of fe n i
m i m s . h
T e ti
r w er be ileves that we are cre t
a ed f o r m h
t e m a
s e begi i n
n g n and
u h a
m n b i e g
n s are c e r ated f m
o r d
A am a d n v
E e s ’ v
o l e. h
T e h t i g
n s th t a a
m e k
o w e
m n a d n men fi
d ferent are e h
t i
c o
s e , y
t e h
t e v n i
m n
o r
e t n , h
t e c r
u tl
u e, t e
h w a
e h t er, a d
n the ge r g
o a h p c
i l a
i s
o p
it n o be d
n i
h h t em.
s i
h T
y d
u t
s s
i d c s
s u es t e
h o
p s b i
s e l mea g
n i
n of e
v o
l beca s
u e after e r adi g
n h t e v
o n el, there are m
o s e pa s
tr f o
t s i
h v o
n el h w c
i h is re a l ted to v
o l e. h
T e r w tier u e
s s a the y r
o i
h w ch be v
e il
s e h
t at l v
o e m a e ns
g n
i v
i g
d n
a recei i v g
n as c tied f m o
r the y r
o of katres s
i n
a n
m yet f r o
d ri
F a s u , l v
o e a
e m
s n di f
f ere t n . h
T e r w tier is c r
u i u o s a u
o b t Fi d
r a ’ s
u ap t a y
h of .
e v
o l
h T is c r
u i y
ti s
o lea s
d t e h
ti r
w er o t c
s o
o h
e the p o
t c i a u
o b t l v
o e e p x e n
e ir
e c d y
b d
ri F a s
u t e h ma n
i cha a r cter n
i n
a m
o W
t a o
P i t n Ze o
r .
B. e
v it
c e
j b
O f
o e h
t y
d u
t S
h T e b
o je t c v
i e of i h
t s y
d u
t s
is o t reve l
a h t e
s s
o p i l
b e e m ani s
g n of l e
v o
e p x e ire c
n ed y b
d ri
F a s u the m n
i a chara t
c er in Nawal l E -S a
a da s
’i w
n a
m o
W t
a o
P i t n Ze o
r .
C. Pr l
b o em o
F r u m l t
a ion
s i
h T
y d
u t
s f r
o m l u ates o
w t
l b
o r
p m
e s to e b a w
s n e ,
d e
r na e m l :
y 1.
w o
H s i Fi d
r a s u dep c
i ted n i
n a
m o
W t
a i o
P nt Ze o r ?
2. What are the m a
e s
g n
i n
of v o
l e as e p x er e
i c n ed y
b h t e ma n
i chara t c er of t e
h v
o n el?
D. Be e
n f s ti f
o e h
t d
u t
S y
r o
F the r a e de s
r , i h
t s y
d u
t s
ass t s
i s h t m
e o t c
r p
m o
ehe d n
n a
m o
W at o
P i t n
Zero a e i
s ly b a c
e s
u e it d
i v
o r
p es det i
a led inf o
it a
m r
o n a u
o b t the cha a
r cte s ir tics f
o d
ri F aus. h
T is y
d u
t s
l a o
s hel s p h
t e r a e de s
r o t get a be tter d
n u e t
s r a d
n i g n a
t u
o b he .r
h T e ir
w e t r a o
s l gives h
t e e l p
x an t a
s n
o i
related o t e
h t
s s
o p i l
b e m a e ni s
g n of l e
v o
e p x e ire c
n ed y b Fi d
r a .s u h
T ere are s a f
r u
e c
n a
e m
i g n s
i h
w ch are a e rl a y
d r w i tten
n w
o d
n i the v
o n el a d
n d e e per e
m a s
g n
i n
h w c
i h are m i l
p i i c t y
l c v o ered i d
i s
n e t e h
t s r
o y. h T e deeper mea
s g
n i
n u
s u
l a y
l e m
e g
r e after we r a e d the v
o n el v
o er a d n v
o er again. h
T e ti
r w er e
c e
p x
ts h t is
y d
u t
s a
m kes t e h r a
e de s r
d n
u e s r a
t d n e s
a i y l h
t e mea g
n i
n f o l v
o e n i her l .
