DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S Dream To Be The Best Dancer In Robert Adetuyi’s You Got Served Beat The World Movie (2011): An Individual Psychological Approach.
DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirement
for Getting Barchelor Degree of Education
in English Department
by :
ISNAINI WAHYU PALUPI
A320080058
SCHOOL OF TEACHING TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2012
sAPPROVAL
DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by:
ISNAINI WAHYU PALUPI
A320080058
Approved to be Examined by the Consultant Team
Consultant I
Consultant II
(Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed)
(Titis Setyabudi, S.S, M.Hum)
ii
ACCEPTANCE
DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by
ISNAINI WAHYU PALUPI
A320080058
Accepted and Approved by the Board of Examiners
School of Teacher Training and Education
Muhammadiyah University of Surakarta
on ……… …..2012
Team of Examiners:
1. Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed. (……………………..)
(Chair Person)
(……………………..)
2. Titis Setyabudi S.S, M.Hum.
(Member I)
.
3. Drs. H. Abdillah Nugroho, M.Hum.
(Member II)
(……………………..)
Dean,
Drs. H. Sofyan Anif, M.Si.
NIK. 547
iii
TESTIMONY
Here, the writer asserts that there is no work which was submitted to get
bachelor degree in any universities. In this research paper as far as the writer
concerns there is no work or opinion which was written or published by someone
else except the written references which are referred to in this paper and
mentioned in the bibliography.
If only there is any incorrectness proved in the future in the writer’s
statements above, she will be fully responsible.
Surakarta,
Isnaini Wahyu Palupi
A320080058
iv
MOTTO
Optimist is the faith that leads to achievement.
Nothing can be done without hope or confidence.
(Hellen Keller)
Allah will always make everything much better.
NEVER GIVE UP!!
Everything depends on our selves, Calm down take it easy
it’ll be alright.
(The Writer)
v
DEDICATION
This research paper is dedicated to:
Allah SWT, the Supreme Being; Praise
to Allah SWT
My beloved parents,
What I have done is just for you.
My beloved brothers and sisters,
Who have supported me and helped me
in any moment.
My beloved friends.
My sweetheart
vi
ACKNOWLEDGMENT
Assalamu’alaikum Wr.Wb.
First, the writer would like to praise to Allah SWT, the Lord of universe,
for blessing and guiding the writer in finishing the research paper to get bachelor
degree. The writer also realizes that this amazing moment cannot come true
without the help and support of other people. Therefore, she would like to express
her great gratitude to:
1. Drs. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and
Education of Muhammadiyah University of Surakarta for giving approval
to carry out this research paper,
2. Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed as her first consultant for
her invaluable and indispensable guidance in accomplishing this research
paper right from the start,
3. Titis Setyabudi, S.S, M.Hum, as the Head of English Education
Department and her second consultant, who has permitted her to write this
research paper,
4. Prof. Dr. Endang Fauziati, M.Hum, as the academic consultant at
Muhammadiyah University of Surakarta,
vii
5. All lecturers in English Education Department, thanks a lot for sharing
and giving their knowledge to her progress.
6. Her beloved parents Mr. Syamsuhudi and Mrs. Jumiyati for the prayers,
loves, support, and spirit.
7. Her dearly beloved big family: Mas Yudi, Mbak Yushinta, Ibu Titik,
Casua Mas Budi Nugraha Setiantya Putra, Kakung and mbah putri
for their support, prayer, and care.
8. Her soulmate Yellow Devil Revo (Yayuk), Isna’s Lepy, Canon Pixma
iP2770, Mintil, Titin, Minuk, Minem, Nunik for their contribution and
cooperation.
9. All her friends Dea, Aya, Sari, Shenly, Ade, Sasa, Rina, Tika, Hanif,
Ilham, Didik, Julika, FJ (Fajar novitasari), Pandu, Tendika, for
togheterness and supporting her to finish this paper.
10. Those who cannot be mentioned one by one toward their support to the
writer in completing this research paper.
Finally, the writer realizes that there are many weaknesses in this research
paper. This is caused by the limitation in her capability and knowledge. Therefore,
all criticism and suggestion are highly expected.
Wassalamu’alaikum Wr. Wb.
