mechanism. Based on her article, swearing has some limitation in terms of use to some group of people.

Psychologically speaking, men tended to swear more than women do, unless said women are in a sorority, for there is a tendency of men lacking in anger management technique (Grohol, 2009). The frequency of a person to swear is also affected by the kind of job he/she has. Angrier (2005) argued that university provosts swear more than librarians or the staff members of the university day care center. It simply said that people who work in the field and have more encounter with another people might enclose swearing in their speech. On the contrary, people who work behind desk may have better manner and will pay a lot of attention in deliberating their speech.

Angrier (2005) noted that

Swearing is a widespread but perhaps underappreciated anger management technique; that "men generally curse more than women, and that university provosts swear more than librarians or the staff members of the university day care center" and that linguistic research has shown that the physiological reactions of individuals who are proud of their education are similar between exposure to obscene words and exposure to bad grammar.

According to Keating (2006) the "fact that swearing is a part of everyday life means that we need to navigate a way through a day in the office without offending anyone, while still appreciating that people do swear.‖ In the work place, people will find it odd if one swears to address others whom one hardly knows. Farther, Keating (2006) adds that the site stresses that swearing is, in general, more problematic in asymmetric situations, such as in the presence of senior management or clients. Regarding to this matter, people are more comfortable and are more likely to use technical terms for sexual references in mixed crowds, and to reserve the taboo words for same sex crowds or with their sexual partner (‗damnit will be more preferable than ‗fuck‘) (Jay, 2009). In short, they feel more apt to use less offensive terms which might resulted in recrimination situation.

The writers from Keele University, Stephens, Atkins, and Kingston (2009) revealed a more positive point of view in sighting swear words. They found that this offensive language is not merely to express emotions or just simply to communicate but instead, to relieve physical pain. Stephens (2009) said "I would advise people, if they hurt themselves, to swear"

Another writer who investigated swear words is Dr. John Grohol (2009). He mentioned that ―Swear words can also be used in a more positive manner, in the form of jokes and humor, sex talk, storytelling, self-deprecation or even social commentary‖. Thus, it can be concluded that it is not always negative, not deliberate action, but implicitly establish succinct excitement, for example ―this movie is

fucking terrific!‖ It can be simpler just by saying ―this movie is terrific‖, but according to Grohol (2009) ―the addition of the swear word emphasizes the emotional reaction we have toward it — and easily conveys that emotional reaction to others.‖ Even sometimes, swear word can be used praise someone though it may sound ironic

EXCERPT 2.1

The conversation below was taken from the script of Expendable 2

A group of mercenary; Gunner, Caesar, Toll Road and Billy “The Kid” are sitting together in a pub. Christmas Lee, his girlfriend and Barney sit at different table, then Barney leaves and joins Gunner and the rest. Caesar : Look who‘s lost in space

Gunner : (talk to Barney) got any pen? (Barney takes out the pen with skull carved on it)

Christmas Lee : Hey, you got anything that doesn‘t have skulls on it? Barney : As a matter of fact, I don‘t (Give the pen to Gunner) (Gunner writes some formula on a paper)

Gunner : Einstein‘s theory of spatial relativity. But we have made it better (he uses the paper to wipe his snot)

Barney : Believe it or not before Gunner became chemically unbalanced he went to MIT and had a Master degree in chemical engineering.

Toll Road : This idiot actually had a brain, can you believe that? (Si bodoh ini sesungguhnya pintar, kau percaya itu?)

2. Translation of Swear Words

Translating swear words or cursing or rude word or even insult, is not a simple matter. There are things to reconsider before transferring swear word from one language or source language (SL) to designated target language (TL). According to Robert Vanderplank (2007), ―Listening out for insults and curses may provide us with as many insights into the local culture as observing local manners and customs.‖

Things like cultural and social background, politeness, etiquette, morality, etc. are the biggest obstacle in producing an ideal and acceptable swear words translation. Yet, the biggest challenge in translating swear word is to maintain the meaning and also to stimulate the very same expression from SL to TL.

In translation, there are several methods that can be used, and some of them are pretty easy to use. Such as the 8 translation methods in V diagram by Newmark (1988).

SL emphasis TL emphasis

Word for word translation Adaptation

Literal translation Free translation

Faithful translation Idiomatic translation Semantic translation communicative translation

However, in translating swear words, translators frequently used their instinct rather than using the guideline when dealing with problems, especially in translation cultural matter. It is truly a challenge for any translator, because their job is to deliver a message from SL to TL without degenerate the meaning, so that the TL audiences can feel the same sense and emotion as the SL audiences do.

The success rate of a translation product is varied, depends on the audiences perception and understanding. Despite that, Larson (1984) proposed criteria of an ideal translation.

- Accurate (A) : reproducing the same meaning and maintaining the message of conversation from SL to TL.

TL

- Clear (C) : expressing all aspects in acceptable forms and clear meanings, so that it is understandable for TL audiences.

3. Audio Visual Translation (AVT)

Due to the rapid development of technology, it is also going along with the revolution of the translation means. As it is, the translation materials is not limited in textual or written text, but it brought up to a new level; audio visual materials. The materials include speech, TV shows, sitcoms, movies, interviews, advertisement and many others.

There are much more viewers of cinematic production than translated books readers, thus, AVT can successfully convey very strong message which may have everlasting effect on receivers (Alabbasi, 2009). According to Orero (2004):

AVT will encompass all translation – or multisemiotic transfer – for production and postproduction in any media or format, and also the new areas of media accessibility: subtitling for the deaf ans the hard of hearing and audio description for the blind and the visually impaired. (p. viii)

a. Subtitling

Alabbasi (2009) stated that ―subtitling is a process of transferring the meaning of a piece of speech in a movie or TV series by means of written translation usually, placed at the bottom of screen.‖ The product of subtitling process is called subtitle.

According to Thompson (2000) is ―texts read by viewer while they are disengage to some degree from both the visual and audio of a film

The art of translating is quite challenging. There are at least three factors that needs more attention to pay. First, the effectiveness of language use without changing the meaning of message. In translating from a subtitle, diction is important. Second, the length of the text. Ideally, subtitle only takes two line for each frame or screen. The translators must be able to make the translation product as brief as possible. Third is the timing. It requires a translator‘s ability to show the text long enough before the conversation change. Hence, the effectiveness and the length of the text cannot be ignored.

