Mrs. Lovett’s Characteristics

[To MRS. LOVETT ] Fleet Street? Over your pieshop, ma’am? MRS. LOVETT. That’s it, sir. Wheeler, 1979:53-54 Lovett hides the identity of Todd. She does not want anyone knows Todd’s new identity especially the beadle and the judge. The dishonesty done by Lovett is an attempt to protect Todd since she knows Todd wants to avenge the beadle then she does keep for not telling others about the secret. Although in the beginning of Beadle’s speech the figure of Todd is seemed familiar for him, Beadle who has a duty as a judge in the contest, eventually believes in what is said by Mrs. Lovett and promises to Todd and Lovett to come to the barbershop before the week is out. Lovett often does something unfairly or dishonestly in order to get what she wants. In the song A Little Priest in which it is the third evidence, Lovett expresses her manipulative way by persuades Todd to accept her plan. It is happened in the end of act 1. MRS. LOVETT. [Pause. Chord] You know me. Sometimes ideas just pop into me head and I keep thinking . . . [Sings] Seems a downright shame . . . TODD. Shame? MRS. LOVETT. Seems an awful waste . . . Such a nice plump frame Wot’s – his – name Has . . . Had . . . Has . . . Nor it can’t be traced. Business needs a lift – Debts to be erased – Think of it as thrift, As a gift . . . If you get my drift . . . [TODD stares into space] No? [She sighs] Seems an awful waste. I mean, With the price of meat what it is When you get it, If you get it – TODD. [Becoming aware] Ah MRS. LOVETT. Good, you got it. Wheeler, 1979:97-98 This song contains the bad idea of Mrs. Lovett. She sings when Todd already kills Pirelli in his barbershop. They both are confused to hide the body of him. Pirelli becomes a threat to Sweeney Todd because he knows the real identity of Todd and he wants to blackmail him and because of this reason Todd eventually kills Pirelli. This condition finally makes Mrs. Lovett feels that the body of Pirelli can be used to increase her business. She wants to use the body as the filling of the pie. Mrs. Lovett does not run this idea alone, but she also persuades Todd to take part of this shortcut and Todd agrees to join with her. The fourth sign to prove she is a manipulative is in the small conversation between Mrs. Lovett and Todd after she sings By the Sea song. TODD. [Back with his obsession ] I’ll make them pay for what they did to Lucy. MRS. LOVETT. [Almost scolding ] Now, dear, you listen to me. It’s high time you forgot all them morbid fancies. Your Lucy’s gone, poor thing. It’s your Nellie now. Here. Wheeler, 1979:141 As stated previously, a manipulator manipulates others by making them believe in what is being said or in other words they manipulate other’s mind and belief. And this happened in this case. In the short quotation above, it obviously shows that Lovett manipulates Todd by saying that his wife is gone. Mrs. Lovett knows that Todd really wants to meet his wife, Lucy, and therefore she attempts not to reunite Lucy with himself by not telling the existence of Lucy. The fifth evidence showing that she is a manipulative woman is when both Lovett and Tobias have some conversation in the song entitled Not While I’m Around. This song describes how Tobias is really care of Lovett. He does not want anything bad befalls to Lovett. He also emphasize that if someone hurts her, then he will rip it apart with his bare fists. On the other hand, unfortunately Lovett does not have the same feeling with him. TOBIAS. . . . Nothing can harm you, Not while I’m around. [Music continues] MRS. LOVETT. What is this foolishness? What’re you talking about? TOBIAS. Little things wot I’ve been thinking and wondering about. . . . It’s him, you see – Mr. Todd. Oh, I know you fancy him, but men ain’t like women, they ain’t wot you can trust, as I’ve lived and learned. [She looks at him uneasily] . . . MRS. LOVETT. Now Toby dear, haven’t we had enough foolish chatter? Let’s just sit nice and quiet for a bit. Here. [She pulls out the chatelaine purse, which is now immediately recognizable to the audience as PIRELLI’s money purse, and starts to fumble in it for a bon-bon] Wheeler, 1979:150-151 Still in the same song, Lovett shows her tactics to manipulate Tobias. MRS. LOVETT. [Concealing what is now almost panic] Silly boy It’s just a silly little something Mr. T. gave me for my birthday. TOBIAS. Mr. Todd gave it to you And how did he get it? How did he get it? MRS. LOVETT. Bought it, dear. In the pawnshop, dear. [To distract him, she lifts the unfinished muffler on its needles] Come on now. [Sings] Nothing’s gonna harm you, Not while I’m around . . . TOBIAS. You don’t understand. . . . It was in Mr. Todd’s parlor that the guvnor disappeared. MRS. LOVETT. [With a weak laugh] Boys and their fancies