Surakarta,
Isnaini Wahyu Palupi
A320080058
viii
TABLE OF CONTENT
Page
COVER ............................................................................................................... i
APPROVAL ........................................................................................................ ii
TESTIMONY ..................................................................................................... iii
MOTTO ............................................................................................................. iv
DEDICATION .................................................................................................... v
ACKNOWLEDGMENT.................................................................................... vi
TABLE OF CONTENT ..................................................................................... ix
SUMMARY ....................................................................................................... xv
CHAPTER 1
:
INTRODUCTION ............................................................ 1
A. Background of the Study .............................................. 1
B. Literature Review ......................................................... 7
C. Problem Statement ....................................................... 8
D. Limitation of the Study ................................................. 8
E. Objective of the Study .................................................. 8
F. Benefit of the Study ...................................................... 9
G. Research Method .......................................................... 9
1. Type of the Study .................................................... 9
2. Type of the Data and the Data Source ...................... 9
3. Object of the Study .................................................. 10
4. Technique of the Data Collection ............................ 10
5. Technique of the Data Analysis .............................. 11
H. Research Paper Organization ....................................... 11
ix
CHAPTER II
:
UNDERLYING THEORY .............................................. 12
A. Notion of Psychology .................................................. 12
B. Theory of Dream ........................................................ 14
C. Central Concept of Individual Psychology ................... 15
1. Inferiority Feeling .................................................... 16
2. Fictional Finalism .................................................... 16
3. Striving for Superiority ............................................ 17
4. Social Interest .......................................................... 18
5. Style of Live ............................................................ 18
6. Creative Power of Self ............................................ 20
D. Structural Elements of the Movie ................................. 20
1. Narrative Elements ................................................. 20
a. Character and Characterization .......................... 20
b. Plot .................................................................... 21
c. Setting ............................................................... 21
d. Point of View ..................................................... 22
e. Theme................................................................ 22
2. Technical Elements ................................................ 22
a. Mise-en-Scene and Design ................................. 22
1) Set Dressing and Props................................ 23
2) Costume ...................................................... 23
3) Make-Up ..................................................... 23
4) Lighting ...................................................... 23
x
5) Symbol ....................................................... 24
b. Casting .............................................................. 24
c. Cinematography................................................. 25
1) Photography Quality of the Shot ................. 25
2) Framing of the Shot ..................................... 25
3) Duration of the Shot .................................... 26
d. Editing ............................................................... 27
e. Sound ................................................................ 29
E. Theoretical Application ............................................... 29
CHAPTER III
:
STRUCTURAL ANALYSIS ........................................... 30
A. Structural Elements ..................................................... 30
1. Narrative Element .................................................. 30
a. Character and Characterization ......................... 30
b. Setting ............................................................. 36
c. Plot .................................................................. 41
d. Point of View ................................................... 43
e. Theme ............................................................. 45
2. Technical Elements ................................................ 45
a. Mise-en-Scene .................................................. 46
b. Cinematography .............................................. 51
c. Sound .............................................................. 57
f. Editing ............................................................. 58
xi
B. Discussion ................................................................... 61
CHAPTER IV :
INDIVIDUAL PSYCHOLOGICAL ANALYSIS ......... 64
A. Individual Psychology .................................................. 64
1. Fictional Finalism .................................................... 64
2. Inferiority Feeling .................................................... 67
3. Striving for Superiority ............................................ 68
4. Social Interest .......................................................... 70
5. Style of Life............................................................. 72
6. Creative Power ........................................................ 74
B. Dream........................................................................... 76
C. Discussion .................................................................... 77
CHAPTER V
:
CONCLUSION AND SUGGESTION ........................... 81
A. Conclusion ................................................................... 81
B. Suggestion .................................................................... 83
BIBLIOGRAPHY
APPENDIX
xii
LIST OF FIGURE
Figure. 1. Profile of Yuson ................................................................................... 31