According to Baker (2001:245) four elements of the subtitled film or TV shows shall be taken into consideration simultaneously

1. Verbal auditory channel, including dialogue, background voices, and sometime lyric

2. Non - verbal auditory channel, music, natural sound, sound effect 3. Verbal visual channel, superimposed titles, and written signs 4. _{Non - verbal visual channel, picture composition and flow}

Alabbasi noted that the first element, the verbal auditory content is the most important because it covers the spoken message regardless of how this message is delivered

There are two major type of subtitling based on Alabbasi (2009), which each one is intended to reach certain objective

This type of subtitling takes place within the same language whereby the spoken form is the original and the written form is the translated or transferred version. This intra lingual subtitling targets the deaf and those with hearing problems and the beginner learners of the spoken language to improve their communication skills, composition, spelling, and style 2. Inter lingual subtitling

Subtitling here is carried out between two diversified languages, the first one is spoken and the second is written. The translator transferred speech in one language to writing in another and changes both mode and language

b. Dubbing

Alabbasi (2009) explained ―The dubbed movie or TV series may look like the original and all viewers both literate, illiterate and children can understand and enjoy watching them. According to Orero (2004), it is more complex than subtitling, since dubbing requires many factors to be considered such as: lip, kinetic and isochronic synchrony into the bargain. The dubbed also need to follow a close track of the timing, lip movement and the vocal expression.

B. Interpretation of the Finding

In this section, the writer discusses the research finding used to answer the problem formulated about the acceptability of swear words translation in Indonesian

subtitle found in Crank 2: High Voltage. The data were taken by comparing two subtitles of the movie Crank 2: High Voltage. English and Indonesian subtitle. The result of this research is gained by measuring the acceptability of the data using the theory of ideal translation from Larson (1984). Based on this theory, a translation product worthy named as an ideal translation if the product possess the three categories:

- Accurate (A) : reproducing the same meaning and maintaining the message of conversation from SL to TL.

- Natural (N) : using natural expressions with appropriate kind of texts occurs in TL

- Clear (C) : expressing all aspects in acceptable forms and clear meanings, so that it is understandable for TL audiences.

After identifying the subtitles, they are categorized. Larson (1984) also proposed a set of categorization to classify the translation products. If a translation meets all the category (A, N, and C) it is both Ideal and Acceptable (I-Acc). If it has two out of the three category it is categorized as Acceptable (Acc). If it only possess one out of the three either it‘s A, or N or C it is considered as Unacceptable (Uncc). Then, if a translation possessing none of the criteria, thus it is Failed (F). The following table shows the result of the calculation

No Category Frequency Percentage 1 Ideal-Acceptable (I-Acc) 72 61.02%

2 Acceptable (Acc) 18 15.25%

3 Unacceptable (Uncc) 11 9.32%

4 Failed (F) 17 14.41%

TOTAL 118 100%

Here is an example of (I- Acc) EXCERPT 2.2

Scene: Chev is driving while having a conversation with doc Miles through cellphone Doc Miles : you got an artificial heart? (With having a laugh)

Chev : Do you think I'm having a fuckin' laugh? (Kau pikir aku sedang bercanda?)

The translation was considered as Ideal Acceptable because it was accurate, natural and clear. It was easy enough to understand, because, although it was translated using a synonym, the meaning itself does not change. The translation accurately hi the spot in the TL, since the message is the same. It is also natural in both tone and facial expression. The character Chev was shouting and raised his tone because he was not in the mood of joking. The same expression is also applicable in the TL. Even without any swearing in Indonesian, people can still make their point just by shouting it.

The 15.25% from the overall swearword measured is Acceptable. The category Acc occurs when a translation possess two category Accurate-Natural (A, N), Accurate-Clear (A, C), or Natural Clear (N, C). Here are the examples.

EXCERPT 2.3

Scene: Scene: Chev was running after Jonny Vang, but there were also racetrack security chasing after Chev. Outside the racetrack, he crossed path with Don Kim’s car. Don Kim invited him in and they had a conversation. Don Kim : ……Then word spread out that there was a man who had a

heart so powerful that he was capable of surviving even our most deadliest of poisons.

Chev : Yeah, the Chinese shit. (ya, racun Cina) Don Kim : Yes.

The example above has only accuracy and natural. The term ―shit‖, generally means something disgusting, but in this case it referred to a poison which is also a nasty stuff. However the way it infers ‗the Chinese shit‘ into ‗racun Cina, is not clear because in Indonesia it could be ambiguous and some people might interpret it as ‗poison to kill Chinese.‘ Larson (1984) mentioned that this kind of translation is an Unclear Translation.

EXCERPT 2.4

Scene: Chev was running after Jonny Vang, but there were also racetrack security chasing after Chev. Outside the racetrack, he crossed path with Don Kim’s car. Don Kim invited him in.

Don Kim : Ah..Chev Chelios

Chev : Don motherfucking Kim (Don Kim)

The translation above only possessing the accuracy and clarity and is missing one category, which is Natural. Although it seem more appropriate language, but it‘s missing its natural expression. In the movie, Chev is a little bit upset for loosing Jonny Vang, and he‘s a bit surprise to meet Don Kim, whom he had a clash against in

the previous movie. So, aside from his character, it‘s only natural for Chev to swear. A translation that only has its Accurate and Clear criteria is an Unnatural Translation (Larson, 1984)

EXCERPT 2.5

Scene: Chev is having a conversation with Doc Miles

Chev : These Triad motherfuckers cut out my fuckin' heart (Geng Triad sialan itu membawa jantungku)

That is the example of a translation that opt-out the accurate criteria, or at least, it is considered that the accuracy is a so-so. The term ‗motherfuckers‘ here is very rude to address someone, but here it was translated to ‗sialan‘ which commonly inferred as ‗damn it‘ or ‗shit.‘Even though, in Indonesia, the word ‗sialan‘ is enough to make someone upset, but here the degree of being ‗motherfucker‘ is decreasing. According to Larson (1984) this kind of translation is considered as Inaccurate Translation.

When a translation only possess one out of three categories it became Unacceptable translation. Based on the writer‘s calculation there were only 9.32% in which the Unacceptable translation occurred. Here is the case:

EXCERPT 2.6

Scene: Chev was jumping onto Jonny Vang’s car in the parking area

Chev : Did I drop some change or did I hear a chink? Jonny : Fuck you, man!

