WOMEN’S INDEPENDENCE IN THE CHARACTERS OF BUSHNELL’S SEX AND THE CITY—A FILM ANALYSIS.

WOMEN S INDEPENDENCE IN THE CHARACTERS OF BUSHNELL S
SEX AND THE CITY

A FILM ANALYSIS

A THESIS

Presented as Partial Fulfillment of the Requirement for the Attainment of a
Sarjana Sastra Degree in English Language and Literature

Written By:

Seruni Eka Novita Sari
08211144011

ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM
FACULTY OF LANGUAGES AND ARTS
YOGYAKARTA STATE UNIVERSITY
2015




Saya yang bertandatangan di bawah ini:
Nama

: Seruni Eka Novita Sari

NIM

: 08211144011

Program Studi : Bahasa dan Sastra Inggris
Fakultas

: Bahasa dan Seni

Menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri. Dan
sepanjang pengetahuan saya, karya ini tidak berisi materi yang dituliskan oleh orang
lain kecuali bagian-bagian tertentu yang saya ambil sebagai acuan yang mengikuti
tata cara dan etika penulisan karya ilmiah yang lazim.
Apabila terbukti bahwa pernyataan ini tidak benar, maka hal ini sepenuhnya
menjadi tanggung jawab saya.

Yogyakarta, 17th September 2015

Seruni Eka Novita Sari

iii

 

Dream, Believe, and make it happen. (Agnes Monica)

Oh yes I am wise, But it s wisdom born of pain. Yes I pay the price,
but look how much I gained. If I have to, I can do anything. I am
strong I am invincible I am woman.
(Helen Reddy song I am woman)

Love is the label that never goes out of style.
(Carrie in Sex and the City)

iv




I dedicate this Thesis to:
1. My Mother Almh. Hj. Sri Moerwani, Dra.
2. My Father Alm. Rudi Bambang,Drs.
3. My Grandparents Haji and Hajah Soedjilin Pawiro Soekarno
4. My entire family in Jogja, Bandung, Jakarta and Surabaya.
5. My beloved best girls and boys friend of cah ngalor ngidul.

v


lpraise be to Allah !WT for the blessing, mercy and grace for me to keep
myself strong and patience in finishing this Thesis. I would like to give my gratitudes
and appreciation to:
1. Dr. Widyastuti Purbani, M.A. as my first consultant and Rachmat Nurcahyo,
M.A.as my second consultant, who help and share me their times, knowledge,
guidance, and patience during the writing of this thesis.

2. All the English and Literature lecturers who gave me knowledge and many
information about my subject study.
3. My beloved mother and father in heaven, thanks for their motivation, love,
care and support to keep moving on. I love them so much.
4. My grandparents, thanks for their advices, patiences and waitings until my
graduation day.
5. My best friends in collage; thanks for their books and sources they gave to
me, and their supports for everything.
6. To my best girl friends Tiara Mahardika, Rahayu Tri and Wikan Meisarah,
thanks for listening my complains and everything happens in my life.
7. To all my cah ngalor-ngidul members; Banar, Danang, Pandu, Soni, Reza and
Bintang, my biggest thanks for them.
8. To Ibnu, thanks for his printer, advice, suggestion and his patience.

vi

9. The last one and special thanks to Mr.Big a.k.a. Muhammad Friardi, SH.
Thanks for the his helps.

Nothing is perfect and it is my thesis which is still far from perfection.

Therefore, sugestions, criticisms and comments for the betterment of this thesis are
needed. Thank you.

Yogyakarta, 17th September 2015

Seruni Eka Novita Sari

vii

"#$%& '( )'*"&*"
+PR
OVAL SHEET

............................................................................................

i

RATIFICATION SHEET ....................................................................................

ii

PERNYATAAN ...................................................................................................

iii

MOTTOS .............................................................................................................

iv

DEDICATIONS ...................................................................................................

v

ACKNOWLEDGMENT.......................................................................................

vi

TABLE OF CONTENT ....................................................................................... viii
LIST OF FIGURES,TABLES AND DATA......................................................... xii
ABSTRACT ......................................................................................................... xiv

CHAPTER I INTRODUCTION
A. Background of the Study .......................................................................