Figure. 2. Profile of Maya .................................................................................... 32
Figure. 3. Profile of Cherry ................................................................................. 34
Figure. 4. Profile of Easy ..................................................................................... 35
Figure. 5. Figure of Base Camp ............................................................................ 37
Figure. 6. Figure of Maya’s House ....................................................................... 38
Figure. 7. Figure of Maya’s Living-room ............................................................. 38
Figure. 8. Figure of Maya’s Bedroom .................................................................. 38
Figure. 9. Figure of Yuson’s Bedroom ................................................................. 39
Figure. 10. Figure of Restaurant ........................................................................... 39
Figure. 11. Figure of Pup Night ............................................................................ 40
Figure. 12. Figure of Dance Competition ............................................................. 40
Figure. 13. Figure of Make-up (1) ........................................................................ 46
Figure. 14. Figure of Costume (2) ........................................................................ 46
Figure. 15. Figure of Make-up (1) ........................................................................ 46
Figure. 16. Figure of Costume (2) ........................................................................ 46
Figure. 17. Evening Situation ............................................................................... 47
Figure. 18. Day Light Situation ............................................................................ 48
Figure. 19. Source of Lighting ............................................................................ 48
Figure. 20. Color of Lighting ............................................................................... 49
Figure. 21. Frontal Lighting ................................................................................. 49
xiii
Figure. 22. Side Lighting ..................................................................................... 50
Figure. 23. Back Lighting .................................................................................... 50
Figure. 24. Top and Under Lighting ..................................................................... 51
Figure. 25. Expression (1) .................................................................................... 51
Figure. 26. Expression (2) .................................................................................... 51
Figure. 27. Picture of Building ............................................................................. 52
Figure. 28. Picture of Beach ................................................................................. 53
Figure. 29. Close-up............................................................................................. 54
Figure. 30. Medium Close-up ............................................................................... 54
Figure. 31. Medium Shot ..................................................................................... 55
Figure. 32. Long Shot .......................................................................................... 55
Figure. 33. Normal Angel .................................................................................... 55
Figure. 34. Low Angel ......................................................................................... 56
Figure. 35. Hight Angel ....................................................................................... 56
Figure. 36. Establishing Shot (1) .......................................................................... 59
Figure. 37. Establishing Shot (2) .......................................................................... 59
Figure. 38. Axis Shot (1) ...................................................................................... 59
Figure. 39. Axis Shot (2) ...................................................................................... 59
Figure. 40. Reserve Shot (1)................................................................................. 60
Figure. 41. Reserve Shot (2) ................................................................................ 60
Figure. 42. Eye Line Match (1) ........................................................................... 60
Figure. 43. Eye Line Match (2) ........................................................................... 60
Figure. 44. Match an Interaction (1) .................................................................... 61
xiv
Figure. 45. Match an Interaction (2) .................................................................... 61
Figure. 45. Match an Interaction (3) .................................................................... 61
xv
SUMMARY
ISNAINI WAHYU PALUPI. A 320 080 058. DREAM TO BE THE BEST
DANCER IN ROBERT ADETUYI’S YOU GOT SERVED BEAT THE
WORLD MOVIE (2011): AN INDIVIDUAL PSYCHOLOGICAL
APPROACH
The major problem of this study is: how is the major character’s dream to be the
best Dancer? The objectives of the study are: To analyze the film based on its
structural elements and technical elements and To analyze the film especially the
character of Yuson.
In conducting this study, the researcher uses qualitative research which the data
are based on primary data source, the movie Robert Adetuyi’s You Got Served
Beat the World itself. The secondary data are other data which deal with the
research. In analysing the data, she applies two analysis, firtsly, structural
approach which is used to analyze the elements of the movie. It consists of two
elements of movie; they are narrative elements and technical elements. Secondly,
the individual psychological approach is used to analyze the movie and the
characteristics of Yuson.
In conclusion, the writer finds that the narrative elements of movie consist of
characters and characterization, setting plot, point of view and theme. The
technical elements consist of mise-en-scene, cinematography, sound and editing.
In individual psychological analysis, the writer concludes that Dream is
something that has to be struggled. The motivation which comes from themselves
can help people to make dreams come true. As a man, it is not easy to make his
dreams come true. They must challenge the obstacles in their life. Dream is
something that human wish in their future.