Chev : Yeah, fuck me? (Ya, sialan aku? )

From the conversation above, the only category involved was the Accurate. It missed the natural expression and it is a bit confusing and a little awkward to hear.

As for the last it was the failed translation. It is a translation which possess none of the category. There are 17 cases or 14.41% found in the overall translation.

EXCERPT 2.7

Scene: Chev is consulting with Doc Miles through cellphone whether he could put Chev’s heart in its rightful place

Doc Miles : Hey, Chev I'm a certified heart surgeon.

Well, I... I was. I lost my license after I fucked up my ex-wife's vaginal rejuvenation procedure in our basement.

(Aku kehilangan izin itu setelah kukerjai vagina mantan isteriku di basement kami.)

The example above was a total failure. It was inaccurate, unnatural, and unclear. The expression showed in the SL was really bad, Doc Miles failed in performing an operation to his own wife. He totally fucked up. Yet, in the Indonesian translation it turns to be kukerjai, which means to do some pranks.

24

CHAPTER III

CONCLUSION

Based on the findings, it appeared that most of the Indonesian subtitles in the movie Crank 2: High Voltage were acceptable. For more than 75% are at least possessing two categories of ideal translation, accuracy (A), natural (N), and clear (C) based on the scale proposed by Larson (1984).

In this research, the writer found out that, although there were some failures and errors, it did not have much effect in terms of understanding the whole story. The errors are quite understandable too because sometime it was in the form of euphemism. The writer also saw that some of the cultures in the SL were also transferred to the TL, like the swearing itself, some of them did hit the mark.

Using the findings in this study, the writer can propose one thing. In terms of modern translation, there is an audio visual translation. It is a vast topic that still needs to be explored further. There are other interesting topics that can be discussed further from audio video translation. There are still jokes and comedy show, sitcom, standup comedy, talk show and many others.

25 REFERENCES

Alabbasi, A. (2009). Towards a constructive cultural interaction via audio-visual translation (Arabic-English). The sustainability of translation field, 179-189. Retrieved on November 21, 2014, from

https://books.google.co.id/books?id=L38_jNlkADAC&pg=PA186&dq=swea r+words+translation&hl=en&sa=X&ei=aYiSVOvBIMaPuATr8YG4AQ&redir_ esc=y#v=onepage&q=swear%20words%20translation&f=false.

Angier, N. (2005), Cursing is a normal function of human language, experts say. New York Times. Retrieved on November 4, 2012, from

http://articles.sfgate.com/2005-09-25/news/17390497_1_linguistic-language-dialect.

Ary, D., Jacobs, L. C., Sorensen, C., & Razavieh, A. (2010). Introduction to research in education (8th ed). Belmont: Wadsworth Cegage Learning. Baker, M. Malmkjær, K (Ed). (2001). The Routledge encyclopedia of translation

studies. London: Psychology Press.

Creswell, J. (2007). Qualitative inquiry and research design: choosing among five approaches (2nd ed.). Santa Barbara: Sage Publication. Inc.

Dynel, M. (2011). The pragmatics of humour across discourse domains. Amsterdam: John Benjamins Publishing Company.

Grice, H.P. (1989). Studies in the Ways of Words. Cambridge, MA: Harvard University Press.

Grohol, J. (2009). Why do we swear?Psych central. Retrieved on November 1, 2012, from http://psychcentral.com/blog/archives/2009/03/30/why-do-we-swear/.

Hansen, G. (2005). Qualitative research, methods and data. Retrieved on December 10, 2012 from http.//www.est-translationstudies.org/. Jay, T. (2009). The utility and ubiquity of taboo words. Perspectives on

psychological science, 4(2), 153-161. Retrieve on November, 5 2012, from http://pps.sagepub.com/content/4/2/153.short.

Keating, M. (2006). Should swearing be tolerated in the workplace? Retrieve on November, 5 2012, from

http://www.guardian.co.uk/money/2006/jun/03/careers.work.

Larson, M. (1984). Meaning based on translation. New York: University Press of America.

Merriam, S. B., & Associates. (2002). Qualitative research in practice: examples for discussion and analysis. San Francisco: Jossey-Bass Publisher. Newmark, P. (1988). A textbook of translation. London: Prentice Hall.

Orero. P. (2004). Topics in audio visual translation. Amsterdam: John Benjamins. Stephens, R., Atkins, J. & Kingston. A (2009). Swearing as a response to pain.

Neuroreport (12): 1056–60. Retrieve on March 15, 2013 from http://www.mzellner.com/page4/files/2009-stephens.pdf.

Thompson, P. (2000). Getting beyond “read ’em, quick!”. Some practical, slow notes on subtitle superimposistion. Retrieved September 28 2013 from http://www.chicagomediaworks.com/2instructworks/3editing_doc/subtitl es.pdf.

Vanderplank, R. (2007). Uglier than a monkey’s armpit: Untranslatable insults, put-downs and curses from around the world. New York: Penguin Inc.

27

APPENDIX

The Acceptability of the Indonesian Subtitle

ENGLISH SUBTITLE INDONESIAN SUBTITLE ACCEPTABILITY

DEGREE 9

00:01:57,115 --> 00:01:59,868

Reports of a second body landing

in the Boyle Heights area have yet

10

00:01:59,868 --> 00:02:03,830

to be confirmed and are being treated as

the bullshit they most likely are.

9

00:02:04,783 --> 00:02:07,653 Dilaporkan ada mayat lain yang terjatuh

di Boyle Heights area dan belum

10

00:02:07,653 --> 00:02:11,783 dikonfirmasi dan mungkin berita palsu.

I-acc

13

00:04:17,716 --> 00:04:20,176 You big cock English.

16

00:04:31,463 --> 00:04:34,032

Penismu besar juga. I acc

15

00:04:53,791 --> 00:04:55,042 Fuck that.

24

00:05:09,101 --> 00:05:10,398

Sial. I acc

21

00:06:33,715 --> 00:06:34,841 Fuck!

24

00:05:09,101 --> 00:05:10,398

Sial. I acc

31

00:08:08,886 --> 00:08:10,888 Fuck you, Chelios.

39

00:08:32,537 --> 00:08:34,596

Persetan kau, Chelios. I acc

38

00:08:37,746 --> 00:08:41,166

Who's gots my fucking strawberry tart?

