Hyper-Reality Televition Shows In The Era of Media Globalization
Picture 2. Atmosphere of Can Macana Kadhuk and the other side of the audience is interesting
scenes footage in a television documentary Source: Private, 2013
The fact hegemony of hyper-reality of reality that occurs in the field provides a record for a television documentary makers that the production of a television
documentary that is widely produced today tend to overlook some things that are normative. Hyper-reality is constructed predominantly in a show with the purpose for
which the rating. The other side of a dancer Can Macanan Kaduk for example, would be interesting if packaged dramatically exceeds reality. It will certainly provoke an
emotional reaction in the audience. Emotional behavior targeted audiences become producers to boost the success of the event were made. Television documentary that
originally contained the content of reality, has now started to shift to display content that is dominated by the hyper-reality of the media in the era of globalization.
In a local television station, television documentary is rarely produced. But amid the globalization of media, such content is starting to be found. National private
television stations also become a factor for the survival of living a local television. This is done by the national private television stations tend to be imitated by local
television that local television content can be received by viewers and sponsors like national private television content. One is adopting the format of a television
documentary that is loaded with content a hyper-reality to suck the audience and sponsors.
Picture 3. Atmosphere of audition music contest Indonesian Idol is the other side that caught the attention
of television viewers source: pikiran-rakyat.com, doc. 2012
C. Hegemony Of Local Televition Above Traditional Performing Arts In The Era Of Media Globalization
The globalization of the media appeared to have an impact on the development of the performing arts that developed in different regions of Indonesia. The presence of
television as a form of media penetration massive magnitude proves it. Spectacle that serves as an entertainment center, the majority of its success is determined by how the
TV pack for its programs. Globalization encourages media to construct a television show that many viewers tune in quality and quantity. The phenomenon of performance
art that most television programs aired in having a variety of formats. Not just recording a show on stage, but other aspects contained in the performing arts are also shown.
Another aspect mentioned is: the other side of the performing arts, both actors, the social environment, interaction, to the social conflict. Aspects of indirectly encouraging
the audience to the emotional interaction that aired performing arts. For example, in the form of performing arts shows television documentary airing today is rampant,
especially in some private television stations nationwide. Dangdut, stage drama, dance, band performace, and the parade is no longer shown a conventional attractions on stage.
Moreover, the shows are now packed with a variety of formats, such as: competition, comedy stage, and television documentaries.
Picture 3. Appointment of a particular theme in a dangdut show is the other side that can be emotive television audience
Source: Youtube, 2014 The globalization of the media is not always interpreted constructively and in
line with the expectations of performance art itself. It is precisely the existence of the current media has openly show power relations hegemony of the performing arts in
the era of globalization of media. The media, especially television, has been trying to open the power relations with the aim of survival for the television itself. One
manifestation of power relations that are produced television documentary that is loaded with the content of reality and hyper-reality. According to Burton, television
shows, especially the documentary was able to hit more audiences with new ways to manage the television, which in this case economic attitude towards the approach in the
creative and financial sense Burton: 2011, 213. Burton reiterated in a statement about the matter aggressively documentary aired
on television also reinforce critical view of television that can pull the audience into a certain position and cultural understanding. Burton: 2011, 212. Furthermore, Burton
stated on audience engagement with impressions presented in the following excerpt. Television can be a manifestation of the fact: more people see their world on
television, they are increasingly convinced that this is the main function of the television,
bring something
to the
actual living
room ...
Of course indirect discourse has emerged that says that the fate of the performing arts today are largely determined by the continuity of the media, especially
television. Media clearly indicate proximity to the audience with an embodiment of the
process of bargaining reality or reality. Becomes possible when the performing arts will be aired through the television audience gain an appreciation and interest high.
This fact certainly bring on a new discourse that appears on a local scale. In the local scale, there are the local television media should set the pattern of production and
financial survival. The pattern of production would not be separated from how to design the shape of the local television show and the target audience. In terms of form
impressions, it is possible to use object-run traditional performing arts are considered attractive and entertaining. Meanwhile, many of todays traditional performing arts that
require the mass media, such as local television to help them thrive and survive. Local television into their expectations in terms of actualization and compete with modern
entertainment and the performing arts. Construction hegemony local television on traditional performing arts occur
when these two interests met. But the power of local television on traditional performing arts was dominant from several aspects. Aspects include: technical and
financial. Technologically, local television has a specific device for recording, medokumentasi, and broadcast watching them to various places. Financially, they are
supported by the presence of sponsors who are able to provide the funding needed to carry out the activity of television production. Through the form of impressions that
have been established by local television, the traditional performing arts are given space to be creative. However, the process of creation that would later be sold to sponsors to
increase financial assets for local television.