Key words: Dream, dancer, an individual psychological
xvi
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
RESEARCH PAPER
Submitted as a Partial Fulfillment of the Requirement
for Getting Barchelor Degree of Education
in English Department
by :
ISNAINI WAHYU PALUPI
A320080058
SCHOOL OF TEACHING TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
2012
sAPPROVAL
DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by:
ISNAINI WAHYU PALUPI
A320080058
Approved to be Examined by the Consultant Team
Consultant I
Consultant II
(Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed)
(Titis Setyabudi, S.S, M.Hum)
ii
ACCEPTANCE
DREAM TO BE THE BEST DANCER IN ROBERT ADETUYI’S
YOU GOT SERVED BEAT THE WORLD MOVIE (2011):
AN INDIVIDUAL PSYCHOLOGICAL APPROACH
by
ISNAINI WAHYU PALUPI
A320080058
Accepted and Approved by the Board of Examiners
School of Teacher Training and Education
Muhammadiyah University of Surakarta
on ……… …..2012
Team of Examiners:
1. Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed. (……………………..)
(Chair Person)
(……………………..)
2. Titis Setyabudi S.S, M.Hum.
(Member I)
.
3. Drs. H. Abdillah Nugroho, M.Hum.
(Member II)
(……………………..)
Dean,
Drs. H. Sofyan Anif, M.Si.
NIK. 547
iii
TESTIMONY
Here, the writer asserts that there is no work which was submitted to get
bachelor degree in any universities. In this research paper as far as the writer
concerns there is no work or opinion which was written or published by someone
else except the written references which are referred to in this paper and
mentioned in the bibliography.
If only there is any incorrectness proved in the future in the writer’s
statements above, she will be fully responsible.
Surakarta,
Isnaini Wahyu Palupi
A320080058
iv
MOTTO
Optimist is the faith that leads to achievement.
Nothing can be done without hope or confidence.
(Hellen Keller)
Allah will always make everything much better.
NEVER GIVE UP!!
Everything depends on our selves, Calm down take it easy
it’ll be alright.
(The Writer)
v
DEDICATION
This research paper is dedicated to:
Allah SWT, the Supreme Being; Praise
to Allah SWT
My beloved parents,
What I have done is just for you.
My beloved brothers and sisters,
Who have supported me and helped me
in any moment.
My beloved friends.
My sweetheart
vi
ACKNOWLEDGMENT
Assalamu’alaikum Wr.Wb.
First, the writer would like to praise to Allah SWT, the Lord of universe,
for blessing and guiding the writer in finishing the research paper to get bachelor
degree. The writer also realizes that this amazing moment cannot come true
without the help and support of other people. Therefore, she would like to express
her great gratitude to:
1. Drs. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and
Education of Muhammadiyah University of Surakarta for giving approval
to carry out this research paper,
2. Dr. Phil. Dewi Candraningrum, S.Pd, M.Ed as her first consultant for
her invaluable and indispensable guidance in accomplishing this research
paper right from the start,
3. Titis Setyabudi, S.S, M.Hum, as the Head of English Education
Department and her second consultant, who has permitted her to write this
research paper,
4. Prof. Dr. Endang Fauziati, M.Hum, as the academic consultant at
Muhammadiyah University of Surakarta,
vii
5. All lecturers in English Education Department, thanks a lot for sharing
and giving their knowledge to her progress.
6. Her beloved parents Mr. Syamsuhudi and Mrs. Jumiyati for the prayers,
loves, support, and spirit.
7. Her dearly beloved big family: Mas Yudi, Mbak Yushinta, Ibu Titik,
Casua Mas Budi Nugraha Setiantya Putra, Kakung and mbah putri
for their support, prayer, and care.
8. Her soulmate Yellow Devil Revo (Yayuk), Isna’s Lepy, Canon Pixma
iP2770, Mintil, Titin, Minuk, Minem, Nunik for their contribution and
cooperation.
9. All her friends Dea, Aya, Sari, Shenly, Ade, Sasa, Rina, Tika, Hanif,
Ilham, Didik, Julika, FJ (Fajar novitasari), Pandu, Tendika, for
togheterness and supporting her to finish this paper.
10. Those who cannot be mentioned one by one toward their support to the
writer in completing this research paper.
Finally, the writer realizes that there are many weaknesses in this research
paper. This is caused by the limitation in her capability and knowledge. Therefore,
all criticism and suggestion are highly expected.
