57 painting painted by her sweetheart and burry herself in a long sadness for
twenty years. She also regard Kafka as her sweetheart. Secondly, Saeki manifests her love to her child by leaving him. The reason why she
decided to leave her child is that she has a traumatic experience of losing a person she really loves. The motivation of leaving Kafka is not because
Saeki does not love her child. However, it is because Saeki really loves the child. She prefers to leave the child first before he is taken from her
side.
B. Suggestions
This part is divided into two, namely suggestion for Future Researchers who are interested to analyze this thesis and suggestion for
Teaching Learning Process.
1. Suggestion for Future Researchers
The novel of Kafka on the Shore by Haruki Murakami is an interesting novel. It is also inspiring. Murakami packs the novel with a
good storyline, beautiful language, some proverbs, and makes impossible things occur in this novel.
There are still many aspects that can be analyzed by future researchers. Thus it is suggested for future researchers to discuss some
possible aspects. Firstly, future researchers can analyze the aspect of
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58 Oedipus Complex suffering by Kafka. Secondly, future researchers can
analyze the aspect of realism occurs in the story of this novel. Thirdly, future researchers can analyze the painting of Kafka on the Shore.
Secondly, future researchers can also analyze the meaning of the lyric the poem of Kafka on the Shore.
2. Suggestion for Teaching-Learning Process
Literature, especially novels presents an enjoyment of reading using the particular language. It is because by reading, people will get a new
knowledge, for example they can enrich new vocabularies, the content of the story, and the value they can draw from the story.
Since literature provides a lot knowledge and gives enjoyment, it can be used as a source of teaching learning process. The writer uses the some
part of Murakami’s Kafka on the Shore as a source of teaching learning process. Writing is one of language skills that provide opportunities for
students to explore their ideas and express them freely. Walvoorld 1985 says, “Writing is a useful tool for discovering and thinking. It is the vital
connection on which education, culture, and commerce in our social depend. It is crucial to you as a person and professional”
There are some models of writing, for example descriptive, narrative, procedure, persuasive, and argumentative. The descriptive
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59 writing is a model of writing to create a description of a place, a person, or
a thing. While, descriptive writing is included in Paragraph Writing. Thus the writer uses some part of the novel of Murakami’s Kafka on the Shore
as a model of descriptive writing in Paragraph Writing. The model of writing is taken from Murakami’s Kafka on the Shore page 232 and 181.
The writer uses those pages because page 232 consists of the description of thing, while page 181 consists of the description of place.
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60
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Allport,G.W. 1937. Personality: A Psychological Interpretation. New York: Henry Holt.
Atkinson, R. L., Richard C. A, and Ernest R. H. 1981 Introduction to Psychology: 8
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ed. New York: Harcourt Brace Jovanovich Inc.
Beck, Robert C. 1978. Motivation: Theories and Principles. New York: Prentice Hall
Blackmore, S. 1983. Beyond The Body. London: Granada. Coleman, James. 1976. Abnormal Psychology and Modern Life Fifth
Edition . Illionis: Scott Foreman and Company.
Crowther, J. 1995. Oxford Advanced Learner’s Dictionary. 5
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Davidoff, Linda L. Introduction to Psychology. 3
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Feist, Jess Gregory J. Feist 2006. Theories of Personality. 6
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Edition. New York: The MCGraw-Hill Companies, Inc.,
Freud, S. 19231961a. The Ego and The Id. In Standard edition Vol.18. Fromm, E.1986. For The Love For Life.
H. J. Schultz, Ed.,; Robert Kimber Rita Kimber, Trans. New York: Free Press. Original
work published 1972, 1974, 1975, 1983 Fromm, E.. 1956. The Art of Loving. New York: Haper and Brothers
Publishers. Fromm, R. 1981. On Disobedience and Other Essays. New York: Seabury
Press. Hauck, P. 1983. How to Love and Beloved: Overcoming Common
Problems. Londong: Sheldon Press.
Henkle, R, B. 1977. Reading the Novel: An Understanding to Techniques of Interpreting Fiction.
New York: Harper and Row Publisher.
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61 Hillman, J. 1985. Anima : An anatomy of a personified notion. Dallas, TX
: Spring Jung, C. G. 19541959a. Archetypes and the collective unconscious. In
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Maslow, A. H. 1970. Motivation and Personality 2
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Murakami, H. 2005. Kafka on the Shore. New York: Division of Random House, INC.
