Review of Related Studies

term”, Arp and Johnson, 2009: 705. Abrams and Harpham 2009: 119 also state that “in a metaphor, a word or expression that in literal usage denotes one kind of thing is applied to distinctly different kind of thing, without asserting a comparison”. For example, “Sorrow is my own yard’, which is taken from William Carlos Williams’ “The Widow’s Lament in Springtime”.

c. Personification

Personification means giving an animal, object, or others inanimate things the attributes of human being. For instance, a poem entitled “Mirror” by Silvia Plath. I am silver and exact. I have no preconceptions Whatever I see I swallow immediately Just as it is, unmisted by love or dislike I am not cruel, only truthful Plath, 1961, stanza 1, line 1-4 Plath is personifying an object by making a mirror speaks and thinks as if it was a human. Arp and Johnson 2009: 708 claim that personification is subtype of metaphor. It is because the comparison in personification is implied in which the figurative term is always a human being. They also say that “personification differ in the degree to which they ask the reader actually to visualize the literal term in human form” Arp and Johnson, 2009: 708

d. Symbol

Abcarian and Klotz 1998: 12 in Literature: Reading and Writing the Human Experience Seventh Edition define symbol as “a symbol is an object or event that suggests more than itself. It is one of the most common and powerful devices available to the poet, for it allow him or her to convey economically and imply a wide range of meanings”. Another definition of symbol which is taken from An Introduction to Literature Tenth Edition, A symbol, then, is an image so loaded with significance that is is not simply literal, and it does not simply stand for something else; it is both itself and something else that it richly suggest, a kind of manifestation of something too complex or too elusive to be otherwise revealed” Barnet, Berman and Burto, 1993: 471 Abrams and Harpham 2009: 358 explain that “in discussing literature, however, the term “symbol” is applied only to word or phrase that signifies an object or event which in its turn signifies something, or suggest a range of reference, beyond it-self”. In making a literary work, the authors have their own way to represent one condition or thing with other thing or terms. As Arp and Johnson say, “a symbol is something that means more than what it is”. The meaning of symbol is beyond the literal meaning of a thing. For example, in a poem entitled “The Road Not Taken” by Robert Frost, the word “road is a symbol of a decision of a life, thus the meaning of the word “road” does not simply understood literally since it is a kind of symbol. In reading a poem, sometimes it is difficult to determine a word is a symbol or not. Arp and Johnson explain about symbols by using Robert Frost’s “The Road Not Taken” as the example. They say “symbols vary in the degree of identification given them by their author. In this poem Frost forces us to interpret the coice of roads symbolically by the degree of importance he gives it in the last stanza” 2009: 727. The degree of importance of a word or phrase can help the reader to determine it is a symbol or not. By relating to the context, the reader can see the importance of a word or phrase in a poem and interpret the meaning. In interpreting a symbol it is also important to see the pattern that the poet creates in a poem. As Kennedy and Gioia say “when writing about the meaning or meanings of a symbol, follow the image through the poem and give it time to establish its own pattern of associations”. Therefore, to read a symbol, the reader should focus on the context of the poem and also the pattern of association that poet creates in the poem.

2. Allusion

Taken from An Introduction to Poetry, “allusion is a brief and sometimes indirect reference in a text to a person, place, or thing which is fictitious or actual” Kennedy and Gioia, 2002: 665. They also say that “allusions imply a common set of knowledge between reader and writer and operate as literary shorthand”. Based on Abcarian and Klotz’s explanation 1998: 12, “allusion to other literary works, persons, places, or events enables poet to call up associations and contexts that complicate and enrich their poem”. Example of an allusion can be seen in Edgar Allan Poe’s “To Helen”, in the line “the glory that was Greece And the grandeur that was Rome”. It is important to understand the reason why the poet uses those places. The poet expects that the readers will understand the allusions to the cultural achievements of those ancient nations and perhaps even get the different between ‘glory’ and ‘grandeur’. This allusions can be interpreted that Roman Civilization was also more pompous than Greek.