What will we think of next Here, dear. Sit here by your Aunt Nellie like a good boy and look at your lovely muffler. How warm it’s going to keep you when the days draw in. And it’s so becoming on you. Wheeler, 1979:152-153 The tactic to manipulate Tobias is seen clearly in both conversations above. She uses the same tactic in the song Not While I’m Around. In the first quotation, she steers the conversation to another topic. She asks Tobias to sit quiet and nice, and from the conversation it also seems that Lovett does not want to talk about that topic. It can be seen when she wants to distract him by telling that the conversation is a foolish conversation and giving him a bon- bon from Pirelli’s purse in which in the second quotation Tobias realizes that purse. While in the second quotation, she manipulates Tobias by refusing to admit that she has done something wrong. Mrs. Lovett lies to Tobias about the purse. In fact, the purse is taken after Sweeney Todd kills Pirelli in his parlor because Pirelli already recognizes him when they first met in the Dunstans Marketplace. Moreover, in that quotation she refuses to pay attention to anything beyond her desire and by saying ‘boys and their fancies’ Lovett wants to show that actually she does not want to hear about what Tobias says. The sixth evidence is when the Beadle informs Lovett about the bad smell from her chimney. BEADLE. That’s it, ma’am. You see, there’s been complaints – MRS. LOVETT. Complaints? BEADLE. About the stink from your chimney. They say at night it’s something foul. Health regulations being my duty, I’m afraid I’ll have to ask you to let me take a look. MRS. LOVETT. [Hiding extreme anxiety] At the bakehouse? BEADLE. That’s right, ma’am. MRS. LOVETT. [Improvising wildly] But, i t’s locked and . . . and I don’t have the key. It’s Mr. Todd upstairs – he’s got the key and he’s not here right now. BEADLE. When will he be back? MRS. LOVETT. Couldn’t say, I’m sure. Wheeler, 1979:157-158 Due to her secret job as a pie maker, Lovett lies to the Beadle. She hides her anxiety from the Beadle by saying the bakehouse’s key is in the Todd just because she is afraid if the Beadle knows the truth. She does not want the Beadle knows that her meat pies is made of human flesh and the bakehouse is full of it, so that with the trick, she successfully makes Beadle believes that the key of her bakehouse is in Sweeney Todd. The seventh evidence is proven through the hidden narration when Mrs. Lovett and the Beadle talk to each other about the arrival of Sweeney Todd. MRS. LOVETT. [Another “inspiration” ] Oh yes, of course Mr. Todd’s gone down to Wapping. Won’t be back for hours. And he’ll be ever so sorry to miss you. Why, just the other day he was saying, “If only the Beadle would grace my tonsorial parlor I’d give him a most stylish haircut, the daintiest shave – all for nothing.” So why don’t you drop in some other time and take advantage of his offer? BEADLE. Well, that’s real friendly of him. [Immovable, he starts to sing another verse] Wheeler, 1979:159- 160 Lovett chooses her own path based on her desire. The word ‘inspiration’ which is in the bracket shows that it is Mrs. Lovett’s negative idea in order to make the Beadle believes that Todd will give the best stylish haircut for him. In fact, this is her way to keep the Beadle longer in her place so that he cannot leave. Mrs. Lovett wants to help Todd to avenge on what has happened to his family, but on the other side Mrs. Lovett also takes the advantage from the deed which is using the dead body as the meat of her pies. This is the eighth evidence to show her characteristic as a manipulative woman. It is happened in the same location which is in the pieshop. The conversation between the Beadle, Mrs. Lovett and Todd happens when Todd already back to the pieshop. MRS. LOVETT. [With a huge smile of relief ] Back already Look who’s here, Mr. T., on some foolish complaint about the bakehouse or something. He wants the key and I told him you had it. But . . . [Coquettishly, to the BEADLE] . . . there’s no hurry, is there, sir? Why don’t you run upstairs with Mr. Todd and let him fix you up nice and pretty – there’ll be plenty of time for the bakehouse later. BEADLE. [Considering] Well . . . tell me, Mr. Todd, do you pomade the hair? I dearly love a pomaded head. MRS. LOVETT. Pomade? Of course And a nice facial rub with bay rum too. All for free BEADLE. [To TODD] Well, sir, I take that very kindly. TODD. [Bowing to the BEADLE] I am, sir, entirely at your – disposal. Wheeler, 1979:160-161 The evidence above is still related with the seventh evidence that has been outlined which is giving the offer to the Beadle in this context is shaving. Beadle who originally wants to complain the foul smell coming from the chimney