Murphy, M.J. 1972. Understanding Unseen. London: George Unwin Ltd.
Rohrberger, M. and Samual H. W, Jr. 1971. Reading and Writing about Literature.
New York: Random House, Inc. Stanton, Robert. 1980 An Introduction to Fiction. New York: Holt,
Reinhart, and Winston, Walvoord, Barbara Fassler. 1985. Writing: Strategies For All Discipline.
New York: Prentice Hall.
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Freud, Sigmund. Theories of Personality. Accessed from http:psychology.about.comodtheoriesofpersonalitysspsychosexu
aldev_7.htm on March, 2011. Levitan, Lynne and Stephen LaBerge, 1991. Other World: Out-of-Body
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Lucid Dreams.
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http:www.lucidity.comNL32.OBEandLD.html on
February 2,
2012. Cherry, Kendra. ____. Theories of Personality. Accessed from
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62 Maslow, A. H. 1970. Levels of Motivation. Accessed from
http:www.businessballs.commaslowhierarchyofneeds5.pdf on
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Naomi. 2007.
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September 13 , 2011
______, ________. Accessed from http:sastrabudayajepang.blogspot.com200911biografi-haruki-
murakami.html, January 8
th
, 2012
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APPENDICES
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APPENDIX A THE SUMMARY OF KAFKA ON THE SHORE
The novel tells about a fifteen-year- old boy, named Kafka who runs away
from home in order to look for her mother, named Saeki. The other
character in Murakami’s novel Kafka on the Shore was Nakata. Nakata was
an old man who lost his memory because of a mysterious occurrence that happened when he was an elementary
school student. Nakata became empty, even he couldn’t read. However, Nakata could talk to cats and predict thunder and leeches and fishes rain from the sky.
Kafka Tamura and Nakata didn’t know each other. Yet, their adventures ran parallel. Their adventures centered on Miss. Saeki.
Saeki is elegant, artistic, egoist, a smart, mysterious, faithful, melancholic, and mystical. When she was in grade school she had a sweet heart. They are very
happy couple. Both of them have a good artistic talent. Saeki is able to sing and write poems, while her sweetheart is able to paint. When they were fourteen,
they went to the beach near to Komura Memorial Library. Saeki’s sweetheart paints and she accompanies him. The painting is titled Kafka on the Shore.
The boy continued his study in Tokyo. Both of them could not see each other for a long time. When she was nineteen, she wrote a poem which
expressed her feeling to the boy. The meaning of the poem was like the painting which was painted by her sweetheart when they w ere fourteen. She set the
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poem to music, played the piano and sang it. The title of her poem was Kafka on the Shore. When she was twenty, she had to lose her sweetheart, the one she
loved with all her heart. The death takes his soul back to the Creator. It was a very difficult shock for her. She stops to sing, drops from college, and nobody
knows where she is. Even she does not go to his sweetheart’s funeral. No one knows where she had been, even her parents and best friend.
Many rumors come about her. Some people say that she is committed to mental hospital after a failed suicide. The others said that she works in Tokyo; gets marry
and had a child. Twenty five years later, she came back and talked to Komura Family, the family of her sweetheart. Then she becomes the head of Komura
Private Library. Even though she comes back and becomes the head of Komura Private Library, the death of her sweetheart still influences her. She becomes a
mysterious woman. She is always polite and kind, she close herself. She rarely talks about herself especially her past. She hides her true feeling from other
people. The mystery of her life is revealed after Kafka, fifteen-year-old boy, finds
her with the theory that she is his mother who was abandoned him since he was a kid with an unknown reason. Then Kafka proves that he is Saeki’s mother.
The love for her sweetheart is so deep as if he was her soul. When the soul goes, she loses the willing to live. When Saeki dies, her spirit flies and meets
Kafka. She confesses the truth that she is Kafka’s mother who leaves him and apologizes to him. She leaves Kafka not because she does not love him, but it is
because she loves him very much so that she does not want to lose him as she loses her sweetheart.