e fi
s i
h T v
o n el a
c n be usef l u f r
o h t e e
t c a
g n
i h lea n
r i g n c
a v it tiy. tI a
c n be a s u ed
as ma e t iral f r
o h t e teacher o
t teach n I e
t s n ive r a
e di g n I
I . h T e
y r
o t
s a
t u
o b
s o
r p
it u t it n
o wi ll be an n i e
t re g
n it
s u
s s
i e o t t a
e ch a l u
d t st d u ents
o h
w a e r o
m t s y
l c
s u
o ir
u a
t u
o b th t
a ta o o
b d
r o
w -
- p o r t
s u ti t .
n o
i h
t o
n A
er be e n ti
f is o t
d i
v o
r p
e inf r
o m t a i n
o f r o the fut r
u e re e s arche s
r o
h w are intere t
s ed in l tie r
u t
a r
e a d n i
w ll g n
i to g
i d u
o t h t
o er t s
c i
p o
re t a
l ed o t
n a
m o
W t
a n
i o
P t Ze o r , f r
o exam e l
p , to if d n t
u o
t e h e
d ep meani g n f
o w o
p er in Fi d r a ’
s u
t n
i o
p f
o i v e .
w
E. n
o i
t i
n i
f e
D f
o s
m r
e T
s i
h T part e
d ifnes t o w t
s m
r e
th t a are m t
s o ly us d
e in t s i
h t s y
d u o
t a o v id
m s i c n
o e c t
p i n o f m
o r h
t e reade s r in the f
e r
u t
u . h
T e f l o l w
o i g n are h
t e me s
g n
i n
a of
t e h im
tr o
p a t n terms that a e
r s u e .
d
1. e
v o
L
May 4
7 9
1 t
s ates that v o
l e is a g u
h e d
r o
w that a
c n cha g n e s m
o e n o e s
’ lr
o w d .When we “fall” in v
o l e, as the e r
p x e s
s ive ve b r
s t
u p ti, the r
o w ld s k
a h es a d
n cha g
n es a d
n u
o r
s u , o
n t n o ly n
i h t e way it
s k
o o
l t
u b r
u o
l o
h w e e p
x er e i c
n e of h w at
we are g
n i
o d
n i h
t e d
lr o
w . Pi s
u o l v
o e also makes s m o e rt
a h e s
d are va i n s d
e h . v
E en t
h g
u o
h in l n
o l e n
i e s s , pi u
o s v o
l e can ma e k pe p
o le e b c e
m o t
s g
n o
r er than v
e er. y B
imagi g n
i n s m
o e n o e we v
o l e, we can a
e i s ly f g
r o et ll
a pa n i we e
r u
d n
ed. s
i h
T h t e s
i s
c c n
o e s n
r l v o e h
t at is e p x erien e
c d y b the
i a
m n c r a
h c a ter of
n a
m o
W at o
P int Ze , o
r d
ri F aus. e
h S p
s e s d
n her life o t e
s arch f r o her u
rt e l v o e t
n u il h
s e re z il
a es t
a h
t o
w e m n f o
r m a w o
l er i
c o
s al t s a s
u t o
d t o
n dese v r e to be v
o l ed as well s
a e h
t m o h
w co e
m f m o
r a higer o s c a
i l t s t
a s u . e
B a c s
u e of h t e e
r je t c n
o i f o
r m o s cie y
t , d
ri F a s
u d c
e d i es o
t be a o r
p t s u
ti e t
t a
h t makes her far f m