eventually forgotten by the offer given by Mrs. Lovett. Here, she uses her skillful way for her own purpose. Beadle finally agrees to take the offer and from this moment, Mrs. Lovett fells that her effort is successful. Next evidence is set in the pieshop. The speech comes from beggar woman when Mrs. Lovett and Sweeney Todd are in the bakehouse looking for Tobias. BEGGAR WOMAN. Beadle . . . Beadle . . . No good hiding, I saw you Are you in there still, Beadle? . . . Beadle? . . . Get her, but watch it She’s a wicked one, she’ll deceive you With her fancy gowns And her fancy airs And her – [Suddenly shrieking] Mischief Mischief Devil’s work Wheeler, 1979:170-171 The speech above shows the beggar woman knows the evil deed done by Lovett. She knows that Mrs. Lovett does something wrong, in this case to the beadle. In her speech, it seems she knows that Lovett deceives the beadle in order to run her bad work. The way the beggar woman says that Lovett is a wicked one and with her fancy gown will deceive the beadle, it can be concluded that actually beggar woman wants to tell the beadle that Lovett is a manipulative woman who uses her trick to get her need. 2. Heartless This is the second characteristics possessed by Lovett. The depiction of Mrs. Lovett as a heartless woman can be proven through her language to Beggar Woman. BEGGAR WOMAN. [Sing] Alms . . . alms . . . MRS. LOVETT. [Imitating her nastily, singing] Alms . . . alms . . . [Music continues ] How many times have I told you? I’ll not have trash from the gutter hanging around my establishment BEGGAR WOMAN. Not just a penny, dear? Or a pie? One of them pies that give the stomach cramps to half the neighborhood? [A cackling laugh] Come on, dear. Have a heart, dear. MRS. LOVETT. Off. Off with you or you’ll get a kick on the rump that’ll make your teeth chatter Wheeler, 1979:55 The harsh words uttered by Mrs. Lovett replies that she does not have a heart to the people especially to beggar woman. Not only through Lovett ’s speech, but by saying ‘have a heart’, Lucy also gives the depiction regarding Lovett’s characteristic that she does not have a heart or in the other words she is heartless. Obviously, Lovett shows that she does not care about the beggar woman ’s pain. Then, the second evidence to prove she is a heartless woman can be identified by analyzing the dialogue between herself, Anthony and Todd. MRS. LOVETT. Johanna? ANTHONY. That’s her name ma’am, and Turpin that of the abominable parent. A judge, it seems. But, as I said, a monstrous tyrant. Oh Mr. Todd, once the Judge has gone to court, I’ll slip into the house and plead with her to fly with me tonight. Yet when I have her – where can I bring her till I have hired a coach to speed us home to Plymouth? Oh, Mr. Todd, if I could lodge her here just for an hour or two [He gazes at the inscrutable TODD] MRS. LOVETT. [After a beat] Bring her, dear. . . . MRS. LOVETT. Johanna Who’d have thought it It’s like Fate, isn’t it? You’ll have her back before the day is out. TODD. For a few hours? Before he carries her off to the other end of England? MRS. LOVETT. Oh, that sailor Let him bring her here and then, since you’re so hot for a little . . . [Makes a throat – cutting gesture ] . . . that’s the throat to slit, dear. Oh Mr. T., we’ll make a lovely home for her. You and me. The poor thing All those years and not a scrap of motherly affection I’ll soon change that, I will, for if ever there was a maternal heart, it’s mine. Wheeler, 1979:59-61 Mrs. Lovett is a dangerous type of female character in the play. Seeing the hidden narration in which she makes a throat – cutting gesture, it can be concluded that she wants Todd kills Anthony after he brings Johanna. She wants only Todd and Johanna who live with her. She does not worry about other people. She also said that she will make a lovely home for her if the three of them live together. She does not want anybody to live with her except Todd and her daughter because she wants to b e a mother for Todd’s daughter since she spent fifteen years with no motherly affection. The third indicator is when Mrs. Lovett has an idea to increase her business and invites Todd to join with her. TODD. Mrs. Lovett, What a charming notion, MRS. LOVETT. Eminently practical and yet Well, it does seem a Appropriate, as always. Waste . . . Mrs. Lovett How I’ve lived without you It’s an idea . . . All these years I’ll never know Think about it . . . How delectable Lots of other gentleman’ll Also undetectable. Soon be coming for a shave Won’t they? Think of How choice All them How rare Pies Wheeler, 1979:98 Todd and Lovett sing simultaneously in the end of scene 1. It can be seen that the idea of Mrs. Lovett is very cruel. She thinks that all men who come to shave in the Todd’s barbershop will be