1

B. Research Focus .......................................................................................

7

C. Research Objectives ...............................................................................

8

D. Research Significances ..........................................................................

9

CHAPTER II LITERATURE REVIEW
A. Postfeminism .......................................................................................... 10
a. Freedom of Choice ......................................................................... 15

b. Getting Married or Not................................................................... 16
c. Lifestyle.......................................................................................... 16
d. Consumerism.................................................................................. 19
viii

B. Cultural Studies....................................................................................... 21
1. Popular Culture ................................................................................... 22
2. Chick Culture ...................................................................................... 26
3. Film as Signifying Practices ............................................................... 32
a. The Ideology of Film...................................................................... 35
b. Photography ................................................................................... 37
c. The Shot.......................................................................................... 37
d. The Angles ..................................................................................... 38
e. Light and Dark................................................................................ 39
f. Mise en Scene.................................................................................. 39
g. The Frame ...................................................................................... 40
h. The Acting...................................................................................... 40
C. Background of the Movie ....................................................................... 40
1. About the Author of Sex and the City................................................. 40
2. New York s Women Community ....................................................... 42

3. Movie Sex and the City ....................................................................... 44
D. Previous Studies...................................................................................... 45
E. Framework of Thinking .......................................................................... 48
CHAPTER III RESEARCH METHOD
A. The Research Design .............................................................................. 49
B. Data and Sources of Data........................................................................ 50
C. Research Instruments .............................................................................. 51
ix

,. Data Collecting Technique ..................................................................... 53
E. Data Analysis .......................................................................................... 54
F. Data Trustworthiness............................................................................... 55
CHAPTER IV FINDINGS AND DISCUSSION
A. Women Independence Represented by the Characters ........................... 57
1. To Have Descent Careers .................................................................. 58
a. Carrie Bradshaw as a Novel Writer and Columnist ...................... 58
b. Miranda Hobbs as a Lawyer.......................................................... 62
c. Samantha Jones as a Producer ....................................................... 64
d. Charlotte York as a Houswife ....................................................... 66
2. To be Single or to be Married ............................................................ 67

a. To be Single................................................................................... 67
b. To be Married ................................................................................ 69
3. To be a Decision Maker...................................................................... 71
4. To be Stylish and Fashionable ............................................................ 73
5. To be Financially Independent ........................................................... 75
B. The Process of the Characters in Finding their Best Relationship.......... 78
1. Carrie Bradshaw.................................................................................. 78
2. Miranda Hobbs.................................................................................... 90
3. Samantha Jones................................................................................... 96
4. Charlotte York .................................................................................... 98
C. Film Aspects that Represent the Women Independence......................... 101
x

1. Tone and the Shot ............................................................................... 101
2. The Acting and the Costumes ............................................................. 104
CHAPTER V CONCLUSION
REFERENCES ..................................................................................................... 108
APPENDIXES ...................................................................................................... 116

xi

-./0 12 3404, TABLES, AND FIGURES
5ueirg1

: Analytical Framework

Table 1 : Data Collecting Technique
Table 2 : Simplication of the Characters Process in Finding their Relationship
Data 1 : Carrie holds her three books of 67x and the City
Data 2 : Carrie meets her Vogue editor
Data 3 : Carrie Bradshaw, and how she inspire people, especiallu women
Data 4 : Carrie arranging her closet and Carrie going on shopping
Data 5 : Miranda Hobbs is trying to decide the arguments of both sides
Data 6 : Miranda and the girls are on their fancy vacation
Data 7 : Samantha shows how busy she is
Data 8 : Charlotte and her family
Data 9 : Miranda plays with her son and her husband
Data 10 : The image of a woman who amazed by the manequen and Carrie who
smiles
Data 11 : Carrie shows her wedding dress
Data 12 : At Christie s auction house
Data 13 : Miranda talks to Steve
Data 14 : Big s expression of his confusion
Data 15 : Carrie gets very angry and dissaponted with Big
Data 16 : The look of Carrie while still facing her depression
xii