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APPENDIX B HARUKI MURAKAMI
Haruki Murakami is described by many people as Japans best living writer. Sometimes he is referred to a Japanese Jay McInerney or Bret Easton Ellis
and compared with Franz Kafka, Thomas Pynchon and Raymond Carver; he often writes about lowlife characters in bizarre situations and spices his novels with
American lingo and references to things like Dunkin Doughnuts, MTV, Talking Heads and Van Halen. He has said that one of his primary goals in life has been to
escape the “Japanese condition” at all costs. The writer Ginki Kobayashi wrote in the Daily Yomiuri, “Murakami was
completely different from his predecessors. He managed to detach himself from Japan’s literary past while creating a fictions world that felt very close to home
for his country’s younger generation...It felt fresh at the same time as being familiar.”
Murakami heroes are often dull ordinary people who have extraordinary things happen to them. Joseph Colem of AP wrote, Murakamis books are full of
disoriented twists: Characters crawl down wells and slip into netherworld; they come face to face with evil and lose their souls; their personalities split
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apart...The darkness is his work, however, is balanced by a dose of humor and self-effacement.
John Updike wrote in The New Yorker: “Though his work abounds with American culture, especially its popular music, and though he details a banal
quotidian with an amiable flatness reminiscent of Western youth and minimalist fiction in the hangover 1970s, his narratives are dreamlike, closer to the vivid
surrealism of Kobe Abe than to the superheated but generally sold realism of Mishima and Tanizaki.”
Haruki Murakamis Life
Murakami was born in Kyoto, grew up in Kobe, and attended Waseda University in Tokyo. His parents were teachers who taught Japanese literature
and talked about it all the time, so much so that Murakami said he hated the subject and became interested in Western literature. He spent his youth reading
American novels, and listening to Western pop music and jazz. He began writing his first novel, Hear the Wind Sing 1979, in English and didn’t really explore
Japanese literature until he was well established as a writer. After graduated from university Murakami worked for several years as a
jazz bar owner. On that period of his life he told Israeli interviewer Yediot Aharonot, “Every night, I had to speak with the customers. In those seven years, I
did enough talking for a lifetime. Afterwards I made an oath to myself that I wouldn’t talk to anyone to whom I really didn’t want to talk to.”
While he ran the bar, Murakami smoked three packs of cigarettes a day and stayed up late and slept late. When he gave up the bar he radically changed
his life, replacing cigarettes and booze with running and going to bed early, around 9:00am, and waking up 3:00pm to write. He told Roland Ketts in the Daily
Yomiuri, “I actually lost a lot of friends when I made the change. They just
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couldn’t understand and got angry...You know, nightlife is kind of an illusion. You think there are all these gorgeous things happening late at night, and sometimes
they happen. But mostly, it’s just boring.” Murakami is remains dedicated runner. He began running seriously at the
age of 33 in 1982 and has competed in more than 60 marathons and completed an ultra-marathon of 62 miles in 1996. In recent years he has gotten into
triathlons. He likes to listen to Eric Clapton when he runs and even published a work on his interest in running called What I Talk About When I Talk About
Running by Haruki Murakami Knopf, 2008. He is also fan of the Yakult Swallows, a Japanese baseball team.
An Israeli newspaper described Murakami as a “very polite person who watches the level of the wine in everyone’s glasses and discreetly fills them” and
asked everyone about their childhood. On his wife Yoko, Murakami told Araonot, “She’s a very strict editor who makes many [critical] remarks.” He said he is
childless because he is too busy writing and traveling.
Murakami Leaves and Returns to Japan
Murakami has always viewed himself as an outsider. Despite his popularity many Japanese don’t like him and even the people who like him
dislike many of his books. In the late 1980s after Norwegian Wood became a big success Murakami
and Yoko moved to Europe and then the United States, mostly in Hawaii. He taught for a while at Princeton and began translating books by famous American
writers like F. Scott Fitzgerald and Truman Capote into Japanese. When he and Yoko came back to Japan for periodic visits they did so quietly and discreetly.
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Murakami told Araonot, that he left Japan and settled in the United States because he found Japan “distressing and pressuring” him. “It is a very
homogeneous and restricting society—120 million people who are like one person,” he said. In a discussion at Berkeley he said, “Some critics and other
writers hated me because I was different. I was called a punk, a con man. Some kind of swindler. Being different is difficult in Japan...They hated me so I left.”
The Kobe earthquake and siren gas attacks in the Tokyo subway in 1995, drew Murakami back to Japan. The Kobe earthquake destroyed his parent’s
house. The tone of his books changed as he dealt with serous topics with serious fiction and nonfiction books. This alienated many of his fans who preferred his
dreamy, irreverent books.
