Language Features of Narrative Text

It can be called as an introduction of the story which tell about the character, setting and time where the story is established. The second element of narrative text is complication. This element is the problems or conflicts arise. Then, sequence of events is events which happened in story. It tells about ups and downs the story. The next is resolution. Resolution tells how the problem is solved, for better or worse. The semantic structure of narrative text, as follows: Bandung Bondowoso and Roro Jonggrang The Legend of Prambanan Temple . Once, there was a beautiful Javanese princess whose name was Roro Jonggrang, Roro Jonggrang whose beauty was very famous in the land was the daughter of Prabu Baka, an evil king. One day, a handsome young man with supernatural power, named Bandung Bondowoso, defeated and killed Prabu Baka. On seeing Princess Roro Jonggrang’s beauty, Bandung Baondowoso fell in love and wanted to marry her. Meanwhile, Princess Roro Jonggrang felt sad due to the death of her father. She didn’t want to marry Bandung because he had killed her father. But she was also afraid of Bandung. So to refuse politely, she made a condition. “I will marry you but you have to build one thousand temples in one night as a wedding gift.” requested Roro Jonggrang. Bandung agreed with this condition. Helped by the spirit of demons, Bandung Bondowoso started building the temples. Approaching midnight, the work was nearly done. Roro Jonggrang knew and thought, “What shall I do? Bandung is smarter than me. I will lose against Bandung.” Suddenly she got an idea. She woke up all the women in the palace and ordered them to make the noisy sounds of grinding rice so that the roosters would think it had already done. Bandung Bondowoso got frustrated because he felt to complete the thousandth temple. “The princess deceived me” following his anger, he cursed Roro Jonggrang, “You have cheated me. Now, the thousand temple is you” Orientation Major Complication Complication Resolution Resolution Complication At once the princess turned into statue. Knowing this, Bandung Bondowoso regretted this and he went away into a far land. From then, people called it Prambanan temple and the princess statue called Roro Jonggrang Statue.

4. Strategies in Reading Narrative Text

Reading can be difficult activity if the reader doesn’t know the strategy how to read it. There are some strategies which are offered. The first strategy is from Mikulecky. According to her, there are ssome strategies that can be used in reading a story in narrative text. 45 The first is the teacher asks the students to read the title. It is helpful for the students to know what is the story is going to be read by them. Then, the teacher commands the students to read the story from the beginning to the ending. After reading whole text, the teacher requests the students with their friends using the comprehension questions Here are those comprehension questions: asking about the characters in the story, using “who was the story mainly talk about? ”, then, asking about the setting of the story, e.g., “when did the story take place?, asking about of the main character’s purpose, asking about the complication in the story e.g., “what was the problem in the story? ”, “did character have trouble?, asking about the resolution in the story e.g., “What did character try to solve?”, “Was it hard to solve the problem?”, “Was the problem solved?, “Did character get what heshe wanted?”, asking the coda or moral value of the story , e.g., “What lesson did the story to tell you?”. After asking them to do those comprehension questions, the teacher ask them to work in a group of three or four students, them retell the plot of the story. Those srategies above can be applied in teaching reading narrative text to the students. While applying the strategy, the writer could ask the students to read the title, to read the passage, to answer the comprehension questions, and to work in a group to retell the story. Giving the comprehension is very important to know how far the students comprehend the story. 45 Beatrice S. Mikulecky, More Reading Power: Reading for Pleasure, Comprehension Skills, Thinking Skills, Reading Faster, New York: Pearson Education Inc., 2004, p. 4. Major Resolution Lewin also mentioned six strategies that can be used in reading narrative text by effective reader. 46 The first is plot identification. It means when the students read the text, they should identify plot of the sory. The next is main ideas selection. In this step, the students select the main idea of each paragraph to know what is telling in a whole of text. When the students know each main idea of ech paragraph, it will facilitate them to understand the full story which is telling. The third is major and minor characters distinction. It means the students must be able to differenciate who is the major and minor character. The ability in differentiating will help students to know who is the character is mainly told. The next is significant and supporting details difference. The fifth is moments, conflicts, and resolution description. This is very helpful when the students want to know the story structure in the narrative text such as problems appeared or solutions used. The last is purposeful summary creation. The students can write a summary which related to the story. Those steps above can be done in reading narrative class. Those steps can be a guidelines to students. They could know which part that must be read carefully, which part that must be comprehend more. Further, those steps above has covered the whole elements in narrative text, such as, plot, main idea, characters, orientation, complication, resolution, and coda.

C. Story Mapping

1. General Understanding of Story Mapping

Before knowing the definition before, it is better to know the origin of story mapping first. Farris stated that: The origin of story maps lies within story grammar research. The term story grammar refers to the hierarchical rules or psychological structures that people use to create and remember stories, the skeleton underlying story, so to speak. These are psychological models of comprehension formation in their long-term memories. 47 46 Lewin, op.cit., p. 13. 47 Farris, et. al, op. cit., p. 345.

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