43

00:09:02,634 --> 00:09:06,195 Siapa yang bawa kue tart strawberry-ku?

Uncc

43

00:08:50,799 --> 00:08:53,010

...Just spit the fucking name out!

45

00:09:16,247 --> 00:09:18,516

...Katakan saja siapa namanya! I acc

28

00:10:40,692 --> 00:10:43,236

These Triad motherfuckers cut out

my fuckin' heart

00:11:10,829 --> 00:11:13,465 Geng Triad sialan itu

membawa jantungku

61

00:10:48,532 --> 00:10:50,534

Do you think I'm having a fuckin' laugh?

63

00:11:19,003 --> 00:11:21,072

Kau pikir aku sedang bercanda? I acc

73

00:11:08,551 --> 00:11:10,052

Doc! Jesus fucking Christ!

75

00:11:39,858 --> 00:11:41,459

Doc! Seriuslah! Acc

80

00:11:19,185 --> 00:11:20,770

Shit. That's better than none, I guess.

82

00:11:50,935 --> 00:11:52,637 Sial. Lebih baik daripada tak nyala.

I acc

90

00:11:51,006 --> 00:11:53,634

Is this makin' any fuckin' sense to you,

Chevy?

92

00:12:24,135 --> 00:12:26,871 Apa kau mengerti, chev?

F

93

00:11:58,013 --> 00:12:00,432

Look, you got to keep your body

electrically charged to keep 94

00:12:00,432 --> 00:12:01,808

that piece of shit pumpin'. 95

00:12:31,442 --> 00:12:33,945 Dengar, kau harus selalu masukkan

energi listrik 96

00:12:33,945 --> 00:12:35,413 agar jantung terus terpompa.

Acc

105

00:12:19,157 --> 00:12:20,700

Man, fuck that shit, puto.

105

00:12:53,464 --> 00:12:55,099

Jangan mengejek. F

107

00:12:23,286 --> 00:12:25,288

Don't you tempt me, fucker. 107

00:12:57,802 --> 00:12:59,904

Kau menantangku. F

128

00:16:30,771 --> 00:16:31,772 Get lost, bitch.

125

00:17:16,027 --> 00:17:17,094

29

138

00:17:03,001 --> 00:17:05,294

What's that, fucking cunt-onese?

135

00:17:49,460 --> 00:17:51,860

Apa itu gaya orang Canton? F

159

00:18:14,249 --> 00:18:16,835

Shut up a minute, for fuck's sake!

159

00:19:03,901 --> 00:19:06,597

Diam kau! Acc

163

00:18:23,508 --> 00:18:24,842 Motherfucker!

163

00:19:13,577 --> 00:19:14,942

Bangsat! I acc

167

00:19:14,513 --> 00:19:16,473

How the fuck am I supposed to know

what kind of ''-ese'' you is,

169

00:20:06,731 --> 00:20:08,766 Mana kutahu bedanya itu,

Uncc

168

00:19:16,473 --> 00:19:18,225

you slanty-eyed fuck?

170

00:20:08,766 --> 00:20:10,631

mata sipit brengsek? I acc

196

00:21:49,822 --> 00:21:50,906

Who the fuck is that?

195

00:22:48,692 --> 00:22:49,827

Siapa itu? I acc

197

00:21:50,906 --> 00:21:52,491 Ah, some whore.

196

00:22:49,827 --> 00:22:51,454

Ah, pelacur. I acc

208

00:22:24,437 --> 00:22:25,980

We need his ass alive.

205

00:23:24,795 --> 00:23:26,397

Kita butuh dia hidup-hidup. I acc

238

00:25:54,797 --> 00:25:56,048 Like fuck I didn't.

233

00:27:04,114 --> 00:27:05,416

Sudah kuhubungi. I acc

253

00:26:24,574 --> 00:26:26,200 I didn't fuckin' die.

248

00:27:35,145 --> 00:27:36,880

Aku belum meninggal Uncc

262

00:27:02,275 --> 00:27:03,651

255

00:28:14,485 --> 00:28:15,886 Aku sangat mengenalnya.

30

I know his ass. 268

00:27:18,582 --> 00:27:21,418

That's so fuckin' sexy.

261

00:28:31,502 --> 00:28:34,471

Itu seksi sekali. I acc

287

00:28:02,330 --> 00:28:04,332

Jesus Christ, that's not fuckin'

possible, Chevy.

277

00:29:17,114 --> 00:29:19,216 Astaga, itu tak mungkin, Chevy.

I acc

294

00:28:16,218 --> 00:28:17,469

I lost my license after I fucked up

295

00:28:17,469 --> 00:28:20,388 my ex-wife's vaginal rejuvenation

procedure in our basement. 284

00:29:31,595 --> 00:29:32,896 Aku kehilangan izin itu setelah 285

00:29:32,896 --> 00:29:35,933 kukerjai vagina mantan isteriku di basement kami.

F

300

00:28:26,561 --> 00:28:30,064

I'll be in touch when I find that

Chinese cocksucker that's got me pump.

290

00:29:42,339 --> 00:29:46,002 Aku akan hubungi kembali setelah

mendapatkan jantung dari China sialan itu.

Uncc

315

00:29:12,186 --> 00:29:13,437

For fuck's sake move!

296

00:30:29,920 --> 00:30:31,221

Menyingkirlah! I acc

328

00:29:34,415 --> 00:29:36,375

What, do you want me to fuck this car?

306

00:30:53,110 --> 00:30:55,178 Kau ingin kuhancurkan mobil ini? Uncc 342 00:30:11,574 --> 00:30:13,033 Cunt! 307

00:30:59,449 --> 00:31:00,917

Hisap payudaraku! F

358

00:30:44,437 --> 00:30:45,813

Who's this fuckin' asshole?

333

00:32:06,149 --> 00:32:07,551

Siapa bajingan ini? I acc

31

00:31:21,846 --> 00:31:22,806 Fuckin' wake up!

00:32:45,155 --> 00:32:46,156 Sadar!

428

00:33:30,081 --> 00:33:31,082

The sickest, most wickedest motherfucker

429

00:33:31,082 --> 00:33:33,584

that ever vaporized a motherfucker in cold blood, right?

