CHRIS ROCK Laughing at life, learning through laughters : a study of stand-up comedy.

youngsters of Indonesia preferred entertainment over „heavier‟ subjects such as politic. Given that goal, Samuel understood that the subject to be communicated, i.e. politic, needed to be presented in a more popular media, television. This idea was in line with Gordon‟s view on television when he stated that this was the era when television had a privilege of being labeled „the educator of society‟ 148. Having discussed that, the writer found out that Samuel had actually been trying to kill two birds with a stone by delivering his performances on television: by attempting to transmit important messages with the help of popular media, namely television. 2. Do you target people belonging to middle class society? A firm „yes‟ was the answer to this question. Later on, Samuel went on by explaining that people of middle class society were the „objects‟ of the government because they knew one thing: contented middle-class society means a safe nation. However, Samuel knew too well that the kind of „safety‟ felt here was a fake one and he felt that one of his responsibilities was to „rock the wat er‟ by attempting to make middle-class people to open their eyes and see the truth surrounding them. Again, this showed another master stroke by Samuel because as explained by Kharaz and Geerts, members of the middle- class society were the ones with the privilege of time and money, but not power, and with what they had, they had plenty of options to get themselves entertained 2. Samuel, the writer believed, has done the right thing in selecting, albeit not too specifically, middle-class society members as his main subjects of his performances, given his target that he wanted to educate his audience through his jokes. 3. What is Stand-Up Comedy to you? When asked this question, Samuel had one brief, but sharp, answer. He responded to this question by answering that Stand-Up Comedy to him was a media which has shaped himself as a fighter of freedom of speech. Later he went on stating that Stand- Up Comedy was the media the „next level‟ of public speaking because in Stand-Up Comedy performances, he was forced to inspire his audience, rather than only to entertain them. This statement of his agreed with what Lewis wrote about the potential powers of comedy as Lewis dared saying that comedy was one way to prove somebody‟s existence as well as an evidence that somebody mattered 35.

D. PANDJI PRAGIWAKSONO

„Mesakke Bangsaku‟ was the label of Pandji‟s show which was held in Teater Besar Jakarta. The show which attracted around 1,200 live audience was sponsored by a TV station, Kompas TV, which was actually a new player in Indonesia‟s terrestrial TV constellation. However, the writer found relevance in Kompas TV‟s continuous support to Stand Up Comedy shows in Indonesia, given its slogan of „Inspirasi Indonesia‟ Inspiration for Indonesia, which helped the writer make a conclusion the show, beside meant to give light entertainment, was also directed to promote the TV station‟s value of