her pies. From the quotation, it can be concluded that she does not really care about people even those who have never committed crime against her. She does not have the sense of humanity. Therefore, her speech is characterized as a speech from a heartless woman. The fourth sign to show Lovett is a heartless woman is based on beggar woman’s speech. It happens when Todd meets beggar woman in his parlor. TODD. [Looking anxiously out the window for the JUDGE] Out of here, woman. BEGGAR WOMAN. [Still clutching his arm] She’s the Devil’s wife Oh, beware her, sir. Beware of her. She with no pity . . . in her heart. Wheeler, 1979:174-175 The conversation occurs when Todd wants the beggar woman out from her parlor because the judge will come, and from that moment, the audience realizes from what beggar woman says that Lovett is a heartless woman. By saying Lovett has no pity in her heart, it obviously shows that Lovett has the characteristic of a heartless woman. 3. Greedy From the beginning of the play, the author has described the characteristics of Mrs. Lovett as a greedy woman implicitly. In the first scene, the sign indicating that she is a greedy can be identified by seeing her speech to Todd. It happens when she just realized that Sweeney Todd is Benjamin Barker. TODD. No money. MRS. LOVETT. Then how you going to live even? TODD. I’ll live. If I have to sweat in the sewers or in the plague hospital, I’ll live – and I’ll have them. MRS. LOVETT. Oh, you poor thing You poor thing [A sudden thought] Wait [She disappears behind a curtained entrance leading to her parlor. For a beat TODD stands alone, almost exalted. MRS. LOVETT returns with a razor case. She holds it out to him] See It don’t have to be the sewers or the plague hospital. When they come for the little girl, I hid ‘em. I thought, who knows? Maybe the poor silly blighter’ll be back again someday and need ‘em. Cracked in the head, wasn’t I? Times as bad as they are, I could have got five, maybe ten quid for ‘em, any day. See? You can be a barber again. Wheeler, 1979:20 The conversation is happened in the Sweeney Todd’s parlor. What in her mind is all about money. Mrs. Lovett seems does not believe if Sweeney Todd can live without the money, but then she gives the razor case to him in order to make Todd becomes a barber again. In the last sentence of her, for the second time she talks about how to get the money. This is clearly illustrates that from the very beginning of the story the characteristics of greed can be identified. Then, there is also another evidences which prove that she is a greedy woman. TODD. I do. [He holds up the bottle of elixir] I am Mr. Sweeney Todd and I have opened a bottle of Pirelli’s Elixir, and I say to you it is nothing but an arrant fraud, concocted from piss and ink. [MRS. LOVETT takes the bottle from TODD, sniffs it] MRS. LOVETT. He’s right. Phew Better to throw your money down the sewer. [She tosses the bottle to the ground. The onlookers “ooh and aah” with shocked excitement] Wheeler, 1979:42 The conversation is occurred in the St. Dunstan’s Marketplace. Both Todd and Mrs. Lovett are in that place at that time in order to see where the Beadle is. Again, Mrs. Lovett talks about the money. She says in the end of her speech that Tobias should throw the money in the sewer. From this evidence, it proves that in her mind, only money she thinks about. The third evidence is set in Todd’s parlor shortly after Todd kills Pirelli. Mrs. Lovett who always thinks about the money then takes Pirelli’s purse from his pocket. MRS. LOVETT. Oh well, that’s a different matter What a relief, dear For a moment I thought you’d lost your marbles. [Turns to peer down again into the chest] Ooh All that blood Enough to make you come all over gooseflesh, ain’t it. Poor bugger. Oh, well [She starts to close the lid, sees something, bends to pick it up. It is PIRELLI’s purse. She looks in it] Three quid Well, waste not, want not, as I always say. [She takes out the money and puts it down her bosom. She is about to throw the purse away when something about it attracts her. She slips it too down her dress. She shuts the chest lid and, quite composed again, sits down on it] Now, dear, we got to use the old noggin. Wheeler, 1979:82-83 It is easy to see that Mrs. Lovett really wants money. It can be identified by her action which is she takes the money and puts it to her bosom. She has a wish to get more and more money in order to finance her life even she has to take from a person who is already die. Her condition which only gets the money from the worst-pie business makes Mrs. Lovett lives in a poor condition in very long time and makes her has a trouble in getting the money. Therefore, she uses various ways to get the money even doing thing she should not to do.

