Review of Related Studies

are treated very poorly for being a successful farmers, therefore, white people hate them and considered them as the enemy of white dominance. Emiko, here, is described as depressed, isolated and victimized. The money she saves to go back to Japan has been stolen by her husband. Her dream is already crushed and she changes her strategy. She commits suicide as she is dancing and singing to her favorite song, “And The Soul Shall Dance”, she chooses death over a life of abuse and servitude at the hands of her husband. Terry explains that Emiko’s death is a form of freedom, a freedom from the oppression she had experienced back then and finally, her soul is free to sing and dance. Roberta Uno in says that Wakako Yamauchi based the main character in her play entitled The Music Lesson on a widow she once knew in her neighborhood when she was just a girl. Yamauchi, as cited by Uno, said that she admired this woman back then, that woman worked in a field and always wore her dead husband’s clothes. Yamauchi described her as a woman who looked so fragile yet she was able to drive truck, ran a piece of land and raised children alone. In The Music Lesson, Yamauchi implicitly comments on the lack of choices for many Issei women and their misery because of the sense of sacrifice and obligation. Yamauchi also points out the suffering of those women who failed to adjust to their arranged marriages when Chizuko, the main female character, gives responds to her daughter accusation that she never loved her dead husband, says, “How could I love him? I didn’t know him.” Furthermore, Uno states that the sense of people who are isolated from each other by physical distance, occupied by their burden of labor, challenged by different culture values, gives impression that The Music Lesson is not merely a simple love story, it also presents a chronology and problems of Asian- American seen through women’s perspectives. Another study about Wa kako Yamauchi’s work comes from Valerie Matsumoto in the journal entitled Songs My Mother Taught Me: Stories, Plays, and Memoir, by Wakako Yamauchi , she writes, Mother-Daughter Relations often form the axis around which Wakako Yamauchi’s stories revolve. Her women—strong willed farmers, awkward adolescent, middle-aged divorcees —struggle to sort through the lessons their mothers tried to instill Matsumoto, 1994: 8 In The Music Lesson , an Issei farm widow and her stubborn teenage daughter argues over the attentions of an appealing nomadic worker. Their conflict, as Matsumoto says, reflects the big difference in women’s expectation and experience. The Issei woman character, Chizuko, described as a mother who always concerns about how she can support her family in order to keep alive. She is influenced by American’s ideals of individualism and personal fullfillment. Meanwhile Aki, her daughter, gets tired of her mother’s monotonous work and start demanding more. Yamauchi’s stories often depict the relationship between mother and daughter, the tie they have, construct a source of their hugest vulnerability and their deepest grounding. In addition, Yamauchi always inserts art in her men and women characters’ hearts in her works. In And The Soul Shall Dance, for instance, the Japanese song which is repeatedly played on a Victrola, provides a nostalgic memory to their homeland. For the Nisei teenager, Aki, in The Music Lessson, the violin music she plays symbolizes her yearning of love. In writing her work, Yamauchi tends to emphasize commitments, compassion, love rather than false glamour and glibness. Matsumoto explains that Yamauchi’s capability to explore the relation between immigrants and their American-born children, gives a clear picture of suspenses and delicate negotiations, as well as shared roots that bind them. In this study, the writer would like to reveal the struggle of Chizuko Sakata as an Issei widow seen through the postcolonial feminist perspective. By analyzing Chizuko Sakata, the writer wants to describe how a Japanese woman immigrant strives for survival and adjustment to isolated life. This thesis, examines how patriarchy emerges within immigrant community and restricts women’s movement. Moreover, the writer also reveals that conditional reason and experiencescan give influence to the main character and play the important role in constructing attitudes and perspectives about woman being independent.

B. Review of Related Theories

1. Theory on Character and Characterization

Christopher Russel Reaske in How To Analyze Drama argues that in a play, there is no narration or description about the characters since all the characterization is conveyed through dialogue. The combinations of speeches and actions throughout a play, small asides and jokes, the short angry speeches, the length diatribes help our mind understand the characters in a drama as people who might really exist Reaske, 1966:40. Reaske also says that there are some devices of characterization made by the dramatist to help us analyze the characters in a drama. Some of these devices as follow

a. The Appearance of The Character

In the prologue or in the stage directions the playwrights often give descripti on on the characters’ physical sense. We can learn from the stage directions how they look, how they walk onto the stage and how they dressed up. For short, from their appearances, we can put our first understanding of certain characters in a drama.

b. Asides and Soliloquies

All of the further characterization established through dialogue. We learn how they speak, and we understand them specifically when they speak in short aside or in longer soliloquies. From these, we can tell if the characters are antagonists or protagonists.

c. Dialogue between Characters

The language or diction that the characters use when they talk to other characters throughout the drama also gives contributions in revealing their personalities.

d. Hidden Narration

The playwrights always implicitly give a clue about the characters through other characters. It often occurs in a drama when a certain character narrates something about another character.

e. Character in Action

As characters become more engaged in the certain situations, we can gradually learn more about them. When they get involved in the action of the play, they must perform particular acts which later will slowly reveal their motivations in behaving that way.

2. Theory of Postcolonial Feminism

This thesis deals with feminism, therefore, it is important to know about the general idea of feminism which is equality. Jo Freeman in Women: The Feminist Perspective says that either men or women were born free and want to place equally. In front of God, they have the same right in life. The purpose of equality is to avoid the justice of some existing inequality treatment. It means that women should have the same right as men have Freeman, 1975: 439. Peter Barry in Beginning Theory: An Introduction To Literary And Cultural Theory