Murakami on Writing
Murakami has described writing novels as “telling skillful lies...to reveal the truth” with the goal of communicating “private language”—which one feels
but can’t explain to others in words—through “objective language”—logical language easily communicated to others—and better yet allowing the two kinds
language to interact and enhance each other. Murakami wrote “Most of what I know about writing I’ve learned through
running everyday. He has said that writing, like running, requires, in order of importance, talent, focus and endurance, he also said that writing is
fundamentally “an unhealthy type of work” because brings the writer is face to face with the “toxin that lies deep down in all humanity” and without which “no
creative activity in the real sense can take place.” Regarding his characters Haruki Murakami told Tokyo University lecturer
Roland Kelts, “They are so lonely, but at least they have their styles and
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obsessions for survival. If their lives are empty of meaning, purpose or goals, they adopt a kind of postmodernist view—surviving a meaningless life strictly on
their own obsessions, their tastes in things, their styles.” In 2006, 57-year-old Murakami released a translation of The Great
Gatsby. He had once said the book was “the most important novel in my life” and once said he wished to translate it when I reach 60.” He also translated
Catcher in the Rye by J.D. Salinger and the complete works for Raymond Carver as well as works by John Irving and Tim O’Brien.
Some have compared Murakami’s works to the films of Dennis Lynch and TV programs like Monty Python. Two Murakami stories have been made into
films: Tony Takitani and Kaze no Uta o Kike “Hear the Song if the Wind”. In October 2006, Murakami was awarded the Franz Kafka International Literary
Award. Murakami told Roland Ketts in an article in the Daily Yomiuri, “My readers
are the most important thing to me. It doesn’t matter what the critics say. If you are a writer, and you have your readers, you can survive.” He also commented
how his readers seem to get younger as he gets older. When he writes a novel he often opens a website and communicates to readers through e-mail, blogs and
bulletin boards. Murakami told the New York Times that the theme of many of his works
in an ordinary person involved in an extraordinary event, “because I’m an ordinary man, I wrote about ordinary people,” he said, adding, “readers in Asian
countries, such as China and South Korea , tend to accept extraordinary events without questioning them, or thinking them strange, unlike readers from
Europe.”
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Murakamis Books
Murakami had written 27 novels as 2004. Norwegian Wood 1987, Murakamis bestselling book, sold more than 4 million copies in Japan and
millions more overseas and has been translated into 40 languages. The title refers to a Beatles song. The book itself is about a teenage suicide and young
mans first tragic love. An experiment in realism, it was much different than his earlier fantastic novels. He wrote most of the book in Rome.
Other Murakami books include Dance, Dance, Dance 1988, about a divorced man who steps off an elevator into a parallel universe; Hard-Boiled
Wonderland and the End of the World 1985, a hilarious book regarded by some as his masterpiece; Sputnik Sweetheart, about a lonely man in love with a
woman who loves another woman; The Wild Sheep Chase 1982, with reference to sheep in Hokkaido; South of the Border, West of the Sun 1999; and All Gods
Children Can Dance 2000, about a man’s relationships with his father and son, and set in his home town.
The Wind-Up Bird Chronicle Knopf, 1995 is regarded by some as Murakami’s best work. It is set during a 1939 battle in which Japanese troops
were slaughtered by Soviet tanks in Mongolian Desert because the Japanese leaders though they were assured of victory because they had been given a
blessing by the Emperor. The main character is looking for his cat. A passage from The Wind-Up Bird Chronicle goes The cat has run away.
Strange calls had come from a strange woman. I had met an odd girl and started visiting a vacant house. Noboru Wataya had raped Creta Kano, Malta Kanao had
predicted Id find my necktie.
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Recent Murakami Books
Underground 1997 is a collection of interviews with Aum cult members and survivors of the sarin gas attack in Tokyo in 1995. After the Quake Knopf,
2002 is a collection of stories related to survivors of the Kobe earthquake in 1995. Murakami’s parents had been left homeless by the quake. He said that
writing these two books changed him, filling him with a sense of duty as a writer and a person that he hadn’t had before. Blind Willow, Sleeping Woman, released
in English in 2006, is a collection of 25 “strange tales” taken from his entire career.