o r a divine l v
o e. May 4
7 9
1 m
e s
a h
p izes a
h t t l v
o e a o s
l m a e s
n sex. Fi d r a s
u e p x e irences v
o l e f o
r m e m n a
d n
u o
r her as
y l
n o a e
s x t o
n a s
u o
i p
. e
v o
l
2. n
i n
a e
M g
n I h
t is t s y
d u , h
t e r w i r
e t
s o
p o
r p
es o
w t
b o
r p
m e
l s h w c
i h c s
i s
n o
t of t e h
char c a ter s
i itcs f o h
t e ma n i cha a
r cter a d n the m a
e ni s g
n of l v o e e p
x e iren e c d y
b e h
t main cha a
r cter. h T e e
d f i n
i t n o
i of e m ani g
n is i d vided i o
t n o
w t
d n
i k s. h
T e ifr t s s
i l tier l
a m a e ni g
n a d n h
t e s c e
d n
o s i e
d eper r o if r
u g a v
it e mea g n
i n . ti
L eral e m ani g
n s i
the sta d n a d
r mea g n
i n , as
s o
p p
o ed o
t its mea g n
i n n
i t e h f r
u g
i it
a ve e s
u . r
u g
i F
a v it e
mea g n
i n s
i a c n o s i
p c u o
u s depa r u
tr e f o r m h
w at compe e t t
n s u e s
r of a la u g
n age
a r p
p ehe d n s
a h t e t
s a d n a d
r meani g n of
s d
r o
w , r
o e s l e h
t e sta d n a d
r s
d r
o w
n i d
r o er
to c a h e
i e v
e m
o s
s e p cial a
e m
g n
i n r
o ef e f ct
a r
b A
m ,s .
5 2
Literal e m ani g
n a c n be s m
i il
p fied as the e m a g
n i
n i
h w ch the r a
e de s r get
f m o
r h t e te t
x . h T e literal meani s
g n are
a h
w t ha e v been r
w i tten n i h
t e v o
n el. e h
T d e
e per r o fi r
u g ative me n
a i s g
n are h t e mea g
n i
n s h t t
a c e m
o p u f o
r m the e r aders’
imagina n o
it a d n t
n i e r
p r etati .
n o
T P
A H
C ER II
REV E I W F
O A
L E
R T D
E L T I E A
R T R U E
s i
h T cha t
p er c i
s n
o sts of h t e the ir
o es a d n a
o r
p p
ach i h
w ch are s u ed to sol e
v the
s m
e l
b o
r p
. s
i h
T c t
p a
h er is d
i v
i d
ed n i to f r
u o pa s
tr . h T e f t
s ri s
i i
v e
R ew f o
e R lated
d u
t S
s e
i n i h
w c i h h
t e ir w e
t r gives m o
s e reviews f o r m h
t e r p e u
o i
v s st .
y d
u h
T e e s c d
n o s
i e R i
v ew f o e
R lated h T eo ire ;
s s i
h t s c
e ti n o e
b c m o es a t l
o o o
t ana e z
y l
the b o ject of the u
t s dy a d
n to a w s
n er the l
b o
r p
e s m . h
T e thi d r is C t
n o e t
x of e h
t v
o N el d a
e s l w tih e
h t
d n
u o
r g
k c
a b
of the v o
n el. h T e last s
i h T e r
o t e c
i al m
a r
F e
, k
r o
w h
w c i h e
d l a s i
w th y h
w a d n w
o h e
h t the ir
o es are a p p lie .