398

00:34:59,155 --> 00:35:00,223 Pembunuh gila

399

00:35:00,223 --> 00:35:02,792 yang berdarah dingin, 'kan?

Acc

468

00:35:32,718 --> 00:35:33,719

You're fuckin' kidding me, right?

434

00:37:07,117 --> 00:37:08,184

Kau bercanda, 'kan? I acc

477

00:36:01,036 --> 00:36:02,913

What the fuck, man?

443

00:37:36,646 --> 00:37:38,637

Ada apa? Uncc

478

00:36:03,121 --> 00:36:04,289 What the fuck?

444

00:37:38,637 --> 00:37:40,050

Apa-apaan ini? I acc

482

00:36:26,976 --> 00:36:28,811 Fuckin' Doc.

447

00:38:03,740 --> 00:38:05,640

Doc sialan. I acc

512

00:37:48,910 --> 00:37:50,495 Yeah. Fuck!

470

00:39:22,118 --> 00:39:23,319

Ya. F

524

00:38:24,067 --> 00:38:25,443

Fuck, it's workin', Eve!

489

00:40:05,929 --> 00:40:07,330

Itu berhasil, Eve! Acc

526

00:38:26,444 --> 00:38:28,696

Fuckin' do it, babe! Come on!

491

00:40:08,364 --> 00:40:10,730

Lakukan, ayo! Acc

527

00:38:30,615 -->

492

32

00:38:32,992 Doc Miles, you motherfucker!

Doc Miles, kau benar!

528

00:38:32,992 --> 00:38:34,577

You fuckin' nailed it, Doc!

493

00:40:15,205 --> 00:40:16,906

Kau benar banget, Doc! Acc

529

00:38:34,577 --> 00:38:36,787

You fuckin' got it, Doctor!

494

00:40:16,906 --> 00:40:19,175

Kau memang ahlinya, Dokter! Acc

535

00:39:06,773 --> 00:39:08,316 Fuckin' Eve!

495

00:40:19,175 --> 00:40:20,767

Oh, astaga. Uncc

537

00:39:15,406 --> 00:39:16,824 I fuckin' love you!

502

00:41:00,917 --> 00:41:02,976

Aku sangat mencintaimu! I acc

544

00:40:51,436 --> 00:40:53,229

You're fucking useless.

508

00:42:39,682 --> 00:42:41,584

Kau tak berguna I acc

547

00:41:35,309 --> 00:41:37,394 Oh, fuck!

511

00:43:25,428 --> 00:43:27,623

Oh, sial! I acc

549

00:41:44,484 --> 00:41:45,610 Fuck you, man!

513

00:43:34,971 --> 00:43:36,172

Sialan kau! I acc

550

00:41:45,610 --> 00:41:46,861 Yeah, fuck me?

514

00:43:36,172 --> 00:43:37,507

Ya, sialan aku? Uncc

551

00:41:46,861 --> 00:41:48,988

Give me that fuckin' box!

515

00:43:37,507 --> 00:43:39,702

Berikan kotak itu padaku! I acc

552

00:41:49,739 --> 00:41:51,407 Come here, cunt!

516

00:43:40,476 --> 00:43:42,205

Kemari! F

553

00:41:54,035 --> 00:41:56,328 Fuck you, Chelios!

517

00:43:44,947 --> 00:43:47,347

33

560

00:42:25,564 --> 00:42:27,607

Don motherfucking Kim.

520

00:44:17,814 --> 00:44:19,949

Don Kim. Acc

569

00:42:50,128 --> 00:42:54,048

You...are a shit magnet.

529

00:44:43,439 --> 00:44:47,535

Kau...pembuat masalah. I acc

583

00:44:04,018 --> 00:44:06,353 Fuck that. But many.

543

00:45:57,413 --> 00:45:59,815 Persetan. Tapi banyak yang mau.

I acc

587

00:44:18,823 --> 00:44:20,575

Yeah, the Chinese shit.

547

00:46:12,862 --> 00:46:14,697

Ya, racun China. Acc

591

00:44:29,875 --> 00:44:34,796

One more question. Who the fuck is

EI Huron, The Ferret?

551

00:46:24,373 --> 00:46:29,478 Satu pertanyaan lagi. Siapa

EI Huron, Si Musang? I acc

627

00:47:28,997 --> 00:47:32,375

That bastard had his filthy hands all over me.

587

00:49:31,160 --> 00:49:34,663 Bajingan itu menggerayangi tubuhku dengan tangannya yang kotor.

I acc

629

00:47:34,419 --> 00:47:37,839

I never saw a bastard wanted it so bad.

589

00:49:36,799 --> 00:49:40,369 Aku belum pernah melihat orang

yang begitu bernafsu.

I acc

637

00:47:55,313 --> 00:47:57,607 Built like a-a brick shithouse.

597

00:49:58,587 --> 00:50:00,956

Dia punya penis yang besar. F

639

00:48:00,860 --> 00:48:03,237

Well, that son of a bitch.

599

00:50:04,393 --> 00:50:06,829

Dia bajingan. I acc

641

00:48:07,449 --> 00:48:14,414

Explain to me again how you let

this motherfucker get away. 601

00:50:11,233 --> 00:50:18,503 Jelaskan padaku bagaimana kau

34

646

00:48:25,341 --> 00:48:27,718

You know the drill, bitch.

606

00:50:29,919 --> 00:50:32,353

Kau tahu konsekwensinya. F

652

00:49:34,296 --> 00:49:37,007

I don't think you'll fuck it up next time.

612

00:51:41,924 --> 00:51:44,760 Lain kali jangan sampai terjadi lagi.

Uncc

653

00:49:37,007 --> 00:49:43,012

Now... go get yourself a Band-Aid...

and go get me fucking Chelios, cabron!

613

00:51:44,760 --> 00:51:51,029 Sekarang... plester lukamu...

dan tangkap Chelios! I acc

655

00:50:01,279 --> 00:50:03,114

The last time that son of a bitch leaves me 656

00:50:03,114 --> 00:50:06,617

with my ass in the wind in front of

eight thousand people!

615

00:52:10,085 --> 00:52:11,987 Terakhir kalinya bajingan itu 616

00:52:11,987 --> 00:52:15,616 mempermalukanku didepan 8 ribuan orang! I acc 663 00:50:14,916 --> 00:50:15,959 The asshole. 623

00:52:24,300 --> 00:52:25,401

Bajingan itu. I acc

666

00:50:17,460 --> 00:50:19,963

The guy's a fuckin' psycho killer, baby!