Wassalamu’alaikum Wr. Wb.
Surakarta,
Isnaini Wahyu Palupi
A320080058
viii
TABLE OF CONTENT
Page
COVER ............................................................................................................... i
APPROVAL ........................................................................................................ ii
TESTIMONY ..................................................................................................... iii
MOTTO ............................................................................................................. iv
DEDICATION .................................................................................................... v
ACKNOWLEDGMENT.................................................................................... vi
TABLE OF CONTENT ..................................................................................... ix
SUMMARY ....................................................................................................... xv
CHAPTER 1
:
INTRODUCTION ............................................................ 1
A. Background of the Study .............................................. 1
B. Literature Review ......................................................... 7
C. Problem Statement ....................................................... 8
D. Limitation of the Study ................................................. 8
E. Objective of the Study .................................................. 8
F. Benefit of the Study ...................................................... 9
G. Research Method .......................................................... 9
1. Type of the Study .................................................... 9
2. Type of the Data and the Data Source ...................... 9
3. Object of the Study .................................................. 10
4. Technique of the Data Collection ............................ 10
5. Technique of the Data Analysis .............................. 11
H. Research Paper Organization ....................................... 11
ix
CHAPTER II
:
UNDERLYING THEORY .............................................. 12
A. Notion of Psychology .................................................. 12
B. Theory of Dream ........................................................ 14
C. Central Concept of Individual Psychology ................... 15
1. Inferiority Feeling .................................................... 16
2. Fictional Finalism .................................................... 16
3. Striving for Superiority ............................................ 17
4. Social Interest .......................................................... 18
5. Style of Live ............................................................ 18
6. Creative Power of Self ............................................ 20
D. Structural Elements of the Movie ................................. 20
1. Narrative Elements ................................................. 20
a. Character and Characterization .......................... 20
b. Plot .................................................................... 21
c. Setting ............................................................... 21
d. Point of View ..................................................... 22
e. Theme................................................................ 22
2. Technical Elements ................................................ 22
a. Mise-en-Scene and Design ................................. 22
1) Set Dressing and Props................................ 23
2) Costume ...................................................... 23
3) Make-Up ..................................................... 23
4) Lighting ...................................................... 23
x
5) Symbol ....................................................... 24
b. Casting .............................................................. 24
c. Cinematography................................................. 25
1) Photography Quality of the Shot ................. 25
2) Framing of the Shot ..................................... 25
3) Duration of the Shot .................................... 26
d. Editing ............................................................... 27
e. Sound ................................................................ 29
E. Theoretical Application ............................................... 29
CHAPTER III
:
STRUCTURAL ANALYSIS ........................................... 30
A. Structural Elements ..................................................... 30
1. Narrative Element .................................................. 30
a. Character and Characterization ......................... 30
b. Setting ............................................................. 36
c. Plot .................................................................. 41
d. Point of View ................................................... 43
e. Theme ............................................................. 45
2. Technical Elements ................................................ 45
a. Mise-en-Scene .................................................. 46
b. Cinematography .............................................. 51
c. Sound .............................................................. 57
f. Editing ............................................................. 58
xi
B. Discussion ................................................................... 61
CHAPTER IV :
INDIVIDUAL PSYCHOLOGICAL ANALYSIS ......... 64
A. Individual Psychology .................................................. 64
1. Fictional Finalism .................................................... 64
2. Inferiority Feeling .................................................... 67
3. Striving for Superiority ............................................ 68
4. Social Interest .......................................................... 70
5. Style of Life............................................................. 72
6. Creative Power ........................................................ 74
B. Dream........................................................................... 76
C. Discussion .................................................................... 77
CHAPTER V
:
CONCLUSION AND SUGGESTION ........................... 81
A. Conclusion ................................................................... 81
B. Suggestion .................................................................... 83
BIBLIOGRAPHY
APPENDIX
xii
LIST OF FIGURE
Figure. 1. Profile of Yuson ................................................................................... 31
