The reflective approach clarifies the language that it has function to reflect truth. This approach almost similar to the mimetic approach which functions as mirroring between the
literary art and the reality. While, the intentional approach clarify of sense decided by person who use language. Therefore, it means that the speaker is the decider of the sense. The last is the
constructional approach . An approach uses in cultural studies. The constructional approach
would clarify the construction of sense toward concept and symbol. While another sense of ‘represent’ comes from Giles and Tim Middleton in their book
Studying Culture’s, 1999, they said that representation has three senses, there are to stand in for menyimbolkan sesuatu, to speak on behalf of mewakili sesuatu, and re-present
menghadirkan kembali.
17
From the theories of representation above, the writer will use the constructional approach, it is an approach that does not represent the real world but construct the new world with the part
necessity from the representation maker. The representation is a meaning; it explains who makes the representation. Representation of masculinity sees as the subject and object where is the
subject is movie and object is bond masculinity.
18
Movie or Hollywood represented the masculine since 1950s toward their trend of machismos such as cowboy movies. In the last 1970s, Hollywood introduced the new
perspective in representation of masculinity that had more range such in term of patriarchy.
B. Janet Saltzman Chafet Concepts
17
Judy Giles Tim Midleton.”Studying Culture A Practical Introduction Blackwell Publishers, 1999p.57
18
Dan Sperber. Explaining Culture: A Naturalistic Approach. Oxford: Blackwell Publisher, 1996 cet. Ke- 1, h, 53.
Beside the constructional approach, the analysis uses masculinity of Janet Saltzman Chafetz concepts she is one of the most prominent feminist theorists committee to developing
scientific explanations of gender stratification in the 1960’s and early 1970’s. The characteristic of Janet’s masculinity concepts has seven areas or forms in general culture. The first is the image
of men’s physic, it concerns virile, athletic, strengthen, and unconcern of appearance and aging, it describes masculinity characteristic from men body whether it is virile and athletic, also men
power such as strong and brave. He is not afraid of anything and he is a savior for his women, relatives, and himself. The second is the image of men’s function, it concerns breadwinner and
provider, it is about men as family’s backbone or for him self. The third is men’s sexual desire, it concerns sexually aggressive, experience, and acceptable single status, where men have a
relation with women without emotion or love. The fourth is the image of men’s emotion, it concerns his emotion stability or having self-control emotion. The fifth is the image of men’s
intellectual , it concerns logical thinking, intelligence, objective, and practice, those are
cleverness of men. The sixth is the image of men’s personality, it concerns of dominating, disciplinarian, independent, and individualistic, where authority and responsibility men should
be done. Then, seventh is the other men’s areas, it is concerning of ambitious, proud, egoistical, moral, trustworthy, decisive, competitive and adventure.
19
Beside the representation theory and masculinity concept, there are mise-en-scene to clarify the sign and symbol masculinity in the movie.
C. Mise-En-Scene
19
Victorian Masculinity, The Free Encyclopedia. May 18, 2007 http:en.wikipedia.orgwikiVictorianMasculinity,
Mise-en-scene means “staging in action” and it was first applied to the practice of directing plays
20
. Realism, mise-en-scene as a standard of value, however, raises several problems. Notions of realism change across cultures, through time, and even among
individuals.
21
In film, mise-en-scenes has power delightfully of unreal world wholly obedient to the whims of the imagination.
22
The aspects of mise-en-scene are setting, costume and make up, and Lighting
.
23
Setting is one of important aspect of film and theater. The filmmaker may control setting
in many ways.
24
It is used to select an already existing locale in which to stage the action. In movie, some directors have emphasized historical authenticity to improve the story, however,
that realism in settings is largely a matter of viewing conventions. The setting of Film is not taken from black and white, but taken from colors and it can be an important component of
setting. Costume
has the same function as setting. Costume has specific functions in the total film, and the range of possibilities is huge.
25
Costume may furnish props for the film’s ongoing narrative system,
26
and it closely coordinates with setting. Costume and make up are used in film to perfect the shoot, where Make up was originally necessary to the present,
27
it has been used in various ways to enhance the appearance of actor on the screen. The last is lighting, it shapes
objects by creating highlights and shadows.
28
Much of the impact of an image comes from its manipulation of light. In cinema, lighting is more than; just illumination that makes us easier to
20
David Bordwell Kristin Thompson. Film Art ‘An Introduction. University of Wisconsin. McGraw. Hill, inc. 4
th
, ed. P.145.
21
Ibid, p. 146
22
Ibid, p. 148
23
Ibid, p.148
24
Ibid, p. 148
25
Ibid, p. 150
26
Ibid, p. 150
27
Ibid, p. 151
28
Ibid, p. 152
see the action. Lighter and darker areas within the scenes help in creating the overall composition of each shot and guide us to certain objects and action.
D. Masculine Color