626

00:52:26,969 --> 00:52:29,571

Orang itu pembunuh sakit jiwa! I acc

668

00:50:21,589 --> 00:50:24,884

Not to mention the fuckin' beaners

and the fuckin' Orientals.

628

00:52:31,273 --> 00:52:34,677 Belum lagi geng Mexico dan

Geng China. I acc

684

00:50:56,596 --> 00:51:00,099

that-that sick fucker running wild right now.

644

00:53:07,943 --> 00:53:11,572 bajingan-bajingan itu

berkeliaran.

35

736

00:53:24,357 --> 00:53:26,776

This is an ambulance you fuckhead!

688

00:55:41,927 --> 00:55:44,522

Ini ambulans bodoh! I acc

739

00:53:31,238 --> 00:53:32,865

Jesus! What the fuck are you doin'?

689

00:55:49,171 --> 00:55:50,873 Astaga! Apa yang kau lakukan disini?

I acc

741

00:53:33,907 --> 00:53:34,700

That's right, motherfucker.

691

00:55:51,974 --> 00:55:52,808

Memang benar, brengsek. I acc

744

00:53:37,577 --> 00:53:40,330

Yeah, uh we have got a guy in the back

of the fuckin' ambulance!

694

00:55:55,777 --> 00:55:58,647 Ya, ada orang yang masuk

ke belakang ambulans! Uncc

747

00:53:43,207 --> 00:53:45,251

This man is in critical condition!

Get the fuck out of here!

697

00:56:01,650 --> 00:56:03,819 Dia dalam keadaan

kritis.

Keluar kau dari sini!

I acc

749

00:53:46,377 --> 00:53:48,170

I'm the fucker that put him there.

699

00:56:04,987 --> 00:56:06,788 Aku yang menyebabkan dia begitu.

Acc

758

00:54:00,849 --> 00:54:03,351

Uh, please, look, this guy's fuckin' dying.

707

00:56:20,035 --> 00:56:22,671

Laki-laki ini sekarat. I acc

762

00:54:16,613 --> 00:54:18,448 Holy... shit!

711

00:56:36,485 --> 00:56:38,387

Ya Tuhan! F

766

00:54:23,744 --> 00:54:25,955

He's...fucking dead, man!

714

00:56:43,926 --> 00:56:46,228

Dia mati! I acc

768

00:54:33,420 --> 00:54:34,588

716

00:56:54,002 --> 00:56:55,237 Kau siap?

36

You ready for this shit? 771

00:54:35,797 --> 00:54:37,299

Turn the fuckin' thing on.

719

00:56:56,471 --> 00:56:58,063

Hidupkan. I acc

776

00:54:57,734 --> 00:54:58,443 Stop the fucking ambulance!

724

00:57:19,361 --> 00:57:20,095

Hentikan ambulansnya! I acc

778

00:55:00,653 --> 00:55:01,946 Fuck it.

726

00:57:22,431 --> 00:57:23,762

Sial. Acc

787

00:55:28,053 --> 00:55:29,930

I think I've found that motherfucker

that's got my organ.

731

00:57:50,993 --> 00:57:52,961 Kurasa aku sudah temukan bajingan

yang membawa organku.

I acc

798

00:56:36,700 --> 00:56:38,493

I ould’ e shit myself.

742

00:59:02,564 --> 00:59:04,433

Aku juga akan takut. Acc

803

00:56:47,793 --> 00:56:50,713

I can't even leave my fucking apartment.

747

00:59:14,109 --> 00:59:17,145 Aku bahkan tak bisa

meninggalkan apartemenku. I acc 806 00:56:56,593 --> 00:56:57,385 Oh, shit! 750

00:59:23,285 --> 00:59:24,119

Oh, sial! I acc

807

00:56:57,385 --> 00:56:59,763 Tell me you've got epinephrine on this fuckin' cart.

751

00:59:24,119 --> 00:59:26,610 Katakan kalau kau punya epinephrine

didalam gerobak ini.

I acc

818

00:57:23,576 --> 00:57:25,411

Tackle a fuckin' whore.

762

00:59:51,413 --> 00:59:53,348

Guncanglah para pelacur. Uncc

829

00:57:56,648 --> 00:57:57,899 Fuck!

773

01:00:25,914 --> 01:00:27,211

37

838

01:00:55,187 --> 01:00:58,148

The key and the fuckin' combo.

781

01:03:32,067 --> 01:03:35,170

Mana kunci dan kombinasinya? I acc

842

01:01:19,292 --> 01:01:21,878 This isn't my fuckin' pumper!

785

01:03:57,225 --> 01:03:59,887

Ini bukan jantungku! I acc

845

01:01:32,846 --> 01:01:35,098

I am shocked to my fucking core.

788

01:04:11,339 --> 01:04:13,708

Aku sangat kaget. I acc

846

01:01:35,098 --> 01:01:37,726

You've got some deep problems,

motherfucker.

789

01:04:13,708 --> 01:04:16,404 Kau dalam masalah serius,

bangsat. Acc

847

01:01:41,079 --> 01:01:42,956

What the fuck is that?

790

01:04:20,081 --> 01:04:22,049

Apa itu? I acc

849

01:01:56,301 --> 01:01:58,011

What the fuck is this?

791

01:04:35,964 --> 01:04:37,732

Apa ini? I acc

850

01:01:58,011 --> 01:02:00,180

What the fuck is tha--

792

01:04:37,732 --> 01:04:40,030

Apa-apaan ini-- I acc

854

01:02:03,516 --> 01:02:06,018

When you hung up on me, I was trying to

fuckin' tell you something.

796

01:04:43,471 --> 01:04:46,074 Aku tadi coba memberitahu sesuatu tapi kau tutup telponnya.

Acc

855

01:02:06,018 --> 01:02:09,772

Your heart was transplanted three weeks

ago into that Shaolin motherfucker.

797

01:04:46,074 --> 01:04:50,011 Jantungmu sudah

ditransplantasi

3 minggu lalu kepada orang Shaolin.

F

38

01:02:09,772 --> 01:02:11,857

Fucking great. Now what?

01:04:50,011 --> 01:04:52,213 Sial. Sekarang?