Figure. 2. Profile of Maya .................................................................................... 32
Figure. 3. Profile of Cherry ................................................................................. 34
Figure. 4. Profile of Easy ..................................................................................... 35
Figure. 5. Figure of Base Camp ............................................................................ 37
Figure. 6. Figure of Maya’s House ....................................................................... 38
Figure. 7. Figure of Maya’s Living-room ............................................................. 38
Figure. 8. Figure of Maya’s Bedroom .................................................................. 38
Figure. 9. Figure of Yuson’s Bedroom ................................................................. 39
Figure. 10. Figure of Restaurant ........................................................................... 39
Figure. 11. Figure of Pup Night ............................................................................ 40
Figure. 12. Figure of Dance Competition ............................................................. 40
Figure. 13. Figure of Make-up (1) ........................................................................ 46
Figure. 14. Figure of Costume (2) ........................................................................ 46
Figure. 15. Figure of Make-up (1) ........................................................................ 46
Figure. 16. Figure of Costume (2) ........................................................................ 46
Figure. 17. Evening Situation ............................................................................... 47
Figure. 18. Day Light Situation ............................................................................ 48
Figure. 19. Source of Lighting ............................................................................ 48
Figure. 20. Color of Lighting ............................................................................... 49
Figure. 21. Frontal Lighting ................................................................................. 49
xiii
Figure. 22. Side Lighting ..................................................................................... 50
Figure. 23. Back Lighting .................................................................................... 50
Figure. 24. Top and Under Lighting ..................................................................... 51
Figure. 25. Expression (1) .................................................................................... 51
Figure. 26. Expression (2) .................................................................................... 51
Figure. 27. Picture of Building ............................................................................. 52
Figure. 28. Picture of Beach ................................................................................. 53
Figure. 29. Close-up............................................................................................. 54
Figure. 30. Medium Close-up ............................................................................... 54
Figure. 31. Medium Shot ..................................................................................... 55
Figure. 32. Long Shot .......................................................................................... 55
Figure. 33. Normal Angel .................................................................................... 55
Figure. 34. Low Angel ......................................................................................... 56
Figure. 35. Hight Angel ....................................................................................... 56
Figure. 36. Establishing Shot (1) .......................................................................... 59
Figure. 37. Establishing Shot (2) .......................................................................... 59
Figure. 38. Axis Shot (1) ...................................................................................... 59
Figure. 39. Axis Shot (2) ...................................................................................... 59
Figure. 40. Reserve Shot (1)................................................................................. 60
Figure. 41. Reserve Shot (2) ................................................................................ 60
Figure. 42. Eye Line Match (1) ........................................................................... 60
Figure. 43. Eye Line Match (2) ........................................................................... 60
Figure. 44. Match an Interaction (1) .................................................................... 61
xiv
Figure. 45. Match an Interaction (2) .................................................................... 61
Figure. 45. Match an Interaction (3) .................................................................... 61
xv
SUMMARY
ISNAINI WAHYU PALUPI. A 320 080 058. DREAM TO BE THE BEST
DANCER IN ROBERT ADETUYI’S YOU GOT SERVED BEAT THE
WORLD MOVIE (2011): AN INDIVIDUAL PSYCHOLOGICAL
APPROACH
The major problem of this study is: how is the major character’s dream to be the
best Dancer? The objectives of the study are: To analyze the film based on its
structural elements and technical elements and To analyze the film especially the
character of Yuson.
In conducting this study, the researcher uses qualitative research which the data
are based on primary data source, the movie Robert Adetuyi’s You Got Served
Beat the World itself. The secondary data are other data which deal with the
research. In analysing the data, she applies two analysis, firtsly, structural
approach which is used to analyze the elements of the movie. It consists of two
elements of movie; they are narrative elements and technical elements. Secondly,
the individual psychological approach is used to analyze the movie and the
characteristics of Yuson.
In conclusion, the writer finds that the narrative elements of movie consist of
characters and characterization, setting plot, point of view and theme. The
technical elements consist of mise-en-scene, cinematography, sound and editing.
In individual psychological analysis, the writer concludes that Dream is
something that has to be struggled. The motivation which comes from themselves
can help people to make dreams come true. As a man, it is not easy to make his
dreams come true. They must challenge the obstacles in their life. Dream is
something that human wish in their future.
Key words: Dream, dancer, an individual psychological
xvi