d
A. Revi w
e f o R l
e t a ed u
t S dies
Pa n y e n
i her e s s ay
ti r
c ic s i m “A W m
o an at n
i o
P t Ze o r : Nawal El
Saada s
’i w F m
e n i s
i t r
a c
i P
s e
. e
u q ” u
o S the n
r u H a
m ni ites Review 6 2 , o
n . 1 w in e
t r 2
9 9
1 , p. 1
1 -18 c tied f m o
r o
o B k
s g
a R
Lite a r t r
u e r C i itc m
s i a
t s e
t s that e h
t v o
n el re r
p ese s t
n an i t n ere t
s i g n c
r u
g if
n o
it a n
o of na r r a v
it e r
u o
s e
c a d n perspe v
it c e, be g
n i
es e s t
n i l a ly the
ti r
w e s r e
s l c e v
it e a d n imagin t
a v i e rea r
r a g n eme t
n of an r o al y
l r
p ese t n ed aut
r g
o i
b o
a y h
p . h S e a o
s l s a
t ted th t a
n a
m o
W t
a o P i t
n Zero is e d i
v e c n e of
the e g
n ir
u d
n tt
a a r c n
o it f
o the c i
p are e
u q
s it
o m f o
t h t e m d
o e n r litera y
r m i a n
i g ati ,
n o
a d n of its a p
p eal in particular o t t
e s
o h
, like el a S ada i
w , o
h w are c c
n o e d
e n
r w tih
t e h n
u e u q al st
l g
g u
r e be w
t e e n t e
h s s
i d e t
n i g n i d
n ivi u d al a d
n a re r p s
e e
v i
s o s c
. y
t e
i Ma y
tl -Be k r eley n
i her st y d
u Me , n
m o
W e , n d
n a
d o
G s: N a w
a l el a
d a
a S
wi d
n a
b a
r A
Fe s
i n
i m
t t
e o
P s
c i
5 9
9 1
states h t t
a ti t s a s
d n as a m
s a ll d
n o
w er f
o a
6
k o
o b
, its 4 1
1 pag s e
l o
r n
u l g
n i n
i an n i e
t s n e a d
n se m a e
l ss na r r ative, p
s a , e
r g a r e
c f ,l u
a d n elegant. h
S e h s ared her c
s o
ir u
i y t o
t a
m o
W n at
n i
o P t Ze o
r by w
o h
s ing h
t e te t x
b l e
; w
o I p
s ed h
g u
o r
h t
ti n i n
o e bre t a l
h s e s
r u
o h
a d n a ha ,f
l a d n my e p
x er e i c
n e t’
n s
i u
s u
n u
a ;l n
a m
o W
at n
i o
P t Zero is the v o
n el of l E S a
a dawi s ’ i
h w ch is m t
s o
often f d
n u
o n
o n u iver y
ti s c ir
r u cula, a d
n h t is i
u q ck a d
n t o
p e t n e p
x e ire e c
n of e
r adi g n is li e
k ly h t e r a
e n
o s
. y
h w tI s
i o n t a
k o
o b
i h
w ch s
w o
b to, r
o nee s
d , u n an e
c : Fi d r a s
u is n u com c
il p atedly he c
i o
r , a d n h
t e f c r
o e of t e h
k o
o b
r il e es n
o t e r
h e r
o j
a m
o m tif :
s e h
t s
w o
l b
f o f t
a e o t w i
h ch d
ri F a s
u s i
e j
b u
s ct, h
t e o s cial
e v
r u
s lilan e
c i
h w ch e rt
n a s p her, a d
n the a p p e ti
t es f o
me , n i
h w ch de
r u
o v
he .r Marlo, h
t e ir
w e t r of u
M t t n
a Me g a
s s
e n
w o
D d
n U er
4 2
s s
e t
a t
t a
h t
Wo a m n t
a o P int Ze o
r is a w o
p erf l u v
o n
l e beca s
u e h t is is t
o n a na r
r t a v
i e u o
y wa t n
to r a e d n
o a par itcu a l y
lr da k r day r
o l w o o
p i t n n
i r
u o
y li e
f n u less u
o y a
c n c e m
o away i
w th a se s n e of r
g it a
d u
t e f r o
r u
o y
n w
o exper e i nce. Fi d
r a s u r
g a c i
h p
l a y
l a d n
n u aba h
s e y l
d rev l a
e s h t e m v
o e
m e nt t w
o a d r a fre i
z n ed dan e
c i w th f a
e r a d n a g
n e ,r n
o e y
l w
o l
s picki g
n p u t
o p
m e
h ti
w each a m n r
o o w man
o h
w w l a ked n
i d n
a away f m
o r her e
fi l ca y
r r ing a m
s a ll e i
p ce f o her
. l
u o
s h
T e i
d u
t s
es of n
a m
o W
t a o
P i t n Ze o
r have also been n
o d e y
b e
m o
s re e
s archers. Dewi Maharani b
r u
P a in her
y d
u t
s A
d u
t S y of the a
M n i a
h C ra t
c s
’ r
e t
o M ivat n
o i f r
o Acce g
n it
p e
h t De h
t a Se t
n ence 6
2 states h
t at t s i
h l
e v
o n
desc b ir es a o
w a m n
o h
w l
g g
u rt
s es f r
o ha p p ine s
s h t t
a lea s d her f o
r m h t e
p s
e d
a ri f o
an a v
i s
u b
e ch li d
o o
h d
o t the wa lls of a
n o
s ir
p c l
e l. tI s i e a
l p
x ined t a h t the main
char c a ter of
n a
m o
W at
n i
o P t Z r
e o acce st p the death beca s
u e of h t e in e
t n r al fact r
o that h
s e wa s t
n o t s w
o h her o
r p
t s
e t agai t
s n me s
’ n n
u fair tr a e m
t e t n w
o t a d
r o w m n
e a d
n to s w o
h her e s lf-e t
s e e m.