B. Mrs. Lovett’s Motive to Hide Lucy’s Identity

Based on the Maslow’s belief that every basic needs have to be fulfilled start from the bottom before meet the higher need, then the researcher categorizes Mrs. Lovett in the third level of basic needs which is the need of love and belongingness. Lovett has fulfilled the first and the second need, in which the first is physiological needs and the second is safety needs. Those two needs are categorized in the lower needs. Before Todd comes, she can live by herself. She is able to fulfill all of her needs, for instance she can provide food, water and a house for herself. Even, she rents the room above her meat pieshop after Todd comes. It means her two needs – her physiological and safety needs are more or less have been fulfilled. Therefore, the researcher puts Mrs. Lovett in the third level which is categorized in the higher needs. In identifying Mrs. Lovett’s motive, the researcher needs her characteristics to be analyzed, which characteristics have contribution to her motive. Besides, the researcher also needs the basic needs theory by Maslow to support the analysis. After analyzing those characteristics, the researcher finds two characteristics that contribute to identify her motive to hide Lucy’s identity. First is manipulative and the second is heartless. On the other hand, the researcher does not find any contribution of greedy as her characteristic to be contributed to her motive to hide Lucy’s identity. In the first characteristic which is manipulative, the researcher finds two evidences that showing her motive to hide Lucy’s identity. Firstly, when Mrs. Lovett meets Sweeney Todd for the first time and she tells the whole story of his family and after some moments, she just realizes that Sweeney Todd is Benjamin Barker. This evidence can be found in the very first explanation of her manipulative characteristic. TODD . Isn’t that a room up there over the shop? If times are so hard, why don’t you rent it out? That should bring in something. MRS. LOVETT. Up there? Oh, no one will go near it. People think it’s haunted. You see – years ago, something happened up there. Something not very nice. [Sings] There was a barber and his wife, And he was beautiful, A proper artist with a knife, But they transported him for life. [Sighs] And he was beautiful . . . [Speaks, music continuing under] Barker, his name was – Benjamin Barker. TODD. Transported? What was his crime? MRS. LOVETT. Foolishness. Wheeler, 1979:15 Mrs. Lovett’s characteristic as a manipulative woman makes her behave honestly in the beginning of the story. This is because Mrs. Lovett does not know at all who Sweeney Todd is actually. She only considers Todd as an ordinary consumer. But then, shortly a significant change occurs. She quickly changes her mind by not giving complete information or in other words she hides a significant amount of the truth regarding Lucy – his wife, after she already knows the real identity of Todd. TODD. [A wild shout] Would no one have mercy on her? [The dumb show vanishes. TODD and MRS. LOVETT gaze at each other] MRS. LOVETT. [Coolly] So it is you – Benjamin Barker. TODD. [Frighteningly vehement] Not Barker Not Barker Todd now Sweeney Todd Where is she? MRS. LOVETT. So changed Good God, what did they do to you down there in bloody Australia or wherever? TODD. Where is my wife? Where’s Lucy? MRS. LOVETT. She poisoned herself. Arsenic from the apothecary on the corner. I tried to stop her but she wouldn’t listen to me. TODD. And my daughter? MRS. LOVETT. Johanna? He’s got her. TODD. He? Judge Turpin? MRS. LOVETT. Even he had a conscience tucked away, I suppose. Adopted her like his own. You could say it was good luck for her . . . almost. Wheeler, 1979:18-19 She hides Lucy’s identity because she is very fond of Sweeney Todd. To strengthen the first evidence above, here the researcher provides a brief conversation between Lovett and Todd as a tool showing Lovett really fond of Todd. TODD. You there, my friend. MRS. LOVETT. Come, let me hold you. I’m your friend too, Mr. Todd. If you only knew, Mr. Todd – Now, with a sigh Ooh, Mr. Todd, You grow warm You’re warm