8ta17

: Big proposed to Carrie on the closet in the Penthouse

Data 18 : Carrie and Big finally remarried in the courthouse of New York City
Data 19 : Miranda has dinner with her family
Data 20 : Miranda and the girls are talking about Steve at the lunch time
Data 21 : Miranda meets Steve at Brooklyn Bridge as they promise to reunite
Data 22 : Charlotte, Harry and their beautiful Asian daughter Lily: they look so
happy
Data 23 : Charlotte tells Carrie that she is pregnant, and she is so happy
Data 24 : Charlotte and the family are eating together in happiness
Data 25 : Scenes that use medium shot and bright tone
Data 26 : Scenes that use medium shot with bright tone to show happy mood
Data 27 : Long shot scenes
Data 28 : Long and medium shot scenes

xiii

WOMEN S INDEPENDENCE IN THE CHARACTERS OF BUSHNELL S
SEX AND THE CITY A FILM ANALYSIS
By
Seruni Eka Novita Sari
08211144011
ABSTRACT
There are three objectives of this research. The first is to reveal the characters
independence represented in the movie. The second objective is to show the process
of the characters in finding their best relationship. The third objective is to show how
the movie aspects present the women s independence. This research uses postfeminism theory to support the women s independence, and movie analysis to explain
the aspects of movie which represent the women s independence.
The researcher uses qualitative analysis. The research s main data are the
dialogues, cut scenes of the movie, and discourses taken from the movie 9ex and the
City.The researcher used textual analysis technique for collecting and analyzing the
content of the movie. Textual analysis involves the identification and interpretation of
a set of verbal or non-verbal signs. To ensure trustworthiness ofthe data, the
researcher uses triangulation.
The results of this research shows some characters of independence such as to
have career, to have a choice of being married or single, to have the ability of being
decision maker, to have financial independence and to have stylish style. Moreover,
the process of finding the best relationship defines the characters happiness goal.
Then, the movie aspects that become the significant presentation of women s
independence can be seen on the movie s bright tone, long and medium shot, acting
and branded costumes.
Keywords: Women s independence, Sex and the City, post-feminism, movie aspects.

xiv

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êåëäéìèçìí îæééêïï èçð ñäòçó ôõöö÷ø æùëúèêç ìûèì åæðêè

éæüúæýìï èçð æþæç ïûèëæï ãäåæçÿï ïäýêèú ëäïêìêäçêçó ìûæêé êçïëêéèìêäç
üéææðäå èçð ìûæêé ëäãæé ìä ýäçìéäúí



äãèðèï ìûæ þêïòèú åæðêè ïòýû èï åäþêæï ãûêýû èéæ æèïêú èììèýûæð

èçð ïëéæèð äòì ìä ìûæ ëòúêý èì úæèïì ýèç ûæúë ãäåæç èçð êçïëêéæ ìûæå ìä æ
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êçðæëæçðæçýæ ïòýû èï The Proposal, the Devil Wears Prada, and Step Up,
Fast Furious etc.

äïì äü ìûäïæ åäþêæï ïûäã ûäã ãäåæç êçðæëæçðæçì



æüäéæ åæçí äìû åäþêæï The Proposal èçð The Devil Wears Prada ïûäã



ìûæ ýûèéèýìæé äü ãäåæç êçðæëæçðæçýæ êç ûèþêçó óääð ýèéææé óääð üêçèçýæ
úêüæ èçð èïæçýæ äü åæç êç ìûæêé çææðï êç ìûæêé úêüæí Step Up èçð Fast
Furious

ïûäã ûäã ãäåæç ýèç ãäé èçð èýì ûèéð ìä èýûêæþæ ìûæêé ðéæèåï

èçð ìûæêé óäèúïí ûæ êåèóæï äü ãäåæç ìûèì ïûäãç ìûæ åäþêæï èäþæ úæèð
ìûæ éæïæèéýûæé ìä üêçð äòì ãûèì ìûæ èïêý êðæèï äü æêçó êçðæëæçðæçì ãäåæç
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