o n
A ther e r s
a n o is ex e
t n r al fac s
r o
t h t at co e
m f m o
r a
; e
s u
b h
s e e p x e ire c
n es n a n
u a f ri e
rt atment f o r m pe l
p o e a
d n
u o
r her t a
h t k a
m es r e
h
t k n
i h h
t t a the o
s cie y t o
d es t o
n c a e
c t p her.
h t
o n
A er
y d
u t
s is f m
o r Oe g
n o Y l
e , a
i Fe n
i m i m
s as Re lf c e ted in Naw l
a l E
a d
a a
S i
w s ’ No l
e v
n a
m o
W at o
P i t n Ze o
r 2
0. h S e ela r
o b t
a es h t e femi m
s i
n h
t t a s e
e n o r
f m the v o
n el n
a m
o W
at o P i t
n Zero t
h g
u o
r h
Fi d r aus’ ma n
n e s r h
t t a h
s e wants o t o
d h w t
a men a c n o
d , h s e c
s e
s o
o h
to leave her s
u o
h e o
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m an d n
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u o
h t
h s e wi ll
be se t n e c
n ed o t e
d a h t e
b a c s
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r u
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n a .
p m
i p
n I
1 1
2 ,
ir t
u P
n i r
e h h
t e s i
s Fi
s u
a d
r Se r
a c g n
i h f r
o r F e
e m
o d s
a tr
o P ra e
y d n i N a
w a l l
E a
d a
a S
w s ’i
n a
m o
W t
a o
P i t n Ze o
r a o s
l e b c
s e
m o
e h
t ir w te s
’ r f
e r eren e
c .s ir
t u
P s
o p
o r
p es r
h t ee
b o
r p
e l
.s m
t s
ri F is w
o h E
t p
y g
a i n o
s c y t
e i
rt r
o p
ayed n i the o
n vel. S c e
d n
o s i w
o h h
t e o s c y
t e
i tr a
e s t
m o
w en as rt
r o
p ayed y
b the cha a r cter of d
ri F a s
u n i h
t e v o
n el. d
ri h
T is
y h
w d
ri F a s
u g
g u
rt s
e l s o
t get her f e r e m
o d . h
T e l
u s
e r
ts is d
ri F a s
u lives n i a pa ir
t arc l a
h soci t
e y in i
h w ch h
t ere is a o s cial classif c
i a n o
it a d n
m o
w en are also a w l a s
y n i
me s ’
n r
p p
o e s
s i n o . h
T e la t s re l
u s t s
i d ri
F a ’ s
u m v it
o a n o
it in s a e rc g
n i
h f r o fr e
e m
o d
are ca s u ed y
b f r u
o re s a n
o s, t s o
h e are h t e t
s g
n o
r n
i m
o d
it a n
o of men in her l e fi , t e
h soci t
e s ’
y bad rte t a ments w
o t a d
r m
o w en, her apa y
h t a
t u
o b v
o l e, a d
n the a l st s
i d
ri F a ’
s u ha rted f
o me . n
B. Revi w