In my hand, In my hand. My friend, You’ve come home. My clever friend. Always had a fondness for you. [Putting it back] I did. Wheeler, 1979:22 Both of them sing simultaneously in My Friends song. In her conversation above, there is an obvious statement showing that Lovett has a fondness for Todd from long time ago. It can be seen from the use of the word ‘did’ in her last speech – My Friends song, showing that she has already loved Todd from the time when he still lives with his family. Shortly after she manipulates Todd, then she invites Todd to live in the second floor of her meat pieshop to be a barber again. She uses her trick to invite Todd so she can live together with him. Due to her characteristic as a manipulative woman – based on the very first explanation of the first part of the analysis, Lovett does not tell that Lucy is still alive. According to Maslow, this kind of person is categorized in the third stage of the basic needs theory. Lovett’s need of love and belongingness is unfulfilled for a long time. This unfulfilled need happens since her husband’s death. Then, it makes her live alone in her meat pieshop therefore she needs what is called the affection from people. Moreover, this need culminates when Sweeney Todd comes. Her feeling of love and affection is increased when she knows Sweeney Todd is Benjamin Barker who she fond of from long time ago. Her characteristic as a manipulative woman in this case indicates that she needs love from a person. Since her needs of physiological and safety needs have been more or less satisfied, then she comes to the need of love. Love is included in the belongingness and love needs which is in the third stage. In this stage, Maslow also states that someone may involve manipulative efforts to get the love from the other. In addition, the absence of a spouse or a sweetheart makes a person needs love from others. Lovett needs the affection from people around her. She needs the affection from Todd because she loves Todd and for that reason she hides Lucy’s identity. The way she does not tell the whole story makes Todd thinks that Lucy has died and also she wants to separate Todd with Lucy. By doing so, she has an opportunity to live with Todd. Secondly, the short conversation below occurs after she tells her fancy to Todd in By the Sea song. This evidence can be found in the previous part specifically in fourth evidence of her manipulative characteristic. TODD. [Back with his obsession ] I’ll make them pay for what they did to Lucy. MRS. LOVETT. [Almost scolding ] Now, dear, you listen to me. It’s high time you forgot all them morbid fancies. Your Lucy’s gone, poor thing. It’s your Nellie now. Here. Wheeler, 1979:141 By seeing her speech, this conversation indicates that her love for Todd is the reason to hide Lucy’s identity. Since she loves Todd and she has the characteristic as a manipulative woman therefore for the second time, Lovett still deceives Todd about Lucy. She wants Todd forgets about Lucy and starts to think about her. In his theory, Maslow emphasizes a person often includes manipulative way to win the loved one’s affection. Here Maslow also states that the unfulfilled need of love within several years makes a person hunger for affectionate and needs affection from the people around her and this condition that makes Lovett finally takes the manipulative action to have the love from Todd. She tells the untruth about Lucy in fact Lucy is still alive. In addition, the song she sings entitled By the Sea which is about her imagination living with Todd, obviously reveals her deep feeling for Todd. She wants to stay by the sea together with Todd and spends her lifetime with him. Even in this song Lovett expresses her desire to marry and grow old with him. As Maslow says that this need of love makes a person even wants to marry and to have a family with the one he loves. Lovett does fill these criteria of the third stage of basic need. However, due to his great love to Todd finally she makes her own way in order to win his heart. Lovett who is an expert at the art of lying reasserts that his wife is dead even she says only your Nelly is here.