868

01:02:50,267 --> 01:02:52,061

Where's the fuckin' old man?

810

01:05:32,253 --> 01:05:34,118

Dimana pria tua itu? I acc

01:03:50,447 --> 01:03:51,991 Fuck you, Chelios.

824

01:06:34,949 --> 01:06:36,610 Sialan kau, Chelios.

I acc 883

01:03:54,451 --> 01:03:55,577 Fuck you, Chelios!

825

01:06:39,187 --> 01:06:40,355

Sialan kau, Chelios! I acc

884

01:03:55,577 --> 01:03:56,912

Hey, fuck you, Chelios!

826

01:06:40,355 --> 01:06:41,723

Hei, sialan kau, Chelios! I acc

982

01:09:43,796 --> 01:09:48,384

Wake the fuck up...and smell

what's burning.

923

01:12:43,518 --> 01:12:48,319 Waspada... dan ketahui apa

yang terjadi. Acc

984

01:10:39,973 --> 01:10:43,434

I take it you're the greasy fucker that's

been huntin' me all day.

925

01:13:42,109 --> 01:13:45,746 Aku menerima semua siksaan dari

anak buahmu seharian ini.

F

986

01:10:44,727 --> 01:10:46,979

Some people know me by this fucking name.

927

01:13:47,081 --> 01:13:49,417 Sebagian orang mengenalku dengan nama itu.

I acc 991 01:11:04,954 --> 01:11:07,999 Yeah-Yeah-Yeah-Yeah-Yeah, fuckin' hell 932

01:14:08,169 --> 01:14:11,332

Ya, ya, ya, peduli setan. I acc

1003

01:11:50,913 --> 01:11:52,956

I would have made it a fucking hat trick.

944

01:14:56,083 --> 01:14:58,219 Aku akan membuat kau membayarnya.

F

39

01:14:03,243 --> 01:14:05,453

You got to be fucking kidding me.

01:17:14,054 --> 01:17:16,357 Kau pasti bercanda.

1030

01:14:05,453 --> 01:14:07,121

You killed my brother, motherfucker.

968

01:17:16,357 --> 01:17:18,092 Kau membunuh adikku, bangsat.

I acc

1033

01:14:39,192 --> 01:14:40,610 Fuck you, Chelios!

971

01:17:51,525 --> 01:17:52,992

Sialan kau, Chelios! I acc

1037

01:15:43,209 --> 01:15:46,379

Confucius say...karma's a bitch.

974

01:18:58,259 --> 01:19:01,626

Confucius bilang... ini karma. F

1045

01:16:32,838 --> 01:16:34,590 Motherfucker!

981

01:19:50,010 --> 01:19:51,841

34

00:48:25,341 --> 00:48:27,718

You know the drill, bitch.

00:50:29,919 --> 00:50:32,353

Kau tahu konsekwensinya. F

652

00:49:34,296 --> 00:49:37,007

I don't think you'll fuck it up next time.

612

00:51:41,924 --> 00:51:44,760 Lain kali jangan sampai terjadi lagi.

Uncc

653

00:49:37,007 --> 00:49:43,012

Now... go get yourself a Band-Aid...

and go get me fucking Chelios, cabron!

613

00:51:44,760 --> 00:51:51,029 Sekarang... plester lukamu...

dan tangkap Chelios! I acc

655

00:50:01,279 --> 00:50:03,114

The last time that son of a bitch leaves me 656

00:50:03,114 --> 00:50:06,617

with my ass in the wind in front of

eight thousand people!

615

00:52:10,085 --> 00:52:11,987 Terakhir kalinya bajingan itu 616

00:52:11,987 --> 00:52:15,616 mempermalukanku didepan 8 ribuan orang!

I acc

663

00:50:14,916 --> 00:50:15,959 The asshole.

623

00:52:24,300 --> 00:52:25,401

Bajingan itu. I acc

666

00:50:17,460 --> 00:50:19,963

The guy's a fuckin' psycho killer, baby!

626

00:52:26,969 --> 00:52:29,571

Orang itu pembunuh sakit jiwa! I acc

668

00:50:21,589 --> 00:50:24,884

Not to mention the fuckin' beaners

and the fuckin' Orientals.

628

00:52:31,273 --> 00:52:34,677 Belum lagi geng Mexico dan

Geng China. I acc

684

00:50:56,596 --> 00:51:00,099

that-that sick fucker running wild right now.

644

00:53:07,943 --> 00:53:11,572 bajingan-bajingan itu

berkeliaran.

35

736

00:53:24,357 --> 00:53:26,776

This is an ambulance you fuckhead!

688

00:55:41,927 --> 00:55:44,522

Ini ambulans bodoh! I acc

739

00:53:31,238 --> 00:53:32,865

Jesus! What the fuck are you doin'?

689

00:55:49,171 --> 00:55:50,873 Astaga! Apa yang kau lakukan disini?

I acc

741

00:53:33,907 --> 00:53:34,700

That's right, motherfucker.

691

00:55:51,974 --> 00:55:52,808

Memang benar, brengsek. I acc

744

00:53:37,577 --> 00:53:40,330

Yeah, uh we have got a guy in the back

of the fuckin' ambulance!

694

00:55:55,777 --> 00:55:58,647 Ya, ada orang yang masuk

ke belakang ambulans! Uncc

747

00:53:43,207 --> 00:53:45,251

This man is in critical condition!

Get the fuck out of here!

697

00:56:01,650 --> 00:56:03,819 Dia dalam keadaan

kritis.

Keluar kau dari sini!

I acc

749

00:53:46,377 --> 00:53:48,170

I'm the fucker that put him there.

699

00:56:04,987 --> 00:56:06,788 Aku yang menyebabkan dia begitu.

Acc

758

00:54:00,849 --> 00:54:03,351

Uh, please, look, this guy's fuckin' dying.

707

00:56:20,035 --> 00:56:22,671

Laki-laki ini sekarat. I acc

762

00:54:16,613 --> 00:54:18,448 Holy... shit!

711

00:56:36,485 --> 00:56:38,387

Ya Tuhan! F

766

00:54:23,744 --> 00:54:25,955

He's...fucking dead, man!

714

00:56:43,926 --> 00:56:46,228

Dia mati! I acc

768

00:54:33,420 --> 00:54:34,588

716

00:56:54,002 --> 00:56:55,237 Kau siap?

