h The meaning of love experienced by Firdaus the main character of Nawal El Saadawi`s Woman at Point Zero

f i m a ly r p efe s r o t have a n o s h t an to have a da t h g u e .r o lr u H ck 4 7 9 1 , . p 3 s a t ted that n i a play, at sc l o o h , a d n n i a r p epa n o it a r f r o a o v a c n o it , s y o b are e r u o c n aged to e l a n r ce tra n i i k s l s l a d n o t st y d u e c tr i a n j b u s ects h w c i h are c d i s n o e d e r ina ir p o r p p ate f r o girls. Women are n r o b o t be a m o h e-wi e f , take a c re of c i h l , n e r d a d n e s v r e the ri b s u h a d n a d n t o n o t o d h w t a men u s u al y l o d , u s ch as y d u t s , , k r o w r o v l o v n i e n i ti l o p ic activi ite . s

D. h

T e r o et c i l a Fr m a ework i h T s st y d u foc s u n o t o w l b o r p ems to be s i d c d e s s u . h T e f t s ri b o r p lem is e h t depi t c i n o of d ri F a s u in W m o an at n i o P t Ze o r w i h ch e d a s l wi h t the y r o cha a r c r e t a d n characte z ir ati n o . h T e y r o of cha a r cter a d n h t e y r o of cha a r cteri n o it a z a e r a p p lied to ana z y l e the a e p p aran e c a d n the pe n o s r a ilty of d ri F a s u . e h T sec d n o r p b o m e l s i the s s o p i e l b m a e g n i n of v o l e e r e p x e i c n ed y b her. n I f g n i d n i h t e mea g n i n of l v o e in her li e f , the ti r w er s u es h t e h t e y r o of v o l e y b t S e b n e g r a d n the y r o of katre s i n a n s m y b He u r jiyanto. h T e y r o of m t o ivati n o y b l s a M w o is s u ed to f d n i u o t h w t a t s ages of her n e e ds that have b e e n o l st. h T e psyc i g o l o h a c l a a o r p p ch s i a il p p ed to ana z y l e h t e s c e d n o m e l b o r p . h T e r w e ti r ana z y l es d ri F aus’ pe n o s r a ilty a d n her p t s a ilfe g n i s u psyc o h l i g o l a c a a o r p p ch as the way to d n if t u o h w at s s o p i e l b events h t at ma e k her percei e v e v o l o r f m negat v i e s . e d i CH P A E T R III MET D O H L O OGY s i h T cha t p er is d i v i d ed n i to r h t e e s c e s n o it . h T e f t s ri is j b O c e t of h t e St , y d u h w c i h i w ll ela r o b ate h t e b u s ject of the y d u t s . h T e s c e d n o s i h c a o r p p A of e h t y d u t S , i h w ch c v n o e s y the il e t rat e r u a o r p p ach u e s d n i t s i h . y d u t s e h T h t i d r s i t e M d o h of h t e St y d u , i h w ch e d als w tih the s c r u o e h t at s i s u ed n i this y d u t s a d n t e h o r p e c s s es f o c u d n o c g n it y d u t s . A. j b O ect f o e h t t S udy h T e b o ject of t s i h st y d u is n a m o W t a n i o P t Ze o r . i h T s v o n el was il b u p s d e h g ir o in ll a y in 9 7 9 1 a d n then ti was l b u p i h s ed in il g n E sh in 9 9 9 1 y b Zed k o o B s . d t L Wo a m n t a n i o P t Ze o r c s n o i s t s of 4 1 1 pages. e h T new edi n o it was f s ri t il b u p s d e h in 7 2 a d n h t e f r o e d r o w was y b i M r a i m C k o o e. h T e ir w ter s i Nawal l E Saada .i w h S e s i a fe n i m ist r w iter. h S e was n r o b in 1 3 9 1 n i Kafr Ta a l h , a m s a ll i v a ll e g u o t d i s e of C i a o r . l E Sa d a awi at e t d n ed h t e n U ive s r tiy of a C o ri a d n r g a u d e t a d n i 5 5 9 1 h ti w a de r g e e in y s p c i h a y rt . After c l p m o eti g n her e c u d ati n o , l E Saada i w r p act c i ed psyc i h a y rt a d n became s t p y g E ri D e t c r o of l b u P c i H a e h tl . n I 9 1 73- , 8 7 9 1 she k r o w ed t a Hi h g it s n I t t u e of i L e t ra r u t e a d n c S e i c n e h t en t s a tred o t k r o w w tih ficti n o a d n n o n -ficti . n o h S e o r w e t s i h t v o n l e based n o t u r e y r o t s f m o r the m o w an n e m a d Fi d r a s u o h w s i n o s ir p er e b a c s u e i k ll g n i a i p mp. Fi d r a s u il e f was so pa c it e h t . Her ch li d o o h d e p x er e i nces ma e d her ha e t e m . n h S e v il ed i w th mise y r c e b ause s e h 18 e p x e ire c