REPRESENTASI PERLAWANAN TERHADAP PEMILIK DAN PENGELOLA MEDIA TELEVISI DALAM FILM DOKUMENTER DI BALIK FREKUENSI.
ABSTRACT
Putri Adityowati, 210110080043, 2013. This undergraduate thesis is titled,
Resistance Representation Towards Television Owner and Managers on
Documentary Behind the Frequency (Critical Analysis Study by Teun A. van Dijk
about Resistance Representation Towards Television Owner and Managers on
Documentary Behind the Frequency). DR. H. Aceng Abdullah, M.Si as main
supervisor, and Drs. Sahat Sahala Tua Saragih, M.I.Kom as second supervisor.
Department of Journalism, Faculty of Communication Sciences, University of
Padjadjaran, Jatinangor.
This research was aimed to find out film director had been presented
resistance towards owners and managers at level of the text, social cognition and
social context. This research was done on the script and the visualdocumentary,
which lasted about 144 minutes. The research method was critical discourse
analysis technique of social cognition models Teun A. van Dijk. Which was the
study of the text, cognition reporters or text makers, and social contexts, and
related it to the theory of counter-hegemony.
The results showed political selection picture of the reality that happened
to accentuate certain parts which emphasized the discourse in the text. There was
a unbalanced portion character. At the level of social cognition, filmmakers
background who was a journalist influenced the formulation of schemes person,
self, roles, and events. In a social context, this film was a form of counterhegemony against the dominance of the owners and managers of news media in
the lives of post-reform era. Researcher conclude there was bias used by filmmakers to imaged Luviana and Hari Suwandi. Text-makers wanted to put the two
figures as a figure of inspiration for people to be more sensitive about media
content in the era of press freedom.
Researcher suggested to the level of the text to be more balanced imaged
of characters and more comprehensive lifting of press freedom cases in Indonesia.
To the level of social cognition in order to formulate a scheme directed person,
vi
vii
self, roles, and events according to her background and coupled with knowledge
of the research and literature review. To level the social context, this film should
be a discussion about press freedom in Indonesia.
Putri Adityowati, 210110080043, 2013. This undergraduate thesis is titled,
Resistance Representation Towards Television Owner and Managers on
Documentary Behind the Frequency (Critical Analysis Study by Teun A. van Dijk
about Resistance Representation Towards Television Owner and Managers on
Documentary Behind the Frequency). DR. H. Aceng Abdullah, M.Si as main
supervisor, and Drs. Sahat Sahala Tua Saragih, M.I.Kom as second supervisor.
Department of Journalism, Faculty of Communication Sciences, University of
Padjadjaran, Jatinangor.
This research was aimed to find out film director had been presented
resistance towards owners and managers at level of the text, social cognition and
social context. This research was done on the script and the visualdocumentary,
which lasted about 144 minutes. The research method was critical discourse
analysis technique of social cognition models Teun A. van Dijk. Which was the
study of the text, cognition reporters or text makers, and social contexts, and
related it to the theory of counter-hegemony.
The results showed political selection picture of the reality that happened
to accentuate certain parts which emphasized the discourse in the text. There was
a unbalanced portion character. At the level of social cognition, filmmakers
background who was a journalist influenced the formulation of schemes person,
self, roles, and events. In a social context, this film was a form of counterhegemony against the dominance of the owners and managers of news media in
the lives of post-reform era. Researcher conclude there was bias used by filmmakers to imaged Luviana and Hari Suwandi. Text-makers wanted to put the two
figures as a figure of inspiration for people to be more sensitive about media
content in the era of press freedom.
Researcher suggested to the level of the text to be more balanced imaged
of characters and more comprehensive lifting of press freedom cases in Indonesia.
To the level of social cognition in order to formulate a scheme directed person,
vi
vii
self, roles, and events according to her background and coupled with knowledge
of the research and literature review. To level the social context, this film should
be a discussion about press freedom in Indonesia.