36

771

00:54:35,797 --> 00:54:37,299

Turn the fuckin' thing on.

719

00:56:56,471 --> 00:56:58,063

Hidupkan. I acc

776

00:54:57,734 --> 00:54:58,443 Stop the fucking ambulance!

724

00:57:19,361 --> 00:57:20,095

Hentikan ambulansnya! I acc

778

00:55:00,653 --> 00:55:01,946 Fuck it.

726

00:57:22,431 --> 00:57:23,762

Sial. Acc

787

00:55:28,053 --> 00:55:29,930

I think I've found that motherfucker

that's got my organ.

731

00:57:50,993 --> 00:57:52,961 Kurasa aku sudah temukan bajingan

yang membawa organku.

I acc

798

00:56:36,700 --> 00:56:38,493

I ould’ e shit myself.

742

00:59:02,564 --> 00:59:04,433

Aku juga akan takut. Acc

803

00:56:47,793 --> 00:56:50,713

I can't even leave my fucking apartment.

747

00:59:14,109 --> 00:59:17,145 Aku bahkan tak bisa

meninggalkan apartemenku.

I acc

806

00:56:56,593 --> 00:56:57,385 Oh, shit!

750

00:59:23,285 --> 00:59:24,119

Oh, sial! I acc

807

00:56:57,385 --> 00:56:59,763 Tell me you've got epinephrine on this fuckin' cart.

751

00:59:24,119 --> 00:59:26,610 Katakan kalau kau punya epinephrine

didalam gerobak ini.

I acc

818

00:57:23,576 --> 00:57:25,411

Tackle a fuckin' whore.

762

00:59:51,413 --> 00:59:53,348

Guncanglah para pelacur. Uncc

829

00:57:56,648 --> 00:57:57,899 Fuck!

773

01:00:25,914 --> 01:00:27,211

37

838

01:00:55,187 --> 01:00:58,148

The key and the fuckin' combo.

781

01:03:32,067 --> 01:03:35,170

Mana kunci dan kombinasinya? I acc

842

01:01:19,292 --> 01:01:21,878 This isn't my fuckin' pumper!

785

01:03:57,225 --> 01:03:59,887

Ini bukan jantungku! I acc

845

01:01:32,846 --> 01:01:35,098

I am shocked to my fucking core.

788

01:04:11,339 --> 01:04:13,708

Aku sangat kaget. I acc

846

01:01:35,098 --> 01:01:37,726

You've got some deep problems,

motherfucker.

789

01:04:13,708 --> 01:04:16,404 Kau dalam masalah serius,

bangsat. Acc

847

01:01:41,079 --> 01:01:42,956

What the fuck is that?

790

01:04:20,081 --> 01:04:22,049

Apa itu? I acc

849

01:01:56,301 --> 01:01:58,011

What the fuck is this?

791

01:04:35,964 --> 01:04:37,732

Apa ini? I acc

850

01:01:58,011 --> 01:02:00,180

What the fuck is tha--

792

01:04:37,732 --> 01:04:40,030

Apa-apaan ini-- I acc

854

01:02:03,516 --> 01:02:06,018

When you hung up on me, I was trying to

fuckin' tell you something.

796

01:04:43,471 --> 01:04:46,074 Aku tadi coba memberitahu sesuatu tapi kau tutup telponnya.

Acc

855

01:02:06,018 --> 01:02:09,772

Your heart was transplanted three weeks

ago into that Shaolin motherfucker.

797

01:04:46,074 --> 01:04:50,011 Jantungmu sudah

ditransplantasi

3 minggu lalu kepada orang Shaolin.

F

38

01:02:11,857

Fucking great. Now what?

Sial. Sekarang?

868

01:02:50,267 --> 01:02:52,061

Where's the fuckin' old man?

810

01:05:32,253 --> 01:05:34,118

Dimana pria tua itu? I acc

01:03:50,447 --> 01:03:51,991 Fuck you, Chelios.

824

01:06:34,949 --> 01:06:36,610 Sialan kau, Chelios.

I acc

883

01:03:54,451 --> 01:03:55,577 Fuck you, Chelios!

825

01:06:39,187 --> 01:06:40,355

Sialan kau, Chelios! I acc

884

01:03:55,577 --> 01:03:56,912

Hey, fuck you, Chelios!

826

01:06:40,355 --> 01:06:41,723

Hei, sialan kau, Chelios! I acc

982

01:09:43,796 --> 01:09:48,384

Wake the fuck up...and smell

what's burning.

923

01:12:43,518 --> 01:12:48,319 Waspada... dan ketahui apa

yang terjadi. Acc

984

01:10:39,973 --> 01:10:43,434

I take it you're the greasy fucker that's

been huntin' me all day.

925

01:13:42,109 --> 01:13:45,746 Aku menerima semua siksaan dari

anak buahmu seharian ini.

F

986

01:10:44,727 --> 01:10:46,979

Some people know me by this fucking name.

927

01:13:47,081 --> 01:13:49,417 Sebagian orang mengenalku dengan nama itu.

I acc

991

01:11:04,954 --> 01:11:07,999

Yeah-Yeah-Yeah-Yeah-Yeah, fuckin' hell

932

01:14:08,169 --> 01:14:11,332

Ya, ya, ya, peduli setan. I acc

1003

01:11:50,913 --> 01:11:52,956

I would have made it a fucking hat trick.

944

01:14:56,083 --> 01:14:58,219 Aku akan membuat kau membayarnya.

F

39

01:14:03,243 --> 01:14:05,453

You got to be fucking kidding me.

01:17:14,054 --> 01:17:16,357 Kau pasti bercanda.

1030

01:14:05,453 --> 01:14:07,121

You killed my brother, motherfucker.

968

01:17:16,357 --> 01:17:18,092 Kau membunuh adikku, bangsat.

I acc

1033

01:14:39,192 --> 01:14:40,610 Fuck you, Chelios!

971

01:17:51,525 --> 01:17:52,992

Sialan kau, Chelios! I acc

1037

01:15:43,209 --> 01:15:46,379

Confucius say...karma's a bitch.

974

01:18:58,259 --> 01:19:01,626

Confucius bilang... ini karma. F

1045

01:16:32,838 --> 01:16:34,590 Motherfucker!

981

01:19:50,010 --> 01:19:51,841