Umibe no Kafuka “Kafka on the Shore” was selected by the New York Times as one of the 10 best books on 2005. Critics who liked it praised it for its
use of strange worlds and interconnected stories that attempt to tackle some of the big questions about life. Critics who didn’t like it said it went off on too many
irrelevant tangents and came across more as a lecture than a novel. The book is about a 15-year-old boy names Kafka who makes some strange friends in a
library. John Updike wrote in The New Yorker that it was “a real page-turner as well as an incessantly metaphysical mind-bender.” In Japan, the two volumes of
Kafka on the Shore sold 738,00 copies. IQ84, Murakami’s first novel in over five years, hit the stores in Japan in
May 2009 and flew of the shelves, selling faster than any of his previous books. Inspired by George Orwell’s 1984 and released in two volumes, it sold more than
1 million copes within two weeks of its release and 1.5 million within the first month.
IQ84 is almost 2,000 pages long and features a main female and main male characters who narrate alternating chapters. Murakami began working on
the book in Hawaii and spent two years writing it. On writing it he told the
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Yomiuri Shimbun, “I only had two things in mind: That the story would be about a man and woman, both 30 years old, who search for each other after meeting
and parting at the age of 10; and that I’d make this simple story as long and complicated as possible. If I start out thinking about the plot, things don’t go
well...I don’t want t spend two years writing a story whose plot I already know.” Murakami said that among the things that motivated and inspired him to
IQ84 was the Aum Supreme Truth cult, especially the case of Yasuo Hayashi, who was responsible for the death of eight people in the Tokyo sarin gas attack in
1995 and received a death sentence for that but, according to Murakami, joined the cult without knowing what he was doing and was brainwashed to commit
murder. Murakami told the Yomiuri Shimbun, “I attended as many hearings [of Aum trials] at Tokyo’s district and high courts as I could,. At that time I imagined
the terror of being left alone on the other side of the moon where a Joe Blow unwittingly commits a felonious crime and ends up becoming a death row
convict...I considered for years the meaning of this.” The third volume of IQ84 went on sale in Japan IN April 2010. Murakami
said that he was motivated to write IQ84 by the September 11th 2001, terrorist attack on the United States, telling the Yomiuri Shimbun that the attack “seemed
to have spread international sentiment that a separate and different world may exist with our own...I felt compelled to write about the surreal belief that our
world may exist in parallel with another where there has been no Iraq war and [the United States] is led by a different president.”
Popularity of Murakami Abroad
Norwegian Wood, the movie Murakami is widely read in Asia. Over 1.3 million legal copies of
Norwegian Wood and 300,000 copies of Kafka on the Shore have been printed in
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China and no doubt many tomes more illegal copies have been sold. . Norwegian Wood, sold under name translated to mean The Age of Derivation, has sold well
in South Korea. Murakami’s works have been translated into 40 languages. They are also
widely read in Europe and the United States. Kafka on the Shore topped the bestseller lost in Austria. More than 2,000 people came out to see Murakami in a
stage discussion in San Francisco and fans lined up for hours to get a signed book.
Murakami has been awarded the Jerusalem Prize and Franz Kafka Prize and is touted as a future winner of the Nobel Prize. Murakami received the
Jerusalem Prize in Jerusalem when Israel was carrying out a large-scale offensive in the Gaza Strip and condemned Israel for its aggression at the award ceremony.
The film version of Norwegian Wood, is being directed by Vietnamese director Anh Hung Tran. For many this was a surprise because Murakami has said
before the only director he would let handle his works were Woody Allen and David Lynch.
Haruki Murakami was awarded Spain’s top culture award, the order of Arts and Letters, in 2009. He is popular in Spain.
Text Sources: New York Times, Washington Post, Los Angeles Times, Daily Yomiuri, Times of London, Japan National Tourist Organization JNTO, National
Geographic, The New Yorker, Time, Newsweek, Reuters, AP, Lonely Planet Guides, Compton’s Encyclopedia and various books and other publications.
Taken from http:factsanddetails.comjapan.php?itemid=677catid=20subcatid=128
accessed on January 24, 2012 at 4 PM
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APPENDIX C THE COVER OF
KAFKA ON THE SHORE
Scanned Cover
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APPENDIX D LESSON PLAN
Subject
: Paragraph Writing
Semester
: 2
Time Allocation
: 2x50 minutes
Teaching Method
: Lecturing, Discussion, Individual Work.
Source
: Page 232 and 181 of Murakami’s Kafka on the Shore
Learning Material
: Enclosed
A. Competence Standards: